8 the Gupta Kingdom
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The Mahabharata
^«/4 •m ^1 m^m^ The original of tiiis book is in tine Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924071123131 ) THE MAHABHARATA OF KlUSHNA-DWAIPAYANA VTASA TRANSLATED INTO ENGLISH PROSE. Published and distributed, chiefly gratis, BY PROTSP CHANDRA EOY. BHISHMA PARVA. CALCUTTA i BHiRATA PRESS. No, 1, Raja Gooroo Dass' Stbeet, Beadon Square, 1887. ( The righi of trmsMm is resem^. NOTICE. Having completed the Udyoga Parva I enter the Bhishma. The preparations being completed, the battle must begin. But how dan- gerous is the prospect ahead ? How many of those that were counted on the eve of the terrible conflict lived to see the overthrow of the great Knru captain ? To a KsJtatriya warrior, however, the fiercest in- cidents of battle, instead of being appalling, served only as tests of bravery that opened Heaven's gates to him. It was this belief that supported the most insignificant of combatants fighting on foot when they rushed against Bhishma, presenting their breasts to the celestial weapons shot by him, like insects rushing on a blazing fire. I am not a Kshatriya. The prespect of battle, therefore, cannot be unappalling or welcome to me. On the other hand, I frankly own that it is appall- ing. If I receive support, that support may encourage me. I am no Garuda that I would spurn the strength of number* when battling against difficulties. I am no Arjuna conscious of superhuman energy and aided by Kecava himself so that I may eHcounter any odds. -
The Succession After Kumaragupta I
Copyright Notice This paper has been accepted for publication by the Journal of the Royal Asiatic Society, which is published by Cambridge University Press. A final version of the article will be appearing in the JRAS in 2014. 1 The Succession after Kumāragupta I Pankaj Tandon1 Most dynastic lists of the Gupta kings state that Kumāragupta I was succeeded by Skandagupta. However, it is widely accepted that Skandagupta did not accede to the throne peacefully. Nor is it certain that the succession was immediate, since there is a gap between the known dates of Kumāragupta’s and Skandagupta’s reigns. This paper is concerned with the events following the death of Kumāragupta, using numismatic evidence as the primary source, and inscriptional and other epigraphic evidence as further support. Some of the numismatic evidence is new, and even the evidence that is not new has so far received little attention in the literature on the succession after Kumāragupta. Questions are raised about one particular theory that is presently enjoying some currency, that Skandagupta was challenged primarily by his uncle Ghaṭotkacagupta. Some other possible scenarios for the political events in the period after the death of Kumāragupta I will then be proposed and analyzed. Most authors agree that Skandagupta was not the rightful heir to the throne. While he does announce himself on his inscriptions as the son of Kumāragupta I, his mother is not identified by name in any known text or inscription,2 suggesting that he was, at best, the son of a minor queen of Kumāragupta, or more probably the son of a woman who was not a queen at all. -
Ancient Indian Art – a Formal Analysis Dr
Ancient Indian Art – A formal analysis Dr. Uma Chakraborty ABSTRACT Distinctive artistic activity in ancient India began with Harappan miniature art pieces. An art, monumental in conception and precise in execution is noticed in the Mauryan period.The native style of simplicity and folk appeal is best represented in the narrative Sunga art which forms a treasure house of fables, visually represented.The Kushana sculptures fostered a mixed culture with Graeco-Roman affiliation.The sensuous sculptural art that bloomed at Amaravati and Nagarjunikonda display a mastery in detailed ornamentation.The human figure, the pivot of Gupta sculpture expressed a characteristically refined taste and charm .The synthesis