Stray Feline Adopts NW Family by BRIAN BRANDAU FEATURES EDITOR a New Tenant Recently Took up Residence in the Courtyard Village for a Few Weeks
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Technofeminism
- TechnoFeminism JUDY WAJCMAN polity 2 Technoscience Reconfigured Men and things exchange properties and replace one another; this is what gives technological projects their full savour. Bruno Latour, Aramis Feminist approaches of the 1990s and today adopt an opti mistic perspective on the nature of digital technologies and their implications for women. In doing so, they present an image of new technology as radically distinct from older technologies and, as such, positive for women. In looking forward to what these new technologies may make possi ble, they elaborate a new feminist 'imaginary' different from the 'material reality' of the existing technological order. In this way, in common with other proponents of the impact of information and biotechnologies, they dis tinguish new technologies from more established ones, and downplay any continuities between them. While attributing a technological determinism to the past, paradoxically such approaches infer a new form of technological determinism, albeit one that predicts a future that advantages women over men. The consequences of this are explored in subsequent chapters. We shall see that Technoscience Reconfigured 33 if the social relations of older technologies are presented in too rigid a form, then the new technologies come to be seen as too open and malleable. If the former give rise to an immobilizing pessimism, the latter obviate the need for feminist technopolitics. Recent studies of science and tech nology have transformed our understanding of the social relations of technologies, both old and new. What I suggest in this chapter is that the social shaping, or constructivist, perspective offers the possibility of a fruitful interchange with feminism that can overcome the unsatisfactory dualisms with which much feminist analysis has been plagued. -
Helena Mace Song List 2010S Adam Lambert – Mad World Adele – Don't You Remember Adele – Hiding My Heart Away Adele
Helena Mace Song List 2010s Adam Lambert – Mad World Adele – Don’t You Remember Adele – Hiding My Heart Away Adele – One And Only Adele – Set Fire To The Rain Adele- Skyfall Adele – Someone Like You Birdy – Skinny Love Bradley Cooper and Lady Gaga - Shallow Bruno Mars – Marry You Bruno Mars – Just The Way You Are Caro Emerald – That Man Charlene Soraia – Wherever You Will Go Christina Perri – Jar Of Hearts David Guetta – Titanium - acoustic version The Chicks – Travelling Soldier Emeli Sande – Next To Me Emeli Sande – Read All About It Part 3 Ella Henderson – Ghost Ella Henderson - Yours Gabrielle Aplin – The Power Of Love Idina Menzel - Let It Go Imelda May – Big Bad Handsome Man Imelda May – Tainted Love James Blunt – Goodbye My Lover John Legend – All Of Me Katy Perry – Firework Lady Gaga – Born This Way – acoustic version Lady Gaga – Edge of Glory – acoustic version Lily Allen – Somewhere Only We Know Paloma Faith – Never Tear Us Apart Paloma Faith – Upside Down Pink - Try Rihanna – Only Girl In The World Sam Smith – Stay With Me Sia – California Dreamin’ (Mamas and Papas) 2000s Alicia Keys – Empire State Of Mind Alexandra Burke - Hallelujah Adele – Make You Feel My Love Amy Winehouse – Love Is A Losing Game Amy Winehouse – Valerie Amy Winehouse – Will You Love Me Tomorrow Amy Winehouse – Back To Black Amy Winehouse – You Know I’m No Good Coldplay – Fix You Coldplay - Yellow Daughtry/Gaga – Poker Face Diana Krall – Just The Way You Are Diana Krall – Fly Me To The Moon Diana Krall – Cry Me A River DJ Sammy – Heaven – slow version Duffy -
With a Little Help from My Friends Arctic Monkeys - When the Sun Goes Down
Q ganas dr I have categorized songs under various headings such as grammar, discussion topics and vocabulary. The grammar group has been divided according to suggested use e.g articles; present simple etc. The vocabulary group has been divided according to focus e.g. colours; weather etc. This list is by no means comprehensive. It has been compiled mostly from my own experience and from ideas from various websites including www.musicalenglishlessons.org. Sometimes it is difficult to decide if a category belongs under ‘Grammar’ or under ‘Vocabulary’ so please check both if you are looking for something specific. Any song can be used for grammar and vocabulary tasks so I have concentrated on what I thought to be the main focus. GGrraammmmaarr Adjectives ABBA – Money, Money, Money Adam Lambert / Tears For Fears – Mad World Alanis Morissette – Everything Alanis Morissette - Hand In My Pocket Bonnie Tyler - Holding Out For A Hero Cher - Believe Des‟ree - You Gotta Be Dionne Warwick / Gabrielle / Seal - Walk On By Elton John - Your Song Elvis Presley - In The Ghetto Fools Garden – Lemon Tree Jason Mraz / Colbie Callait - Lucky James Blunt - You´re Beautiful Michael Learns To Rock - Take Me To Your Heart Michael Montgomery - I Swear Mika - Relax, Take It Easy Robbie Williams ´She´s The One Roy Orbison - Pretty Woman Sade – By Your Side Supertramp - Logical Song Adverbs vs. Adjectives The Beatles - I'm So Tired The Beatles - Think For Yourself The Pussycat Dolls - Hush Hush Tom Jones - Sex Bomb Adverbs Britney Spears -Sometimes Adverbs Of Frequency Coldplay - Viva La Vida Adverbs Of Frequency Elvis Presley – Always On My Mind Adverbs Of Frequency Jimmy Cliff - I Can See Clearly Now (The Rain Has Gone) Martina Mcbride - I Love You Michael Montgomery - I Swear Supertramp - Logical Song Adverbs vs. -
