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Captain America and the Struggle of the Superhero This Page Intentionally Left Blank Captain America and the Struggle of the Superhero Critical Essays
Captain America and the Struggle of the Superhero This page intentionally left blank Captain America and the Struggle of the Superhero Critical Essays Edited by ROBERT G. WEINER Foreword by JOHN SHELTON LAWRENCE Afterword by J.M. DEMATTEIS McFarland & Company, Inc., Publishers Jefferson, North Carolina, and London ALSO BY ROBERT G. WEINER Marvel Graphic Novels and Related Publications: An Annotated Guide to Comics, Prose Novels, Children’s Books, Articles, Criticism and Reference Works, 1965–2005 (McFarland, 2008) LIBRARY OF CONGRESS CATALOGUING-IN-PUBLICATION DATA Captain America and the struggle of the superhero : critical essays / edited by Robert G. Weiner ; foreword by John Shelton Lawrence ; afterword by J.M. DeMatteis. p. cm. Includes bibliographical references and index. ISBN 978-0-7864-3703-0 softcover : 50# alkaline paper ¡. America, Captain (Fictitious character) I. Weiner, Robert G., 1966– PN6728.C35C37 2009 741.5'973—dc22 2009000604 British Library cataloguing data are available ©2009 Robert G. Weiner. All rights reserved No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying or recording, or by any information storage and retrieval system, without permission in writing from the publisher. Cover images ©2009 Shutterstock Manufactured in the United States of America McFarland & Company, Inc., Publishers Box 6¡¡, Je›erson, North Carolina 28640 www.mcfarlandpub.com Dedicated to My parents (thanks for your love, and for putting up with me), and Larry and Vicki Weiner (thanks for your love, and I wish you all the happiness in the world). JLF, TAG, DW, SCD, “Lizzie” F, C Joyce M, and AH (thanks for your friend- ship, and for being there). -
May 2016 Newsletter
May 12, 2016 The Civil War: April 12, 1861 - May 9, 1865 “Arlington National Cemetery — Garden of Stone” astronauts, Joe Louis, Audie Murphy and many other well known Americans. Memorials to the Shuttle Challenger Astronauts, the Confederate Monument, the Memorial Amphitheatre, the Nurses Memorial, war memorials and the great dignity of the Tomb of the Unknowns, along with others, will be discussed in this presentation. Bob Russo is the Vice President of Old Baldy Civil War Round Table and can also be found most Saturday morn- ings volunteering for the National Park Service at Indepen- dence National Historical Park. While there he conducts tours of Independence Hall, Congress Hall and offers Bob Russo interpretation at the Liberty Bell and other sites within the Park. Bob has a vast interest in American history that Join us at 7:15 PM on Thursday, May 12th, at Camden dates back to his teen years. Bob has been a member County College in the Connector Building, Room 101. of numerous historical organizations over the years that This month’s topic is "Arlington National Cemetery — include the Gettysburg Foundation, Surratt Society, Ford’s Garden of Stone" presented by Bob Russo. Theater Society, Civil War Trust, National Constitution Center and others. Bob also received the Certificate of Over many years Bob Russo made numerous trips to Ar- Completion from the Civil War Institute at Manor College in lington National Cemetery to better understand the history Pennsylvania. In his employment Bob works as the Senior and sites of this National treasure, hallowed ground and Vice President of a local structural steel and miscellaneous final resting place of over 400,000 veterans and their family iron fabricator and erector. -
War Comics from Wikipedia, the Free Encyclopedia
War comics From Wikipedia, the free encyclopedia War comics is a genre of comic books that gained popularity in English-speaking countries following War comics World War II. Contents 1 History 1.1 American war comics 1.2 End of the Silver Age 1.3 British war comics 2 Reprints 3 See also 4 References 5 Further reading 6 External links History American war comics Battlefield Action #67 (March 1981). Cover at by Pat Masulli and Rocco Mastroserio[1] Shortly after the birth of the modern comic book in the mid- to late 1930s, comics publishers began including stories of wartime adventures in the multi-genre This topic covers comics that fall under the military omnibus titles then popular as a format. Even prior to the fiction genre. U.S. involvement in World War II, comic books such as Publishers Quality Comics Captain America Comics #1 (March 1941) depicted DC Comics superheroes fighting Adolf Hitler and the Nazis. Marvel Comics Golden Age publisher Quality Comics debuted its title Charlton Comics Blackhawk in 1944; the title was published more or less Publications Blackhawk continuously until the mid-1980s. Sgt. Fury and his Howling Commandos In the post-World War II era, comic books devoted Sgt. Rock solely to war stories began appearing, and gained G.I. Combat popularity the United States and Canada through the 1950s and even during the Vietnam War. The titles Commando Comics tended to concentrate on US military depictions, Creators Harvey Kurtzman generally in World War II, the Korean War or the Robert Kanigher Vietnam War. Most publishers produced anthologies; Joe Kubert industry giant DC Comics' war comics included such John Severin long-running titles as All-American Men of War, Our Russ Heath Army at War, Our Fighting Forces, and Star Spangled War Stories. -
Relationality and Masculinity in Superhero Narratives Kevin Lee Chiat Bachelor of Arts (Communication Studies) with Second Class Honours
i Being a Superhero is Amazing, Everyone Should Try It: Relationality and Masculinity in Superhero Narratives Kevin Lee Chiat Bachelor of Arts (Communication Studies) with Second Class Honours This thesis is presented for the degree of Doctor of Philosophy of The University of Western Australia School of Humanities 2021 ii THESIS DECLARATION I, Kevin Chiat, certify that: This thesis has been substantially accomplished during enrolment in this degree. This thesis does not contain material which has been submitted for the award of any other degree or diploma in my name, in any university or other tertiary institution. In the future, no part of this thesis will be used in a submission in my name, for any other degree or diploma in any university or other tertiary institution without the prior approval of The University of Western Australia and where applicable, any partner institution responsible for the joint-award of this degree. This thesis does not contain any material previously published or written by another person, except where due reference has been made in the text. This thesis does not violate or infringe any copyright, trademark, patent, or other rights whatsoever of any person. This thesis does not contain work that I have published, nor work under review for publication. Signature Date: 17/12/2020 ii iii ABSTRACT Since the development of the superhero genre in the late 1930s it has been a contentious area of cultural discourse, particularly concerning its depictions of gender politics. A major critique of the genre is that it simply represents an adolescent male power fantasy; and presents a world view that valorises masculinist individualism. -
Studies in Literature and Culture: the Graphic Novel
NACAE National Association of Comics Art Educators Studies in Literature and Culture: The Graphic Novel • REQUIRED TEXTS: Chynna Clugston-Major, Blue Monday: Absolute Beginners (Oni Press) Will Eisner, A Contract with God and Other Tenement Stories (DC Comics) Mike Gold (Ed.), The Greatest 1950s Stories Ever Told (DC Comics) Harold Gray, Little Orphan Annie: The Sentence (Pacific Comics Club) Jason Lutes, Jar of Fools (Drawn & Quarterly) Scott McCloud, Understanding Comics (Harper-Perennial) Frank Miller and David Mazzuchelli, Batman: Year One (DC Comics) Art Spiegelman, Maus: A Survivor’s Tale (Vol. I) (Pantheon) James Sturm, The Revival (Bear Bones Press) You will also need the following: • A notebook. I would like you to keep track of major points which come up in my lectures and also in our class discussions. • A folder or binder for reserve readings and class handouts. I would suggest you make copies of the reserve readings available at the library. I will also give you a number of photocopied handouts which include directed-reading questions and material which supplements the primary readings for the course. • GRADES ––Attendance and class participation (including short response papers and reading quizzes): 25% ––Writing Assignment/Mini-comic project: 25% ––Midterm exam: 25% ––Final exam: 25% * Your papers must be turned in on time! I will deduct a full grade for each day a paper is late. If you have any questions about your papers or the assigned paper topics, please see me during my office hours or by appointment. I will be glad to talk with you about our readings and about your essays. -
Showcase Presents: Batman: Volume 6 Free
FREE SHOWCASE PRESENTS: BATMAN: VOLUME 6 PDF Neal Adams,Frank Robbins,Dennis O'Neil | 584 pages | 02 Feb 2016 | DC Comics | 9781401251536 | English | United States Showcase Presents: Batman Vol. 6 (Collected) | DC Database | Fandom Title and company credits page with partial image from cover of Batman DC, series and indicia information. Wraparound cover as two-page spread. Editing credit as per entry for Batman DC, series Showcase Presents: Batman 6. DCSeries. Volume 6 Price All credits as per table of contents unless otherwise noted. View: Large Edit cover. Asylum of the Futurians! The House That Showcase Presents: Batman: Volume 6 Batman! Take-Over of Paradise! Man in the Eternal Mask! A Vow from the Grave! Blind Rage of the Ten-Eyed Man! Into Showcase Presents: Batman: Volume 6 Den of the Death-Dealers! Darrk death ; League of Assassins introduction? Reprints from Batman DC, series June Legacy of Hate! Freak-Out at Phantom Hollow! Editing E. Legend of the Key Hook Lighthouse! Striss does not know the deadly secret of the chemical formula. Reprints from Batman DC, series September Man-Bat Madness! Wail of the Ghost-Bride! Night of the Reaper! And Be a Villain! Secret of the Slaying Statues! Silent Night, Deadly Night! Reprints from Batman DC, series February Forecast for Tonight Vengeance for a Dead Man! Moon; Alfred Pennyworth; Mr. Reprints from Batman DC, series March Blind Justice Blind Fear! Highway to Nowhere! Bruce Wayne -- Rest in Peace! The Stage Is Set The Lazarus Pit! Reprints from Batman DC, series August Killer's Roulette! The Demon Lives Again! View Change Showcase Presents: Batman: Volume 6. -
