DOCSLIB.ORG

FILM: a Guide to Second Date Sex DATE

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
FILM: a Guide to Second Date Sex DATE PROJECT SUBMISSION PACK FILM: A Guide to Second Date Sex DATE: August 2017 1. Submission Form p2-3 2. Information Pack p4-8 3. Sales Estimates p9 4. Script Report p10-11 5. Script p12-116 F I L M S U B M I S S I O N F O R M ! PROJECT A GUIDE TO SECOND DATE DATE: 29/06/2017 TITLE: SEX APPLICANT DETAILS APPLICANT CONTACT DETAILS NAME: ADAM ROLSTON ADDRESS: APT 26 ROTHSCHILD HOUSE, 8 KEW BRIDGE ROAD, LONDON, POSITION: EXECUTIVE PRODUCER TW8 0HR COMPANY SHOOTING SCRIPT FILMS TEL: 07734380818 EMAIL: [email protected] PROJECT DETAILS PRODUCER/S Adam Rolston (A Street Cat BUDGET: £1.1m and CREDITS Named Bob), Paul Raphael (Anita & Me) PRODUCTION Starfield Productions (UK) COMPANIES & Shooting Script Films (UK) WRITER: Rachel hirons NATIONALITY: GENRE: Romantic Comedy NAME CREDITS (1 or 2) Approached Confirmed DIRECTOR Rachel Hirons Powder Room x CAST 1 Alexandra Roach The Iron Lady/ One Chance x CAST 2 George Mckay Captain Fantastic x CAST 3 CAST 4 SHOOTING SCHEDULE – Prep, Principal, Post, delivery SHORT SYNOPSIS / LOGLINE prep - Q3 2017 Six outfits, one hour of make-up, one push-up bra and principal - Q4 2017 eight cigs. She's ready. Six press ups, twenty minutes Post & Delivery - Q1/2 2017 cleaning, three beers and a pube trim. He's ready. Hear their thoughts and feel their pain as you witness the rawest most hilarious portrayal of male and female attitudes, anxieties and agonisingly familiar sex tricks as Ryan and Laura meet for their second date. A true story based on your sex life. Whether male, female, single, married or divorced, here is everything you need to know... and loads you don't. A Guide to Second Date Sex was first performed at the Edinburgh Fringe Festival and later transferred to the Soho Theatre in March 2013 FINANCE DETAILS FINANCIER NATURE OF INVESTMENT AMOUNT £ % BUDGET Proposed Approached Confirmed Film Constellation Sales Agent MG 15% £150000 X F I L M S U B M I S S I O N F O R M ! UK Tax Credit Cashflow 20% £220,000 X Creative Media Equity £330,000 30% Finance X % Premiere Stakeholder Corridor 1st Collection Agent TBC Proposed recoupment 2nd Sales Agent commissions, BOND Film Finances schedule expenses and MG for all financiers: 3rd Equity & Premiums AUDITOR NLP 4th Any deferments 5th Profit Share SALES INFORMATION SALES AGENT: Film Constellation SALES ESTIMATES CONTACT: Fabien Westerhoff LOW: $1,370,000 TEL: MEDIUM: $2,175,000 EMAIL: [email protected] HIGH: $3,485,000 TERRITORY DISTRIBUTOR MG RIGHTS TBC COPRODUCTIONS COUNTRY % SPEND DETAILS N/A F E B 2 0 1 7 A GUIDE TO SECOND DATE SEX S Y N O P S I S LAURA Today was Laura’s wedding day... ‘was’, because it stopped being so six months ago when her fiancé professed to a last minute 'change of sexual orientation’… his term for what was actually a lifelong sexual preference of which seemingly everyone was aware except Laura. Funny thing, hindsight. RYAN Having walked in on his girlfriend and best friend together, Ryan was left heartbroken, betrayed and facing years of unanswered calls, a stream of ignored texts, habitual Facebook stalking and three failed attempts to talk to women he finds attractive. Throw in some habitual masturbation to rose-tinted memories of that time she went down on him in a cinema toilet, and you have a pretty accurate understanding of what Ryan’s life has since become. THE FIRST DATE Last week, Laura met Ryan in a bar and, due to their immediate commonalities (both drunk, both in a bar) the pair shared an impromptu, Tia Maria fuelled night that lasted longer than either could have