January – June 2013 2 36 41 49 52 55 59 75 90 92 94
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Op Title List Since Date: Mar 16, 2019
Op Title List since Date: Mar 16, 2019 Publisher Imprint ISBN Title Author Pub Pub Format Status Status Last Month Price Date Return Date Audio Audio 1427202303 LONG WAY GONE UAB CD BEAH, ISHMAEL 03/07 39.99 CD OP 04/05/19 07/04/19 Audio Audio 1427214816 TRUCKER GHOST STORIES ABR CD WILDER, ANNIE 08/12 23.99 CD OP 05/27/19 08/25/19 Audio Audio 1427215464 PUBLIC SPEAKER'S GUIDE TO ACING YOU MARSHALL, LISA B. 10/09 14.99 DA OP 05/08/19 08/06/19 Audio Audio 1427217513 LOOK AGAIN ABR CD SCOTTOLINE, LISA 01/12 14.99 CD OP 06/10/19 09/08/19 Audio Audio 1593979029 TWELVE SHARP UAB CD EVANOVICH, JANET 06/06 34.95 CD OP 07/07/19 10/05/19 Distribution Bloomsbury Adult 074754445X LORCA - A DREAM OF LIFE STAINTON, LESLIE 07/13 24.95 TP OP 07/26/19 10/24/19 Distribution Bloomsbury Adult 0747588937 MODERNITY BRITAIN KYNASTON, DAVID 07/13 40 TC OP 07/26/19 10/24/19 Distribution Bloomsbury Adult 074759404X SHOE PRINCESS'S GUIDE TO THE GALA BOWD, EMMA 07/10 12 TP OP 07/26/19 10/24/19 Distribution Bloomsbury Adult 0747595313 EDIBLE SEASHORE WRIGHT, JOHN 07/10 25 TC OP 07/26/19 10/24/19 Distribution Bloomsbury Adult 0747595321 PRESERVES CORBIN, PAM 09/08 25 TC OP 07/26/19 10/24/19 Distribution Bloomsbury Adult 0747595348 VEG PATCH DIACONO, MARK 05/14 25 TC OP 07/26/19 10/24/19 Distribution Bloomsbury Adult 0747596514 THE INFORMERS VÁSQUEZ, JUAN GABRIEL 06/09 17 TP OP 07/26/19 10/24/19 Distribution Bloomsbury Adult 0747596670 HARM'S WAY WALDEN, CELIA 06/10 12 TP OP 07/26/19 10/24/19 Distribution Bloomsbury Adult 0802778372 GOOD BOOK GRAYLING, A C 03/13 22 -
20120906-Ob-Umbrella.Pdf
U m b r e l l a By the same author F ICTION The Quantity Theory of Insanity Cock and Bull My Idea of Fun Grey Area Great Apes The Sweet Smell of Psychosis Tough, Tough Toys for Tough, Tough Boys How the Dead Live Dorian Dr Mukti and Other Tales of Woe The Book of Dave The Butt Liver Walking to Hollywood N on- F ICTION Junk Mail Sore Sites Perfidious Man Feeding Frenzy Psychogeography (with Ralph Steadman) Psycho Too (with Ralph Steadman) U m b r e l l a W i l l S e l f First published in Great Britain 2012 Copyright © 2012 by Will Self The moral right of the author has been asserted No part of this book may be used or reproduced in any manner whatever without written permission from the Publishers except in the case of brief quotations embodied in critical articles or reviews ‘Apeman’ by Ray Davies © Copyright 1970 Davray Music Ltd. All rights administered by Sony/ATV Music Publishing. All rights reserved. Used by permission ‘Chirpy Chirpy Cheep Cheep’ (Cassia/Stott) © 1971 Warner Chappell Music Italiana Srl (SIAE). All rights administered by Warner Chappell Overseas Holdings Ltd. All rights reserved ‘Don’t Let It Die’ (Smith) – RAK Publishing Ltd. Licensed courtesy of RAK Publishing Ltd. ‘Sugar Me’ by Barry Green and Lynsey De Paul © Copyright Sony/ATV Music Publishing Ltd. All rights reserved. Used by permission ‘Take Me Back to Dear Old Blighty’ Words and Music by Fred Godfrey, A. J. Mills & Bennett Scott © 1916. Reproduced by permission of EMI Music Publishing Ltd, London W8 5SW Every reasonable effort has been made to trace copyright -
Literary Industries
Literary industries By Hubert Howe Bancroft NATIVE RACES OF THE PACIFIC STATES; five volumes HISTORY OF CENTRAL AMERICA; three volumes HISTORY OF MEXICO; six volumes HISTORY OF TEXAS AND THE NORTH MEXICAN STATES; two volumes HISTORY OF ARIZONA AND NEW MEXICO; one volume HISTORY OF CALIFORNIA; seven volumes HISTORY OF NEVADA, COLORADO AND WYOMING; one volume HISTORY OF UTAH; one volume HISTORY OF THE NORTHWEST COAST; two volumes HISTORY OF OREGON; two volumes HISTORY OF WASHINGTON, IDAHO AND MONTANA; one volume HISTORY OF BRITISH COLUMBIA; one volume HISTORY OF ALASKA; one volume CALIFORNIA PASTORAL; one volume CALIFORNIA INTER-POCULA; one volume Literary