Studio 1 Equipment
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Brief History of Electronic and Computer Musical Instruments
Brief History of Electronic and Computer Musical Instruments Roman Kogan April 15th, 2008 1 Theremin: the birth of electronic music It is impossible to speak of electronic music and not speak of Theremin (remember that high-pitch melody sound sound in Good Vibrations ?) Theremin was the instrument that has started it all. Invented remarkably early - around 1917 - in Russia by Leon Termen (or Theremin, spelling varies) it was the first practical (and portable) electronic music instrument, and also the one that brought the electronic sound to the masses (see [27]). It was preceded by Thelarmonium, a multi-ton monstrocity that never really get a lot of attention (although technically very innovative, see [25]), and some other instruments that fell into obscurity. On the other hand, Leon Theremin got popular well beyond the Soviet Union (where even Lenin got to play his instrument once!). He became a star in the US and taught a generation of Theremin players, Clara Rockmore being the most famous one. In fact, RCA even manufactured Theremins under Leon's design in 1929 ( [27])!. So what was this instrument ? It was a box with two antennas that produced continuous, high-pitch sounds. The performer would approach the instrument and wave hands around the antennas to play it. The distance to the right (vertical) antenna would change the pitch, while the distance to the left (horizontal) antenna would change the volume of the sound (see [2], [3] for more technical details). The Theremin is difficult to play, since, like on violin, the notes and the volume are not quantized (the change in pitch is continuous). -
Computer Music Products Guide 2010
Computer Music Products Guide 2010 Computer Music Products Guide 2010 V-STUDIO MIDI KEYBOARD CONTROLLERS AUDIO INTERFACES MICRO MONITORS Cakewalk is a registered trademark and SONAR, V-STUDIO 700, Active Controller Technology, Dimension Pro, Rapture and the Cakewalk logo are trademarks of Cakewalk, Inc. Roland, BOSS, COSM, EDIROL, SuperNATURAL, VariPhrase, V-LINK and V-Vocal are either registered trademarks or trademarks of Roland Corporation in the United States and/or other countries. Mac and Mac OS are trademarks of Apple Inc. ASIO and VST are trademarks of Steinberg Media Technologies AG. ReWire is a trademark of Propellerhead Software, AB. iZotope Radius copyright c 2005-2010 iZotope, Inc. Other trademarks mentioned are held by their respective owners. All specifications and appearances are subject to change without notice. All specifications and appearances are subject to change without notice. All trademarks are the property of their respective companies. MIDI INTERFACES MUSIC SOFTWARE www.cakewalk.com | (888) CAKEWALK | +1 (617) 423-9004 outside the US May. 2010 RAM-4594 GR-UPR-SS B1EC1 Made for Musicians By Musicians Cakewalk Computer Music Products These products are created by musicians who listen, understand, and respond to the needs of our customers, who include award-winning producers, engineers, composers, and musicians. Our mission is to inspire your creativity through the combination of superior sound quality, industry-leading technology, and unmatched ease of use. There are Cakewalk products that are right for you at every stage of your musical career and ability. Read on to learn more... V-STUDIO 04 MIDI INTERFACES 15 MICRO MONITORS 18 AUDIO INTERFACES 11 MIDI KEYBOARD CONTROLLERS 16 MUSIC SOFTWARE 19 visit us online at V-STUDIO www.cakewalk.com WDM VS-700R V-STUDIO I/O VS-700C V-STUDIO Console Windows® Windows® High-speed USB 2.0 audio interface that provides all the recording and routing The VS-700C Console offers broader ranging control and deeper editing and AUDIO AUDIO MIDI capabilities needed to handle any music production task. -
Take Your Guitar Further
