SYDNEY PROGRAM GUIDE Sunday 06Th October 2013
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Bradley Whitford and Rob Lowe [Intro Music]
The West Wing Weekly 4.06: “Game On” Guests: Bradley Whitford and Rob Lowe [Intro Music] HRISHI: You’re listening to The West Wing Weekly, where it is a very special and exciting day. JOSH: A Very Special Episode…of Blossom. HRISHI: I’m Hrishikesh Hirway. JOSH: And I’m Joshua Malina. HRISHI: You may know Joshua Malina from such things as this episode. JOSH [laughter]: Oh, man. Is there gonna be a lot of this? HRISHI: How did it feel to watch yourself on screen for the first time? JOSH: I’m almost embarrassed to admit I had butterflies in my stomach when I watched it. HRISHI: That’s great. JOSH: And it wasn’t nerves or anything, it’s literally like I was tying in organically to the excitement of that job and getting that job. I didn’t expect it at all. But yeah, that was like a very special time of my life, and as I started to watch it I just got, like, chills. HRISHI: You had a Proustian moment? JOSH: Yeah, exactly. HRISHI: You were transported. That’s great. In this episode, of course, we’re talking about “Game On.” It’s episode six from season four. JOSH: It was written by Aaron Sorkin and Paul Redford. It was directed by Alex Graves, and it first aired on October 30, 2002. HRISHI: This episode is a famous one because it features President Bartlet debating Governor Ritchie. There’s also some stuff about Qumar, there’s some stuff about Toby and Andy, but the real headline is that baby-faced Joshua Malina makes his first appearance as Will Bailey, who’s running the Horton Wilde campaign from a mattress store in Newport Beach. -
Kulturní Stereotypy V Seriálu Futurama Petr Bílek
Filozofická fakulta Univerzity Palackého v Olomouci Katedra žurnalistiky KULTURNÍ STEREOTYPY V SERIÁLU FUTURAMA Magisterská diplomová práce Petr Bílek Vedoucí práce: Mgr. Lukáš Záme čník, Ph.D. Olomouc 2013 Prohlášení Prohlašuji, že jsem p řiloženou práci „Kulturní stereotypy v seriálu Futurama“ vypracoval samostatn ě a použité zdroje jsem uvedl v seznamu pramen ů a literatury. Celkový po čet znak ů práce (bez poznámek pod čarou a seznam ů zdroj ů) činí 148 005. V Olomouci dne ........... Podpis: 2 Pod ěkování Rád bych pod ěkoval Mgr. Lukáši Záme čníkovi, Ph.D., za vedení mé práce. Mé díky pat ří také Mgr. Monice Bartošové a Mgr. Šárce Novotné za jejich inspirativní p řipomínky a Zuzan ě Kohoutové za neúnavný dohled nad jazykovou stránkou práce. 3 Anotace Kulturní stereotypy jsou b ěžnou sou částí mezilidské komunikace a pomáhají lidem v orientaci ve sv ětě. Zárove ň v sob ě skrývají spole čenské hodnoty a mohou být nástrojem moci. Má práce zkoumá jejich užití v amerických animovaných seriálech Futurama a Ugly Americans. V práci jsem užil metodu zakotvené teorie. Pomocí jejích postup ů jsem vytvo řil osm tematických kategorií užitých stereotyp ů. Ty jsem pak mezi ob ěma seriály komparoval. Krom ě samotného obsahu stereotypního zobrazování má práce zkoumala jednotlivé strategie jejich užití. Klí čová slova: kulturní stereotyp, animovaný seriál, Futurama, Ugly Americans 4 Summary Cultural stereotypes are a common part of interpersonal communication, they help people to understand the world. They also include the social value and they can be an instrument of power. My theses investigates their using in American animated series Futurama and Ugly Americans. -
SIMPSONS to SOUTH PARK-FILM 4165 (4 Credits) SPRING 2015 Tuesdays 6:00 P.M.-10:00 P.M
