DOCSLIB.ORG

Bamfords Auctioneers & Valuers

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Bamfords Auctioneers & Valuers Bamfords Auctioneers & Valuers The Derby Auction House Chequers Road Derby Three Day Fine Art and Antique Sale Derbyshire DE21 6EN Started 03 Jul 2013 10:30 BST United Kingdom Lot Description A Mosanic Pottery Max Emanuel & Co ovoid vase, decorated with a sunrise through woodland, above a narrow girdle and a band of 1 insects and flowers, coloured in tones of mottled green and blue and picked out with raised and burnished gilding, 26cm high, shape no. 468, printed crossed rifles mark David Lloyd Jones (1928-1994) - a two-handled pot and cover, with bands of irregular circles in grey on a mottled brown ground, 25cm 2 high, seal mark Good David Lloyd Jones (1928-1994) - a circular charger, with bands of irregular circles in grey on a mottled brown ground, 35.5cm diam, seal 3 mark Good 4 David Leach (1911-2005) - a small ovoid vase, incised with lines on a mottled mushroom glaze, 7cm high, seal mark Good Bernard Leach (1887-1979) - a set of six Leach Pottery stoneware ramekin dishes, single handle, the interior glazes in tenmoku on a 5 celadon ground, the exterior unglazed, 12cm wide, seal mark A Troika coffin vase, decorated by Anne Lewis, with a stylised stick figure on a textured ground, coloured in tones of blue and brown, 6 16.5cm high, painted mark, c.1969 - 72 Good A Shelley Patches and Shades pattern Regent shape tea service, for six, comprising cups, saucers, side plates, milk jug, sugar basin 7 and bread and butter plate, coloured in tones of blue, black and silver lustre, the large plate 25cm over handles, no.W12207/B 26, printed marks only five cups p ...[more] A set of three large rectangular Art Pottery tiles, decorated with flat fish, tiger fish and stingray, on a mottled blue ground, 104cm x 8 26cm; others, smaller, with lobster and stingray, 76cm . x 26cm (6) A set of four Minton Rustic tiles, designed by William Wise (1847 - 1889), transfer printed in underglaze blue, 15.5cm square, moulded 9 marks; another pair, similar, printed with Aesthetic beauties (6) 10 A Rosenthal shaped ovoid vase, painted by Jean Cocteau, with a stylised face in black, 22cm high, printed mark, 1952 Good A pair of S Fielding & Co Soleilian ovoid vases, painted by M** Lucas, signed, with a continuous rustic landscape, with work horses 11 resting, coloured in red, green, blue and black, 40.5cm high, printed mark 12 A pair of Copeland rectangular plaques, painted by William Yale, signed, with stone bridge and woodland walk in autumn, 30cm x 15cm Three Minton limited edition The Arthurian Legend figures, designed by John Ablitt, Arthur The Once and Future King, Guinevere The 13 Tree of Life and Merlin The Great Enchanter, printed mark, limited edition 37/250, 95/250, 67/250 14 A Minton Osbourne pattern circular charger, in tones of blue, 41cm diam, titled, impressed mark 15 A large Ruskin Pottery Kingfisher lustre jar and cover, in an iridescent blue glaze, 21cm high, impressed Ruskin 1920 A French Vieillard & Co, Bordeaux biscuit barrel, plated mounts, decorated overall with stylised foliate blue panels and further foliage 16 and flowers over grey ground, 18.5cm high, impressed marks, late 19th/ early 20th century 17 A Beswick Gamecock, designed by Arthur Gredington, 24cm high, impressed mark, model no.2059 Good 18 A Beswick fireside model, of a fox, seated, model no. 2348, 32cm high, printed and impressed marks Good A porcelain studio pottery conical bowl, by Vivienne Legg, shaped rim, incised with bands of stylised lotus, 26cm diam, incised L mark 19 Good A large Royal Doulton flambe veined ovoid