culminated in the Pala-Sena period is a fusion of classical mannerism with the indigenous style of Bengal. The magnificent open air bas-relief sculpted out of rockat Mahabalipuram glorifies Pallava art. Casting of bronzes under the imperial Cholas was an age of refinement of Dravidian art.This innovation and creativity exerted lasting influence on the art movement that glorify our cultural past. Key words : Art, sculpture, relief, terracotta, bronze, Introduction Art forms are expression of people belonging to different cultural and social groups. History of Indian art begins with the pre-historic cave paintings. It is considered as an evidence of a creative explosion when the minds of ancient humans became fully developed. Generally speaking Indian art is an anonymous art, as the sculptor or the artist never sought to glorify himself. He always gave his best as a humble offering to his patron, the king or exercised his imaginative impulse through his creations. -
Gupta Empire and Their Rulers – History Notes
Gupta Empire and Their Rulers – History Notes Posted On April 28, 2020 By Cgpsc.Info Home » CGPSC Notes » History Notes » Gupta Empire and Their Rulers Gupta Empire and Their Rulers – The Gupta period marks the important phase in the history of ancient India. The long and e¸cient rule of the Guptas made a huge impact on the political, social and cultural sphere. Though the Gupta dynasty was not widespread as the Maurya Empire, but it was successful in creating an empire that is signiÛcant in the history of India. The Gupta period is also known as the “classical age” or “golden age” because of progress in literature and culture. After the downfall of Kushans, Guptas emerged and kept North India politically united for more than a century. Early Rulers of Gupta dynasty (Gupta Empire) :- Srigupta – I (270 – 300 C.E.): He was the Ûrst ruler of Magadha (modern Bihar) who established Gupta dynasty (Gupta Empire) with Pataliputra as its capital. Ghatotkacha Gupta (300 – 319 C.E): Both were not sovereign, they were subordinates of Kushana Rulers Chandragupta I (319 C.E. to 335 C.E.): Laid the foundation of Gupta rule in India. He assumed the title “Maharajadhiraja”. He issued gold coins for the Ûrst time. One of the important events in his period was his marriage with a Lichchavi (Kshatriyas) Princess. The marriage alliance with Kshatriyas gave social prestige to the Guptas who were Vaishyas. He started the Gupta Era in 319-320C.E. Chandragupta I was able to establish his authority over Magadha, Prayaga,and Saketa. Calendars in India 58 B.C. -
The Gupta Empire: an Indian Golden Age the Gupta Empire, Which Ruled
The Gupta Empire: An Indian Golden Age The Gupta Empire, which ruled the Indian subcontinent from 320 to 550 AD, ushered in a golden age of Indian civilization. It will forever be remembered as the period during which literature, science, and the arts flourished in India as never before. Beginnings of the Guptas Since the fall of the Mauryan Empire in the second century BC, India had remained divided. For 500 years, India was a patchwork of independent kingdoms. During the late third century, the powerful Gupta family gained control of the local kingship of Magadha (modern-day eastern India and Bengal). The Gupta Empire is generally held to have begun in 320 AD, when Chandragupta I (not to be confused with Chandragupta Maurya, who founded the Mauryan Empire), the third king of the dynasty, ascended the throne. He soon began conquering neighboring regions. His son, Samudragupta (often called Samudragupta the Great) founded a new capital city, Pataliputra, and began a conquest of the entire subcontinent. Samudragupta conquered most of India, though in the more distant regions he reinstalled local kings in exchange for their loyalty. Samudragupta was also a great patron of the arts. He was a poet and a musician, and he brought great writers, philosophers, and artists to his court. Unlike the Mauryan kings after Ashoka, who were Buddhists, Samudragupta was a devoted worshipper of the Hindu gods. Nonetheless, he did not reject Buddhism, but invited Buddhists to be part of his court and allowed the religion to spread in his realm. Chandragupta II and the Flourishing of Culture Samudragupta was briefly succeeded by his eldest son Ramagupta, whose reign was short. -