CONTEMPORARY ANIMATION: THE SIMPSONS TO SOUTH PARK-FILM 4165 (4 Credits) SPRING 2015 Tuesdays 6:00 P.M.-10:00 P.M. Social Work 134 Instructor: Steven Pecchia-Bekkum Office Phone: 801-935-9143 E-Mail: [email protected] Office Hours: M-W 3:00 P.M.-5:00 P.M. (FMAB 107C) Course Description: Since it first appeared as a series of short animations on the Tracy Ullman Show (1987), The Simpsons has served as a running commentary on the lives and attitudes of the American people. Its subject matter has touched upon the fabric of American society regarding politics, religion, ethnic identity, disability, sexuality and gender-based issues. Also, this innovative program has delved into the realm of the personal; issues of family, employment, addiction, and death are familiar material found in the program’s narrative. Additionally, The Simpsons has spawned a series of animated programs (South Park, Futurama, Family Guy, Rick and Morty etc.) that have also been instrumental in this reflective look on the world in which we live. The abstraction of animation provides a safe emotional distance from these difficult topics and affords these programs a venue to reflect the true nature of modern American society. Course Objectives: The objective of this course is to provide the intellectual basis for a deeper understanding of The Simpsons, South Park, Futurama, Family Guy, and Rick and Morty within the context of the culture that nurtured these animations. The student will, upon successful completion of this course: (1) recognize cultural references within these animations. (2) correlate narratives to the issues about society that are raised. -
No More 2 X 3.5" Ad Kerry Washington Stars in the Series Finale of “Scandal” Thursday on ABC
2 x 2" ad 2 x 2" ad April 13 - 19, 2018 D A N E R A S C T H D B S P L 2 x 3" ad L M W Q I H U I L A K X C I T Your Key F X G N N O B L R V H S N K R To Buying R O C Y I M U Z H R W E I L F 2 x 3.5" ad V M I B R Y A N Z Y O B V S W and Selling! Q U G T E R I T N E C M A Y M S L F C L T E N T K H G L X B A L D P L Q J X D M E Q P G Y J E X C A F T E H V S X W M E W B A O B R O S N A N J E K L P E U G E Z K I R W E B T N X H T N B E N T L E Y Y T Y A H E N M Q R E Q N K G E M P B P G A L D E A N D F H Z U I R M L V U A W J V Z R X A W D U N 53rd Academy Of Country Music Awards on CBS (Words in parentheses not in puzzle) Place your classified (Miranda) Lambert (Luke) Bryan (Keith) Urban Solution on page 13 ad in the Waxahachie Daily (Reba) McEntire (Kenny) Chesney (Bebe) Rexha 2 x 3" ad Light, Midlothian1 x Mirror 4" ad and (Jason) Aldean (Lady) Antebellum (Florida Georgia) Line Ellis County Trading Post! Word Search (Kelsea) Ballerini (Maren) Morris (Las) Vegas (Dierks) Bentley (Thomas) Rhett (MGM Grand Garden) Arena Call (972) 937-3310 © Zap2it A ‘Scandal’ no more 2 x 3.5" ad Kerry Washington stars in the series finale of “Scandal” Thursday on ABC. -
Completeandleft
MEN WOMEN 1. JA Jason Aldean=American singer=188,534=33 Julia Alexandratou=Model, singer and actress=129,945=69 Jin Akanishi=Singer-songwriter, actor, voice actor, Julie Anne+San+Jose=Filipino actress and radio host=31,926=197 singer=67,087=129 John Abraham=Film actor=118,346=54 Julie Andrews=Actress, singer, author=55,954=162 Jensen Ackles=American actor=453,578=10 Julie Adams=American actress=54,598=166 Jonas Armstrong=Irish, Actor=20,732=288 Jenny Agutter=British film and television actress=72,810=122 COMPLETEandLEFT Jessica Alba=actress=893,599=3 JA,Jack Anderson Jaimie Alexander=Actress=59,371=151 JA,James Agee June Allyson=Actress=28,006=290 JA,James Arness Jennifer Aniston=American actress=1,005,243=2 JA,Jane Austen Julia Ann=American pornographic actress=47,874=184 JA,Jean Arthur Judy Ann+Santos=Filipino, Actress=39,619=212 JA,Jennifer Aniston Jean Arthur=Actress=45,356=192 JA,Jessica Alba JA,Joan Van Ark Jane Asher=Actress, author=53,663=168 …….. JA,Joan of Arc José González JA,John Adams Janelle Monáe JA,John Amos Joseph Arthur JA,John Astin James Arthur JA,John James Audubon Jann Arden JA,John Quincy Adams Jessica Andrews JA,Jon Anderson John Anderson JA,Julie Andrews Jefferson Airplane JA,June Allyson Jane's Addiction Jacob ,Abbott ,Author ,Franconia Stories Jim ,Abbott ,Baseball ,One-handed MLB pitcher John ,Abbott ,Actor ,The Woman in White John ,Abbott ,Head of State ,Prime Minister of Canada, 1891-93 James ,Abdnor ,Politician ,US Senator from South Dakota, 1981-87 John ,Abizaid ,Military ,C-in-C, US Central Command, 2003- -
