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Chart Book Template
Real Chart Page 1 become a problem, since each track can sometimes be released as a separate download. CHART LOG - F However if it is known that a track is being released on 'hard copy' as a AA side, then the tracks will be grouped as one, or as soon as known. Symbol Explanations s j For the above reasons many remixed songs are listed as re-entries, however if the title is Top Ten Hit Number One hit. altered to reflect the remix it will be listed as would a new song by the act. This does not apply ± Indicates that the record probably sold more than 250K. Only used on unsorted charts. to records still in the chart and the sales of the mix would be added to the track in the chart. Unsorted chart hits will have no position, but if they are black in colour than the record made the Real Chart. Green coloured records might not This may push singles back up the chart or keep them around for longer, nevertheless the have made the Real Chart. The same applies to the red coulered hits, these are known to have made the USA charts, so could have been chart is a sales chart and NOT a popularity chart on people’s favourite songs or acts. Due to released in the UK, or imported here. encryption decoding errors some artists/titles may be spelt wrong, I apologise for any inconvenience this may cause. The chart statistics were compiled only from sales of SINGLES each week. Not only that but Date of Entry every single sale no matter where it occurred! Format rules, used by other charts, where unnecessary and therefore ignored, so you will see EP’s that charted and other strange The Charts were produced on a Sunday and the sales were from the previous seven days, with records selling more than other charts. -
You Gotta Fight (For Your Right to Make Music) | Nouse
Nouse Web Archives You gotta fight (for your right to make music) Page 1 of 4 News Comment MUSE. Politics Business Science Sport Roses Freshers Muse › Music › News Features Reviews Playlists You gotta fight (for your right to make music) By Robin Seaton Thursday 4 May 2006 Robin Seaton met Fightstar in Leeds on their third UK headline tour. They talked about the metal/punk scene and their attempts to forge a post-Busted fanbase You have to admire Charlie Simpson’s optimism, and his bravery. There’s something almost American about his desire for reinvention, something suicidal about his courage in forming a metal/punk band after having left Busted, a group who were one of the most successful manifestations of the legalised child exploitation racket that is pop music. There was almost something postmodern in their management’s attempts to create a patina of ‘rock respectability’ to cover the fundamentally teenager-targeted music. Their (unplugged) guitars, their ‘personalised’ clothes, that bloody endless ‘punk’ gurning. They weren’t fooling anyone, and they knew it. So how did the pretty-boy singer imagine that he could get away with forming a band playing music to punks and metalheads, two groups of music fans notorious for their abilities to sniff out anything fake, popular or safe, then gob on its face and kick its head in? Surely one man and his monobrow could not stand alone against such a tide of beered-up hatred? I went to Leeds to find out. Fightstar’s an appropriate name for a band who’ve had to fight against one kind of fame in order to achieve another. -
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36 TUESDAY, MARCH 25, 2014 LIFESTYLE Gossip Jay Z addresses Drake’s art reference criticisms ay Z has hit out at Drake in a new track. The Roc Nation boss addressed the ‘Hypher’ hitmaker during his verse Jon Jay Electronica’s new song, ‘We Made It’, after the rapper called him “corny” for using art references in his music. Jay Z raps: “Sorry Mrs Drizzy for so much art talk/ Silly me, rappin’ ‘bout that I really bought/ While these rappers rap about guns that they ain’t shot/ And a bunch of other silly thing that they ain’t got.” The reference comes after