The VGA-3 V-Guitar Amplifier puts Roland’s most sought-after guitar and amp models in a compact digital amp at a very friendly price. This 50-watt brute uses COSM modeling to deliver a stunning range of electric and acoustic guitar models—plus unique GK effects—from any GK pickup-equipped guitar. There are also 11 programmable COSM amp models, 3-band EQ, and three independent effects processors that can be accessed using any standard electric guitar. TaTaTa k k k e e e Yo Yo Yoururur Guitar Guitar Guitar Further Further Further ● Rated Power Output 50 W ● Patches 10 (Recalled from Panel), 40 (Recalled from MIDI Foot Controller) ● Nominal Input Level (1 kHz) INPUT: -10 dBu, EXT IN: -10 dBu ● Speaker 30 cm (12 inches) x 1 ● Connectors Front: GK In, Input, Recording Out/Phones, Rear: EXT In, EXP Pedal, Foot SW, MIDI In ● Power Supply AC 117/230/240 V ● Power Consumption 55 W ● Dimensions 586 (W) x 260 (D) x 480 (H) mm / 23-1/8 (W) x 10-1/4 (D) x 18-15/16 (H) inches ● Weight 18.5 kg / 40 lbs. 13 oz. ● Accessory Owner's Manual * 0 dBu=0.775 Vrms ■ Roland’s Flagship Modeling Amplifier. The VGA-7 V-Guitar Amplifier is the most powerful and complete modeling amplifier in history. This technological marvel serves up a range of COSM amp sounds, onboard effects, and speaker cabinet simulations—plus models of different electric and acoustic guitars, pickups, and tunings using any steel-string guitar and an optional GK-2A Divided Pickup. -
Owner's Manual
Owner’s Manual For the following languages, a PDF version of the Owner’s Manual can be found on the CD-ROM. Deutsch, Français, Italiano, Español, Português, Nederlands What is MIDI? MIDI is an internationally recognized standard for exchanging performance information between electronic musical instruments and computers. For example, in the illustration below, a MIDI signal meaning “the ‘C’ key on the MIDI keyboard was pressed” passes through the A-49 and is received by the computer’s software sound module, and then the software sound module plays the note “C.” MIDI signal Information meaning “the ‘C’ key was pressed” “C” is played Software sound module “C” key is pressed In this way, MIDI is used to send performance information to other instruments; for example “the ‘C’ key was pressed with a certain amount of force,” “the instrument was changed to a violin sound,” “the volume was raised/lowered,” “the pitch was raised/lowered,” etc. In other words, MIDI is the “language of musical instruments.” MIDI signals are merely performance instructions, therefore a MIDI sound module, such as a software sound module, is required to produce sound. All software sound modules and DAW (Digital Audio Workstation) software support MIDI. MEMO DAW software is a term that refers to music production software. Note Do not connect the A-49 to the computer until the driver has been installed (p. 13). Before using this unit, carefully read the sections entitled:”USING THE UNIT SAFELY” (p. 3) and “IMPORTANT NOTES” (p. 4). These sections provide important information concerning the proper operation of the unit. -
Studio 2 Equipment
STUDIO 2 EQUIPMENT Console Reverb/Delay Solid State Logic Duality δelta 48 input analog console with Total Recall Bricasti M7 digital reverb #1 Bricasti M7 digital reverb #2 Computer AMS RMX16 500 series digital reverb Avid Pro Tools Ultimate 2019.6 HDX 3 w/ HD I/O 64/64 Avid HDX processing card #1 500 Series Processors Avid HDX processing card #2 AMS RMX16 500 series digital reverb Avid HDX processing card #3 API 550A three-band EQ module # 1 Apple Mac Pro (Cylinder) 3.0 GHz 8-Core/32GB w/Mojave API 550A three-band EQ module # 2 Sonnet Echo Express Iii rackmount thunderbolt PCIe chassis API 512v discrete mic/line pre #1 OWC Thunderbay 4 four-bay thunderbolt HDD enclosure API 512v discrete mic/line pre #2 OWC Drive Dock dual-bay thunderbolt/USB3.0 HDD docking station API 525 limiter/compressor module Universal Audio UAD-2 Satellite Thunderbolt – OCTO Custom Moog analog delay module Samsung 29" SE790C curved monitor Heritage Audio BT-500 bluetooth streaming module Logic Pro X 10.2 Studio Music Production Software for Mac **Source Connect Live & Pro available upon request Headphones Sony MDR 7506 I/O Sony MDR 7520 Avid HD I/O #1 Audio-Technica ATH-M50x Avid HD I/O #2 Beyer Dynamic DT770 Avid HD I/O #3 Direct Sound Extreme Isolation EX-29 Avid HD I/O #4 Master & Dynamic MH40 Avid SYNCH HD Sennheiser HD-280 Pro Antelope Robidium 10M Atomic Clock & Isochrome Trinity Aviom personal monitor mixer system for headphones Focusrite Clarett 8 Pre Grace m920 reference headphone amplifier, DAC, monitor controller Lavry AD 122 96K MKIII stereo A to -