On the Shoulders of Giants: How Aaron Sorkin's Sports Night
ON THE SHOULDERS OF GIANTS: How Aaron Sorkin’s Sports Night Portrayed the Sports Journalist as a Modern, Educated Professional While Still Fitting the Classic Molds of Journalists in Popular Culture. By Eric Alvarez Abstract Aaron Sorkin’s Sports Night focuses on the events that unfold in the newsroom of a nightly sports highlight show. The impulse of the series stems from the relationships amongst the show’s two anchors, three producers and its managing editor. As individuals, the journalists are smart, talented and dedicated in their professional lives. Yet, despite their capabilities and professionalism, each echoes characteristics and faces problems similar to those of journalists in classic popular culture. They often put the job over their personal lives and struggle when faced with the consequences. But in the end, they always tend to band together as a newsroom family. * * * “Five minutes to air. First team in the studio.1” The voice echoes through the newsroom at 10:55 p.m. It is the nightly wake-up call for the Sports Night team. Journalists both in front of the camera and in the control room scramble as the clock ticks toward show time. And then it starts. The one thing that gives the journalists a home, a family and a sense of accomplishment. ON THE SHOULDERS OF GIANTS: How Aaron Sorkin’s Sports Night Portrayed the Sports Journalist as a Modern, Educated Professional While Still Fitting the Classic Molds of Journalists in Popular Culture. By Eric Alvarez 2 The team of anchors and producers creates a nightly, one-hour highlight show from New York, “the most magnificent city in the world. -
The Modern Representation of African-American Woman Based on the Character of Olivia Pope in Tv Series’ Scandal Season 1
THE MODERN REPRESENTATION OF AFRICAN-AMERICAN WOMAN BASED ON THE CHARACTER OF OLIVIA POPE IN TV SERIES’ SCANDAL SEASON 1 A THESIS In Partial Fulfillment of the Requirement for The Bachelor Degree Majoring American Cultural Studies in English Department Faculty of Humanities Diponegoro University Submitted by: DENISSA LALITYA 13020113190063 ENGLISH DEPARTMENT FACULTY OF HUMANITIES DIPONEGORO UNIVERSITY 2017 PRONOUNCEMENT The writer honestly confirms that she compiles this thesis by herself and without taking any results from other researchers in S-1, S-2, S-3, and in diploma degree of any university. The writer ascertains also that she does not quote any material from other publications or someone’s paper except from the references mentioned. Semarang, June 2017 Denissa Lalitya i MOTTO AND DEDICATION “Keep yourselves far from envy; because it eats up and takes away good actions, like a fire eats up and burns wood.” - Prophet Muhammad “Believe you can and you’re halfway there” - Theodore Roosevelt “Two roads diverged in a wood, and I—I took the one less traveled by, and that has made all the difference.” - Robert Frost “You can never cross the ocean until you have the courage to lose sight of the shore.” - Christopher Columbus “There is absolutely nothing that can be taken for granted in this world.” - Robert Anton Wilson I proudly dedicate this thesis to my family and friends who surround me with unconditional love, encourage me to be a better version of myself, and teach me lot of life-lessons and priceless moments. Thank you for being a blessing in disguise. ii THE MODERN REPRESENTATION OF AFRICAN-AMERICAN WOMAN BASED ON THE CHARACTER OF OLIVIA POPE IN TV SERIES’ SCANDAL SEASON 1 Written by : DENISSA LALITYA NIM : 13020113190063 is approved by thesis advisor, on July 24, 2017 Thesis Advisor, Retno Wulandari, S.S., M.A. -
Moving Technology Ethics at the Forefront of Society, Organisations and Governments 41 2
