DARE CREATE SUCCEED Share a Little Every Day, and Get Discovered Page 38

Total Page:16

File Type:pdf, Size:1020Kb

DARE CREATE SUCCEED Share a Little Every Day, and Get Discovered Page 38 ISSUE 4 NOVEMBER 2018 DARE CREATE SUCCEED Share a little every day, and get discovered Page 38 SPOTLIGHT ON THE WHAT HAS EDUCATION JUNIOR WARDEN AND OUTREACH BEEN UP - JUDY HADDEN TO? Page 43 Page 8 & 9 PROMOTING EXCELLENCE THIS ISSUE INTRODUCTION The Master with (L-R) sister Liz Brannan, wife Alison, and mother Elizabeth (Jean) FROM THE MASTER Welcome to the latest edition of the Guild of Entrepreneurs’ Annual Magazine: Dare, Create, Succeed. It is growing in size and content with every edition just as our activities and opportunities to come together and to share our expertise and enthusiasm as entrepreneurs grow. Showcased inside are just a few of our many activities and interactions during the year and they are as interesting as they are diverse. The Committee Chairs and Freemen are to be congratulated on their commitment to assisting Page Freeman profile - Judith Donovan CBE 28 others understand how to dare, create and Introduction from The Master 3 Church News 29 succeed. From Education and Outreach, to Membership, to Events and PRIME and all the November 23rd 2017 - Installation and Dinner 4 - 5 Master’s Weekend 30 others, our committees form the backbone of what we are able to achieve together. Welcome to New Freemen 6 - 7 From Soldier to Entrepreneur 31 Outreach Work 8 - 9 Grenfell Update 32 From our first awards from our Trust, to mentoring students and young entrepreneurs, to LORD MAYOR’S INTRODUCTION Education 10 - 12 In the Seat: Johnny Manning 32 a move to Drapers’ Hall as our new home and a hugely successful Master’s Weekend we really Social Events 13 - 14 Recipe: Gregg Wallace 33 I am delighted to have been asked to write this foreword to this edition of your Guild magazine. Although are a very busy Guild with a growing reputation a relative new comer to the Livery movement – being a Liveryman of only six years – I have been utterly in the City. Communications and Events 15 Inter Livery Social Calendar 33 - 35 bowled over by the incredible command of this great institution. Dyslexia - Pushing the boundaries 15 Inter Livery Ski Competition 35 If any of the content in this edition of the Livery Companies have been central to the fabric of the City of London since the 12th century and have magazine piques your interest and you feel you Sponsorship 16 Technology, Entrepreneurship and innovation 36 evolved into modern business, social and charitable institutions. Since your formation four years ago, would like to help grow the Guild by becoming you have attracted a diverse group of Freeman and provided a useful example of what a modern Guild Trade Secrets; protecting your “Know How” 16 - 17 Responsible Entrepreneurship 37 involved in any of our Committees please get can do. in touch with Freeman and Court Assistant Neil Our New HQ - Drapers Hall 18 Share a little every day, and get discovered 38 Fullbrook ([email protected]). Entrepreneurship at its heart is about weighing the balance between needs, risks and opportunities – Being a Freeman 19 Generation Start-up 39 - 40 and the drive to make opportunity a reality. This is central to the pan-Livery movement and its focus on Together we are achieving great things with the communications and philanthropic endeavour, within a modern context. I commend it to the Guild and Our Membership Statistics 20 Middle Warden scoops coveted award 41 Guild, with more volunteers we could achieve so hope it will resonate with you all. much more. Making History 21 The Guild of Entrepreneurs Charitable Trust 42 The skills that your Freeman bring to the many businesses that you found and grow, or how you reach I do hope that you enjoy a quiet moment or so Spotlight - Meet the Freemen 22 - 25 Spotlight on the Junior Warden 43 back into the City to mentor those that are beginning their own journey has been impressive. These from your busy entrepreneurial day to find time are skills that the City will need in abundance in our post Brexit worlds. I therefore thank the Guild for What on Earth is PRIME? 