predicted. Somehow, Ryan's attempts at jokes worked that night and actually made her laugh. Likewise, Laura’s drunken inability to walk in her heels / a straight line / ultimately at all, proved quite... charming. In fact, so unprecedentedly enjoyable did this date transpire to be, they ended the night exchanging numbers, shaking hands and declaring they would DEFINITELY meet again. Because that’s what drunk people do. F E B 2 0 1 7 THE SECOND DATE And that’s how we got here: 7pm on Friday night, Laura squeezing herself into too-small jeans and a push- up bra that worked a treat when she was 17 while resolutely deciding against shaving her bush in order to appear ‘mysteriously aloof’ to a man whose face she can’t quite remember. At the same time, Ryan, following the ‘fool-proof’ wisdom of his womanising brother Dan, is using a shower-head to wash parts of himself no man has washed before, arranging novels that he studied for English GCSE on his bedside table (to appear ‘intellectual') and strategically positioning dumbells he has never lifted in the middle of his room. Tonight is their one chance to impress. And the stakes are too high to disappoint. Tonight, Laura and Ryan are determined to be their best selves, by being anyone but themselves... Tonight is the make or break second date. But this is not merely any couple on any second date: their palpable insecurities, familiar subtext-heavy conversations, countless high-stakes scenarios, missed connections and misjudged behaviours conflate to make this date one we all recognise from our own early experiences of any romantic relationship. Played out in real time and within the confines of his house, Ryan and Laura put into motion the advice of countless guides, gurus, how to’s, buzz feed articles, conservative parents and promiscuous friends which conflate to make this date a propulsive, exciting and relatable ride that smashes through stereotypical ‘on- screen-fire-works sex’ and convenient, inevitable relationships, to depict an altogether more authentic, poignant and thoroughly modern comedy. Just when it seems our misguided couple have surmounted the trials and tribulations we are all familiar with, the shock appearance of Ryan’s ex-girlfriend – who happens to be a close work colleague of Laura – exposes the couple’s facades and fabrications. Only when forced to face the pathetic, sordid elements of their past and present are Ryan and Laura finally able to find the courage and freedom to be themselves, for better or for worse. F E B 2 0 1 7 A GUIDE TO SECOND DATE SEX M E E T T H E C A S T GEORGE MACKAY AS RYAN ALEXANDRA ROACH AS LAURA GEORGE MACKAY George MacKay is considered one of the UKs most exciting young acting talents, crafting a career across film, television and theatre. George's film career began at the age of 10 years old, playing the role of ‘Cury’ in P J Hogan’s Peter Pan. He has since starred in a number of critically acclaimed productions; winning a ‘Best Actor’ Scottish BAFTA for Paul Wright’s For Those in Peril, ‘British Breakthrough' Award at Richard Attenborough Film Awards and nominated for a BAFTA ‘Rising Star’, 'Most Promising British Newcomer' BIFA and 'Young British Performer of The Year' at the Critics Circle Awards. He also received nominations for ‘Young British Performer of the Year’ at the London Critics’ Circle Awards, ‘Best Male Newcomer’ at the Jameson Empire Awards, was selected as one of the ten best European actors for the Berlinale 2014 Shooting Stars and a 2012 Screen International Star of Tomorrow. George was recently seen in cinemas the Cannes ‘Un Certain Regard’ winner Captain Fantastic, starring alongside Viggo Mortensen, Kathryn