Drake’s controversial interview with Rolling Stone magazine in February, during which he criticized Jay Z and slated Kanye West’s “questionable” rap lyrics on his ‘Yeezus’ album. He said: “It’s like Hov can’t drop bars these days without at least four art references. I would love to collect [art] at some point, but I think the whole Rap/art world thing is getting kind of corny.” Speaking about ‘Yeezus’, Drake added: “There were some real ques- tionable bars on there.” Itr isn’t the first time Drake has criticized the two rappers, as he admitted he wasn’t on good terms with the stars when he slated Jay Z and Kanye West’s collaborative album ‘Watch The Throne’ on his 2011 track ‘I’m One One’. He admitted: “It was a lack of communication paired with natural competitiveness. But those two are Gods to me.” Liam Gallagher’s ex to write new book iam Gallagher is “very nervous” about former lover Lisa LMoorish’s autobiography. -
Spartan Daily, October 8, 2014
Drop by spartandaily.com for SJSU Humanities' 60th birthday on Weather Foggy Hi o 82 MICROSOFT GIVES STARTUPS CONVENE AT CHANGE AND THE Spartan Lo o OFFICE TO STUDENTS SJSU FOR TECHMANITY ART OF PROTESTING 52 PAGE 2 PAGE 3 PAGE 5 Video Volume 143 | Issue 18 Serving San José State University since 1934 Wednesday, October 8, 2014 California Faculty Association calls for higher wages By Sonya Herrera Kelly Harrison, an English and general @Sonya_M_Herrera engineering lecturer, said she was glad she attended Monday’s CFA meeting. Anthropology professor Jonathan Karpf “Jonathan gave a great presentation with some repeated the call for action to his colleagues at of the data of what the choices are,” Harrison said. the California Faculty Association meeting on Included in Karpf’s presentation was a Monday. “thought experiment” on what CFA members “We’ve come down since we started; they would want to do in case the Chancellor’s office haven’t budged,” Karpf said. “That alone is reason was unwilling to meet the CFA’s demands. for us to say, ‘What gives?’” “I was basically trying to take a temperature of According to Karpf, the purpose of Monday’s the mood of the faculty,” Karpf said. CFA meeting was to inform San Jose State He posed the question of which option would University faculty on the inadequacy of the latest be best: to strike and attempt to resolve the salary offer made by the CSU chancellor’s office. disagreement immediately, or to accept the first “We need them to offer a little bit more than year’s salary offer while retaining the ability to they’re offering,” Karpf said. -
An Island to Oneself by Tom Neale
TABLE OF CONTENTS Author's Note Introduction by Noel Barber PART ONE - The Years of Waiting Chapter 1: Wanderlust in the Sun Chapter 2: Shopping List for a Desert Island PART TWO - On the Island: October 1952 - June 1954 Chapter 3: The First Day Chapter 4: Alone at last Chapter 5: Fishing, Cooking - and Improvising Chapter 6: The Killing of the Wild Pigs Chapter 7: Gardening - and the Chicken "Farm" Chapter 8: My First Visitors Chapter 9: Down with Fever Chapter 10: The Pier - and the Great Storm Chapter 11: Saved by a Miracle Chapter 12: Farewell to the Island I TABLE OF CONTENTS PART THREE - Civilisation Again Chapter 13: Six Frustrating Years Chapter 14: Return to Suvarov PART FOUR - On the Island: April 1960 - December 1963 Chapter 15: Visitors by Helicopter Chapter 16: Five Hours in the Water Chapter 17: The Castaways Post Script Remembrance - by Kenneth R. Vogel (Reproduction from ISLANDS Magazine, Sept/Oct 1987) Post Post Script - Taori's Notes Stella’s Epilogue Island Photography II Author’s Note: An Island to Oneself by Tom Neale For George Moore Taggart III - My American Friend in The Old Tahiti Days My thanks are due to "Peb" Rockefeller who took the photographs opposite pages 68, 69, 125, and 126 in this book when he visited Suvarov in 1954. The remaining photographs were taken by Noel Barber and Chuck Smouse when they visited me for the Daily Mail in 1961, and my thanks are due to the Daily Mail, London, for permission to reproduce them. Author’s Note This is the story of six years which I spent alone, in two spells on an uninhabited coral atoll half a mile long and three hundred yards wide in the South Pacific. -