26 The Master Elect 44 to read this excellent edition put together by the the enthusiasm and passion that you have shown and wish you continued success in your progress to Communications Committee. It really is rather An entrepreneurial hub in Nepal 27 Ask an Entrepreneur Series at LBS 45 become a Livery Company. splendid. The Court & Officers 46 The Rt. Hon. The Lord Mayor, Alderman Charles Bowman From The Master, Mr Lee Robertson 2 guildofentrepreneurs.org guildofentrepreneurs.org 3 November 23rd 2017 - Installation and Dinner A steady procession of tailcoated men and voting member for five more years, as the Master Mr Robertson, sonorous and august, spoke elegantly-attired women in Little Trinity Lane on proceeded to confirm Alderman Peter Hewitt as craftily to inspire and move his audience to Thursday 23rd November heralded the principal Senior Warden for a further year, and to invest Mr support his drives to increase membership, event and celebration of the Guild Year. The Rick Lowe as Middle Warden. support the Trust and above all to have fun. He fourth anniversary of the launch of the Guild of paid a heartfelt tribute to his predecessor and Entrepreneurs, and the Installation of the fourth Mr Lars Andersen, elevated to Court alongside presented her with a bouquet and a beautiful Master Entrepreneur, returned for the third Ms Jolly in April 2015 was then called forward as gilded certificate comemorating her highly consecutive year to the beautiful Painters’ Hall, Junior Warden Designate to make his Warden’s successful year of office. Mrs Robertson, having by kind permission of the Master Painter-Stainer. Oath and to be invested. Robed in blue and returned briefly from her work in Quatar, beamed gold, and (at 6” tall and not yet 50) striking a very proudly by the Master’s side throughout. He The new Master addresses the Court As the third Master, Ms Kate Jolly, and her noble figure, his fine Nordic features creased into concluded by asking the Freemen and Officers Wardens were robed and refreshed in the privacy a smile as, at the conclusion of the Oath, the to toast the Guild’s guests – which they did of the Painted Chamber, the guests, in their best Master congratulated him and presented him with enthusiasm and with an adulatory salute to evening dress, began to assemble in the Court with his Junior Warden’s badge. those seated around them – before applauding Rooms in anticipation. very readily in approval and support for their new The final formal business of The Court was for Master. Violinist Jess Murphy played sweetly to cheer the new Master to swear-in three new Court the Freemen and their guests as they came in Assistants. When called, Freeman Gary Dixon, The Master Marketor, Mrs Sue Garland from the cold November night, and, just as Freeman Alderman Alastair King and Founder Worthington OBE, the Master of the Master’s clocked chimed the quarter-hour, the Master and Freeman Stephen Wheatley stepped forward to mother Livery Company then spoke in reply on Wardens were led into the Court Rooms to take swear to the Court Oath, and to take their seats behalf of the guests. In her eloquent remarks, their places for Court. below the chair. Mrs Garland Worthington drew together the many links between the Marketors and the Ms Kate Jolly gives her final address as Master Entrepreneur Newly-admitted Freemen are welcomed with open The Master bade the assembly sit, and the Clerk Closing the Court without further formality, Entrepreneurs, and pledged her support and arms to the Guild motioned solemnly for the Beadle to lead in the the Master and his Wardens were led out by that of her Company to the work of the Guild and Freemen Elect. In a series of creatively stage- the Beadle as champagne corks were subtly also to the Dan Doherty Memorial School and managed exchanges, seven highly successful popped, and glasses filled to slake the thirst of Learning For Life – a charity to which the Founder entrepreneurs were admitted to the Freedom the assembled Freemen and guests. A collective of the Guild was very closely attached. Mrs of the Guild: Joanna Abeyie, Debbie Hatchwell, shiver of excitement rippled through the crowd Garland Worthington concluded by proposing a Mark Huxley, Caroline Newman, James as the scream of bagpipes inundated the ears. toast to the Guild and its future prosperity, a toast Vellacott, Stephen Voller, and Paddy Willis. To an Pipe Major Steve Duffy, his cheeks puise and to which all could stand and very firmly reply. approving burst of applause the new Freemen the crook of his arm fiercely choking the tartan bowed to the Master and took their seats. bag, played wickedly as the Freemen and guests renewed acquaintances and made new ones “A starkly contrasting hush over glasses of moussy champagne. The Master with his Wardens descended, as the Chaplain invoked Too soon, it seemed, the Freemen and guests a blessing upon the Master, and were ushered to the splendid Livery Hall upstairs, greeted as they did so, by the Master and his then said grace” Wardens, who had led the way. With all seats accounted-for, the drone and peal of the piper The Master then spoke. Her valediction shone excited the diners as the Master and his principal with her characteristic humour and moderation, guests processed in. and she paid a gracious tribute to her successor Master Lee Roberston shares informality with Master of The before declaiming, in time-honoured fashion, the A starkly contrasting hush descended, as the Worshipful Company of Marketors, Mrs Sue Garland-Wor- thington results of July’s Election Court.