vase, glazed in mottled tones of oily blue and red, 45cm high, shape no. 1622, printed mark 20 Good, postcode faintly inscribed to base in pen A pair of Royal Doulton shaped circular cabinet plates, painted by J Birbeck Snr., signed, with Lapwing and Capercaillie, gilded borders 21 with raised leafy scrolls and pendants, 24.5cm diam, printed lion, crown and circle marks Generally good, minor wear to gilding A Doulton Lambeth candlestick, designed by Florence C Roberts, incised and in relief with stiff leaves and flowerheads, the square base 22 with griffin`s to angles, coloured in tones of blue and olive, 21cm high, impressed marks, 1875; another, with three mermaids to column, spreading circular base, 1 ...[more] A Doulton Burslem oval plaque, painted by Kelsall, signed, in tones of blue with a young girl in a snowy landscape, gilt border, 36cm x 23 27.5cm, unmarked Some rubbing to gilding, lugs to verso rather crudely attached A Doulton Lambeth brown and buff saltglazed stoneware ovoid jug, sprigged with windmills, jolly topers, trees, huntsman and hounds, 24 scroll handle, 17cm high, impressed marks; others, similar; condiments (7) A Bourne Denby stoneware novelty dish, modelled by Alice Titchener, with three ducks at the edge of a pond, mottled green and yellow 30 pastel glaze, 15cm diam, printed marks and monogram Good 31 A set of four Bretby Pottery jovial monks, seated around a refectory table, the monks 20cm high, mid 20th century A Clarice Cliff Rhodanthe pattern beehive preserve pot and cover, decorated with large marigold type flowers on sinuous stems, 35 coloured in tones of orange, yellow and brown, domed cover, bee finial, 10cm high, unmarked; another, Crocus pattern, brightly decorated with orange, blue and purple flower ...[more] A Clarice Cliff Nasturtium pattern beehive preserve pot and cover, decorated with bright orange flowers and foliage on sponged brown 36 ground, 9.5cm high, printed mark Good A Clarice Cliff Fantasque beehive preserve jar and cover, banded in orange, green, blue and purple, domed cover, bee finial, 9.5cm 37 high, printed mark; another, in a dripped glaze, 9.5cm high, printed mark (2) A Clarice Cliff Toby jug, seated, drinking from a mug of foaming ale, wearing a tricorn hat, red jacket and grey breeches, 22cm high, 38 printed mark, shape no.862 Good A Moorcroft Flame of the Forest pattern ovoid vase, tubelined and coloured in autumnal tones of orange, yellow, green and brown, 45 24cm high, impressed and painted marks, dated 1997, boxed Good A Macintyre Moorcroft compressed globular match striker, painted with ribbon-tied flowering swags on a green ground, 6cm diam, 46 c.1900 Good A Macintyre Moorcroft slender vase, tube lined with ribbon-tied flowering swags and stylised buds, painted in tones of blue, green and 47 red on a white ground, gilt rim and base, 17.5cm high, numbered M2627/150, printed mark and script signature, c.1900 Good A Macintyre Moorcroft onion necked ovoid vase, tubelined and painted with forget-me-nots in tones of blue, green and red, 16.5cm high, 48 printed mark, script signature, c.1900 Good A Moorcroft Anemone pattern waisted cylindrical vase, tubelined and coloured in tones of pink and purple on a mottled blue and green 49 ground, 11cm high, impressed mark and script signature Good A Moorcroft Pansy pattern baluster vase, tubelined with large flowerheads, coloured in tones of red, blue and green, on a cobalt blue 51 ground, 12.5cm high, impressed mark, signed with initials Lacks EPNS mount A Moorcroft Pansy pattern E.P.N.S. mounted bowl, tubelined with large flowerheads, coloured in tones of red, blue and green, on a 52 cobalt blue ground, 21cm