industries http://www.loc.gov/resource/calbk.195 POPULAR TRIBUNALS; two volumes ESSAYS AND MISCELLANY; one volume LITERARY INDUSTRIES; one volume CHRONICLES OF THE BUILDERS OF THE COMMONWEALTH LITERARY INDUSTRIES. A MEMOIR. BY HUBERT HOWE BANCROFT All my life I have followed few and simple aims, but I have always known my own purpose clearly, and that is a source of infinite strength. William Waldorf Astor. SAN FRANCISCO THE HISTORY COMPANY, PUBLISHERS 1891 Entered according to Act of Congress in the year 1890, by HUBERT H. BANCROFT, In the Office of the Librarian of Congress, at Washington. Literary industries http://www.loc.gov/resource/calbk.195 All Rights Reserved. v CONTENTS OF THIS VOLUME. CHAPTER I. PAGE. THE FIELD 1 CHAPTER II. THE ATMOSPHERE 12 CHAPTER III. SPRINGS AND LITTLE BROOKS 42 CHAPTER IV. THE COUNTRY BOY BECOMES A BOOKSELLER 89 CHAPTER V. HAIL CALIFORNIA! ESTO PERPETUA 120 CHAPTER VI. THE HOUSE OF H. H. BANCROFT AND COMPANY 142 CHAPTER VII. -
Scotland's Creative Writing Centre 2016 Programme
SCOTLAND’S CREATIVE WRITING CENTRE 2016 PROGRAMME WWW.MONIACKMHOR.ORG.UK MONIACK MHOR Something is dealing from a deck of cards, face up, seven, a week of mornings, today’s revealing the hills at Moniack Mhor, shrugging off their mists. A sheepdog barks six fields away; I see the farm from here. Twelve-month cards, each one thumbed, flipped, weathered in its way – this the eighth, harvest-time, a full moon like a trump, a magic trick. It rose last night above this house, affirmative. I sensed your answer – hearts. Or a single hour is a smiling Jack, a diamond, or a spade learning a grave; charms or dark lessons. Something is shuffling; the soft breath of Moniack Mhor on the edge of utterance, I know it, the verbs of swifts riffling the air and the road turning itself into the loch, a huge ace into which everything folds. Here is the evening, displayed then dropped to drift to the blazon of barley, bracken, heather. Something is gifting this great gold gathering of cloud; a continual farewell. CAROL ANN DUFFY WELCOME Dear all, Welcome to Moniack Mhor Creative Writing Centre, based in the beautiful highlands of Scotland. Perched at 1000ft, just a stone’s throw from Loch Ness, the centre commands dramatic views of the mountain ranges of Ben Wyvis and Glen Strathfarrar. Our cosy converted croft is an inspiring atmosphere for doing what we love best, writing. 2015 was a thrilling and creative year in the life of the newly fledged, independent Moniack Mhor. We’ve been visited by many writers from all walks of life, each sharing a different story, breathing energy into the walls of the building. -
BTC Catalog 172.Pdf
Between the Covers Rare Books, Inc. ~ Catalog 172 ~ First Books & Before 112 Nicholson Rd., Gloucester City NJ 08030 ~ (856) 456-8008 ~ [email protected] Terms of Sale: Images are not to scale. All books are returnable within ten days if returned in the same condition as sent. Books may be reserved by telephone, fax, or email. All items subject to prior sale. Payment should accompany order if you are unknown to us. Customers known to us will be invoiced with payment due in 30 days. Payment schedule may be adjusted for larger purchases. Institutions will be billed to meet their requirements. We accept checks, VISA, MASTERCARD, AMERICAN EXPRESS, DISCOVER, and PayPal. Gift certificates available. Domestic orders from this catalog will be shipped gratis via UPS Ground or USPS Priority Mail; expedited and overseas orders will be sent at cost. All items insured. NJ residents please add 7% sales tax. Member ABAA, ILAB. Artwork by Tom Bloom. © 2011 Between the Covers Rare Books, Inc. www.betweenthecovers.com After 171 catalogs, we’ve finally gotten around to a staple of the same). This is not one of them, nor does it pretend to be. bookselling industry, the “First Books” catalog. But we decided to give Rather, it is an assemblage of current inventory with an eye toward it a new twist... examining the question, “Where does an author’s career begin?” In the The collecting sub-genre of authors’ first books, a time-honored following pages we have tried to juxtapose first books with more obscure tradition, is complicated by taxonomic problems – what constitutes an (and usually very inexpensive), pre-first book material. -
TRE CONSCIOUSNESS of HISTORY 7N the NOVELS of NADINE GORDDJER: 1953-1974 by S Tephen Clingman
TRE CONSCIOUSNESS OF HISTORY 7N THE NOVELS OF NADINE GORDDJER: 1953-1974 by S tephen Clingman In her critical book, The Black Interpreters, Nadine Gordimer writes: If you want to read the facts of the retreat from Moscow in 1815, you may read a history book; if you want to know what war is like and how people of a certain time and background dealt with it as their personal situation, you must read War and Peace. (1) In her opinion, it is clear, fiction can present history as historiography cannot. Moreover, it appears, such a presentation is not fictional in the sense of being "untrue". Rather, fiction deals with an area of historical activity inaccessible to the sciences of greater externality: the area in which historical process is registered as the subjective consciousness of individuals in society. While any claim to the unique powers of fiction in this regard must undoubtedly be qualified, it is nevertheless partly the intention of the present paper to demonstrate that Nadine Gordimerls own novels may indeed be viewed in this way. But, whereas her remark is focussed on the narrative world which Tolstoy presents, taking for granted the veracity of the subjective historical experience he depicts, this paper follows rather the historical consciousness of Nadine Gordimer herself as it is manifested in a developing way in her successive novels. Perhaps more than any other South African writer, Nadine Gordimer's literary consciousness is historical. This is apparent in matters ranging from her critical remarks on other writers (as above) to the specific mode of fickion she habitually employs in her novels. -
As Writers of Film and Television and Members of the Writers Guild Of
July 20, 2021 As writers of film and television and members of the Writers Guild of America, East and Writers Guild of America West, we understand the critical importance of a union contract. We are proud to stand in support of the editorial staff at MSNBC who have chosen to organize with the Writers Guild of America, East. We welcome you to the Guild and the labor movement. We encourage everyone to vote YES in the upcoming election so you can get to the bargaining table to have a say in your future. We work in scripted television and film, including many projects produced by NBC Universal. Through our union membership we have been able to negotiate fair compensation, excellent benefits, and basic fairness at work—all of which are enshrined in our union contract. We are ready to support you in your effort to do the same. We’re all in this together. Vote Union YES! In solidarity and support, Megan Abbott (THE DEUCE) John Aboud (HOME ECONOMICS) Daniel Abraham (THE EXPANSE) David Abramowitz (CAGNEY AND LACEY; HIGHLANDER; DAUGHTER OF THE STREETS) Jay Abramowitz (FULL HOUSE; MR. BELVEDERE; THE PARKERS) Gayle Abrams (FASIER; GILMORE GIRLS; 8 SIMPLE RULES) Kristen Acimovic (THE OPPOSITION WITH JORDAN KLEEPER) Peter Ackerman (THINGS YOU SHOULDN'T SAY PAST MIDNIGHT; ICE AGE; THE AMERICANS) Joan Ackermann (ARLISS) 1 Ilunga Adell (SANFORD & SON; WATCH YOUR MOUTH; MY BROTHER & ME) Dayo Adesokan (SUPERSTORE; YOUNG & HUNGRY; DOWNWARD DOG) Jonathan Adler (THE TONIGHT SHOW STARRING JIMMY FALLON) Erik Agard (THE CHASE) Zaike Airey (SWEET TOOTH) Rory Albanese (THE DAILY SHOW WITH JON STEWART; THE NIGHTLY SHOW WITH LARRY WILMORE) Chris Albers (LATE NIGHT WITH CONAN O'BRIEN; BORGIA) Lisa Albert (MAD MEN; HALT AND CATCH FIRE; UNREAL) Jerome Albrecht (THE LOVE BOAT) Georgianna Aldaco (MIRACLE WORKERS) Robert Alden (STREETWALKIN') Richard Alfieri (SIX DANCE LESSONS IN SIX WEEKS) Stephanie Allain (DEAR WHITE PEOPLE) A.C. -