Hahn and Steve Zahn. The film received its World Premiere at the 2016 Sundance Film Festival and was recently nominated for ‘Outstanding Performance by a Cast in a Motion Picture’ at this year’s SAG Awards. In 2016, George shot Marrowbone - Sergio G Sanchez’s directorial debut after writing the acclaimed and award winning screenplay for ‘The Orphanage’ and gaining best original screenplay nominations for ‘The Impossible’ and ‘The End’ at the Goya Awards. George also recently wrapped on Amma Asante’s next film, Where Hands Touch, starring with Abbie Cornish, Amandla Stenberg, and Christopher Eccleston. As well as these productions, last year saw him return to the stage at The Old Vic in Matthew Warchus’ production of Pinter’s The Caretaker, starring alongside Timothy Spall and Daniel Mays. In 2015 George lit up our screens in original Hulu miniseries 11.22.63, with a cast lead by James Franco, and executive produced by J.J. Abrams. He also led an episode of Sky Arts series Likely Stories; stared in BBC One’s The Outcast; and played the central role in Bypass, the latest film from Duane Hopkins ('Better Things'). The previous year, George had starred in BAFTA nominated Pride. The critically acclaimed film featured an array of British talent that includes Bill Nighy, Dominic West, Imelda Staunton and Paddy Considine to name a few. Other film credits include Sunshine on Leith, How I Live Now, Private Peaceful (alongside Alexandra Roach and Jack O’Connell), Hunky Dory and Breakfast with Jonny Wilkinson. On TV he has been seen in Best of Men, The Old Curiousity Shop, the BBC's two-time nominated Tsunami: The Aftermath and Johnny and The Bomb. On stage George made his theatre debut in early 2014 in Ian McEwan’s The Cement Garden, as part of the second incarnation of The Vault Festival. P A G E 2 ALEXANDRA ROACH A regular on Welsh TV soap Pobol Y Cwm from the age of 11 to 18, Alexandra Roach graduated from RADA in 2010, and immediately found herself in high demand, landing roles in The IT Crowd, Being Human, New Tricks and The Suspicions Of Mr Whicher with Paddy Considine and Peter Capaldi.
Load more

Recommended publications
  • What a Caused Quite a Chuckle Since Being Released Online a Few Weeks Back
    LAUGHING STOCK BY ED CHRISTMAN ® Inspired by the daytime talk show "Maury," where paternity tests are re- vealed on -air, rapper Shawty Putt's comical single "Dat Baby (Don't Look Like Me)," produced by Lil Jon, has What A caused quite a chuckle since being released online a few weeks back. With minimal promotion, the track Exclusive Journe from the Atlanta native's currently un- releases from Best Buy, left, and titled debut album entered the Bub- Journey! Wal -Mart sold 126,000 copies combined. bling Under R &B /Hip -Hop Singles Exclusive Deals Propel The results have been nothing short opted to make lemons into lemonade. ered on YouTube]." chart nine weeks ago at No. 24. It is Classic Rockers Up of spectacular: Sources say it sold In addition to the Best Buy exclusive, The Wal -Mart package acknowl- currently No. 5 on the tally as well as The Charts 28,000 on street date and, according the label put the Journey catalog on edges the material has been re- No. 34 on the Rap Airplay chart. to Nielsen SoundScan, moved almost deal, using its usual tactic of offering recorded and shows a picture of the The accompanying video has al- It's been a long time since retail has 105,000 in its first week, good enough discounts aligned with how much re- band with IDs for the members. So ready garnered more than 1 million rolled out the red carpet for Journey, for a No. 5 debut on the Billboard 200. tail was willing to do for a promotion.