diam, impressed mark, signed with initials Typical Moorcroft crazing A Moorcroft Peter The Pig, by Roger Mitchell, tube lined with the Temptation pattern, with flowerheads and apples, his foot resting on an 53 apple, 15.5cm high, impressed mark A Moorcroft Hibiscus pattern bottle vase, tube lined with large flambe flowerheads on a cobalt blue ground, 25.5cm high, impressed 54 marks, signed with initials A Copeland rectangular solid plastic clay tile, after Henry Stacey Marks, Fireside Legands (sic), with medieval jester and children, 20cm 55 x 42cm, c.1870 The tile has been removed and still has plaster board to teh verso, slight chip to left hand corner A Macintyre biscuit barrel, printed in monochrome with A Gentleman in Kharki, the verso with Rudyard Kipling verse, THe Absent 56 Minded Beggar, E.P.N.S. cover, 18.5cm high, printed marks; a similar pair of jugs, 14cm high, printed marks (3) Biscuit barrel with a crack; slight hairline to one of ...[more] 58 A 19th century stoneware novelty promotional model, of a cooking range, by The Albion Lamp Co., Birmingham, 25.5cm wide A creamware oval boat shaped basket, probably by Peter Warburton of Cobridge, loop handles, the side pierced with a band of tracery 59 above flutes, gadrooned foot, 20.5cm wide, impressed PW, c.1800; a creamware basket, of Rococo silver shape, pierced with tracery and moulded with swags, scrolls and sh ...[more] 60 A 17th century London pottery circular dish, pale straw glaze, the verso unglazed, 12cm diam, c.1640 A 17th/18th century brown salt glazed stoneware Bellarmine flagon, moulded with a bearded mask, loop handle, 41cm high A few old 61 nibbles around rim but generally ok A pair of Rogers Monopteros pattern canted rectangular meat plates, transfer printed in blue, 48cm diam, impressed marks, c.1820 62 Some dirty marks and wear but no major damage, one slightly brighter than the other A 19th century Derbyshire brown salt glazed stoneware spouted bowl, loop handle, 14cm diam, c.1860; others, smaller, 11.5cm and 63 9cm (3) A 19th century English pottery nursery plate, transfer printed in brown and picked out in colours with a G.W.R locomotive emerging from 64 the Box Tunnel, the border moulded with flowerheads, 18cm diam, mid-19th century A 19th century Toby Jug, seated holding a jug of ale, wearing a mustard overcoat, sponged handle and canted rectangular
Load more

Recommended publications
  • Philippa H Deeley Ltd Catalogue 17 Oct 2015
    Philippa H Deeley Ltd Catalogue 17 Oct 2015 1 A Pinxton porcelain teapot decorated in gilt with yellow cartouches with gilt decoration and hand hand painted landscapes of castle ruins within a painted botanical studies of pink roses, numbered square border, unmarked, pattern number 300, 3824 in gilt, and three other porcelain teacups and illustrated in Michael Bertould and Philip Miller's saucers from the same factory; Etruscan shape 'An Anthology of British Teapots', page 184, plate with serpent handle, hand painted with pink roses 1102, 17.5cm high x 26cm across - Part of a and gilt decoration, the saucer numbered 3785 in private owner collection £80.00 - £120.00 gilt, old English shape, decorated in cobalt blue 2 A Pinxton porcelain teacup and saucer, each with hand painted panels depicting birds with floral decorated with floral sprigs and hand painted gilt decoration and borders, numbered 4037 in gilt landscapes with in ornate gilt surround, unmarked, and second bell shape, decorated with a cobalt pattern no. 221, teacup 6cm high, saucer 14.7cm blue ground, gilt detail and hand painted diameter - Part of a private owner collection £30.00 landscape panels - Part of a private owner - £40.00 collection £20.00 - £30.00 3 A porcelain teapot and cream jug, possibly by 8A Three volumes by Michael Berthoud FRICS FSVA: Ridgway, with ornate gilding, cobalt blue body and 'H & R Daniel 1822-1846', 'A Copendium of British cartouches containing hand painted floral sparys, Teacups' and 'An Anthology of British Teapots' co 26cm long, 15cm high -