Scarlett 4I4 3Rd Gen User Guide.Indd
User Guide www.focusrite.com Version 1.0 TABLE OF CONTENTS OVERVIEW . 3 Introduction . 3 Features . 3 Box Contents . 4 System requirements . 4 GETTING STARTED . 5 Quick Start Tool . 5 Mac users only . 5 Windows only . 7 All users . 9 Manual Registration.............................................................9 Audio Setup in your DAW . 10 Loopback Inputs...............................................................11 Examples of Usage . 12 Connecting a microphone or instrument ...........................................12 Using Direct Monitoring.........................................................13 Connecting Scarlett 4i4 to loudspeakers ...........................................13 Creating an effects loop.........................................................15 Connecting Scarlett 4i4 to a DJ mixer . 16 HARDWARE FEATURES . 17 Front Panel.................................................................17 Back Panel .................................................................18 CHANNEL LISTINGS . 19 Performance Specifications . 19 Physical and Electrical Characteristics..........................................21 TROUBLESHOOTING . 22 COPYRIGHT AND LEGAL NOTICES . 22 2 OVERVIEW Introduction Thank you for purchasing this Third Generation Scarlett 4i4, one of the family of Focusrite professional computer audio interfaces incorporating high quality Focusrite analogue preamps. You now have a simple and compact solution for routing high quality audio to and from your computer and you will also be able to download some exciting -
Apollo Twin Mk2 Solo RME ADI-2 Pro FS (Connected to Apollo Via AES/EBU)
Desk SSL 4000G+E 40Ch. Total Recall Converters Apollo 16 (2x) Apollo Twin Mk2 Solo RME ADI-2 Pro FS (connected to apollo via AES/EBU) DAW & Plugins Protools 2018 Ableton Live 10 Logic pro X UAD all Plugins bundle Fabfilter bundle Waves Gold bundle Soundtoys Bundle Monitoring Custom (Flush-Mounted) Dynaudio M4 PMC TwoTwo6 Dynaudio Air15 Avantone active mixcube Cue Mix Behringer P16 Monitoringsystem Yamaha HS80 (SLS) Sennheiser G4 wireless system Pre-Amps API 512c (x3) Avalon U5 Neve 1073 + EQ (x2) Blue Robbie Tube pre Great River MP-500NV (x3) Universal Audio LA610 MKII Universal Audio 4-710D SSL 4000 Desk pre-amps (x40) Dizengoff D4 Dynamics Dbx 160XT Empirical Labs Distressor EL8X (2x) UREI 1178 SSL Desk Compressors (x40) SSL Masterbus Compressor Warm Audio WA-2A (x2) Tubetech CL1B Warm Audio WA-76 Rupert Neve Portico II MBP Equalizer/Filters Manley Massive Passive Neve 1073 EQ (x2) Sherman Filterbank SSL 242 Desk EQ (Black knob) (x32) SSL 232 Desk EQ (Orange knob) (x8) Warm Audio EQP-WA (x2) Little Labs VOG FX Lexicon 480L TC Electronic M3000 Vermona VSR3.2 Spring reverb Microphones Neumann U67 Neumann U47Fet Neumann U87 Neumann KM84 (2x) Flea 47 Tube Peluso P12 Tube AKG C414 XLS (x4) AKG C414 XL II (x2) AKG C451 B (x2) Coles 4038 (x2) Beyerdynamic M160 Telefunken M80 Octava MK012 (x2) Sennheiser MD421 (x5) Shure SM58 (x3) Shure SM57 (x3) Shure SM7B (x4) Shure Beta 52A Electrovoice RE20 Mothsound Mothmic Placidaudio Copperphone Headphones Presonus HP60 Headphone amp Beyerdynamic DT-770 Pro (x4) 250 Ω Beyerdynamic DT-770 Pro (x2) 32 Ω KRK KNS-8400 (4x) Controllers Ableton Push 2 Drum Computers Novation Drum Station Synthesizers Korg SV1 Korg MicroKorg XL Korg MS20 mini Korg Volca Sample, Bass, Keys Korg King Korg Korg Minilogue Roland TR-09 Roland Bassline Roland Vocoder VP-03 Roland Juno-60 Roland Jupiter-6 Roland TB-3 touch bassline Oberheim Expander D.I. -
Pocket Guide 2020
