Download Booklet
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Stray Feline Adopts NW Family by BRIAN BRANDAU FEATURES EDITOR a New Tenant Recently Took up Residence in the Courtyard Village for a Few Weeks
Volume 84 - Issue 6 October 14, 2011 Stray feline adopts NW family BY BRIAN BRANDAU FEATURES EDITOR A new tenant recently took up residence in the Courtyard Village for a few weeks. An orange-white, stray cat first appeared around Northwestern’s campus about three weeks ago. Senior Krystina Bouchard and her PHOTO BY BOB LATCHAW husband, Ty, were the first Senior Isaac Hendricks wears justice clothing, clothes whose prof- students to interact with the its benefit charities. cat when it showed up at their apartment off campus. Clothes that change lives “I had just come back from BY KAMERON TOEWS grocery shopping, and there Just a few years ago, justice clothing began to appear on was this poor little kitty,” Northwestern students’ backs and feet. Bouchard said. TOMS, To Write Love On Her Arms, Clothe Your Neighbor It didn’t take long for as Yourself and Hope for Haiti clothing were spotted around Kyrstina Bouchard and her campus. Even today, these same types of clothing are still a husband to let the cat into popular choice. their apartment, but the As the trend continues to grow, more students are arrangements were not ideal questioning whether or not buying a justice organization’s for a cat to live there. Ty has PHOTO SUBMITTED clothing is a healthy way of supporting that charity. Junior allergies, and the couple Senior Natalia Mueller holds an outdoor cat that has been cared for by residents of the Courtyard Villages before finding a new home with junior Tyler McKenney’s family in Inwood. Jeremy Bork thinks purchasing justice clothing is a good way has a large dog named Dré. -
Helena Mace Song List 2010S Adam Lambert – Mad World Adele – Don't You Remember Adele – Hiding My Heart Away Adele
Helena Mace Song List 2010s Adam Lambert – Mad World Adele – Don’t You Remember Adele – Hiding My Heart Away Adele – One And Only Adele – Set Fire To The Rain Adele- Skyfall Adele – Someone Like You Birdy – Skinny Love Bradley Cooper and Lady Gaga - Shallow Bruno Mars – Marry You Bruno Mars – Just The Way You Are Caro Emerald – That Man Charlene Soraia – Wherever You Will Go Christina Perri – Jar Of Hearts David Guetta – Titanium - acoustic version The Chicks – Travelling Soldier Emeli Sande – Next To Me Emeli Sande – Read All About It Part 3 Ella Henderson – Ghost Ella Henderson - Yours Gabrielle Aplin – The Power Of Love Idina Menzel - Let It Go Imelda May – Big Bad Handsome Man Imelda May – Tainted Love James Blunt – Goodbye My Lover John Legend – All Of Me Katy Perry – Firework Lady Gaga – Born This Way – acoustic version Lady Gaga – Edge of Glory – acoustic version Lily Allen – Somewhere Only We Know Paloma Faith – Never Tear Us Apart Paloma Faith – Upside Down Pink - Try Rihanna – Only Girl In The World Sam Smith – Stay With Me Sia – California Dreamin’ (Mamas and Papas) 2000s Alicia Keys – Empire State Of Mind Alexandra Burke - Hallelujah Adele – Make You Feel My Love Amy Winehouse – Love Is A Losing Game Amy Winehouse – Valerie Amy Winehouse – Will You Love Me Tomorrow Amy Winehouse – Back To Black Amy Winehouse – You Know I’m No Good Coldplay – Fix You Coldplay - Yellow Daughtry/Gaga – Poker Face Diana Krall – Just The Way You Are Diana Krall – Fly Me To The Moon Diana Krall – Cry Me A River DJ Sammy – Heaven – slow version Duffy -
With a Little Help from My Friends Arctic Monkeys - When the Sun Goes Down