Eva Cassidy CLICK HERE
All About EVA The Artist, part III Washington, DC isn’t exactly the most musical town in America. And I’m not trying to set up a joke or make a snide comment about poly-ticians here, either. It must be a difficult job to represent the needs and opinions of so many people. I’m not about to be judgmental toward those who are no doubt trying their best amidst a not-so-perfect system. Especially since I am completely unable to place myself in their shoes. Even my George W quotes in this book are used with great respect. Heck, I can barely manage my own household and career no less an entire city or nation. However, as I wrote earlier, the farther away from the arts we get, the more frustrated our lives become. I think we need more leaders with banjos and guitars in their offices and less lobbyists. A few short years ago, traversing the political fog of this stress filled town, there was a young woman who loved to sing. And like so many hometown artists in hometowns across this nation, very few people, aside from friends and family, even knew who she was. She sang in little blues clubs and coffeehouses along the east coast, rarely travelling more than a one day drive from her home. But she loved to sing. And she loved to perform. And she loved to wrap herself up in the blanket of affection her small audiences would give her. Like so many singers, she dreamed of the big record deal. -
Standard Classical
Standard Classical: All You Need is Love (Beatles) Bach: Cello Prelude no 1 in G And I Love Her (Beatles) Bach: Sheep May Safely Graze Bach: Minuet in G Avril 14 (Aphex Twin) Bach: Air on the G String Bach: Arioso Beautiful Boy (John Lennon) Bach: Jesu Joy of Man's Desiring Bach: Sleepers Awake Better Together (Jack Johnson) Beautiful Day (U2) Beethoven: Ode to Joy Blackbird (Beatles) Clarke: Trumpet Voluntary Bless The Broken Road (Rascal Flats) Elgar: Salut D’Amor Blue Shadows on The Trail (from The 3 Amigos) Handel: Alla Danza (from Water Music) Bohemia Rhapsody (Queen) Handel: Largo – Obra Mai Fui Handel: Air (from Water Music) California Stars (Billy Brag & Wilco) Mendelssohn: Wedding March (Bridal Can’t Help Falling in Love (Elvis recessional) Presley) Can’t Take My Eyes Off of You {I Love Pachabel: Canon in D You Baby} (Frankie Valli) Schubert: Ave Maria Come Away With Me (Norah Jones) Schumann: Träumerei Country Roads (John Denver) Crazy Love (Van Morrison) Satie: Gymnipedie no 1 Demons (Imagine Dragons) Vivaldi: Winter (from 4 Seasons) Vivaldi: Spring (from 4 Seasons) Do You Realize (The Flaming Lips) Wagner: Bridal Chorus ("Here Comes The Dog Days Are Over (Florence and the Bride") The Machine) Erev Shel Shoshahim Et Si Tu n’Existais Pas (Joe Dassin) Contemporary/Non-Classical: Every Day I Love You More Than Yesterday (Spiral Staircase) All I Want Is You (U2) Everyone Wants To Rule The World All of Me (John Legend) (Tears for Fears) All We Are (Matt Nathanson) Falling In Love at a Coffee Shop Let It Be (Beatles) (Landon Pigg) -
Godsmack | Primary Wave Music
GODSMACK facebook.com/Godsmack instagram.com/godsmack twitter.com/godsmack Imageyoutube.com/channel/UCe9rl8k6yymUeVzzXfFGWwA not found or type unknown godsmack.com en.wikipedia.org/wiki/Godsmack open.spotify.com/artist/6gZq1Q6bdOxsUPUG1TaFbF According to Greek mythology, the phoenix absorbs new life through rising from the ashes of its predecessor. By the same token, we tear down the relics of the past in order to make way for the innovations of the future. As every rebirth requires reinvention, GODSMACK— Sully Erna [vocals, guitar], Tony Rombola [guitar], Robbie Merrill [bass], and Shannon Larkin [drums]–continue a similar cycle on their seventh full-length and debut for BMG, When Legends Rise. The multiplatinum four-time GRAMMY® Award-nominated Boston bastion of hard rock raises its voice louder than ever on their first album in four years. “You’ve got to burn it down to build it up,” affirms Erna. “When Legends Rise is a metaphor. Life can get challenging at times. It can knock you onto the ground. However, if you reach inside of yourself, find that inner strength, and rise up again, you’ll flourish. Over the past few years, I went through a really tough time, but I learned this firsthand. Coming out on the other side, we’re going to do this bigger and better than we ever have. We’re ready to work.” Truth is, the members of GODSMACK have never been afraid to put in the work… Like the city they call home, these musicians speak louder, fight harder, and grow stronger each day. Through an uncompromising attitude and uncanny knack for a hummable hook, they quietly became one of modern rock’s most reliable and resonant institutions. -
Karla Chisholm Just Squeeze Me (Jane Monheit) Mas Que Nada (Brazil 66) Sample Song-List Route 66 (Chuck Berry Arr.)