Teacher Overview: What Led to the Gupta Golden Age? How Did The
Please Read: We encourage all teachers to modify the materials to meet the needs of their students. To create a version of this document that you can edit: 1. Make sure you are signed into a Google account when you are on the resource. 2. Go to the "File" pull down menu in the upper left hand corner and select "Make a Copy." This will give you a version of the document that you own and can modify. Teacher Overview: What led to the Gupta Golden Age? How did the Gupta Golden Age impact India, other regions, and later periods in history? Unit Essential Question(s): How did classical civilizations gain, consolidate, maintain and lose their power? | Link to Unit Supporting Question(s): ● What led to the Gupta Golden Age? How did the Gupta Golden Age impact India, other regions, and later periods in history? Objective(s): ● Contextualize the Gupta Golden Age. ● Explain the impact of the Gupta Golden Age on India, other regions, and later periods in history. Go directly to student-facing materials! Alignment to State Standards 1. NYS Social Studies Framework: Key Idea Conceptual Understandings Content Specifications 9.3 CLASSICAL CIVILIZATIONS: 9.3c A period of peace, prosperity, and Students will examine the achievements EXPANSION, ACHIEVEMENT, DECLINE: cultural achievements can be designated of Greece, Gupta, Han Dynasty, Maya, Classical civilizations in Eurasia and as a Golden Age. and Rome to determine if the civilizations Mesoamerica employed a variety of experienced a Golden Age. methods to expand and maintain control over vast territories. They developed lasting cultural achievements. -
Name Dr. Vishesh Kumar Gupta Name in Publications Dr. Vishesh Gupta Father's Name Late Shri Hargulal Gupta Mother's Name
Name Dr. Vishesh Kumar Gupta Name in Dr. Vishesh Gupta Publications Father’s Name Late Shri Hargulal Gupta Mother’s Smt. Vidya Wati Name Date of Birth 20th April 1956 Marital Status Married Spouse Name Dr. Sushma Gupta Address 2/ 125, Buddhi Vihar, Awas Vikas Colony, Delhi Road, Moradabad-244103 (UP) India (Permanent) Address Maharaja Harishchandra P. G. College, Moradabad-244001 (UP) India (Office) Email [email protected] [email protected] Contact 09412245301 Numbers Academic Qualification: M. A. (Sociology), Ph. D. Area of Specialization Sociology of Community Development Theory and Methods in Indian Sociology Sociology of Leisure, Sports and Tourism Research Name of Specialization University Status Year Title of Thesis Degree Degree Doctorate MJP Awarded 1989 The Process of Institutionalization of Rohilkhand Sikhs Shrines-with Special University Reference to Prominent Sikh Shrines Bareilly in Delhi Present Employment Employer Status of Present Date of Contract / Nature of Work Place Institution Designation Appointm Permanent ent Manager Maharaja Associate Permanent Teaching and Guiding Moradabad Harishchandra Professor the students at the UG P. G. College, , PG and Research Moradabad Level Quasi Govt. Previous Position Held Post Held Place Nature of Work Contract / Permanent / Deputation OSD / State Liaison Officer Higher UP Secretariat, State Level NSS Deputation Education (NSS Cell) Vidhan Bhawan, Structure Promotion, From 14-12-2006 to 15- Lucknow Improvement and Career 12-2008 Guiding Programme Coordinator, National -
Mythological Concepts of Pre Vedic Mithila in Received: 28-06-2020 Accepted: 30-07-2020 Migration