Leeds University Is Between the Two Campuses
* INSIDE * UNION COUNCIL (OPEN) & LANUS GEN. SECRETARY ELECTIONS PAGES 6,7,10, 11 ON AIR IN LEEDS - PAGES 8 & 9 • NEWS • LETTERS • ARTS • ■SPORT ■ETC ■ KARLE PROTEST A list of bitter complaints have organisation was tell to just two been levelled at the organisers of or three people. As exec has no this week's election for key exec publicity officer at present. it CUTS K.O.'d posts. was left to them to hook rooms. Chris karle. an unsuccessful arrange hustings as well as cope candidate for external affairs sec w ith the complex Single SPORTS BUDGET SURVIVES has lodged a formal protest over Transterable Vote system. last minute changes to hustings "Counts have gone on very which led to their cancellation. late. I think the elections have He alleges that the deadline been very efficient and fair". Democracy reared its Mr, Murtagh went on to Finally the motion itself was for claiming election expenses "The joh of returning officer is ugly head at last Tuesday's attack the sports •citibs for their replaced by an amendment that was blurred. supposed to be an executive tree travel and teas. which was University Union OGM. reversed the original, and re- "I was up and in exec before. post. but instead we have had to later countered by the General affirmed the fact that sports is deal with many other aspects". Around 500 angry sports 10 ant (the deadline). But no one Athletics Secretary Philip the largest part of student was there to deal with the Chris Karle came second in a players and sympathisers Hernsted, who pointed out that aciiity. -
Proquest Dissertations
UNIVERSITY OF CALGARY Prize Possession: Literary Awards, the GGs, and the CanLit Nation by Owen Percy A THESIS SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY DEPARTMENT OF ENGLISH CALGARY, ALBERTA JANUARY 2010 ©OwenPercy 2010 Library and Archives Bibliotheque et 1*1 Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington OttawaONK1A0N4 OttawaONK1A0N4 Canada Canada Your file Votre inference ISBN: 978-0-494-64130-9 Our file Notre r6f6rence ISBN: 978-0-494-64130-9 NOTICE: AVIS: The author has granted a non L'auteur a accorde une licence non exclusive exclusive license allowing Library and permettant a la Bibliotheque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par Nnternet, preter, telecommunication or on the Internet, distribuer et vendre des theses partout dans le loan, distribute and sell theses monde, a des fins commerciales ou autres, sur worldwide, for commercial or non support microforme, papier, electronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in this et des droits moraux qui protege cette these. Ni thesis. Neither the thesis nor la these ni des extraits substantiels de celle-ci substantial extracts from it may be ne doivent etre imprimes ou autrement printed or otherwise reproduced reproduits sans son autorisation. -
Leo Jones New to Proficiency
Cambridge University Press 978-0-521-63553-0 – New Progress to Proficiency Leo Jones Frontmatter More information New Progress to Proficiency Student’s Book Leo Jones © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-63553-0 – New Progress to Proficiency Leo Jones Frontmatter More information CAMBRIDGE UNIVERSITY PRESS Cambridge, New York, Melbourne, Madrid, Cape Town, Singapore, São Paulo, Delhi, Tokyo, Mexico City Cambridge University Press The Edinburgh Building, Cambridge CB2 8RU, UK www.cambridge.org Information on this title: www.cambridge.org/9780521635530 © Cambridge University Press 2001 This publication is in copyright. Subject to statutory exception and to the provisions of relevant collective licensing agreements, no reproduction of any part may take place without the written permission of Cambridge University Press. First published 1986 Second edition 1993 Third edition 2002 9th printing 2011 Printed in Dubai by Oriental Press A catalogue