Issue 171.Pmd
email: [email protected] website: nightshift.oxfordmusic.net Free every month. NIGHTSHIFT Issue 171 October Oxford’s Music Magazine 2009 tristantristantristantristan &&& thethethe troubadourstroubadourstroubadourstroubadourstroubadours Oxford’s own Magnificent Seven ride out - Interview inside plus News, reviews and seven pages of local gigs photo: Marc West photo: Marc NIGHTSHIFT: PO Box 312, Kidlington, OX5 1ZU. Phone: 01865 372255 NEWNEWSS Nightshift: PO Box 312, Kidlington, OX5 1ZU Phone: 01865 372255 email: [email protected] Online: nightshift.oxfordmusic.net THIS MONTH’S OX4 FESTIVAL will feature a special Music Unconvention alongside its other attractions. The mini-convention, featuring a panel of local music people, will discuss, amongst other musical topics, the idea of keeping things local. OX4 takes place on Saturday 10th October at venues the length of Cowley Road, including the 02 Academy, the Bullingdon, East Oxford Community Centre, Baby Simple, Trees Lounge, Café Tarifa, Café Milano, the Brickworks and the Restore Garden Café. The all-day event has SWERVEDRIVER play their first Oxford gig in over a decade next been organised by Truck and local gig promoters You! Me! Dancing! Bands month. The one-time Oxford favourites, who relocated to London in the th already confirmed include hotly-tipped electro-pop outfit The Big Pink, early-90s, play at the O2 Academy on Thursday 26 November. The improvisational hardcore collective Action Beat and experimental hip hop band, who signed to Creation Records shortly after Ride in 1990, split in outfit Dälek, plus a host of local acts. Catweazle Club and the Oxford Folk 1999 but reformed in 2008, still fronted by Adam Franklin and Jimmy Festival will also be hosting acoustic music sessions. -
South Essex College Is Proud to Support Village Green 2019
JULY 13 2019 www.thetrawler.net FREE 13.07.19 South Essex College is proud to support Village Green 2019 Working together to inspire and create opportunities There is still time to apply for September 2019 Visit www.southessex.ac.uk HELLO... CONTRIBUTORS e’re back! Metal celebrates 10 editions of Village Green Colette Bailey this year. Started in 2008 as part of London 2012 Cultural Hannah Brailsford Olympiad, our not-for-profit, family-centred community arts Ed Clarke and music festival once again brings you a diverse mix of Jules Easlea performance, activities, workshops, marketplaces, green spaces and Camilla Fox Wfood. Liam Jefferies Jon Kipps You’ll know some of our headliners this year but don’t miss the future Simon La Roche headliners! Remember Rag N Bone Man in 2016? Village Green was his Reshma Madhi first festival headline slot. We’ve watched Nothing But Thieves develop Sean McLoughlin and grow over the years, as we have too with Ruti, 2018 winner of Emma Mills the Voice, (on our mainstage this year!). Did you see Passenger in the Tillie Peel Sundown Arts tent with just 200 other lucky people? Dan Turpin Lu Williams Look around the whole festival, spot tomorrow’s stars on the smaller Sharon Williams stages and take part in activities that you’ve never tried before: you may discover a new skill or hobby. Join in something different, come out of your comfort zone! By coming to Village Green, you’re helping to support PHOTOGRAPHY the brilliant local creative community. The festival offers them the chance Si Brandon to hone their skills, find new audiences and meet other artists and sibrandon.co.uk performers. -
TELLIN' STORIES: the Art of Building & Maintaining Artist Legacies
