CHACA May 2018 JOURNAL
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Anglo Australian Young People
Report No 6: Anglo Australian Young People Australian Multicultural Foundation Ethnic Youth Gangs in Australia Do They Exist? Report No. 6 Anglo Australian Young People by Rob White Santina Perrone Carmel Guerra Rosario Lampugnani 1999 i Ethnic Youth Gangs in Australia – Do They Exist? Acknowledgements We are grateful to the young people who took time to speak with us about their lives, opinions and circumstances. Their participation ought to be an essential part of any research of this nature. Particular thanks goes to Megan Aumair for making contact with the young people, and for undertaking the interviews. The Criminology Department at the University of Melbourne hosted the research project, and we are most appreciative of the staff support, office space and resources provided by the Department. We wish to acknowledge as well the assistance provided by Anita Harris in the early stages of the project. Thanks are due to the Australian Multicultural Foundation for financial support, information and advice, and for ensuring that the project was able to continue to completion. We are also grateful to the National Police Ethnic Advisory Bureau for financial support. About the Authors Rob White is an Associate Professor in Sociology/Law at the University of Tasmania (on secondment from Criminology at the University of Melbourne). He has written extensively in the areas of youth studies, criminology and social policy. Santina Perrone is a Research Analyst with the Australian Institute of Criminology where she is currently working in the areas of workplace violence, and crime against business. During the period of the present study, she was a lecturer and researcher in the Department of Criminology at the University of Melbourne. -
Richard Middleton (Sticks) - Transcript of Interview
Australians at War Film Archive Richard Middleton (Sticks) - Transcript of interview Date of interview: 4th September 2003 http://australiansatwarfilmarchive.unsw.edu.au/archive/803 Tape 1 00:38 Well, good morning. My name’s Richard Middleton and I was born in 1932 in Brisbane, Queensland. I started off life a very confused little fellow and I’m at the age of 71 now and I’m still confused, but that’s not the point. I had a lot of happy memories as a child, but then again, when I got to the age 01:00 of about nine, my mother died and I was left in a situation where I believed I had a father and a sister and brother, which only turned out to be a father but a stepsister and stepbrother who…and I was then in the situation where I wasn’t needed around the place - I was surplus to requirements and my father, who was a very brutal man and drinking man, I had some…no one to fall back on to so 01:30 I had a lot of problems and I decided at a very early age that any other place was far better for my health than where I was so I persisted with it until I was old enough to get out of it and I did. I went to school. I liked school but my brother was much smarter than I because my father sort of doted on him. My sister wasn’t allowed to help much because she was only a female and in those days females had to keep their 02:00 place and know their place in life. -
Early Examples Youth Subcultural Styles
Bloomsbury Fashion Central - 18.1.2019 17.02 Sign In: Aalto University Personal No Account? Sign Up About Browse Timelines Fairchild Books Store Search Databases Advanced search The Berg Companion SUBCULTURES to Fashion David Muggleton eBook Valerie Steele (ed) Pages: 657–661 Berg Fashion Library A point on which many costume historians have concurred is that fashion, as it is currently understood—the propensity for continual change in clothing designs, colors, and tastes—is a relatively recent phenomenon in the history of humankind, virtually unknown before the fourteenth century and occurring only with the emergence of mercantile capitalism, the concomitant growth in global trade, and the rise of the medieval city. (Among the few exceptions are Tang Dynasty China and Heian Period Japan.) Other scholars have analyzed fashion as an aspect of a distinctively modern and Western consumer culture that first gained impetus in the eighteenth century, concurrent with the onset of the industrial revolution. Either way, to be “fashionable” in this sense of the term must not be understood as a natural, universal, or biologically given aspect of human behavior, but as a socially and historically specific condition. Fashion is, in other words, a cultural construction. Its very existence, form, and direction are dependent on the complex interplay of quite specific economic, political, and ideological forces. If fashion is cultural then fashion subcultures are groups organized around or based upon certain features of costume, appearance, and adornment that render them distinctive enough to be recognized or defined as a subset of the wider culture. Depending on the group in question, subcultures may be loosely or tightly bounded; their collective identification may be self-attributed or imputed to them by outsiders. -