    [Show full text]
  • The Future of Derby Museums Service a Review of Alternative
    Ab Derby City Council The Future of Derby Museums Service A Review of Alternative Governance Models August 2011 CONTENTS 1. PURPOSE OF THE REVIEW ..................................................................................................1 2. INTRODUCTION AND BACKGROUND TO THE REVIEW ....................................................2 3. APPROACH AND METHODOLOGY ......................................................................................5 4. EXECUTIVE SUMMARY .........................................................................................................7 5. POLICY BACKGROUND ......................................................................................................13 6. LOCAL AUTHORITY MUSEUMS IN THE NATIONAL CONTEXT .......................................17 7. OVERVIEW OF DERBY MUSEUMS SERVICE ....................................................................22 Deleted: 30 8. ALTERNATIVE GOVERNANCE MODELS...........................................................................24 Deleted: 40 9. FEEDBACK FROM KEY STAKEHOLDERS.........................................................................24 Deleted: 45 10. EVALUATION OF GOVERNANCE MODELS.......................................................................24 Deleted: 46 11. FINANCIAL OVERVIEW .......................................................................................................24 Deleted: 50 12. THE NDPO GOVERNANCE MODEL....................................................................................24 Deleted: 59
    [Show full text]
  • RCD Magazine July 2010
    GUILD EXCLUSIVE 2010 The Royal Crown Derby magazine ISSUE 39 July 2010 Guild Duck and Duckling COLLECTOR Duckling Modelled by Hilary Walker, Designed by Jane James. Height 5.5cm Duck Modelled by Hilary Walker, Designed by Jane James. Length 15.5cm On joining the Guild or renewing your membership you will receive the delightful little Duckling paperweight as a complimentary gift A special welcome pack will contain your complimentary Guild Duckling paperweight and a wealth of information about our collectables Royal Crown Derby Headquarters 194 Osmaston Road, Derby, DE23 8JZ, England Tel: (01332) 712846 Fax: (01332) 712863 royalcrownderby.co.uk CONTENTS NEW PIECES New Pieces 2 - 7 New Exclusives 8 - 10 Osprey Visitor Centre News 11 Modelled by Donald Brindley This stunning new piece is once again a Local Interest 12 Designed by Tien Manh Dinh. successful collaboration between modeller Height: 15cm News / Events 13 - 14 Donald Brindley and designer Tien Manh History/Tradition 15 Dinh. The Osprey sits high on its look-out point holding a tasty meal between its Guild Exclusive 2010 16 talons. The feathers are decorated in stunning shades of grey with black and Once again it is time for me to sit down with white flecks to create an opulent textured the proof of the latest magazine and write effect. The base is decorated with pebbles my small contribution. Usually this is and turquoise ripples to represent the something that I like to do sitting looking out at the garden but after a day spent swirling waters of the preparing a new price list at home Ospreys’ hunting yesterday, today I have to be in the office.