Q ganas dr I have categorized songs under various headings such as grammar, discussion topics and vocabulary. The grammar group has been divided according to suggested use e.g articles; present simple etc. The vocabulary group has been divided according to focus e.g. colours; weather etc. This list is by no means comprehensive. It has been compiled mostly from my own experience and from ideas from various websites including www.musicalenglishlessons.org. Sometimes it is difficult to decide if a category belongs under ‘Grammar’ or under ‘Vocabulary’ so please check both if you are looking for something specific. Any song can be used for grammar and vocabulary tasks so I have concentrated on what I thought to be the main focus. GGrraammmmaarr Adjectives ABBA – Money, Money, Money Adam Lambert / Tears For Fears – Mad World Alanis Morissette – Everything Alanis Morissette - Hand In My Pocket Bonnie Tyler - Holding Out For A Hero Cher - Believe Des‟ree - You Gotta Be Dionne Warwick / Gabrielle / Seal - Walk On By Elton John - Your Song Elvis Presley - In The Ghetto Fools Garden – Lemon Tree Jason Mraz / Colbie Callait - Lucky James Blunt - You´re Beautiful Michael Learns To Rock - Take Me To Your Heart Michael Montgomery - I Swear Mika - Relax, Take It Easy Robbie Williams ´She´s The One Roy Orbison - Pretty Woman Sade – By Your Side Supertramp - Logical Song Adverbs vs. Adjectives The Beatles - I'm So Tired The Beatles - Think For Yourself The Pussycat Dolls - Hush Hush Tom Jones - Sex Bomb Adverbs Britney Spears -Sometimes Adverbs Of Frequency Coldplay - Viva La Vida Adverbs Of Frequency Elvis Presley – Always On My Mind Adverbs Of Frequency Jimmy Cliff - I Can See Clearly Now (The Rain Has Gone) Martina Mcbride - I Love You Michael Montgomery - I Swear Supertramp - Logical Song Adverbs vs. -
WSP 64: Revolution: the Songwriting of the Beatles Stanford Continuing Studies, Fall 2016 Sunday, December 4, 2016 Dr
WSP 64: Revolution: The Songwriting of The Beatles Stanford Continuing Studies, Fall 2016 Sunday, December 4, 2016 Dr. Joel Phillip Friedman A Note from the Instructor: Through a selection of songs this weekend workshop will explore the evolution of Lennon, McCartney, and Harrison as composer/lyricists as they developed from mere local cover band to arguably some of the most influential songwriters of the 20th century. Our goal is to understand how special and sophisticated their song writing could be on many different levels as the power and originality of their astonishing body of creative work still speaks loudly and clearly today. In some cases we will delve into individual songs deeply. In other cases, we will discuss specifics of harmony, meter, or phrasing by briefly referencing a number of different songs. A byproduct of our investigation will be to find similarities and connections between songs, authors, and even periods. Keep in mind that time does not permit us to cover every song listed. As time permits we will also explore: the roles producer George Martin, the famed engineers of Abbey Road played; the revolutionary recording procedures and techniques they initiated; and The Beatles’ diverse creative influences (including R&B and Motown artists, classic rockers, and decidedly non-rock influences such as British Music Hall, Indian classical music, and the Classical avant-garde). While the course is not designed for literate musicians, some knowledge of the basics of music – e.g. meter and harmony – will come in very handy. But, have no fear! If you are inexperienced or unsure I am more than happy to explain. -
Eva Cassidy CLICK HERE