TELLIN’ STORIES The Art Of Building & Maintaining Artist Legacies TELLIN’ STORIES: The Art of Building & Maintaining Artist Legacies Introduction “A legacy has to be proactive and reactive at the same time and their greatest successes lie in simultaneously looking back to guide the way forward...” Legacies in music are a life’s work – constantly sometimes it can have a detrimental impact. It is evolving and surprising audiences. a high-wire act and a bad decision can unspool a lifetime of work, an image becomes frozen or the It does not follow, however, that just because you artists (and their art) are painted into a corner. have built a legacy in your career that it is set in stone forever. Legacies are ongoing work and they When an artist passes away, that work they have to be worked at, refined and maintained. achieved in their lifetime has to be carried on by the Existing audiences have to be held onto and new artist’s estate. Increasingly they have to be worked audiences have to be continually brought on board. and developed just like current living artists. Streaming and social media have made that always- Equally, it does not follow that everything an on approach more straightforward, but every step artist and their team does will add to or expand has to be carefully calculated and remain true to that legacy. Sometimes it can have no impact and the original vision of that artist. 2 TELLIN’ STORIES: The Art of Building & Maintaining Artist Legacies Contents 02 Introduction 04 Filing systems: the art of archive management 12 Inventory -
Mcfly Awarded Honorary Nickelodeon Kids' Choice
MCFLY AWARDED HONORARY NICKELODEON KIDS’ CHOICE AWARD - POP GROUP McFLY RECEIVE AWARD FROM TEENAGE MUTANT NINJA TURTLES IN SURPRISE VISIT TO BE AIRED DURING NICKELODEON’S KIDS’ CHOICE AWARDS ON SUNDAY 30TH MARCH - London, 13th March 2014 –McFly are to be the first-ever group to receive an honorary Nickelodeon Kids’ Choice Award for Favourite UK Band of the Decade. In a surprise visit during rehearsals for the McBusted tour, Tom Fletcher, Dougie Poynter and Harry Judd were awarded the iconic orange blimp on behalf of the band by their childhood heroes, Nickelodeon’s Teenage Mutant Ninja Turtles and Busted’s Matt Willis and James Bourne. Fans will be able to see footage of the amazing surprise during the award ceremony which airs on Sunday 30th March from 5:00pm. The inaugural award was created especially for the band, who was the UK host of the award show in 2007. It recognises the band’s outstanding 10 years in the music industry entertaining a generation of kids. “Back in 2007 we were the UK hosts of Nickelodeon's Kids' Choice Awards handing out the blimps rather than receiving them," said McFly’s Tom Fletcher. "McFly's ten years have been insanely awesome and having the Teenage Mutant Ninja Turtles award us Favourite Band of the Decade has to be one of the highlights. Cowabunga dudes!” It was announced this week that Top 10 iTunes selling artist Aloe Blacc and new band American Authors will take the stage and perform at the epic award show, taking place at the Galen Centre in Los Angeles. -
Artist Song Weird Al Yankovic My Own Eyes .38 Special Caught up in You .38 Special Hold on Loosely 3 Doors Down Here Without
Artist Song Weird Al Yankovic My Own Eyes .38 Special Caught Up in You .38 Special Hold On Loosely 3 Doors Down Here Without You 3 Doors Down It's Not My Time 3 Doors Down Kryptonite 3 Doors Down When I'm Gone 3 Doors Down When You're Young 30 Seconds to Mars Attack 30 Seconds to Mars Closer to the Edge 30 Seconds to Mars The Kill 30 Seconds to Mars Kings and Queens 30 Seconds to Mars This is War 311 Amber 311 Beautiful Disaster 311 Down 4 Non Blondes What's Up? 5 Seconds of Summer She Looks So Perfect The 88 Sons and Daughters a-ha Take on Me Abnormality Visions AC/DC Back in Black (Live) AC/DC Dirty Deeds Done Dirt Cheap (Live) AC/DC Fire Your Guns (Live) AC/DC For Those About to Rock (We Salute You) (Live) AC/DC Heatseeker (Live) AC/DC Hell Ain't a Bad Place to Be (Live) AC/DC Hells Bells (Live) AC/DC Highway to Hell (Live) AC/DC The Jack (Live) AC/DC Moneytalks (Live) AC/DC Shoot to Thrill (Live) AC/DC T.N.T. (Live) AC/DC Thunderstruck (Live) AC/DC Whole Lotta Rosie (Live) AC/DC You Shook Me All Night Long (Live) Ace Frehley Outer Space Ace of Base