BRIDGERTON SERIES AS A PARADIGM OF FEMINIST CO-CREATION OF THE TELEVISION AUDIENCE Graciela Padilla-Castillo, Aysel Zeynalova, Asunción Bernárdez-Rodal Complutense University of Madrid (Spain) [email protected]; [email protected]; [email protected] INTRODUCTION Bridgerton is a television series created by Chris Van Dusen, produced by Chris Van Dusen, Betsy Beers and Shonda Rhimes. Its first season premiered worldwide on 25 December 2020 on Netflix. The first season has eight episodes, as is the norm for all Netflix series, and a second season is already confirmed thanks to the fact that it racked up 82 million views in the first month of its premiere (Zorrilla, 2021). If it follows the structure of the collection of novels written by Julia Quinn, from which the original idea stems, the series could have up to 8 seasons, as there are 8 different books, each centred on the 8 Bridgerton children. The action takes place in London, around 1810, among the high society parties. It begins with the presentation of the young brides to the Queen of England and the appearance of a gossip bulletin, signed by an anonymous author: Lady Whistledown. The plot, which at first sight does not seem very original, is adapted to our reality, offering original and necessary touches that form the basis of this investigation. On-screen, Shonda Rhimes innovates once again with a choral and multiracial cast, which she has previously imposed on all her series and which made her stand out especially from the first season of Grey's Anatomy onwards. Rhimes proposes blind casting so that actors and actresses are not chosen on the basis of physical characteristics imposed by the script. -
2.02: in the Shadow of Two Gunmen, Part II Guests: Michael O’Neill and Bradley Whitford
The West Wing Weekly 2.02: In the Shadow of Two Gunmen, Part II Guests: Michael O’Neill and Bradley Whitford [Intro music] JOSH: You’re listening to The West Wing Weekly. I’m Joshua Malina. HRISHI: And I’m Hrishikesh Hirway. This is Part 2 of our two-part episode discussing the two- part episode "In the Shadow of Two Gunmen.” Coming up later, we’ll be joined by Bradley Whitford, who played Deputy Chief of Staff Joshua Lyman. But first, we’re going to start the episode off with an interview with Michael O’Neill. JOSH: Of course, on The West Wing , Michael plays one of our favorite recurring characters, Special Agent Ron Butterfield, the head of President Bartlet’s Secret Service protection detail. Hey Michael. MICHAEL: Hey Josh, Hrishi. How are you guys? JOSH: Oh man, it’s good to talk to you. HRISHI: Yeah, thanks so much for joining us. JOSH: We’ve been enjoying you all season. We’ve thus far discussed only the first season of The West Wing . I guess I’m curious, to start, to know... how did you get involved in the show? MICHAEL: I went in to audition for the head of the president’s detail of the Secret Service. Chris Misiano was directing that episode, and Aaron wasn’t either inclined or able to make that particular audition and I screwed it up the first time. You know, you didn’t fool around with Aaron’s language. It was really beautifully drawn but it was very, very specific, and I stumbled over it. -
"Election Night" Guest: Clark Gregg [Intro
The West Wing Weekly 4.07: "Election Night" Guest: Clark Gregg [Intro Music] JOSH: You're listening to the West Wing Weekly. Welcome back. I'm Joshua Malina. HRISHI: And I'm Hrishikesh Hirway. Today we're talking about episode 7 of season 4, "Election Night". JOSH: It was written by Aaron Sorkin, the story’s by David Gerken and David Handelman, David Handelman, a friend of mine, and it was directed by Lesli Linka Glatter. Terrific director with whom I've worked on more than one occasion. It first aired, oh, all I wrote down was that it first aired, and you know what? I feel like that's good enough. [Hrishi laughing] JOSH: You don't care when it aired. It aired in 2002. HRISHI: No, I like knowing that it aired on November 6, 2002, which I think is a nice detail because it lines up with actual election week. JOSH: Indeed. HRISHI: Here's the synopsis from Warner Brothers. The official synopsis. I like this because of the way they talk about you. JOSH: Oh. HRISHI: Well, your character. "On election day Bartlet and his staff begin counting eXit poll votes across the country. In a conservative California congressional district the results have important implications for Sam and a maverick democratic campaign manager, Will Bailey." JOSH: I like the sound of that. HRISHI: "Meanwhile Donna meets an intriguing Navy Lt. Commander, Jack Reese, who has been transferred to the White House as Deputy Military Aide." JOSH: Played by Jack Nicholson impersonator, Christian Slater. Just kidding. If you're listening you're your own man and you're a terrific actor. -