    [Show full text]
  • Turtles from Turtle Island 89
    88 Ontario Archaeology No. 79/80, 2005 Tur tles from Turtle Island: An Archaeological Perspective from Iroquoia Robert J. Pearce Iroquoians believe their world, Turtle Island, was created on the back of the mythological Turtle. Archaeologically, there is abundant evidence throughout Iroquoia to indicate that the turtle was highly sym- bolic, not only of Turtle Island, but also of the Turtle clan, which was preeminent among all the Iroquoian clans. Complete turtles were modified into rattles, turtle shells and bones were utilized in a variety of sym- bolic ways, and turtle images were graphically depicted in several media. This paper explores the symbolic treatments and uses of the turtle in eastern North America, which date back to the Archaic period and evolved into the mythologies of linguistically and culturally diverse groups, including the Iroquoians, Algonquians (Anishinaabeg) and Sioux. Introduction landed on “Earth” which was formed only when aquatic animals dredged up dirt and placed it upon A Middle Woodland burial mound at Rice Lake Tur tle’s back (Figure 1). The fact that the falling yielded a marine shell carved and decorated as a Aataentsic was eventually saved by landing on Turtle turtle effigy. At the nearby Serpent Mound, was noted in almost all versions of the creation story; unmodified turtle shells were carefully placed in many sources it is noted that this was not just any alongside human skeletons. At the Middle Tur tle, but “Great Snapping Turtle” (Cornplanter Ontario Iroquoian Moatfield ossuary in North 1998:12). Jesuit Father Paul le Jeune’s 1636 version York (Toronto), the only artifact interred with specifically recorded that “aquatic animals” dredged the skeletal remains of 87 individuals was a mag- up soil to put onto Turtle’s back and that the falling nificent turtle effigy pipe.
    [Show full text]
  • ORIENTAL and EUROPEAN CERAMICS and GLASS
    SECOND DAY’S SALE WEDNESDAY 9th JULY 2014 ORIENTAL AND EUROPEAN CERAMICS AND GLASS Commencing not before 10.00pm Oriental and European Ceramics and Glass will be on view on: Friday 4th July 9.00am to 4.00pm Saturday 5th July 9.00am to 1.00pm Sunday 6th July 2.00pm to 4.00pm Monday 7th July 9.00am to 5.15pm Tuesday 8th July 9.00am to 5.15pm Limited viewing on sale day Enquiries: Andrew Thomas Enquiries: Nic Saintey Tel: 01392 413100 Tel: 01392 413100 Email: [email protected] Email: [email protected] 321 A clear glass decanter of mallet shaped form, wheel cut with three shield shaped panels between narrow bands of printies below a facet cut neck and star cut lozenge shaped stopper, early 19th century, 30.5cm high. £180 - 220 322 An airtwist wine glass the bell shaped bowl set on a straight single series airtwist stem on a fold over foot, circa 1740-60, 18cm high. £100 - 150 326 323 An opaque twist wine glass the rounded funnel shaped bowl set on a slightly tapering double series opaque twist stem comprising a lace twist within spiral threads, on a conical foot, circa 1760-80, 14.5cm high. £80 - 120 324 A Regency cut glass water jug, probably Irish of oval form with faceted and hobnail cut decoration, star cut base, 21cm high [small chip to base of handle]. £80 - 120 325 327 328 A large Continental painted and enamelled glass vase in Lobmeyr style, applied with 327 328 eight prunts and on spreading A Rindskopf art glass vase A cameo glass vase by Fritz foot, decorated with stylised of slender garlic-shaped form, Heckert of frosted clear and flowers, foliage and iron red the green body applied with a pink colour cut with trees and cartouches on a green ground, textured and iridescent silver foliage, signed, circa 1905/10, late 19th century, 32cm high.