I’ve Got The World On A String (Sarah Vaughn) Karla Chisholm Just Squeeze Me (Jane Monheit) Mas Que Nada (Brazil 66) Sample Song-List Route 66 (Chuck Berry Arr.) Somewhere Over The Rainbow (Israel JAZZ Kamakawiwo'ole) Summertime (Ella Fitzgerald) Ain’t Misbehavin (Fats Waller) Sway (Michael Buble) All or Nothing At All (Diana Krall) That’s All (Sarah Vaughn) Autumn Leaves (Nat King Cole) The Way You Look Tonight (Frank Sinatra) Between The Devil and the Deep Blue Sea (Ella Fitzgerald) They Can’t Take That Away From Me (Natalie Cole) Bewitched (Ella Fitzgerald) This Can’t Be Love (Sarah Vaughn) Corcovado (Antonio Carlos Jobim) Time After Time (Nancy Wilson) Dance Me To The End of Love (Madeleine Peyrox) Unforgettable (Natalie Cole and Nat King Cole) Dindi (Antonio Carlos Jobim) What A Wonderful World (Louis Armstrong) Don't get Around Much Anymore Fever (Peggy Lee) POP Fly Me To The Moon (Frank Sinatra) At Last (Etta James) Georgia (Ray Charles) All About That Bass (Postmodern Jukebox) Girl From Ipanema (Antonio Carlos Jobim in Portuguese & English) All Of Me (Postmodern Jukebox) I Love Being Here With You (Peggy Lee) American Boy (Estelle) It Had To Be You (Frank Sinatra) Back to Black (Amy Whinehouse) I’m Beginning to See the Light (Ella Fitzgerald) Bennie and the Jets (Elton John) It Had To Be You (Frank Sinatra) Billie Jean (The Civil Wars) 2217 Distribution Circle Silver Spring, MD 20910-1260 (301) 986-4640 (888) 986-4640 FAX (301) 657-4315 www.entertainmentexchange.com 2 Blank Space (Taylor Swift) If I Could Change The World (Eric -
Uncovering the Cover
Uncovering the Cover Reading Authenticity and Subjectivity in Cover Songs Master thesis in musicology, Institute of Musicology, University of Oslo Spring, 2012 Åste Jensen Sjøvaag Contents Acknowledgements..................................................................................................................................... 3 Chapter 1. Introduction............................................................................................................................... 5 Research questions...................................................................................................................................... 6 The cover song............................................................................................................................................ 9 Theoretical concepts................................................................................................................................. 12 Method - the reading process.................................................................................................................... 24 The music.................................................................................................................................................. 29 Synopsis.................................................................................................................................................... 34 Chapter 2. “Fields of Gold”...................................................................................................................... -
Nov. 14, 2011 Fair Trade and Social Justice at JCU by Maura Stewart
John Carroll students rock out at Labre’s 1st benefit concert, featuring The Alibi. jcu journal Turkish journalist table of contents: Labre needs an alibi by Rebecca Ferlotti visits JCU Arts and Entertainment 2 The Alibi’s breakout performance is a success by Alyssa Fligge Local News 6 “This job is done with love. It is just Rob Siska, veiled in the red Sports 10 like flirting; if the girl does not lighting of Marinello Little encourage, we [men] try harder. If we Theatre, threw down his leather [as journalists] encounter problems, jacket and shredded guitar we go on,” explains Kerim Balci, alongside his bandmates of The Monday evening when he spoke about Alibi on Saturday, Nov. 5. his job as a Turkish journalist. Balci Photos by Rebecca Ferlotti Admission was a mandatory one visited John Carroll University dollar donation to Labre - a Monday Oct. 24 from 7:30 p.m.-9:00 weekly service where students p.m. at the invitation of visit downtown Cleveland and communications department feed the homeless. After a ten song professor, Dr. Carrie Buchanan. He set, members of the audience was in Cleveland for a conference faked a crowd surf with Tim titled “Challenges to Contemporary Mauk, a John Carroll University Islam: The Muslim World 100 years senior, as their victim. After Nursi’s Damascus sermon,” continued on page 2 held by Dr. Zeki Saritoprak, the Nursi Chair in Islamic Studies at JCU. continued on page 5 Nov. 14, 2011 Fair trade and social justice at JCU by Maura Stewart John Carroll University hosted the Ohio Fair Trade Expo on Oct. -