record for this publication is available from the British Library ISBN 978-0-521-63553-0 Student’s Book ISBN 978-0-521-00789-4 Self-Study Student’s Book ISBN 978-0-521-63552-3 Teacher’s Book ISBN 978-0-521-63551-6 cassette set Cambridge University Press has no responsibility for the persistence or accuracy of URLs for external or third-party internet websites referred to in this publication, and does not guarantee that any content on such websites is, or will remain, accurate or appropriate. Information regarding prices, travel timetables and other factual information given in this work is correct at the time of first printing but Cambridge University Press does not guarantee the accuracy of such information thereafter. -
River ¿Oods and Tides of Memory in Anne Michaels' Fugitive Pieces
/LTXHIDFWLRQV5LYHU¿RRGVDQGWLGHVRI memory in Anne Michaels’ Fugitive Pieces CATALINA BOTEZ ,QP\DUWLFOHRQ$QQH0LFKDHOVµ¾FWLRQDOZRUN)XJLWLYH3LHFHV ,LQWURGXFHWKHFULWLFDOFRQFHSW of liquefaction as thematic leitmotiv that connects psychological, transgenerational trauma to largescale environmental catastrophes liNe ¿ooGs anG hurricanes across time anG place, and across international, national and domestic spaces. Through this central trope, I show how psychological post-traumatic healing in Holocaust survivors and geologic post-traumatic healing operate in tandem in the novel, more precisely how the ¾gurative unearthing and worNing through of traumatic memory across generations parallels the literal unearthing and re-situating of archaeological artefacts across geologic time. The interconnectedness of psychological wounds with geological wounds demonstrates the ethics of nature – a kind of co-healing of persons and places across generations and landscapes (both transgenerational and transhistorical). I also point out the restitutive ethics of nature and maintain that ¿oods manifest themselves as counter- historic agents able to reveal and restore historic truth through obscuration and disclosure. ‘Redemption through cataclysms; what had once years, I dwell on comparisons between psychological been transformed might be transformed again.’ trauma and geological cataclysms: while both seem (Anne Michaels, Fugitive Pieces) to occur suddenly and unexpectedly, their aftermath always involves slow gradualness. That is to say, post- ‘He who controls -
The Stakes Ben Sanders
FEBRUARY 2018 The Stakes Ben Sanders An NYPD robbery detective uses his insider knowledge to rob criminals. The dazzling new stand-alone thriller from the bestselling author of American Blood and Marshall's Law. Description Rip-offs are a dangerous game, but NYPD robbery detective Miles Keller thinks he's found a good strategy: rip off rich New York criminals and then retire early, before word's out about his true identity. New town, new name, no worries. Retirement can't come soon enough, though. The NYPD is investigating him for the shooting of a hitman named Jack Deen, who was targeting Lucy Gates - a former police informant and Miles's ex-lover. Miles thinks shooting hitmen counts as altruism, but in any case a murder charge would make life difficult. He's ready to go to ground, but then Nina Stone reappears in his life. Nina is a fellow heist professional and the estranged wife of LA crime boss Charles Stone. Miles last saw her five years ago, when he was investigating her for bank robbery and looked the other way, for reasons he is still trying to figure out. Since then her life has grown more complicated: her husband wants her back, and he's dispatched his go-to gun thug to play repo man. Complicating matters is the fact that the gun thug in question is Bobby Deen, cousin of the dead Jack Deen - and Bobby wants vengeance. The stakes couldn't be higher, but Nina has an offer that could be lucrative. Maybe Miles can stick around a while longer and get the big payoff he's been waiting for? But luck has a way of running out and soon Miles is in way over his head.