    [Show full text]
  • Bamfords Auctioneers & Valuers
    Bamfords Auctioneers & Valuers Peak Village Shopping Centre Rowsley Three Day Fine Art Sale Bakewell DE4 2JE Started 11 Dec 2013 10:30 GMT United Kingdom Lot Description A garniture of Sampson Hancock tapering cylindrical spill vases, each decorated with a bouquet of colourful summer flowers with an 1 oval cartouche on an emerald ground, 12cm and 9cm high, S, H, crown, crossed swords and D mark in red A good Sampson Hancock Derby shaped circular cabinet plate, the centre painted by James Rouse, snr, signed, with an array of 2 flowers including passion flowers tulips and roses in a basket on a ledge, basketwork border, 24cm diam, S, H, crown, crossed swords and D mark in red, c.1875 - 1882 A large Sampson Hancock Derby figure, of a man, standing bare footed, holding his hat and a pipe, wearing a neck tie, jacket and 3 striped trousers, rocky circular base, 30cm high, S, H, crown, crossed swords and D mark in blue, c.1880 A pair of Derby figures, of a Milkmaid and Milkman, they stand wearing broad brimmed hats, holding pails, gilt lined circular base, 14cm 4 high, crown and crossed swords in red A pair of rare Sampson Hancock wine tasters, painted with roses, gilt line borders, 6cm diam, S, H, crown, crossed swords and D mark 5 in red A pair of Royal Crown Derby Mansion House dwarves, derived from engravings by Jacques Callot, richly attired in 17th century cavalier 6 costume, one with long moustache, his left hand on his hip and grasping a staff in his right, the tall funnel shaped hat with play bill of the Theatre Royal, the othe ...[more]
    [Show full text]
  • The Ultimate Peak District & Derbyshire Bucket List
    The Ultimate Peak District & Derbyshire Bucket List: 101 Great Things To Do 1. Embrace the great outdoors in the UK’s first National Park Established in 1951, the Peak District is the country’s oldest National Park. If you love the outdoors, this protected area of natural beauty - which covers 555 square miles in total - offers over 200 square miles of stunning open access land to explore. 2. Visit the ‘jewel in the Peak District’s crown’ at Chatsworth House Home to the Duke and Duchess of Devonshire, Chatsworth is one of the UK’s favourite stately homes. Discover over 30 magnificent rooms, a 105-acre garden, parkland, a farmyard and playground, and one of Britain’s best farm shops. 3. Conquer the tallest ‘Peak’ in the Peak District At 636 metres above sea level, you’ll feel like you’re standing on top of the world when you conquer the Kinder Scout plateau. It’s the highest point in the National Park and was also the site of the 1932 Mass Trespass, a landmark event which sparked a debate about the right to roam in the countryside, leading to the establishment of the Peak District as the first National Park two decades later. 4. Discover the UK’s oldest Ice Age cave art at Creswell Crags Walk in the footsteps of Ice Age hunters, uncover the secrets of early man, discover incredible Ice Age cave art and marvel at the UK’s largest discovery of ritual protection marks at this picturesque limestone gorge on the Derbyshire/Nottinghamshire border. 5.
    [Show full text]
  • Antique Pair Japanese Meiiji Imari Porcelain Vases C1880
    anticSwiss 29/09/2021 17:25:52 http://www.anticswiss.com Antique Pair Japanese Meiiji Imari Porcelain Vases C1880 FOR SALE ANTIQUE DEALER Period: 19° secolo - 1800 Regent Antiques London Style: Altri stili +44 2088099605 447836294074 Height:61cm Width:26cm Depth:26cm Price:2250€ DETAILED DESCRIPTION: A monumental pair of Japanese Meiji period Imari porcelain vases, dating from the late 19th Century. Each vase features a bulbous shape with the traditional scalloped rim, over the body decorated with reserve panels depicting court garden scenes and smaller shaped panels with views of Mount Fuji on chrysanthemums and peonies background adorned with phoenixes. Each signed to the base with a three-character mark and on the top of each large panel with a two-character mark. Instill a certain elegance to a special place in your home with these fabulous vases. Condition: In excellent condition, with no chips, cracks or damage, please see photos for confirmation. Dimensions in cm: Height 61 x Width 26 x Depth 26 Dimensions in inches: Height 24.0 x Width 10.2 x Depth 10.2 Imari ware Imari ware is a Western term for a brightly-coloured style of Arita ware Japanese export porcelain made in the area of Arita, in the former Hizen Province, northwestern Ky?sh?. They were exported to Europe in large quantities, especially between the second half of the 17th century and the first half of the 18th century. 1 / 4 anticSwiss 29/09/2021 17:25:52 http://www.anticswiss.com Typically Imari ware is decorated in underglaze blue, with red, gold, black for outlines, and sometimes other colours, added in overglaze.