    [Show full text]
  • A Crise E As Novas Fronteiras Para a Indústria Fonográfica
    FUNDAÇÃO GETÚLIO VARGAS EBAPE – ESCOLA BRASILEIRA DE ADMINISTRAÇÃO PÚBLICA E DE EMPRESAS MESTRADO EM GESTÃO EMPRESARIAL INTERNACIONAL WILSON VIEIRA LANNES A CRISE E AS NOVAS FRONTEIRAS PARA A INDÚSTRIA FONOGRÁFICA RIO DE JANEIRO 2009 2 WILSON VIEIRA LANNES A CRISE E AS NOVAS FRONTEIRAS PARA A INDÚSTRIA FONOGRÁFICA Dissertação apresentada ao Programa de Pós-Graduação em Administração da Fundação Getúlio Vargas, como requisito parcial para obtenção do Grau de Mestre em Administração, na área de Gestão Empresarial Internacional. Orientador: Prof. Paulo Motta. RIO DE JANEIRO 2009 3 WILSON VIEIRA LANNES A CRISE E AS NOVAS FRONTEIRAS PARA A INDÚSTRIA FONOGRÁFICA Dissertação apresentada ao programa de Pós-Graduação em Administração de Empresas da Fundação Getúlio Vargas, como requisito parcial para obtenção do Grau de Mestre em Administração de Empresas, na área de Gestão Empresarial Internacional. COMISSÃO EXAMINADORA _________________________________ Prof. Paulo Roberto de Mendonça Motta Orientador _________________________________ Prof. Alketa Peci Fundação Getúlio Vargas _________________________________ Prof. Paulo Vicente dos Santos Lopes 4 Dedico este Trabalho A minha esposa pela ajuda, carinho e compreensão, essenciais para tornar este objetivo possível. Ao meu filho, que com um simples sorriso, me ensina o que realmente importa. A minha avó e minha mãe, que me ensinaram grandes valores e foram o início de tudo. 5 Agradecimentos Ao meu orientador, Paulo Motta, pelo estímulo e palavras que me motivaram a não desistir deste objetivo. Admiro seus conhecimentos e seu trabalho. A minha esposa, meu filho, amigos e familiares que me apoiaram nessa busca. Aos meus colegas da FGV, que participaram comigo desta empreitada. Aos professores que compuseram a Comissão examinadora.
    [Show full text]
  • CCM-Summer 2016.Pdf
    Classical Reflection By Chantelle Constable Identical mirror twins Hannah and conjunction with the EP, which is Naomi Moxon grew up singing titled "The Night Before Christmas." nursery rhymes and listening to "Our video was really something Emmanuel & ourselves had been Vivaldi and Shania Twain in the car. talking about since we left The Voice. "We remember singing along... it was We had so many lovely comments probably quite embarrassing!" Now, about the song so we felt we really at the ages of 20, they are veterans of wanted to give back something to popular television talent show The those who support us!" Voice, and have just released their The girls' love of singing was instilled first Christmas EP. "We love from an early age. "Since the moment everything about Christmas... we could talk our mum would sing probably our favourite things are: with us for about an hour every Getting up early on Christmas morning. It was never about being perfect but just having fun!" Classical morning, dinner, wrapping everyone’s crossover seems to have also been an presents, and having family board instinctive choice, with the freedom it games." offers in its blend of styles and relaxing mood that appeals to a wide A video for "The Living Years," audience, even those who primarily featuring The Voice co-competitor listen to other genres. In choosing Emmanuel Nwamadi, was released in songs for their repertoire, melody enjoy everything!" takes top priority. The twins love As expected, the girls' voices are both "emotional songs," and love having soprano, and nearly identical to the audiences leave their concerts feeling point that they will often tradeoff "uplifted and happy." between the high and low harmonies within the same song ("It seems very "We always feel really honored when confusing but it happens naturally").