International Journal of History 2020; 2(2): 81-83 E-ISSN: 2706-9117 P-ISSN: 2706-9109 IJH 2020; 2(2): 81-83 Topic - Mythological concepts of pre vedic Mithila in Received: 28-06-2020 Accepted: 30-07-2020 migration Dr. Swati Kumari P.S.- L.N.M.U. Campus Dr. Swati Kumari Dist- Darbhanga, Bihar, India DOI: https://doi.org/10.22271/27069109.2020.v2.i2b.48 Abstract Evetually the aboriginals attracted by the settled life of these vedic immigrants drew nearer to them and started co-operating with them participation in their agricultural operations and Ultimately were so to say, absorbed in the lowest rung to their society. It presented a contrast to the panorama of religious and philosophical thought of greater Mithila. The period discussed so far as we the immigration of many people into Mithila. The videha, Licchani vajji and a host of other Aryan as well as non-Aryan tribes entered in succession the virgin land of Mithila and settled there comfortable. Perhaps granting of land free of such king in Mithila. Keywords: Mithila, agriculture, immigrants, migrate, migration, Magadha, power Introduction Pre-vedic Mithila was inhabited by a number of tribes belonging to two groups. The Kiratas in the north and the Kolas in the south. They dwelt in forest and marshy land and lived on hunting and fishing. Near about 1500-1600bc. One Videghamathab. With a host of his learned priests and followers crossed the river Sadanira (Modem Gandak) from the west and [1] established his kingdom in Mithila . These vedic people new agriculture and cattle rearing and possessed a high standard of rural civilization and culture. -
Hindu India: 300 to 1100 Ce
CHAPTER 2 Hindu India: 300 to 1100 ce During these eight centuries, empires, religion, commerce, science, technology, literature and art flourished in India. ATI O In ways vitally important C N U A D L to Hindus to this day, the E I N S S T Hindu faith was advanced I G H victoria and albert museum by temple building, the Bhakti Movement, holy texts and great philosophers, saints and sages. This is an 8th century South Indian bronze of Supreme God Siva as Nataraja. This divine dance depicts His five cosmic powers of creation, preservation, dissolution, veiling grace and revealing grace. Note to Students, Parents and Teachers This Educational Insight is the second chapter in our series staff of HINDUISM TODAY in collaboration with Dr. Shiva Baj on Hindu history intended for use in US primary schools. pai, Professor Emeritus of History, California State University, During this period, India was the richest region of the Northridge. Academic reviewers: Dr. Klaus Klostermaier, world and one of the most populous. Great agricultural Professor of Religious Studies, University of Manitoba; Dr. abundance, plus plentiful natural resources, were key to Jeffrey D. Long, Chair, Department of Religious Studies, Eliz the region’s prosperity. India lay in the center of the world’s abethtown College; Dr. Vasudha Narayanan, Distinguished ancient trade routes. Merchants sent spices, cotton, sugar Professor, Department of Religion, University of Florida; Dr. and exotic items east to China and west to Europe. Hindu Anantanand Rambachan, Professor of Religion, St. Olaf Col religion and culture and the Sanskrit language linked all of lege; Dr. -
Texts. Rock Inscriptions of Asoka
TEXTS. ROCK INSCRIPTIONS OF ASOKA SHAHBAZGARHI, KHlLSI, GIRNAR, DHAULI, AND JAUGADA. EDICT I. s Ayam dharmalipi [ omitted ] Devanampriyasa * # # K Iyam dhammalipi f do. ] Devanampiyena Piyadasina G lyara dhammalipi [ do. ] Devanampiyena Piyadasina, D * # dha * * # # # * si pavatasi Devanampiye * # # * J Iyam dhammalipi Khepingalasi pavatasi Devanampiyena Piyadasina S Ranyo likhapi . Hidam lo ke * jiva. * * * * * * K # * lekhapi. Hida no kichhi jive. alabhitu paja G Eanya lekhapita .. Idha na kinchi jivam arabhida paju D Lajo # # # * * * * * . * vam alabhitu pajapa J Lajina likhapita . Hida no kichhi jivam. alabhiti paja S # * # cha pi * sama* * * * * * * * # K hitaviye 2 no pi ch;i samaje. kataviye bahukam hi G hitavyam 4 na cha samaje. katavyo bahukam hi D * # * # # # # * * * 2# * # bahukam * * J hitaviye 2 no pi cha samaje. kataviye