Recommended publications
  • Fanning the Flames: Fandoms and Consumer Culture in Contemporary Japan
    FANNING THE FLAMES Fans and Consumer Culture in Contemporary Japan Edited by William W. Kelly Fanning the Flames SUNY series in Japan in Transition Jerry Eades and Takeo Funabiki, editors Fanning the Flames Fans and Consumer Culture in Contemporary Japan EDITED BY WILLIAM W. K ELLY STATE UNIVERSITY OF NEW YORK PRESS Published by State University of New York Press, Albany © 2004 State University of New York All rights reserved Printed in the United States of America No part of this book may be used or reproduced in any manner whatsoever without written permission. No part of this book may be stored in a retrieval system or transmitted in any form or by any means including electronic, electrostatic, magnetic tape, mechanical, photocopying, recording, or otherwise without the prior permission in writing of the publisher. For information, address State University of New York Press, 90 State Street, Suite 700, Albany, NY 12207 Production by Kelli Williams Marketing by Michael Campochiaro Library of Congress Cataloging-in-Publication Data Fanning the f lames : fans and consumer culture in contemporary Japan / edited by William W. Kelly. p. cm. — (SUNY series in Japan in transition) Includes bibliographical references and index. ISBN 0-7914-6031-2 (alk. paper) — ISBN 0-7914-6032-0 (pbk. : alk.paper) 1. Popular culture—Japan—History—20th century. I. Kelly, William W. II. Series. DS822.5b. F36 2004 306'.0952'09049—dc22 2004041740 10987654321 Contents List of Illustrations vii Acknowledgments ix Introduction: Locating the Fans 1 William W. Kelly 1 B-Boys and B-Girls: Rap Fandom and Consumer Culture in Japan 17 Ian Condry 2 Letters from the Heart: Negotiating Fan–Star Relationships in Japanese Popular Music 41 Christine R.
    [Show full text]
  • V for Vendetta’: Book and Film
    UNIVERSIDADE DE LISBOA FACULDADE DE LETRAS DEPARTAMENTO DE ESTUDOS ANGLÍSTICOS “9 into 7” Considerations on ‘V for Vendetta’: Book and Film. Luís Silveiro MESTRADO EM ESTUDOS INGLESES E AMERICANOS (Estudos Norte-Americanos: Cinema e Literatura) 2010 UNIVERSIDADE DE LISBOA FACULDADE DE LETRAS DEPARTAMENTO DE ESTUDOS ANGLÍSTICOS “9 into 7” Considerations on ‘V for Vendetta’: Book and Film. Luís Silveiro Dissertação orientada por Doutora Teresa Cid MESTRADO EM ESTUDOS INGLESES E AMERICANOS (Estudos Norte-Americanos: Cinema e Literatura) 2010 Abstract The current work seeks to contrast the book version of Alan Moore and David Lloyd‟s V for Vendetta (1981-1988) with its cinematic counterpart produced by the Wachowski brothers and directed by James McTeigue (2005). This dissertation looks at these two forms of the same enunciation and attempts to analise them both as cultural artifacts that belong to a specific time and place and as pseudo-political manifestos which extemporize to form a plethora of alternative actions and reactions. Whilst the former was written/drawn during the Thatcher years, the film adaptation has claimed the work as a herald for an alternative viewpoint thus pitting the original intent of the book with the sociological events of post 9/11 United States. Taking the original text as a basis for contrast, I have relied also on Professor James Keller‟s work V for Vendetta as Cultural Pastiche with which to enunciate what I consider to be lacunae in the film interpretation and to understand the reasons for the alterations undertaken from the book to the screen version. An attempt has also been made to correlate Alan Moore‟s original influences into the medium of a film made with a completely different political and cultural agenda.
    [Show full text]
  • Download the Expanded Digital Edition Here
    Spring 1999 December 2002 April 2002 February 2003 May 2003 September 2003 November 2003 October 2004 March 2005 October 2003 November 2007 August 2009 July 2010 April 2012 September 2012 September 2010 April 2011 June 2012 June 2012 November 2012 November 2012 November 2012 January 2013 January 2013 January 2013 I created The Rainbow Orchid because making comics is such hard work that I wanted to write and draw one that I could be absolutely certain at least one person would really like – that person being me. It is steeped in all the things I love. From the adventure stories of H. Rider Haggard, Jules Verne and Arthur Conan Doyle I took the long build-up to a fantastic element, made all the more amazing because the characters are immersed in the ‘real world’ for so much of the story. From the comics medium I dipped my pen into the European tradition of Hergé, Edgar P. Jacobs, Yves Chaland and the descendents of their ligne claire legacy, along with the strong sense of environment – a believable world – from Asterix and Tintin. Yet I wanted characters and a setting that were very strongly British, without being patriotic. Mixed into all this is my fondness for an involving and compelling plot, and artistic influences absorbed from a wealth of comic artists and illustrators, from Kay Neilsen to Bryan Talbot, and a simple love of history and adventure. No zombies, no bikini-clad gun-toting nubiles, and no teeth-gritting ... grittiness. Just a huge slice of pure adventure, made to go with a big mug of tea.
    [Show full text]
  • Sou'wester Adelphi Coracle
    - Coracle a5 | vo Friday 1April— : oecok _ London Road, R letter workers arev Lt . the enterpri e. D andPB oo Thoy’sAMastetcla 3.PBis aeSeal for : don’t expectto see much ofSou’We: srogramme _ this T wease 0 aeoePa No a ames (Sou Set one other interestedparties get this for information. Wants1I totypestuf ‘up. Aprintercable, o course. We’Tssee.. 24 March 1994 : Thisis a rather hasty acknowledgement of eees forms which ee reached me(Dave Langford)i wesome capacity as the convention’s daily news- letter boss. Overleafis a dummyissuewhich wassent out earlier, beforethe forms and other notificationsarrived. MainlyI’dliketo say thanks forMies to: John Bark, Simonae ds. P Ent,Duncan Hedderley, Paul Paolini, Suzannaes andCarol Willis— naddition to thoselisted overleaf. Jey‘ticke Gesell BeSeifyaPecks stil ances nennews! tteree newsve better still, appalling scandal andoutrageous remarks) should happenwithin your earshot. The actualworkconsists of(a) wrestling with a seaoflittlebits of paperbearingie written news items, announcements, programme changes, pros’ attemptsat self- promotion, fans’ attempts at humour, and more, andworse;(b) getting all this(or rather, anything notof cially spiked vy edit rial order) Cointooneoo the newsroom computers (d fect: . : Secoaual‘CGosh,:asSonamanagercee aaepore1a! as shallI certainlyUeaethatwehave one> of these excellent sngthreesiete.ee, groups comeup with oeeGGeAndPaul oo = S own version of Mie recent oeaee a nein a4hours"‘competition iSaae aevenaeanissuerewinners on runners-“UD... The newsroom is to be room 269 of the Adelphi Hotel—please call in as” a.as possible(even if only toinformusthat you've beenco-opted for somethingelse). See youthere! The Adelphi Coracle Thog’s Masterclass Special Monday 4 April Later The Chris Gilmore of Lit Crit quotes the masters.
    [Show full text]
  • Novacon 24 PR 2
    ~ NOVACON 24 | Progress Report Two pa SS See \e ——$—$ & {| A | rn All| ip Si ¥Ee @ m NOVACON 24 Guest of Honour : Graham Joyce Royal Angus Hotel, Birmingham Friday 4th to Sunday 6th November 1994 COMMITTEE: Richard Standage is chair with Carol Morton doing Registrations; Helena Bowles as Treasurer; Sarah Freakley has taken on the Programme; Chris Murphyin charge of Ops; Tony Morton on Publications and Martin Tudorliaising with the hotel. STAFF: Mike Siddall, responsible for the Bookroom; John Harold who will arrange the Artshow. MEMBERSHIP and ENQUIRIES: This will cost £25 until Ist October when postal memberships close, then £30 on the door. Carol Morton (14 Park Street, Lye, Stourbridge, West Midlands, DY9 8SS Tel: 0384 825386)is the person to send your cheques to and will try to answer any convention enquiries. ROOM RATES: Twin/Double rooms will be £29.95 (per person) and Single rooms £34.95 per night. ADVERTISING RATES: Advertising is welcomefor the final Progress Report and the Programme Bookat the following rates: PROGRESS REPORT 3 (Professional) £22.50 full page, £17.50 half page, £7.50 quarter page, £40 back cover; (Fan) £17 full page, £9.50 half page, £5 quarter page, £30 back cover. PROGRAMME BOOK (Professional) £40 full page, £25 half page, £15 quarter page, £60 back cover; (Fan) £22.50 full page, £12.50 half page, £7.50 quarter page, £40 back cover. Anyone interested should approach Tony Morton at 14 Park Street, Lye, Stourbridge, West Midlands, DY9 8SS (0384 825386). Deadlines camera ready advertising copy 6th August (PR3) and 24th September (Programme Book).
    [Show full text]
  • Edited by PETER NORMANTON Cover by the Gurch a Word from the Tomb
    Edited by PETER NORMANTON Cover by The Gurch A Word From the Tomb ................................................................................................. 4 The Comic Book Dreams of the Cold War Kid, by Peter Normanton ............................... 6 Pieces of Silver, by Pete Crowther ................................................................................ 20 Bad American Comics: Bullet in the Head, by Frank Motler (FTT #6) ............................ 26 The Exotic Art of Lou Morales, by Frank Motler FTT( #7) .............................................. 27 One-Hit Wonders, by Peter Normanton ....................................................................... 34 Opening the Crypt: EC Horror Hits Britain, by Barry Forshaw ....................................... 37 Leathern Wings in the Night: Comic Book Vampires, by Peter Normanton ................... 44 The Scary Art of Tom Sutton, by Peter Normanton FTT( #18) ........................................ 52 Somewhere On the Edge of Time: Grady Lyda, by Peter Normanton ............................ 63 Those Objectionable Horror Comics!, by Peter Normanton .......................................... 67 The Forgotten Terrors of Al Eadeh, by Peter Normanton .............................................. 73 Richard Corben: The Early Days, by Peter Normanton ................................................ .. 76 Bruce Jones’ Alien Worlds Is Coming Back Into Orbit, by Paul H Birch .......................... 86 The Essential Good Girl, by Frank Motler ....................................................................
    [Show full text]
  • El Cómic Y Su Valor Como Arte
    UNIVERSIDAD COMPLUTENSE DE MADRID FACULTAD DE BELLAS ARTES TESIS DOCTORAL El cómic y su valor como arte MEMORIA PARA OPTAR AL GRADO DE DOCTOR PRESENTADA POR Sergio Ballester Redondo Director Manuel Álvarez Junco Madrid, 2018 © Sergio Ballester Redondo, 2017 UNIVERSIDAD COMPLUTENSE DE MADRID FACULTAD DE BELLAS ARTES TESIS DOCTORAL EL CÓMIC Y SU VALOR COMO ARTE MEMORIA PARA OPTAR AL GRADO DE DOCTOR PRESENTADA POR Sergio Ballester Redondo BAJO LA DIRECCIÓN DEL DOCTOR Manuel Álvarez Junco Madrid, 2017 Sergio Ballester Redondo, 2017 UNIVERSIDAD COMPLUTENSE DE MADRID FACULTAD DE BELLAS ARTES TESIS DOCTORAL: EL CÓMIC Y SU VALOR COMO ARTE DOCTORANDO: SERGIO BALLESTER REDONDO DIRECCIÓN DEL DOCTOR: MANUEL ÁLVAREZ JUNCO MADRID, 2017 A mi madre, porque empezamos leyendo cómics juntos y todavía lo seguimos haciendo. ÍNDICE RESUMEN............................................................................................................................ 12 ABSTRACT.......................................................................................................................... 14 1. INTRODUCCIÓN ..................................................................................................... 17 1.1 MOTIVACIÓN .................................................................................................. 20 1.1.1 De lector a dibujante .............................................................................. 20 1.1.2 De dibujante a profesional ..................................................................... 22 1.2 HIPÓTESIS .......................................................................................................
    [Show full text]
  • HERALD -SPEC Iì%IU
    YOURWCALSOURCE$1.00 .More -f'- than -f.- Job .0 ¡n help Uflítíes N J - N T\TTTT'Q LibrarYPistriCt o. NUes public -4 I ' 1LdLI'L) . SERVING OUR. R 6960OaktOflStreet fo. Nues, 111ifl0 60714 o HERALD -SPECiì%IU(847)663_1234 RIONERRRESSPUBUCATIO '1' Photo by Aason Erin Metrick, ñght 6, hunts for Easter eggs with other ckiktren at the Golf View Recreation Center's Easter egg hunt in NUeS on Saturday Page 3 .DIERSII Our series exploring Oakton stops in the Skokie's Northlight Theatre announoes street's "string section." Page 51 2008-09 season. Page Bl From ' Here toaCareer Free health care career information session: Q;?O2tt!.O9 .ir 8311M Pharmacy Technician/The Aseptic £SIQ M8t1tE; 318fldtQL)o S11H Pharmaceutical Preparations Program .1_8m ¿4I1 3I19flc 9B1IM Tuesday, March 25 L000000 ci003 t'I92ci* 5 p.m., Room P103, Skokie Campus OO-3iU1 i-3xcx Reserve your place today by calling 847.635.1629. 7701 N. Lincoln Ave., Skokic * Oakton Th000dcy,MarrhUO,t500w13 2 Thu'udoy,Mureh2O,2Oab.. APioneurPrees PubIu1uu A Pioeoaer ToeSa Pobtloatlwn MANAG4IIGEDSTOHI MIASTe Weqeen eoee.g.e.e904e.,b0edT005e 1(840)696-3548 A5 I A . L I News . - s s s - ;sii- 7,- : II o El! tn ad - Cassroorfl cut-ups - !ornetuleteC000tit!00 lido .tT '"5 U ate tp to oome staybuolt055. T' -' CliokintotSsi!uittea - - - I IO - r - comely this etolO undo! - - 'EsoantatyyaerOf' el eecOtplOerntItERbolt ÌOOGOODTO LASTO 'MANOR PEROT' LOCATION! ONE OFOUR BESTOFFERINGS! AREAL DEAL! JoPUSIdI 1P8ANPo04PaPoShO LOAN] Oprnb 95k USAN IsIt MoMorbo Gnau..Oew Uobog! Supet cuetos 115E told bid! MaSo! Oteo..iPu at An EbaluT SoponcIO 3112 bat! 2bulutao SIgI PLO MalltppnpuSPtto&09595 pe.
    [Show full text]
  • Birmingham Science Fiction Group Newsletter
    BRUM GROUP NEWS March 1993 Issue 258 The monthly newsletter of the Birmingham Science Fiction Group (Honorary Presidents: Brian W Aldiss & Harry Harrison) Group Chairman - Tony Morton, Secretary - Helena Bowles, Newsletter Editor - Martin Tudor, Treasurer - Richard Standag e. Reviews Editor - Bernie Evans, Publicity Officer - Steve jones. Ordinary M ember - Mick Evans, Novacon 23 Chairman - Carol Morton. This month's speaker is BOB SHAW Friday 19th March 1993, 7.45pm for 8.00pm Admittance: Members £2.50 Visitors £3.75 Bob Shaw was born in Belfast, Northern Ireland on 31 December 1931. Educated at the Technical High School in Belfast before going on to work in the steel and aircraft industries and as a cab driver, assistant publicity officer, press officer and journalist (with the Belfast Telegraph). Winner of the British SF Association award in 1975 and the Hugo award for fan writing in 1979 and 1980. His works include the classic ORBITSVlLLE books, the SLOW GLASS stories and the more recent RAGGED ASTRONAUT trilogy, as well as the hilarious WHO GOES HERE? Renowned for his witty "Serious Scientific Talks" (which are anything but!) at conventions, his prolific output of often hysterically funny fanzine articles, Bob has spoken to the Group on a number of "occasions. His most recent book is HOW TO WRITE SCIENCE FICTION which is published this month. Of himself he writes "It is very difficult, if not impossible, for an author to write objectively about his own work, but I sum up my output by saying that I write science fiction for people who don t read a great deal of science fiction.
    [Show full text]
  • Ca T Alog #19 Terr Y's Comics 2016
    TERRY'S COMICS 2016 CATALOG #19 TERRY’S COMICS Welcome to Catalog number nineteen. Thank you to everyone who ordered from one or more of our previous catalogs and especially Gold and Platinum customers. Please be patient when you call if we are not here, we promise to get back to you as soon as possible. This catalog has been expanded to include Magazines, Fanzines, Pulps, Undergrounds and Big Little Books. Most comics that were stickered below $10 have been omitted as well as paperbacks, Digests, Posters and Artwork. I also removed the mid-grade/priced issue if there were more than two copies, if you don't see a middle grade of an issue number, just ask for it. They are available on the regular web-site www.terryscomics.com. If you are looking for non-key comics from the 1980's to present, please send us your want list as we have most every issue from the past 30 years in our warehouse. Over the past year we have been fortunate to keep a steady pace of buying and selling vintage comics. We continue to exhibit at many shows and buy many collections. Comics are fun to read and collect but they are a good investment as well. Buy the best you can afford and store them safely. If your comics are protected, they are likely to continue to accumulate value and you will preserve their appearance. We continue to look for Silver/Bronze age keys as we need to have lots of them to continue doing so many conventions.
    [Show full text]
  • Birmingham Science Fiction Group Newsletter
    BRUM GROUP NEWS July 1995 Issue 286 The monthly newsletter of the Birmingham Science Fiction Group (Honorary Presidents: Brian W Aldiss, Harry Harrison & Bob Shaw) Group Chairman - C arol M orton, Secretary - Anne W oodford, Newsletter Editor - M artin Tudor, Treasurer - Steve Jones, Publicity O fficer - Sarah Freakley, Ordinary Member - Alan W oodford, Novacon 25 Chairman - Tony M orton, Novacon 26 Chairman - Carol M orton. This month's speaker is ANNE GAY who will address the Group on Friday 21st July 1995, 7.45 for 8.00pm Admittance: Members £2.50; Visitors £3.75, (half-price for 14-18 year olds on production of proof of age). Born in 1952, ANNE GAY, came originally from Leicester but currently lives with her teenage daughter in Birmingham. She teaches languages full-time at a secondary school as well as writ­ ing fiction and the occasional Spanish textbook. Her first published story was "Wishbone" which appeared in GOLLANCZ-SUNDAY TIMES BEST SF STORIES in 1987. MINDSAIL (1990), her first published novel, describes how the passengers of a crashed spaceship adjust to an alien planet, gradually evolving into fragmented warring societies in the process. Her second novel, THE BROOCH OF AZURE MIDNIGHT (1991), explores the reactions of an expanding Terran culture to the challenge and opportunity of worm hole access to the stars. DANCING ON THE VOLCANO (1992) and its sequel TO BATHE IN LIGHTNING (July 1995, Orbit, £5.99) deal with a far-future Earth ruled by a powerful and oppressive government, the Admin (controlled in its turn by the Matriarch), and the colonists of the distant planet Harith.
    [Show full text]
  • OUTWORLDS 56 Roger Weddall (Today!)
    ©fflC fl ARTWORLDS: Covers by WILLIAM ROTSLER § STEVEN FOX: 1815 § DAVID R. HAUGH: 1824; 1827; 1832 ALAN HUNTER: 1818; 1820 § TERRY JEEVES: 1837 § WILLIAM ROTSLER: 1817; 1830; 1835 Outworlds is Available by Editorial Whim; for published material & letters; or: $2.50 per issue § 5 issues for $10.00 Copyright © 1988, by Bill Bowers — for the Contributors. This is My Publication #159 § Dated: 6/18/88 ...suddenly, a wave of new participants, which is neat. Which also necessitates a trimming of old-wood. "X's" on mailing envelopes are easily overlooked. Therefore: If there is a colored dot here [ ], Please Do Something...if you are still interested! VAVAVAVAVAVAVAVAVAVAVAVAVAVAVAVAVAVAVAVAVAVAVAVAVAV ...but the bonus of First Class is that, provid­ 4/9/88: ...and the surprising thing is not that I ing I'm not hard up against an ounce cap, I am able managed to get the bulk of CW55 mailed out before to add notes, tear sheets, what nots, to selected the postal hike (that was a matter of simple eco­ copies. This saves the outlay of additional postage nomics ), but that I did all that before handing out (and we all know how thrifty I am) as well as time the majority of the local copies. The normal spent addressing additional envelopes (and we all sequence is that I get the bulk of the domestic and know how efficient I am in the area of time manage­ overseas copies out fairly quickly in clumps, make ment). Still, just as I am somewhat proficient in a concentrated effort to get the locals theirs—and dashing off notes and paying bills — but put off then.__ Well the factors that went into opting for writing to those who are inportant to me until I a [primarily] First Class mode are several: In ad­ can Do It Right — the copies of CW that I want to dition to the relative speed in delivery, there is add notes, etc.
    [Show full text]