All-Star Western: the Black Diamond Probability Volume 3 Free
FREE ALL-STAR WESTERN: THE BLACK DIAMOND PROBABILITY VOLUME 3 PDF Justin Gray,Moritat,Jimmy Palmiotti | 224 pages | 19 Nov 2013 | DC Comics | 9781401243999 | English | United States All-Star Western, Vol. 3: The Black Diamond Probability review | Batman News JavaScript seems to be disabled in your browser. For the best experience on our site, be sure to turn on Javascript in your browser. If available in the US or the UK it may take 45 days to dispatch. When the employees of Haley's Circus begin turning into bloodthirsty cannibals, Jonah Hex must find the origin of the serum causing the transformation and only Dr. Jekyll knows the secret. Home All Star Western Vol. All Star Western Vol. Be the first to review this product. Availability: Out of stock. SKU Notify me when this product is in stock. Add to Wish List. Related Products. Out of stock. You're reviewing: All Star Western Vol. Value 1 star 2 stars 3 stars 4 stars 5 stars. Quality 1 star 2 stars 3 stars 4 stars 5 stars. Submit Review. Real email address is required to social All-Star Western: The Black Diamond Probability Volume 3. Please enter your email address below to create account. Sign In. Registered Customers. Forgot Your Password? Create New Account? Or Sign In With. Sign in with Facebook. Sign in with Google. Create New Account. First Name. Last Name. Sign Up for Newsletter. Confirm Password. Create an Account All-Star Western: The Black Diamond Probability Volume 3. Forgot Password. Please enter your email address below to receive a password reset link. -
Characters – Reference Guide
Player’s Guides 01 Player’s Guide to Playing HeroClix 02 Player’s Guide to Powers and Abilities 03 Player’s Guide to Characters: Errata and Clarifications 04 Player’s Guide to Characters: Reference 05 Player’s Guide to Team Abilities 06 Player’s Guide to Maps 07 Player’s Guide to Tactics I: Objects, Resources, and Hordes 08 Player’s Guide to Tactics II: Feats and Battlefield Conditions Any game elements indicated with the † symbol may only be used with the Golden Age format. Any game elements indicated with the ‡ symbol may only be used with the Star Trek: Tactics game. Items labeled with a are available exclusively through Print-and-Play. Any page references refer to the HeroClix 2013 Core Rulebook. All Player’s Guides can be found at http://www.heroclix.com/downloads/rules Table of Contents Legion of Super Heroes† .................................................................................................................................................................................................. 1 Avengers† ......................................................................................................................................................................................................................... 2 Justice League† ................................................................................................................................................................................................................ 4 Mutations and Monsters† ................................................................................................................................................................................................ -
Untitled Approximate Original Scheduled (Eight Pages) On-Sale Date: July 11, 1978
TABLE OF CONTENTS Introduction and Acknowledgements ....................................................... 5 Prologue. 7 DC Comics’ Lineup of Titles: Early 1976 ................................................ 10 Part 1: Pre-Explosion (1976-1978) ........................................................ 11 Interlude: Ring Out the Old, Ring In the New ............................................ 23 DC Comics’ Lineup of Titles: Early 1977 ................................................ 31 DC Comics’ Lineup of Titles: Early 1978 (Pre-DC Explosion) .............................. 52 Part 2: Explosion (1978) ................................................................. 53 DC Comics’ Lineup of Titles: June, July and August 1978 (The DC Explosion) ............... 66 DC Comics’ Lineup of Titles: June, July and August 1978 (Unpublished) .................... 66 Part 3: Implosion (1978-1980) ............................................................ 67 DC Comics’ Lineup of Titles: Early 1979 (Post-DC Implosion) ............................. 76 Bonus Gallery ....................................................................... 79 Interlude: Cancelled Comic Cavalcade: The Index ........................................ 90 Interlude: Whatever Happened to –? ................................................... 98 DC Comics’ Lineup of Titles: June, July and August 1980 ................................ 117 Cancellations by Month of Publication ................................................... 127 Afterword ........................................................................... -