    [Show full text]
  • February 16 ROYAL CROWN DERBY CELEBRATES 90 GLORIOUS YEARS of QUEEN ELIZABETH II
    February 16 ROYAL CROWN DERBY CELEBRATES 90 GLORIOUS YEARS OF QUEEN ELIZABETH II As the British Monarchy prepare to celebrate the 90th birthday of Queen Elizabeth II (Thursday 21st April 2016) fine bone china perfectionist, Royal Crown Derby is marking this momentous occasion with a beautifully handcrafted commemorative collection, designed by renowned royal specialist, June Branscombe. Hand-crafted in England by Royal Crown Derby’s skilled artisans, in its historic Osmaston Road factory, the collection, which will be available to purchase in April, features five delicate pieces; a 21.5cm Talbot Plate, Loving Cup, Miniature Loving Cup, Covered Trinket Box and Five Petal Tray, each festooned in rich blues and reds and hand-finished in 22-carat gold. Each item features a commemorative backstamp and will be a limited edition of 426 pieces (with the exception of the general release Five Petal Tray), to reflect the fourth month of 1926, when Queen Elizabeth was born. June Branscombe’s inspired designs follow the theme of the family badge of the House of Windsor - the Oak tree - and depicts the sovereign’s crown surrounded by the emblems of the United Kingdom; the Tudor rose of England, the thistle of Scotland, the leek of Wales and the shamrock of Northern Ireland. The centre of the plate carries the Queen’s Cipher – E II R with the Sovereign’s Crown within a cartouche of oak leaves and all items are surrounded by a commemorative inscription, “To Celebrate the Ninetieth Birthday of H.M. Queen Elizabeth II 21st April 2016”, making each item the perfect addition to any royal aficionado’s collection.
    [Show full text]
  • Veröffentlichungen ARCO 2019/19 ARCO-Nepal Newsletter 19- ISSN 2566-4832
    ARCO Veröffentlichungen – Arco-Nepal Newsletter 19, October 2019 Veröffentlichungen ARCO 2019/19 ARCO-Nepal Newsletter 19- ISSN 2566-4832 Content page Latest constructions at the TRCC Budo Holi / SE-Nepal – a photo documentation 2 World Turtle Day 2019 6 Fourth TRCC Volunteer’s Day – 2019 (February 10th ), World Environment 6 Day (June 5th) and interactions with school children Reassessment of Herpetofauna from Jhapa District, East Nepal 9 Acknowledgements 18 Volunteering at ARCO Centres in Nepal and Spain 19 Membership declarations are posted on our website and on Facebook – just fill the form and send it to us by mail together with your membership fee. ARCO-Nepal reg. soc. Amphibian and Reptile Conservation of Nepal c/o W. Dziakonski / Treasurer, Edlingerstr. 18, D-81543 München. [email protected] CEO & Editor: Prof. Dr. H. Hermann Schleich, Arco-Spain, E-04200 Tabernas/Almería www.arco-nepal.de email: [email protected] Account-no. 1000099984 BIC SSKMDEMMXXX BLZ 70150000 Bank/Credit Institute: Stadtsparkasse Muenchen - IBAN DE95701500001000099984 Membership contributions and any donations from SAARC and Non-European countries please pay directly upon our account at the Himalayan Bank Ltd, Kathmandu (Thamel Branch), Nepal Account no: 019 0005 5040014 / SWIFT HIMANPKA SAARC countries please apply directly to [email protected] 1 ARCO Veröffentlichungen – Arco-Nepal Newsletter 19, October 2019 Latest constructions at the TRCC Budo Holi / SE-Nepal – a photo documentation After the handing over ceremony of the Turtle Rescue & Conservation Centre on April 6th , 2018 to SUMMEF and the Jhapa Municipality, SUMMEF started the concrete wall and fenced enclosure building for the 260 sqm earthen pond.