POCKET GUIDE Full Product Range 2020 2020, Issue 1 Tascam is a trademark of TEAC Corporation, registered in the U.S. and other countries. Microsoft, Windows and Windows Vista are either registered trademarks or trademarks of Microsoft Corporation in the United States and/or other countries. Apple, Mac, macOS, iPad, Lightning, App Store and iTunes are trademarks of Apple Inc. IOS is a trademark or registered trademark of Cisco in the U.S. and other countries and is used under license. ASIO is a trademark of Steinberg Media Technologies GmbH. All other trademarks are property of their respective owners. 2 CONTENT DR-44WL ............................................. 4 DA-6400 .............................................45 DR-22WL .............................................. 5 DA-3000 .............................................46 DR-40X ................................................ 6 HS-20 .................................................47 DR-07X ................................................ 7 RC-HS20PD ..........................................48 DR-05X ................................................ 8 HS-P82 ...............................................49 DR-100 MKIII ......................................... 9 RC-F82 ...............................................50 DR-680 MKII ........................................10 SD-20M ..............................................51 DR-10X ...............................................11 SS-CDR250N, SS-R250N .........................52 DR-10C ...............................................12 -
Comparing the Cost of Preamplifiers to Their Sonic Fidelity and Frequency Output
California State University, Monterey Bay Digital Commons @ CSUMB Capstone Projects and Master's Theses Spring 5-20-2016 Comparing the Cost of Preamplifiers ot Their Sonic Fidelity and Frequency Output Jackson O. Hunter California State University, Monterey Bay Follow this and additional works at: https://digitalcommons.csumb.edu/caps_thes Part of the Audio Arts and Acoustics Commons Recommended Citation Hunter, Jackson O., "Comparing the Cost of Preamplifiers ot Their Sonic Fidelity and Frequency Output" (2016). Capstone Projects and Master's Theses. 548. https://digitalcommons.csumb.edu/caps_thes/548 This Capstone Project is brought to you for free and open access by Digital Commons @ CSUMB. It has been accepted for inclusion in Capstone Projects and Master's Theses by an authorized administrator of Digital Commons @ CSUMB. Unless otherwise indicated, this project was conducted as practicum not subject to IRB review but conducted in keeping with applicable regulatory guidance for training purposes. For more information, please contact [email protected]. Hunter 1 Jackson Hunter Professor Sammons MPA 475 20 May 2015 COMPARING THE COST OF PREAMPLIFIERS TO THEIR SONIC FIDELITY AND FREQUENCY OUTPUT More than ever, too many times, audio engineers get caught up in the hype of big name brands and large price tags. However, the popularity of a brand, as well as the cost of its gear does not always equate to quality hardware. The microphone preamplifier is a perfect example of this disparity between price tags and brand names and performance of the equipment. The goal of this paper is to make one second guess the intrinsic idea that things that cost more and have a solid brand reputation actually sound better. -
Audio Plug-Ins Guide Version 9.0 Legal Notices This Guide Is Copyrighted ©2010 by Avid Technology, Inc., (Hereafter “Avid”), with All Rights Reserved
Audio Plug-Ins Guide Version 9.0 Legal Notices This guide is copyrighted ©2010 by Avid Technology, Inc., (hereafter “Avid”), with all rights reserved. Under copyright laws, this guide may not be duplicated in whole or in part without the written consent of Avid. 003, 96 I/O, 96i I/O, 192 Digital I/O, 192 I/O, 888|24 I/O, 882|20 I/O, 1622 I/O, 24-Bit ADAT Bridge I/O, AudioSuite, Avid, Avid DNA, Avid Mojo, Avid Unity, Avid Unity ISIS, Avid Xpress, AVoption, Axiom, Beat Detective, Bomb Factory, Bruno, C|24, Command|8, Control|24, D-Command, D-Control, D-Fi, D-fx, D-Show, D-Verb, DAE, Digi 002, DigiBase, DigiDelivery, Digidesign, Digidesign Audio Engine, Digidesign Intelligent Noise Reduction, Digidesign TDM Bus, DigiDrive, DigiRack, DigiTest, DigiTranslator, DINR, DV Toolkit, EditPack, Eleven, EUCON, HD Core, HD Process, Hybrid, Impact, Interplay, LoFi, M-Audio, MachineControl, Maxim, Mbox, MediaComposer, MIDI I/O, MIX, MultiShell, Nitris, OMF, OMF Interchange, PRE, ProControl, Pro Tools M-Powered, Pro Tools, Pro Tools|HD, Pro Tools LE, QuickPunch, Recti-Fi, Reel Tape, Reso, Reverb One, ReVibe, RTAS, Sibelius, Smack!, SoundReplacer, Sound Designer II, Strike, Structure, SYNC HD, SYNC I/O, Synchronic, TL Aggro, TL AutoPan, TL Drum Rehab, TL Everyphase, TL Fauxlder, TL In Tune, TL MasterMeter, TL Metro, TL Space, TL Utilities, Transfuser, Trillium Lane Labs, Vari-Fi, Velvet, X-Form, and XMON are trademarks or registered trademarks of Avid Technology, Inc. Xpand! is Registered in the U.S. Patent and Trademark Office. All other trademarks are the property of their respective owners. -
PRE-73 Jr Manual
PRE-73 Jr Vintage Style Pre Amplifier INTRODUCTION Congratulations on choosing the Golden Age Project PRE-73 Jr microphone preamplifier! The PRE-73 Jr is a one-channel vintage style microphone- and instrument preamplifier. The signal path uses only discrete components like resistors, capacitors and transistors. The in- and output is transformer bal- anced, using two different transformers, each one optimized for its purpose. This is the way audio compo- nents were built before integrated circuits became available. Integrated circuits are small and cheap and widely used in most modern designs. It is clear though that audio components built with modern technology doesn´t always provide the best perceived sound quality or the type of character that the modern user desires. On the contrary, the subjective sound quality delivered by vintage equipment is often prefered over the one delivered by modern units, a situation that is even more obvious now when music is recorded with clean- sounding digital audio equipment. This is the reason why so many vintage audio components are cloned and produced again and also why the vintage originals are often very expensive on the second hand market. The circuit used in the PRE-73 Jr is similar to the preamp section in the classical 1073 module with a corre- sponding sound character that is warm, punchy, sweet and musical. These classic characteristics have been heard on countless recordings through the years and it is a versatile sound that works very well on most sound sources and in most genres. The essence of this sound is now available at a surprisingly low cost, making it available to nearly everyone. -
INTEGRA-7 Supernatural Sound Module
INTEGRA-7 SuperNATURAL Sound Module Powerhouse Rack for Fast, Fluid Workflow With the development of SuperNATURAL sound and Behavior Modeling, Roland has blurred the boundary between acoustic and electronic instruments. Built upon these core technologies, the new INTEGRA-7 gives musicians a gold mine of the latest SuperNATURAL sounds in a fast-access, fully stocked 16-part module. The powerhouse rack comprises a “greatest hits” collection of sounds from Roland’s flagship keyboards and V-Drums modules, plus a coveted lineup from the legacy SRX library. It also introduces a new technology called Motional Surround, a 17-part ambience engine that lets you graphically control the distance and position of each part within a 360-degree sound field. With the immense power of the INTEGRA-7, you can create amazingly realistic and detailed orchestral arrangements, immersive spatial sounds, and beyond. INTEGRA-7 SuperNATURAL Sound Module Flagship synth module with over 6,000 sounds built in The latest SuperNATURAL sounds with enhanced Behavior Modeling technology for expressive acoustic instruments and accurate reproduction of performance articulations Powerful SuperNATURAL synth engine with fat analog synth models and vintage filter types Dynamic SuperNATURAL drum engine derived from Roland’s V-Drums provides expressive sounds with natural tonal variations Producer’s “must-have” SRX Expansion sound library built in, with all 12 SRX titles included Dedicated multi-effects and EQ for each part (16 parts), plus six dedicated COMP+EQ processors for drums and ambience parameters in SuperNATURAL drum kits Innovative 17-part Motional Surround ambience engine for stereo, headphone, and 5.1-channel output INTEGRA-7 Editor for iPad and Motional Surround VSTi Editor for SONAR software SuperNATURAL-Powered Music Production The core of the INTEGRA-7 is its SuperNATURAL sound engine with Behavior Modeling technology.