Bogan-Ville: Reframing Class and Place Through Humour
University of Wollongong Research Online Faculty of Science, Medicine and Health - Papers: part A Faculty of Science, Medicine and Health 19-2-2013 Welcome to Bogan-ville: reframing class and place through humour Chris Gibson University of Wollongong, [email protected] Follow this and additional works at: https://ro.uow.edu.au/smhpapers Part of the Medicine and Health Sciences Commons, and the Social and Behavioral Sciences Commons Recommended Citation Gibson, Chris, "Welcome to Bogan-ville: reframing class and place through humour" (2013). Faculty of Science, Medicine and Health - Papers: part A. 173. https://ro.uow.edu.au/smhpapers/173 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] Welcome to Bogan-ville: reframing class and place through humour Abstract On August 4, 2009, Australian online news commentary website the Punch announced that Albion Park, in the Australian industrial city of Wollongong, was one of the nation's top ten “most bogan” places. This paper explores what it means to be bogan in Australia, tracing historical antecedents, local debate at the time of this media event, and the manner in which the politics of class and place identity are negotiated through humour. Some local residents railed against associations with “lower-class” culture or feared damaged reputations for their neighbourhoods; others responded in sometimes unexpected and creative ways—through humour, and by claiming bogan as an alternative source of legitimacy for working-class identity. I reflect on this case for how humour operates ambiguously in an age of email, blogs, and social media technologies—building on previous norms of media dialogue and on established understandings of class polarisation in Australian cities. -
Southern Land, Hardened Heart: the Possibility of Australian Neon Noir
Southern Land, Hardened Heart: the possibility of Australian neon noir Christopher Przewloka Bachelor of Fine Arts (Creative Writing) Creative Writing and Literary Studies (Hons) Creative Industries Faculty Creative Writing and Literary Studies Discipline Queensland University of Technology Submitted in fulfilment of the requirements for the degree of Doctor of Philosophy 2016 Keywords Neon noir, hard-boiled, crime writing, genre, craft, Australian fiction, creative writing, practice-led research. ii Abstract Much can be learnt from dwelling in the dark underbelly of society, and it is for such reasons neon noir crime fiction has become one of the most enduring ways of analysing our culture at large. Evolving from the hard-boiled private detective stories found in early pulp fiction magazines, neon noir offers violent narratives that vivisect the social, historical, and political landscape, often blurring the line between fact and fiction. Thus neon noir eschews the romanticism of the classic hard-boiled model, and embraces something far more subversive: populist novels driven by contemporary cultural analysis. Despite both literary and commercial success in North America, Australian authors have often shied away from wholly embracing the neon noir style. This is somewhat perplexing, as Australia has had a long and enduring relationship with all forms of crime writing, especially hard-boiled—the progenitor of neon noir. So why do we shy away from the neon noir style in Australia? What are the difficulties, considerations, and possibilities of localising the form? Do the conventions of the sub-genre shift when placed in an Australian setting? This practice-led thesis consists of an Australian neon noir novel entitled Coffin’s Reach, and a 50,000 word exegesis that accompanies the creative work. -
Abstracts and Contact Details
1 THE INAUGURAL SYMPOSIUM OF THE INTERDISCIPLINARY NETWORK FOR THE STUDY OF SUBCULTURES, POPULAR MUSIC AND SOCIAL CHANGE London Metropolitan University, Thursday 15 and Friday 16 September 2011. - Abstracts and Contact Details - Christian Punk, Subcultural Resistance and Populist Traditionalism. Ibrahim Abraham, University of Bristol, UK. - [email protected] The idea of music-based subcultures as vehicles for socio-cultural resistance seems – at best – rather retro. A decade or two of British subcultural studies has abidingly argued for the depoliticized nature of music subcultures, or their irreducible internal multiplicities such that thick political descriptions are decidedly difficult. Drawing on interviews with 46 Christian punk musicians and fans from the UK, USA and Australia, this paper argues that Christian punk is a contemporary music-based subculture that evinces a subtle but determined program of individual and collective resistance to what it constructs as the mainstream culture of secular modernity and liberal capitalism. Developing the concepts of ‘populist traditionalism’ and ‘populist anarchism’ utilized in the analysis of popular music and culture by US American sociologist and theologian Tex Sample, this paper analyses the ways in which the values of punk and the ethics of Evangelical Christianity are deployed as tools of resistance by young people, and the ways in which they seek to remedy the contradictions between these traditions. This paper offers further evidence that empirical analysis of specific -
Understanding Popular Music, Second Edition
Understanding Popular Music Understanding Popular Music is an accessible and comprehensive introduction to the history and meaning of popular music. It begins with a critical assessment of the different ways in which popular music has been studied and examines the difficulties and debates which surround the analysis of popular culture and popular music. Drawing on the recent work of music scholars and the popular music press, Roy Shuker explores key subjects which shape our experience of music, including music production, the music industry, music policy, fans, audiences and subcultures, the musician as ‘star’, music journalism, and the reception and consumption of popular music. This fully revised and updated second edition includes: • case studies and lyrics of artists such as Shania Twain, S Club 7, The Spice Girls and Fat Boy Slim • the impact of technologies including on-line delivery and the debates over MP3 and Napster • the rise of DJ culture and the changing idea of the ‘musician’ • a critique of gender and sexual politics and the discrimination which exists in the music industry • moral panics over popular music, including the controversies surrounding artists such as Marilyn Manson and Eminem • a comprehensive discography, guide to further reading and directory of websites. Roy Shuker is Associate Professor in Media Studies at Massey University, New Zealand. He is the author of Key Concepts in Popular Music (Routledge 1998). LONDON AND NEW YORK Understanding Popular Music Second edition I Roy Shuker First published 1994 now known or hereafter invented, including by Routledge photocopying and recording, or in any 11 New Fetter Lane, London EC4P 4EE information storage or retrieval system, without permission in writing from the publishers. -
A History of the Early Days of Rock 'N' Roll in Brisbane . . . As Told by Some
A history of the early days of rock ‘n’ roll in Brisbane . as told by some of the people who were there. Geoffrey Walden B. Ed., M. Ed. (Research) Thesis submitted in fulfilment of the requirements for the Degree of Doctor of Philosophy to the School of Cultural and Language Studies in Education, Faculty of Education Queensland University of Technology January 2003. Abstract The music history that is generally presented to students in Queensland secondary schools as the history of music is underpinned by traditions associated with the social and cultural elite of colonialist Europe. On the other hand, contemporary popular music is the style with which most in this community identify and its mass consumption by teenagers in Brisbane was heralded with the arrival of rock ‘n’ roll in the mid-1950s. This project proposes that the involvement of the music education system in, and the application of digital technology to, the collection and storage of musical memories and memorabilia with historical potential is an important first step on the journey to a music history that is built on the democratic principles of twenty-first century, culturally and socially diverse Australia rather than on the autocratic principles of colonialist Europe. In taking a first step, this project focused on collecting memories and memorabilia from people who were involved in an aspect of the coming of rock ‘n’ roll to Brisbane. Memories were collected in the form of recorded conversations and these recordings, along with other audio and visual material were transferred to digital format for distribution. As an oral history focusing its attention on those who were involved with the coming of rock ‘n’ roll to Brisbane in the mid to late 1950s and the early 1960s, this project is intended as a starting point for that journey. -
The Scientists and Grunge: Influence and Globalised Flows
(This essay was first published in Jon Stratton Australian Rock: Essays on Popular Music, Network Books: Perth, 2007) The Scientists and Grunge: Influence and Globalised Flows The Scientists, or at least two of the band‘s three members, left Perth for Sydney in September, 1981. By this time Kim Salmon was already redefining the sound of the band. In Perth the first version of the Scientists, with James Baker who subsequently joined the Hoodoo Gurus on drums, had produced what, in retrospect, was the quintessential Perth punk album. Released in 1981, the Pink Album as it came to be known for its pink cover was composed of songs that had a powerful combination of English and American influences. Crudely, you could say the sound amalgamated the Sex Pistols and the New York Dolls. However, the band‘s over-riding influence was the conservative tunefulness of the English power-pop tradition that runs from the Troggs to the Buzzcocks and the Vibrators. The Scientists mrk I had already decided to break up when the Pink Album was recorded. Salmon subsequently formed the short-lived band Louie Louie with the drummer who would later provide the beats for the second version of the Scientists, Brett Rixon. It was during this time that Salmon began to evolve the sound that would characterize the second, and more well-known nationally and internationally, version of the Scientists. ‗Swampland‘, a song that will feature prominently in the historical narrative of this chapter, was written at this time with the third member of Louie Louie, Kim Williams. -
Road Runner 6(1) January 1983 Donald Robertson Editor
University of Wollongong Research Online Roadrunner Historical & Cultural Collections 1-1983 Road Runner 6(1) January 1983 Donald Robertson Editor Follow this and additional works at: http://ro.uow.edu.au/roadrunner Recommended Citation Robertson, Donald, (1983), Road Runner 6(1) January 1983, East Sydney, New South Wales, 64pp. http://ro.uow.edu.au/roadrunner/49 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] Road Runner 6(1) January 1983 Description Contents: 2. Upfront—The sP ychedelic Furs/ The ainS ts/ Great White Noise/ Ya Ya Choral/ Iron Maiden/ Zoo. 7. Singles Reviews/ The Belle Stars. 8. The Reels. 11. Go Ask Alice. 14. Mental As Anything. 16. Dexy’s Midnight Runners. 20. The eN w Cabaret. 24. Tim Finn. 28. Ivan Lendl. 32. Sounds from Senegambia. 36. King Sunny Ade. 40. Beatnix. 41. John Cooper Clarke. 42. Simple Minds. 44. Film Reviews. 46. Recording an Independent Single. 48. Les Bean (Fashion). 49. Casio Keyboards. 50. New York, New York. 53. Album Reviews. 61. Home On The Road (Fiction). 64. Black Power. Publisher East Sydney, New South Wales, 64pp This serial is available at Research Online: http://ro.uow.edu.au/roadrunner/49 JANUARY 1983 hterview with h Rowlands TENNIS’ RISING ng Sunny Ade % nts, Oz Albums ’82 9 \ r r S' appy G2ADOO QOE7 ROADRUNNER PUBLISHER. Donald Robertson . •* EDITOR. Donald Robertson SUB EplTOR. Larry Buttrose DESIGN AND LAYOUT. Simon Penny. ASSISTANT EDITOR. Jodi Hoffmann. V CORRESPONDENTS. ADELAIDE. Giles Barrow. 1; Toby Cluechaz. -
Middle Class Youth Subcultures 1975 -1995
After the Counterculture : From political protesters to music consumers- Middle class youth subcultures 1975 -1995 Nigel Bowen (B.A) School of English , Linguistics and Media Submitted - January 1998 TABLE OF CONTENTS Declaration pi Title Page p2 Table of Contents p3 Summary p7 Introduction p9 1. Antecedents of contemporary middle class youth subculture 2. Australian subculture and subcultural studies 3 . American and British subcultural studies 4. A balanced approach 5. Thesis objective 6.Endnotes Chapter One p 31 The Rise and Fall of Australia’s Middle Class l .The Professional-Managerial Class 2.Globalisation , post-industrialism , social democratic economic rationalism and the decline of Australia’s middle class 3 . Unemployment in Australia 4.Higher education in Australia 5 . Credentialism and graduate underemployment 6. The erosion of Anglo-Celtic advantage 7. Class Problematic 5.Epigoni 9. Endnotes Chapter Two p 72 Epigoni in Interregnum 1. Class consciousness and political attitudes in Austraha 2.Counterculture in Australia 3 . The emergence of non-oppositional PMC subcultures 4. Growing up post-Marxist 5 . The role of the extra-parliamentary and parliamentary left 6. Identity politics , the new social movements and PMC youth 7 . The end of ideology and the return of futilitarianism 8, Endnotes Chapter Three p 115 Contemporary Australian PMC Youth Subculture l .The Indie subculture 2. The Gothic subculture 3 . The Feral subculture 4. The Rave subculture 5 . The myth of Generation X 6. Differing subcultural responses 7. Contemporary PMC subcultures 8. Endnotes Chapter Four p 195 Oppositionality in Contemporary Australian PMC Subculture 1 Hegemony -the pre-post modern perspective 2 . Hegemony in decline 3 .Foucault vs Gramscian-Marxism 4.