    [Show full text]
  • To Download the Full Archive
    Complete Concerts and Recording Sessions Brighton Festival Chorus 27 Apr 1968 Concert Dome Concert Hall, Brighton Brighton Festival Belshazzar's Feast Walton William Walton Royal Philharmonic Orchestra Baritone Thomas Hemsley 11 May 1968 Concert Dome Concert Hall, Brighton Brighton Festival Kyrie in D minor, K 341 Mozart Colin Davis BBC Symphony Orchestra 27 Oct 1968 Concert Dome Concert Hall, Brighton Brighton Philharmonic Society Budavari Te Deum Kodály Laszlo Heltay Brighton Philharmonic Orchestra Soprano Doreen Price Mezzo-Soprano Sarah Walker Tenor Paul Taylor Bass Brian Kay 23 Feb 1969 Concert Dome Concert Hall, Brighton Brighton Philharmonic Society Symphony No. 9 in D minor, op.125 Beethoven Herbert Menges Brighton Philharmonic Orchestra Soprano Elizabeth Harwood Mezzo-Soprano Barbara Robotham Tenor Kenneth MacDonald Bass Raimund Herincx 09 May 1969 Concert Dome Concert Hall, Brighton Brighton Festival Mass in D Dvorák Václav Smetáček Czech Philharmonic Orchestra Soprano Doreen Price Mezzo-Soprano Valerie Baulard Tenor Paul Taylor Bass Michael Rippon Sussex University Choir 11 May 1969 Concert Dome Concert Hall, Brighton Brighton Festival Liebeslieder-Walzer Brahms Laszlo Heltay Piano Courtney Kenny Piano Roy Langridge 25 Jan 1970 Concert Dome Concert Hall, Brighton Brighton Philharmonic Society Requiem Fauré Laszlo Heltay Brighton Philharmonic Orchestra Soprano Maureen Keetch Baritone Robert Bateman Organ Roy Langridge 09 May 1970 Concert Dome Concert Hall, Brighton Brighton Festival Mass in B Minor Bach Karl Richter English Chamber Orchestra Soprano Ann Pashley Mezzo-Soprano Meriel Dickinson Tenor Paul Taylor Bass Stafford Dean Bass Michael Rippon Sussex University Choir 1 Brighton Festival Chorus 17 May 1970 Concert Dome Concert Hall, Brighton Brighton Festival Fantasia for Piano, Chorus and Orchestra in C minor Beethoven Symphony No.
    [Show full text]
  • More Than a Band Aid: How the Use of Popular Music Helped a City Recover After Disaster
    MORE THAN A BAND AID: HOW THE USE OF POPULAR MUSIC HELPED A CITY RECOVER AFTER DISASTER Kris Vavasour Student No. 29112239 A thesis submitted in partial fulfilment of the requirements for the Degree of Master of Arts in Cultural Studies University of Canterbury March, 2016 Contents Acknowledgements .................................................................................................................... iv Abstract ...................................................................................................................................... iv List of Illustrations ...................................................................................................................... vi Chapter 1: Introduction .............................................................................................................. 1 Chapter 2: Literature Review ...................................................................................................... 6 Popular music ......................................................................................................................... 7 Popular culture of disaster.................................................................................................... 11 Disaster songs ....................................................................................................................... 12 Music use after disaster ........................................................................................................ 15 Conclusion .......................................................................................................................
    [Show full text]
  • Deutsche Interpreten Stand Juli 2019
    Deutsche Song´s Titel Interpret 10 kleine Jägermeister Die Toten Hosen Ham Kummst Seiler & Speer 10 Nackte Friseusen Mickie Krause 1000 und 1 Nacht Willi Herren 1001 und eine Nacht Klaus Lage 17 Jahr blondes Haar Udo Jürgens 20 Zentimeter Möhre 54-64-90-2010 Sportfreunde Stiller 80 Millionen Max Giesinger 99 Luftballons Nena Ab in den Süden Buddy Abenteuerland Pur Aber bitte mit Sahne Udo Jürgens Alkohol Herbert Grönemeyer Alle blonden Mädchen Andreas Martin Alle meine Entlein Kinderlieder Alle Vöglein sind schon da Kinderlieder Allein, Allein Polarkreis 18 Alles aus Liebe Die Toten Hosen Alles im Griff auf dem sinkenden Schiff Udo Jürgens Alles Neu Mia Alles Roger! Sportfreunde