A Pictorial History of Comic-Con
A PICTORIAL HISTORY OF COMIC-CON THE GOLDEN AGE OF COMIC-CON The 1970s were the formative years of Comic-Con. After finding its home in the El Cortez Hotel in downtown San Diego, the event continued to grow and prosper and build a national following. COMIC-CON 50 www.comic-con.org 1 OPPOSITE PAGE:A flier for the Mini-Con; the program schedule for the event. THIS PAGE: The Program Book featured a pre-printed cover of Balboa Park; photos from the Mini-Con, which were published in the Program Book for the first three-day MINI-CON Comic-Con held in August (clockwise MINI-CON from left): Forry Ackerman speaking; Mike Royer with some of his art; Comic-Con founding committee member Richard Alf NOTABLE MARCH 21, 1970 at his table; Ackerman at a panel discus- sion and with a fan; and Royer sketching GUESTS live on stage. The basement of the U.S. Grant Hotel, Downtown San Diego Attendance: 100+ Officially known as “San Diego’s Golden State Comic-Minicon” (the hyphen in Minicon comes and goes), this one-day event was held in March to raise funds for the big show in August, and FORREST J ACKERMAN was actually the first-ever West Coast comic convention. Most Comic-Con’s first-ever guest was the popular editor of Famous of those on the organizing com- Monsters of Filmland, the favorite mittee were teenagers, with the movie magazine of many of the major exceptions of Shel Dorf (a fans of that era. He paid his own recent transplant from Detroit way and returned to Comic-Con who had organized the Triple numerous times over the years. -
The First Florida Cavalry (US): Union Enlistment in the Civil War's Southern Periphery
University of Central Florida STARS Electronic Theses and Dissertations, 2004-2019 2018 The First Florida Cavalry (US): Union Enlistment in the Civil War's Southern Periphery Tyler Campbell University of Central Florida Part of the United States History Commons Find similar works at: https://stars.library.ucf.edu/etd University of Central Florida Libraries http://library.ucf.edu This Masters Thesis (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2004-2019 by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Campbell, Tyler, "The First Florida Cavalry (US): Union Enlistment in the Civil War's Southern Periphery" (2018). Electronic Theses and Dissertations, 2004-2019. 5819. https://stars.library.ucf.edu/etd/5819 THE FIRST FLORIDA CAVALRY (US): UNION ENLISTMENT IN THE CIVIL WAR’S SOUTHERN PERIPHERY by TYLER CAMPBELL B.A. University of Central Florida, 2014 A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in the Department of History in the College of Arts and Humanities at the University of Central Florida Orlando, Florida Spring Term 2018 ABSTRACT In 1863, along the southern periphery of the American Civil War, a Union Brigadier General began recruiting Southern white men into a Union cavalry regiment known as the First Florida Cavalry (US). This study investigates the regiment and those who enlisted in it to show the fluidity of Southern loyalty during the Civil War and the conditions of the Deep South Homefront that existed on the periphery of Union occupation and continue to exist on the periphery of Civil War historiography. -
Justice Society America!
Roy Thomas’ Star-Bedecked $ Comics Fanzine JUST WHEN YOU THOUGHT 8.95 YOU KNEW EVERYTHING THERE In the USA WAS TO KNOW ABOUT THE No.109 May JUSTICE 2012 SOCIETY ofAMERICA!™ 5 0 5 3 6 7 7 2 8 5 Art © DC Comics; Justice Society of America TM & © 2012 DC Comics. 6 Plus: SPECTRE & HOUR-MAN 2 8 Co-Creator 1 BERNARD BAILY Vol. 3, No. 109 / April 2012 Editor Roy Thomas Associate Editors Bill Schelly Jim Amash Design & Layout Jon B. Cooke Consulting Editor John Morrow FCA Editor AST! P.C. Hamerlinck AT L Comic Crypt Editor ALL IN Michael T. Gilbert FOR Editorial Honor Roll COLOR $8.95! Jerry G. Bails (founder) Ronn Foss, Biljo White Mike Friedrich Proofreader Rob Smentek Cover Artist Contents George Pérez Writer/Editorial: An All-Star Cast—Of Mind . 2 Cover Colorist Bernard Baily: The Early Years . 3 Tom Ziuko With Special Thanks to: Ken Quattro examines the career of the artist who co-created The Spectre and Hour-Man. “Fairytales Can Come True…” . 17 Rob Allen Roger Hill The Roy Thomas/Michael Bair 1980s JSA retro-series that didn’t quite happen! Heidi Amash Allan Holtz Dave Armstrong Carmine Infantino What If All-Star Comics Had Sported A Variant Line-up? . 25 Amy Baily William B. Jones, Jr. Eugene Baily Jim Kealy Hurricane Heeran imagines different 1940s JSA memberships—and rivals! Jill Baily Kirk Kimball “Will” Power . 33 Regina Baily Paul Levitz Stephen Baily Mark Lewis Pages from that legendary “lost” Golden Age JSA epic—in color for the first time ever! Michael Bair Bob Lubbers “I Absolutely Love What I’m Doing!” .