All About EVA The Artist, part III Washington, DC isn’t exactly the most musical town in America. And I’m not trying to set up a joke or make a snide comment about poly-ticians here, either. It must be a difficult job to represent the needs and opinions of so many people. I’m not about to be judgmental toward those who are no doubt trying their best amidst a not-so-perfect system. Especially since I am completely unable to place myself in their shoes. Even my George W quotes in this book are used with great respect. Heck, I can barely manage my own household and career no less an entire city or nation. However, as I wrote earlier, the farther away from the arts we get, the more frustrated our lives become. I think we need more leaders with banjos and guitars in their offices and less lobbyists. A few short years ago, traversing the political fog of this stress filled town, there was a young woman who loved to sing. And like so many hometown artists in hometowns across this nation, very few people, aside from friends and family, even knew who she was. She sang in little blues clubs and coffeehouses along the east coast, rarely travelling more than a one day drive from her home. But she loved to sing. And she loved to perform. And she loved to wrap herself up in the blanket of affection her small audiences would give her. Like so many singers, she dreamed of the big record deal. -
Standard Classical
Standard Classical: All You Need is Love (Beatles) Bach: Cello Prelude no 1 in G And I Love Her (Beatles) Bach: Sheep May Safely Graze Bach: Minuet in G Avril 14 (Aphex Twin) Bach: Air on the G String Bach: Arioso Beautiful Boy (John Lennon) Bach: Jesu Joy of Man's Desiring Bach: Sleepers Awake Better Together (Jack Johnson) Beautiful Day (U2) Beethoven: Ode to Joy Blackbird (Beatles) Clarke: Trumpet Voluntary Bless The Broken Road (Rascal Flats) Elgar: Salut D’Amor Blue Shadows on The Trail (from The 3 Amigos) Handel: Alla Danza (from Water Music) Bohemia Rhapsody (Queen) Handel: Largo – Obra Mai Fui Handel: Air (from Water Music) California Stars (Billy Brag & Wilco) Mendelssohn: Wedding March (Bridal Can’t Help Falling in Love (Elvis recessional) Presley) Can’t Take My Eyes Off of You {I Love Pachabel: Canon in D You Baby} (Frankie Valli) Schubert: Ave Maria Come Away With Me (Norah Jones) Schumann: Träumerei Country Roads (John Denver) Crazy Love (Van Morrison) Satie: Gymnipedie no 1 Demons (Imagine Dragons) Vivaldi: Winter (from 4 Seasons) Vivaldi: Spring (from 4 Seasons) Do You Realize (The Flaming Lips) Wagner: Bridal Chorus ("Here Comes The Dog Days Are Over (Florence and the Bride") The Machine) Erev Shel Shoshahim Et Si Tu n’Existais Pas (Joe Dassin) Contemporary/Non-Classical: Every Day I Love You More Than Yesterday (Spiral Staircase) All I Want Is You (U2) Everyone Wants To Rule The World All of Me (John Legend) (Tears for Fears) All We Are (Matt Nathanson) Falling In Love at a Coffee Shop Let It Be (Beatles) (Landon Pigg) -
Beatles Lyrics Trivia Quiz
BEATLES LYRICS TRIVIA QUIZ ( www.TriviaChamp.com ) Given the fist line from a Beatles' song, name the song. 1> I once had a girl... a. Good Day Sunshine b. Norwegian Wood c. Girl d. Here, There and Everywhere 2> She's not a girl who misses much... a. I Feel Fine b. Happiness Is a Warm Gun c. Hey Jude d. I Saw Her Standing There 3> In the town where I was born... a. There's a Place b. Yellow Submarine c. She Said She Said d. Taxman 4> Last night I said these words to my girl... a. Please, Please Me b. Savoy Truffle c. Run for Your Life d. Polythene Pam 5> When I find myself in times of trouble... a. Yesterday b. Hey Jude c. Let It Be d. Sexy Sadie 6> Now somewhere in the black mountain hills of Dakota... a. Revolution b. Only a Northern Song c. Rocky Racoon d. Nowhere Man 7> Ooh I need your love babe, guess you know it's true... a. Real Love b. She Loves You c. Eight Days A Week d. Something 8> I think I'm gonna be sad... a. P.S. I Love You b. Ticket to Ride c. Twist and Shout d. She's Leaving Home 9> Picture yourself in a boat on a river... a. Strawberry Fields Forever b. Mother Nature's Son c. Lucy In The Sky With Diamonds d. When I'm Sixty-Four 10> When I get older losing my hair... a. When I'm Sixty-Four b. We Can Work It Out c. -
Karla Chisholm Just Squeeze Me (Jane Monheit) Mas Que Nada (Brazil 66) Sample Song-List Route 66 (Chuck Berry Arr.)