Stiller Alles was ich will De Höhner Aloha Heja He Achim Reichel Altes Fieber Die Toten Hosen Am Seidenen Faden Tim Benzko Am Tag als Conny Kramer starb Juliane Werding Amadeus in Love Nockaim Quintett Amerika Rammstein An der Copacabana EAV An der Nordseeküste Klaus & Klaus Andrea Doria Udo Lindenberg Anita Costa Cordalis Anna lass mich rein, lass mich rein Trio Anneliese Almöhi Express Anton aus Tirol Dj. Ötzi Anuschka Udo Jürgens Applaus Applaus Sportfreunde Stiller Arschgeweih Mickie Krause Atemlos Helene Fischer Auch Männer sind Menschen Brunner und Brunner Auf dem Weg Mark Forster !1 Deutsche Song´s Titel Interpret Auf der Reeperbahn nachts Hans Albers Auf der Strasse nach Süden Tony Marshall Auf einer Wolke Atlantis Auf uns Andreas Bourani Auf Wiederseh'n Comedian Harmonists Augen auf Oomph Augen zu und durch Wolfgang Petry Ba, Ba , Banküberfall EAV Babysitter
    [Show full text]
  • Notre Dame Scholastic, Vol. 133, No. 01
    STUDENT UNION BOARD From a cult horror film to a Donald Woods Lecture and from a Smithe­ reens concert to the An Tosto I Spring Festival, the Student Union Board makes things happen! S.U.B. provides a wide range of Intellectual and Social opportunities to the entire Notre Dame campus. But none of these events would have been possible without stu­ dent organization, planning, and ideas. Only your ideas can continue the S.U.B. tradition. So come join the team and help create a more exciting Notre Dame ... TlH][E Look for us at activities night ~~~~T ©rJt ~1.I On September 7th the Hoosiers from Indiana University are going to step on our turf and try to rain on our parade. They'll step outside the basketball court and try their hands at football. They'll be wishing that this day had never come as they are greeted at THE STADIUM by the 59,075 scream­ ing fans wearing the. BLUE that GOD gave to the FIGHTING IRISH of NOTRE DAME!!! . THE SHIRT, a royal blue t-shirt that will differentiate our FIGHTING IRISH fans from the white and red of Indiana, will be sold for only $10 by hall officers NOTRE DAME 150YE.ARSOF EXCELLENCE and section reps. With your participa­ tion and cooperation we will success­ fully regain w.hat was ours ... THE ~A "~(Q)~#\l CC~AM~~O~~~~~ I I i CONTENTS If you're interested in I journalism, graphic arts, layout, photography or advertising then NOTRE ,DAME'S STUDENT MAGAZINE ENTERTAINMENT cholastic 7 Music Notre Dame's Weekly Student Magazine NEWS 9 Divying Up LaFortune .
    [Show full text]
  • SLIFF Program 2013
    Originally Brewed to Celebrate the Holidays Named after the Holiday Star, Stella Artois was first brewed as a gift to the people of Leuven, Belgium. A golden lager in contrast to the popular dark ales of the time, its brilliant amber color has illuminated holiday celebrations for generations thereafter. StellaArtois.com Always Enjoy Responsibly. ©2013 Anheuser-Busch InBev S.A., Stella Artois® Beer, Imported by Import Brands Alliance, St. Louis, MO 2 22ND ANNUAL WHITAKER ST. LOUIS INTERNATIONAL FILM FESTIVAL www.cinemastlouis.org TABLE OF CONTENTS STAFF PR Consultant Marla Stoker FESTIVAL ARTISTS Ticket Info 16 Executive Director Cliff Froehlich Festival Transportation Coordinator Program Cover/Poster Carlos Jake Klund Zamora Design & Illustration Artistic Director Chris Clark Venue Info 17 Operations Supervisor Brian Spath Program Book Design/Production Filmmaker Awards Tom Huck/Evil Robert Westerholt/ Prints Tech/Transportation Supervisor Special Events 18 Riverfront Times Kat Touschner FESTIVAL TRAILER Free Events 23 Documentary Programmer Venue Supervisor/Plaza Frontenac FILMMAKERS Brian Woodman Brian Woodman Production Company Coolfi re Film Categories 24 Media Assistant Narrative-Feature Venue Supervisor/Tivoli David Kinder Mia Signorino Films by Subject 27 Programmer Executive Producer David Johnson Assistant Narrative-Short Programmer Venue Supervisor/Webster U. Animation Preston Gibson, Mike Films by Genre 28 Tommy Callahan Ariane Cameron Kuhn, Patrick Vaughan Web Designer/Developer Venue Supervisor/Wildey Original Music/Sound Design Brent Films by Country 28 Brett Smith Lynn Venhouse Johnson Awards 29 Cinema for Students Outreach Interns Maeve Donahue, Victoria Voice-Over Ella Johnson Coordinator Sarah Haas Garayalde, Carolyn Jackson, Sponsors 33 Kathleen Murphy, Courtney Marketing Consultant Schlueter, Katie Smith Cheri Hutchings/Claire de Lune Film Descriptions 37 Productions Features 37 CINEMA ST.