The Sign The Acro-Brats Day Late, Dollar Short The Acro-Brats Hair Trigger Aerosmith Angel Aerosmith Back in the Saddle Aerosmith Crazy Aerosmith Cryin' Aerosmith Dream On (Live) Aerosmith Dude (Looks Like a Lady) Aerosmith Eat the Rich Aerosmith I Don't Want to Miss a Thing Aerosmith Janie's Got a Gun Aerosmith Legendary Child Aerosmith Livin' On the Edge Aerosmith Love in an Elevator Aerosmith Lover Alot Aerosmith Rag Doll Aerosmith Rats in the Cellar Aerosmith Seasons of Wither Aerosmith Sweet Emotion Aerosmith Toys in the Attic Aerosmith Train Kept A Rollin' Aerosmith Walk This Way AFI Beautiful Thieves AFI End Transmission AFI Girl's Not Grey AFI The Leaving Song, Pt. -
Busted Air Hostess Mp3, Flac, Wma
Busted Air Hostess mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Air Hostess Country: UK Released: 2004 Style: Pop Rock MP3 version RAR size: 1551 mb FLAC version RAR size: 1532 mb WMA version RAR size: 1526 mb Rating: 4.2 Votes: 844 Other Formats: ASF VQF DTS AU MMF MP3 MP1 Tracklist Hide Credits Air Hostess Drums – Jeremy StaceyEngineer [Assistant Recording Engineer] – Dan PorterEngineer [Pro-Tools] – Jim BrumbyGuitar – Tim Van Der Kuil*Guitar, Vocals – Charlie Simpson, James Bourne, Matt 1 Willis*Producer, Mixed By, Programmed By, Drum Programming, Keyboards, DAW [Pro-Tools] – Steve PowerProgrammed By, Percussion – Andy DuncanWritten By – FletcherWritten-By – Simpson*, Bourne*, Willis* Mummy Trade 2 Engineer – Paul BorgMixed By – Paul Borg, Sidh SolankiProducer – Sidh SolankiWritten-By – Charlie Simpson, James Bourne Companies, etc. Phonographic Copyright (p) – Universal Island Records Ltd. Copyright (c) – Universal Island Records Ltd. Published By – EMI Music Publishing Ltd. Published By – Prestige Songs Published By – Universal Music Publishing Ltd. Credits Management – Darren Keating, Matt Fletcher*, Richard Rashman Photography By – Ellis Parrinder Notes Track 1 also credits Dave Stewart with keyboards. Barcode and Other Identifiers Barcode (Text): 6 02498 66498 8 Barcode (String): 602498664988 Rights Society: BIEM/MCPS Label Code: LC01846 Other versions Category Artist Title (Format) Label Category Country Year 986 660-1, MCS Air Hostess (7", Universal, 986 660-1, MCS Busted UK 2004 40361 Ltd, Pic) Universal 40361 -
Bristol.Ac.Uk/Events Lecture Mon 24 October
What’s on at the University of Bristol October 2011 Public events bristol.ac.uk/events Lecture Mon 24 October Lecture Thu 20 October Talk Tue 25 October Concert Wed 26 October PUBLIC EVENTS THURSDAY 13 OCTOBER 6 pm INAUGURAL LECTURE A thimble, a pimple, or an egg on legs? Working out how working memory works Psychologists assume that humans use working memory to carry out complex tasks, but what form does our working memory take and does it really do anything useful for us? In this talk Professor Jarrold will answer these questions, drawing particularly on research with children and with individuals with developmental conditions. Speaker Professor Chris Jarrold, School of Experimental Psychology Venue Wills Memorial Building, Queen’s Road, BS8 1RJ Admission Free, no booking required. For further information contact Nicola Fry tel: +44 (0)117 92 88515, email: [email protected], web: bristol.ac.uk/pace/public-lectures/inaugural/2011/jarrold.html Organised by the Public and Ceremonial Events Office MONDAY 17 OCTOBER 6 pm TWILIGHT TALK Photography and the discovery of the universe In 2009 we celebrated the 400th anniversary of Galileo’s use of the telescope to usher in the era of modern astronomy. The second major revolution in our understanding the nature of the Universe came with the invention of photography in 1839. This enabled us to see the unseen and allowed astrophysics to flourish. Eventually it also allowed us to photograph the Universe in colour, revealing cosmic landscapes of surprising beauty and variety. This talk is a profusely illustrated, non- technical description of photographic developments to capture the universe and the interesting characters and unexpected ideas that were involved.