I’ve Got The World On A String (Sarah Vaughn) Karla Chisholm Just Squeeze Me (Jane Monheit) Mas Que Nada (Brazil 66) Sample Song-List Route 66 (Chuck Berry Arr.) Somewhere Over The Rainbow (Israel JAZZ Kamakawiwo'ole) Summertime (Ella Fitzgerald) Ain’t Misbehavin (Fats Waller) Sway (Michael Buble) All or Nothing At All (Diana Krall) That’s All (Sarah Vaughn) Autumn Leaves (Nat King Cole) The Way You Look Tonight (Frank Sinatra) Between The Devil and the Deep Blue Sea (Ella Fitzgerald) They Can’t Take That Away From Me (Natalie Cole) Bewitched (Ella Fitzgerald) This Can’t Be Love (Sarah Vaughn) Corcovado (Antonio Carlos Jobim) Time After Time (Nancy Wilson) Dance Me To The End of Love (Madeleine Peyrox) Unforgettable (Natalie Cole and Nat King Cole) Dindi (Antonio Carlos Jobim) What A Wonderful World (Louis Armstrong) Don't get Around Much Anymore Fever (Peggy Lee) POP Fly Me To The Moon (Frank Sinatra) At Last (Etta James) Georgia (Ray Charles) All About That Bass (Postmodern Jukebox) Girl From Ipanema (Antonio Carlos Jobim in Portuguese & English) All Of Me (Postmodern Jukebox) I Love Being Here With You (Peggy Lee) American Boy (Estelle) It Had To Be You (Frank Sinatra) Back to Black (Amy Whinehouse) I’m Beginning to See the Light (Ella Fitzgerald) Bennie and the Jets (Elton John) It Had To Be You (Frank Sinatra) Billie Jean (The Civil Wars) 2217 Distribution Circle Silver Spring, MD 20910-1260 (301) 986-4640 (888) 986-4640 FAX (301) 657-4315 www.entertainmentexchange.com 2 Blank Space (Taylor Swift) If I Could Change The World (Eric -
Uncovering the Cover
Uncovering the Cover Reading Authenticity and Subjectivity in Cover Songs Master thesis in musicology, Institute of Musicology, University of Oslo Spring, 2012 Åste Jensen Sjøvaag Contents Acknowledgements..................................................................................................................................... 3 Chapter 1. Introduction............................................................................................................................... 5 Research questions...................................................................................................................................... 6 The cover song............................................................................................................................................ 9 Theoretical concepts................................................................................................................................. 12 Method - the reading process.................................................................................................................... 24 The music.................................................................................................................................................. 29 Synopsis.................................................................................................................................................... 34 Chapter 2. “Fields of Gold”...................................................................................................................... -
Thespace Triplex VENUE 38
www.thespaceuk.com Welcome to our 2019 Festival WELCOME to our 25th Edinburgh meant to be, every genre of live Festival Fringe. 1995 doesn't seem performance in one spectacular that long ago and the memories are programme. still strong of our first venue hosting 8 shows in what is still the most Above all we are very pleased enchanting venue in town 'Venue 45'. to be able to offer an experience that gives The fringe has moved on since those everyone coming to the fun days of the mid 90's when venue Fringe that unique and special staff and performers alike all mucked time that can only be found in in to embrace the ethos of the fringe Edinburgh during August. as a platform for passion and Whether it be at our very performance, the one aim to get the stylish Royal Mile venues or at work on and deliver one's very best our state-of-the-art hub at performance. theSpace @ Surgeons’ Hall, complete with