    [Show full text]
  • Public Comment
    To the Department of Labor: Millions of Americans are counting on their 401(k)s and retirement accounts, and many depend on investment professionals for guidance in managing these complex plans. We should be able to trust our financial advisers to put our interests first. But the current rules make it easy for unscrupulous advisers to line their own pockets at our expense. It's time to close this loophole and insist that the professionals who present themselves as honest retirement advisers actually give honest advice, instead of a sales pitch disguised as advice. It's difficult enough to save for retirement without having to contend with advisers who put their interests ahead of ours. I'm counting on you to close this loophole now. Martin Niemi James Keegan Derek Monroe Douglas, AK Anchorage, AK Anchorage, AK David Hribar Marc Dumas Dolores Farrell Palmer, AK Fairbanks, AK Sitka, AK Charlotte Jewell Jiohn S. Sonin Mary Klippel Skagway, AK Juneau, AK Eagle River, AK Carlton Russell Diana Barney Guy Liston Anchorage, AK Anchorage, AK , AK Shawn O'Donnell Jill Bohr Jacob Michael Berthelsen ANCHORAGE, AK Ketchikan, AK , AK Mary Turner Lynn Wilbur Rich Tolles Anchorage, AK Sitka, AK Haines, AK Susan Vogt Sharyle Bell Harold Robinson Fairbanks, AK Juneau, AK Talladega, AL Stephen Hunt Marilyn Lee Bruce Fowler , AL Florence, AL Arab, AL William Meneese Peter Kerr Steven Lee Birmingham, AL Madison, AL Huntsville, AL Jennifer Humiston DANIEL BUCKLEY Stacey Lovelock Huntsville, AL Andalusia, AL Madison, AL Don Hunter Diane Difante Mandy Nix Arab, AL Wetumpka, AL Birmingham, AL Kenneth Hyche Karen Rossi Brad Carnes Cullman, AL Auburn, AL Huntsville, AL James Hildebrand Sharon Drube Sharon Marsh Mobile, AL , AL Brewton, AL Daniel Williams Elaine Tindill-Rohr Karen Spradlin Birmingham, AL Birmingham, AL Jacksonville, AL George Williams Jonathan Mitchell Tim Linderman Scottsboro, AL Madison, AL Birmingham, AL Hubert Oswalt Walter B.
    [Show full text]
  • Englische Titel Stand Juli 2019
    Deutsche Song´s Titel Interpret 10 kleine Jägermeister Die Toten Hosen Ham Kummst Seiler & Speer 10 Nackte Friseusen Mickie Krause 1000 und 1 Nacht Willi Herren 1001 und eine Nacht Klaus Lage 17 Jahr blondes Haar Udo Jürgens 20 Zentimeter Möhre 54-64-90-2010 Sportfreunde Stiller 80 Millionen Max Giesinger 99 Luftballons Nena Ab in den Süden Buddy Abenteuerland Pur Aber bitte mit Sahne Udo Jürgens Alkohol Herbert Grönemeyer Alle blonden Mädchen Andreas Martin Alle meine Entlein Kinderlieder Alle Vöglein sind schon da Kinderlieder Allein, Allein Polarkreis 18 Alles aus Liebe Die Toten Hosen Alles im Griff auf dem sinkenden Schiff Udo Jürgens Alles Neu Mia Alles Roger! Sportfreunde Stiller Alles was ich will De Höhner Aloha Heja He Achim Reichel Altes Fieber Die Toten Hosen Am Seidenen Faden Tim Benzko Am Tag als Conny Kramer starb Juliane Werding Amadeus in Love Nockaim Quintett Amerika Rammstein An der Copacabana EAV An der Nordseeküste Klaus & Klaus Andrea Doria Udo Lindenberg Anita Costa Cordalis Anna lass mich rein, lass mich rein Trio Anneliese Almöhi Express Anton aus Tirol Dj. Ötzi Anuschka Udo Jürgens Applaus Applaus Sportfreunde Stiller Arschgeweih Mickie Krause Atemlos Helene Fischer Auch Männer sind Menschen Brunner und Brunner Auf dem Weg Mark Forster !1 Deutsche Song´s Titel Interpret Auf der Reeperbahn nachts Hans Albers Auf der Strasse nach Süden Tony Marshall Auf einer Wolke Atlantis Auf uns Andreas Bourani Auf Wiederseh'n Comedian Harmonists Augen auf Oomph Augen zu und durch Wolfgang Petry Ba, Ba , Banküberfall EAV Babysitter