babukain hi S # # # * * # * # # *4# ### •## # # * K dosa samejasa. Devanampiye Piyadasi Laja dakhati 5 G dosam samajamhi. pasati Devanampiyo Piyadasi Raja D * * # * # * * # # # nam # * # # # * # # # * J dosam samejasa. dakhati Devanampiye Piyadasi . Laja S 2 ati pi* * * katiya samayasa samato Devanampriyasa K athi picha. ekatiya samaj& sadhumata Devanampiyasa 7 G 6 asti pitu ekacha samaja sadhumata Devanampiyasa D * * # ekacha samajasa sadhumata Devanampiyasa J athi pichu ekatiya samaja sadhumata Devanampiyasa S Priyadasisa Ranyo para mahanasasa Devanampriyasa Priyadasisa 3 K Piyadasisa Lajine pale mahanasansi Devanampiyasa Piyadasisji 8 G Piyadasino Ranyo pura mahanasaphi Devanampiyasa Piyadasino 3 D Piyadasine -
Unit 26 Art and Architecture
UNIT 26 ART AND ARCHITECTURE Structure Objectives Introduction Background Architecnrre 26.3.1 Residential Architecture 26.3.2 Temples and Towers 26.3.3 Stupas 26.3.4 Rock-cut Architecture Sculptural Art 26.4.1 Gandhara School 26.4.2 Mathura Art 26.4.3 Amaravati Art Let Us Sum Up Key Words Answers to Check Your Progress Exercises 26.0 OBJECTIVES After reading this unit you will be able to : familiarise yourself with important trends of art and architectural activities between 200 B.C. to 300 A.D. learn about the techniques and styles adopted in the fields of architecture and sculpture, distinguish between the major characteristics and forms of the Gandhara, Mathura and Amravati schools of art, and learn about the impact of religious and social conditions on art and architecture of the period. 26.1 INTRODUCTION In some of the earlier Units (Nos. 3, 10, 11) we have seen how artistic forms had started emerging and to what extent they reflected the culture of a period. Works of art which were related to work processes of daily life and were not exclusively produced for a previleged group of society were many. They are found in the forms of rock paintings, terracotta figurines, toys, etc. Gradually works of art, manufactured by specialist craftsmen, came to be produced for exclusive purposes. The Mauryan period witnessed production of splendid specimens of art by the state. With the emergence of social groups who could extend substal patronage for production of specimens of art, new trends in art activities came about. -
An Empirical Analysis with Special
Airo International Research Journal January, 2017 Volume X, ISSN: 2320-3714 Airo International Research Journal January, 2017 Volume X, ISSN: 2320-3714 Urban Life During Gupta Period; A social Perspective Submitted by Mrs. NEENA Research Scholar, Sunrise University Gupta Empire By the fourth century A.D., political and military turmoil destroyed the Kushan empire in the north and many kingdoms in the south India. At this juncture, India was invaded by a series of foreigners and barbarians or Mlechchhas from the north western frontier region and central Asia. It signaled the emergance of a leader, a Magadha ruler, Chandragupta I. Chandragupta successfully combated the foreign invasion and laid foundation of the great Gupta dynasty, the emperors of which ruled for the next 300 years, bringing the most prosperous era in Indian history. The reign of Gupta emperors can truly be considered as the golden age of classical Indian history. Srigupta I (270-290 AD) who was perhaps a petty ruler of Magadha (modern Bihar) established Gupta dynasty with Patliputra or Patna as its capital. He was succedded by his son Ghatotkacha (290-305 AD). Ghatotkacha was succeeded by his son Chandragupta I (305-325 AD) who strengthened his kingdom by matrimonial alliance with the powerful family of Lichchavi who were rulers of Mithila. His marriage to Lichchhavi princess Kumaradevi, brought an enormous power, resources and prestige. He took advantage of the situation and occupied whole of fertile Gangetic valley. Chandragupta I eventually assumed the title of Maharajadhiraja (emperor) in formal coronation. Samudragupta (335 - 380 AD) succedded his father Chandragupta I.