From the Artistic Directors
From the Artistic Directors As the weather cools down, the Fountain stays hot. For the second consecutive year, the Fountain Theatre is offering you the Los Angeles Premiere of a recent Pulitzer Prize winning play. Last season, we proudly produced the second production of Martyna Majok’s poignant Cost of Living, following the New York premiere at Manhattan Theatre Club. We are thrilled to now share Stephen Adly Guirgis’ funny and powerful Between Riverside and Crazy. These back-to-back prize winners demonstrate how the Fountain aims to always provide you with theatre of the highest quality on our intimate stage. Stephen Adly Guirgis is widely considered to be one of the most distinctive voices to have emerged from New York theater in decades. This acclaimed and award-winning playwright humbly admits, “A play is not a cure for cancer. The best play in the world is not going to make peace. But it’s going to create a community to perform it, and it’s going to be performed for a community, and when those communities are spicy, when there’s different ingredients in the pot, that, to me, is the most beautiful thing.” In Guirgis’ delightful new play, a fiery group of misfits and outcasts discover how to become a family in a cavernous rent-controlled apartment on Riverside Drive. No matter how down and out his characters are, or how challenging their circumstances, they have faith in the possibility of grace and redemption. Guirgis writes with such humor and truth and humanity, it permeates all aspects of this marvelous play. -
UNIVERSITY of CALIFORNIA Los Angeles
UNIVERSITY OF CALIFORNIA Los Angeles Neoliberalism, Citizenship, and the Spectacle of Democracy in American Film and Television, 1973-2016 A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Film and Television by Alice Elizabeth Royer 2018 © Copyright by Alice Elizabeth Royer 2018 ABSTRACT OF THE DISSERTATION Neoliberalism, Citizenship, and the Spectacle of Democracy in American Film and Television, 1973-2016 by Alice Elizabeth Royer Doctor of Philosophy in Film and Television University of California, Los Angeles, 2018 Professor William McDonald, Co-Chair Professor Johanna R Drucker, Co-Chair This dissertation examines American films, miniseries, and television shows that center on the democratic process, mobilizing it in the service of stories that both provide intense narrative and visual pleasures, and offer satisfaction in the form of apparent knowledge gained about the inner workings of electoral politics in the United States; these media texts are here theorized as “democracy porn.” Significantly, democracy porn emerges alongside neoliberalism, and its proliferation mirrors that ideology’s meteoric rise to prominence. As such, the dissertation considers texts made since the advent of neoliberalism in 1973, and up to the US presidential election of 2016, which marks a major shift in the meanings and values associated with democracy porn. Through historical, textual, and discourse analysis drawing on critical theories of affect, citizenship, and neoliberalism, the dissertation interrogates the complex ways in which democracy porn is constructed and functions within and surrounding moving image ii texts. The project thus tracks the ways neoliberal ideology manifests in the media texts in question, as well as how the consumption of these texts impacts viewers’ understandings of their own citizenship within a democracy increasingly steered by neoliberal principles.