    [Show full text]
  • Annual Report on Conservation and Science INTRODUCTION 2
    2013 Annual Report on Conservation and Science INTRODUCTION 2 2013 Annual Report on Conservation and Science Highlights The Association of Zoos and Aquariums’ (AZA) 2013 Annual Report on Conservation and Science (ARCS) celebrates the activities of AZA-accredited zoos and aquariums and certified related facilities in the following areas: » field conservation » mission-related research » education programming » sustainable (green) business practices Each of these areas has been carefully defined to maximize consistency of reporting and enhance data quality. Field conservation focuses on efforts having a direct impact on animals and habitats in the wild. Education programming includes those with specific goals and delivery methods, defined content, and a clear primary discipline and target audience. Mission-related research projects involve application of the scientific method and is therefore hypothesis (or question)-driven, involves systematic data collection and analysis of those data, and draws conclusions from the research process. Sustainable (green) business practices cover related staff support, purchasing policies, and education and outreach initiatives, as well as the management of six key resources: chemicals, energy, fuel, waste, water, and construction. While previous reports focused exclusively on field conservation, this is the first year all four of these areas are featured. Because of the history of reporting field conservation efforts, readers of this report will notice a discrepancy in response rates between field conservation (over 86 percent response rate) and the three new areas (approximately 52 percent for each area). AZA fully anticipates that response rates in future reports will increase across the four areas as the AZA community becomes more familiarized with the related data collection and reporting processes.
    [Show full text]
  • Lot Description LOW Estimate HIGH Estimate 2000 Pair of French
    LOW HIGH Lot Description Estimate Estimate Pair of French Samson covered urns, 19th century, each having a gilt knop surmounting 2000 the floral covered body on a white ground, underside with Samson mark, and Made In France, 14"h x 7.5"w $ 800 ‐ 1,200 Continental porcelain sculpture depicting a courting couple, depicted seated on a rock 2001 form, the lady with a wreath in her hands and a basket of flowers at her side, the gent bearing a rose, underside with underglaze blue crown mark, 8.5"h x 7.5"w $ 300 ‐ 500 (lot of 2) Continental porcelain two light boudoir lamps, each centered with a young 2002 couple bearing fruit, flanked with porcelain floral sprays continuing to the gilt two arms, the whole rising on a footed base, 12"h x 12"w $ 300 ‐ 500 2003 Royal Vienna porcelain partial gilt scenic charger, having a central scenic reserve depicting a well executed scene with King David, verso with underglaze beehive mark, 14"w $ 1,500 ‐ 2,500 Continental hand painted miniature porcelain plaque, depicting Queen Louise in the 2004 classic pose, plaque 3.5"h, overall 7.5"h x 7"w $ 300 ‐ 500 Continental Santos figure with polychrome decorated body, 18th Century, with remnants 2005 of early painted surface, rising on a wood frame terminating on the rectangular base, 19"h $ 800 ‐ 1,200 2006 Mid Century malachite bowl, having a brass rim, unsigned 2"h x 10"w $ 400 ‐ 600 2007 (lot of 2) Paolo Soleri bronze bells, largest 22"l $ 400 ‐ 600 2008 (lot of 2) Paolo Soleri bells, largest 25"l $ 500 ‐ 700 Twain, Mark: Celebrated Jumping Frog of Calaveras County, New York, Webb 1868, 2009 original green cloth, beveled edges, stamped in gilt, brown coated endpapers, lacking inserted advertisements, binding rubbed, otherwise fine condition $ 6,000 ‐ 9,000 2010 Jaeger Le Coultre Atmos clock in brass with glass paneled case, 9''h x 8''w x 6''d $ 300 ‐ 500 Needlework sampler, executed by Hannah Nutt, 1827, having a foliate decorated border surrounding the central panel decorated with a dog, a bird and flowers, the text reads 2011 "Our Saviours Golden Rule.
    [Show full text]