    [Show full text]
  • RTL Group Annual Report 2008 Annual Report the Leadingeuropeanentertainment Network
    THE LEADING EUROPEAN ENTERTAINMENT NETWORK FIVE-YEAR SUMMARY 2008 2007 2006 2005 2004 €m €m €m €m €m Revenue 5,774 5,707 5,640 5,115 4,878 RTL Group – of which net advertising sales 3,656 3,615 3,418 3,149 3,016 Corporate Communications Other operating income 37 71 86 103 118 45, boulevard Pierre Frieden Consumption of current programme rights (2,053) (2,048) (1,968) (1,788) (1,607) L-1543 Luxembourg Depreciation, amortisation and impairment (203) (213) (217) (219) (233) T: +352 2486 5201 F: +352 2486 5139 Other operating expense (2,685) (2,689) (2,764) (2,518) (2,495) www.RTLGroup.com Amortisation and impairment of goodwill ANNUAL REPORT and fair value adjustments on acquisitions of subsidiaries and joint ventures (395) (142) (14) (16) (13) Gain/(Loss) from sale of subsidiaries, joint ventures and other investments (9) 76 207 1 (18) Profit from operating activities 466 762 970 678 630 Share of results of associates 34 60 72 63 42 Earnings before interest and taxes (“EBIT”) 500 822 1,042 741 672 Net interest income/(expense) 21 (4) 2 (11) (25) Financial results other than interest 7 26 33 2 (19) Profit before taxes 528 844 1,077 732 628 Income tax income/(expense) (232) (170) 34 (116) (196) Profit for the year 296 674 1,111 616 432 Attributable to: RTL Group shareholders 194 563 890 537 366 Minority interest 102 111 221 79 66 Profit for the year 296 674 1,111 616 432 EBITA 916 898 851 758 709 Amortisation and impairment of goodwill (including disposal group) and fair value adjustments on acquisitions of subsidiaries and joint ventures
    [Show full text]
  • The Great British Music Hall: Its Importance to British Culture and ‘The Trivial’
    The Great British Music Hall: Its Importance to British Culture and ‘The Trivial’ By Steven Gerrard Abstract By 1960, Britain’s once-thriving Music Hall industry was virtually dead. Theatres with their faded notions of Empire gave way to Cinema and the threat of Television. Where thousands once linked arms singing popular songs, watch acrobatics, see feats of strength, and listen to risqué jokes, now the echoes of those acts lay as whispers amongst the stalls’ threadbare seats. The Halls flourished in the 19th Century, but had their origins in the taverns of the 16th and 17th Centuries. Minstrels plied their trade egged on by drunken crowds. As time passed, the notoriety of the Music Hall acts and camaraderie produced grew. Entrepreneurial businessman tapped into this commerciality and had pur- pose-built status symbol theatres to provide a ‘home’ for acts and punters. With names like The Apollo giving gravitas approaching Olympian ideals, so the owners basked in wealth and glory. The Music Hall became the mass populist entertainment for the population. Every town had one, where everyone could be entertained by variety acts showing off the performers’ skills. The acts varied from singers, joke-tellers, comics, acro- bats, to dancers. They all aimed to entertain. They enabled audiences to share a symbiotic relationship with one another; became recruitment officers for the Army; inspired War Poets; showed short films; and they and the halls reflected both the ideals and foibles of their era. By using Raymond Williams’ structures of feeling as its cornerstone, the article will give a brief history of the halls, whilst providing analysis into how they grew into mass populist entertainment that represented British culture.
    [Show full text]