its newly Whilst so much else has changed it’s designed court yard bar and with great pride that our ethos brand new spaces. absolutely remains buried in the roots of the Fringe as a platform for all. We We welcome you continue to offer the largest and most to our festival. diverse programme for new and original work and we encourage all to step away from the predictable fringe to experience the festival how it was Contents theSpace @ theSpace theSpace @ Venue 45 on the Mile Symposium Hall (V45) PAGE 2 (V39) PAGE 8 (V43) PAGE 18 theSpace @ theSpace @ theSpace Triplex Surgeons’ Hall Niddry Street (V53) PAGE24 (V9) PAGE 45 (V38) PAGE 55 theSpace on Venue Information PAGE 71 North Bridge Show Timetable FROM PAGE 72 (V36) PAGE 61 2019 Programme 1 theSpace @ Venue45 Yards from the Royal Mile, the original fringe venue - 'the hidden gem of venues'. -
Keros Songlist
KEROS SONGLIST CLASSICAL Air - Bach Arioso - Bach Double Concerto 2 mvt - Bach Bist Du Bei Mir - Bach Jesu, Joy Of Man's Desiring - Bach Prelude From English Suite #3 - Bach Sheep May Safely Graze - Bach Wachet Auf - Bach Ave Maria - Bach-Gounod Fur Elise - Beethoven Menuett From The Septet Op. 20 - Beethoven Menuetto From Serenade No. 1 - Brahms Adagio from Violin Concerto No. 1 - Bruch Te Deum - Charpentier Nocturne In Eb - Chopin Trumpet Voluntary - Clarke Pastorale From Concerto Grosso Op. 6, No. 8 - Corelli The Girl With The Flaxen hair - Debussy Le Petit Negre - Debussy Claire De Lune - Debussy Humoresque - Dvorak Serenade Op. 44 - Dvorak Allegro - Fiocco Panis Angelicas - Frank Dance Of The Blessed Spirits - Gluck Ave Maria - Gounod You Raise Me Up - Graham-Lovland Gavotte From Holberg Suite Op. 40 - Grieg Alla Hornpipe - Handel Entrance Of The Queen Of Sheba - Handel Halleluia Chorus - Handel Largo - Handel Largo From Violin Sonata In D Major - Handel March - Handel Water Music - Handel Canzona - Hasse Serenade Lo! How A Rose E'er Blooming - Haydn Liebestraum - Liszt Canzonetta From The Quartet Op. 12 - Mendelssohn If With All Your Hearts - Mendelssohn On Wings Of Song - Mendelssohn Wedding March - mendelssohn Fanfare - Mouret Rondeau Mousorgsky: Gopak - Mouret Ave Verum Corpus - Mozart Divertimente - Mozart Eine Kleine Nachtmusik - Mozart Barcarolle From Tales Of Hoffman - Offenbach Canon In D - Pachelbel Madama Butterfly (One Night Of Love) - Puccini Suite From The fairy Queen - Purcell Trumpet Tune - Purcell Ave Maria - Schubert Thou Ring On My Finger - Schumann Andante Festivo - Sibelius Tritsch-Tratsch Polka (Chit-Chat Polka) - Strauss March From Nutcracker Suite Op. -
Apple Label Discography
Apple Label Discography 100-800 series (Capitol numbering series) Apple Records was formed by John Lennon, Paul McCartney, George Harrison and Ringo Starr in 1968. The Apple label was intended as a vehicle for the Beatles, their individual recordings and the talent they discovered. A great deal of what appeared on Apple was pretty self indulgent and experimental but they did discover a few good singers and groups. James Taylor recorded his first album on the label. Doris Troy recorded a good soul album and there are 2 albums by John Lewis and the Modern Jazz Quartet. The Beatlesque group Badfinger also issued several albums on the label, the best of which was “Straight Up”. Apple Records fell apart in management chaos in 1974 and 1975 and a bitter split between the Beatles over the management of the company. Once the lawyers got involved everybody was suing everybody else over the collapse. The parody of the Beatles rise and the disintegration of Apple is captured hilariously in the satire “All You Need Is Cash: the story of the Rutles”. The Apple label on side 1 is black with a picture of a green apple on it, black printing. The label on side 2 is a picture of ½ an apple. From November 1968 until early 1970 at the bottom of the label was “MFD. BY CAPITOL RECORDS, INC. A SUBSIDIARY OF CAPITOL INDUSTRIES INC. USA”. From Early 1970 to late 1974, at the bottom of the label is “MFD. BY APPLE RECORDS” From late 1974 through 1975, there was a notation under the “MFD.