Innovators: Songwriters
NBER WORKING PAPER SERIES INNOVATORS: SONGWRITERS David Galenson Working Paper 15511 http://www.nber.org/papers/w15511 NATIONAL BUREAU OF ECONOMIC RESEARCH 1050 Massachusetts Avenue Cambridge, MA 02138 November 2009 The views expressed herein are those of the author(s) and do not necessarily reflect the views of the National Bureau of Economic Research. NBER working papers are circulated for discussion and comment purposes. They have not been peer- reviewed or been subject to the review by the NBER Board of Directors that accompanies official NBER publications. © 2009 by David Galenson. All rights reserved. Short sections of text, not to exceed two paragraphs, may be quoted without explicit permission provided that full credit, including © notice, is given to the source. Innovators: Songwriters David Galenson NBER Working Paper No. 15511 November 2009 JEL No. N00 ABSTRACT Irving Berlin and Cole Porter were two of the great experimental songwriters of the Golden Era. They aimed to create songs that were clear and universal. Their ability to do this improved throughout much of their careers, as their skill in using language to create simple and poignant images improved with experience, and their greatest achievements came in their 40s and 50s. During the 1960s, Bob Dylan and the team of John Lennon and Paul McCartney created a conceptual revolution in popular music. Their goal was to express their own ideas and emotions in novel ways. Their creativity declined with age, as increasing experience produced habits of thought that destroyed their ability to formulate radical new departures from existing practices, so their most innovative contributions appeared early in their careers. -
Thespace Triplex VENUE 38
www.thespaceuk.com Welcome to our 2019 Festival WELCOME to our 25th Edinburgh meant to be, every genre of live Festival Fringe. 1995 doesn't seem performance in one spectacular that long ago and the memories are programme. still strong of our first venue hosting 8 shows in what is still the most Above all we are very pleased enchanting venue in town 'Venue 45'. to be able to offer an experience that gives The fringe has moved on since those everyone coming to the fun days of the mid 90's when venue Fringe that unique and special staff and performers alike all mucked time that can only be found in in to embrace the ethos of the fringe Edinburgh during August. as a platform for passion and Whether it be at our very performance, the one aim to get the stylish Royal Mile venues or at work on and deliver one's very best our state-of-the-art hub at performance. theSpace @ Surgeons’ Hall, complete with its newly Whilst so much else has changed it’s designed court yard bar and with great pride that our ethos brand new spaces. absolutely remains buried in the roots of the Fringe as a platform for all. We We welcome you continue to offer the largest and most to our festival. diverse programme for new and original work and we encourage all to step away from the predictable fringe to experience the festival how it was Contents theSpace @ theSpace theSpace @ Venue 45 on the Mile Symposium Hall (V45) PAGE 2 (V39) PAGE 8 (V43) PAGE 18 theSpace @ theSpace @ theSpace Triplex Surgeons’ Hall Niddry Street (V53) PAGE24 (V9) PAGE 45 (V38) PAGE 55 theSpace on Venue Information PAGE 71 North Bridge Show Timetable FROM PAGE 72 (V36) PAGE 61 2019 Programme 1 theSpace @ Venue45 Yards from the Royal Mile, the original fringe venue - 'the hidden gem of venues'. -
A Vodun Aesthetic in Selected Works of Simone Schwarz -Bart, Zora Neale Hurston, and Paule Marshall
Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 2000 Slain in the Spirit: a Vodun Aesthetic in Selected Works of Simone Schwarz -Bart, Zora Neale Hurston, and Paule Marshall. Maria Thecla Smith Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Smith, Maria Thecla, "Slain in the Spirit: a Vodun Aesthetic in Selected Works of Simone Schwarz -Bart, Zora Neale Hurston, and Paule Marshall." (2000). LSU Historical Dissertations and Theses. 7169. https://digitalcommons.lsu.edu/gradschool_disstheses/7169 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps.