There Is a Superhero in All of Us... Just Shout the MAGIC Words!
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Juluka Scatterlings Mp3, Flac, Wma
Juluka Scatterlings mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Funk / Soul / Folk, World, & Country Album: Scatterlings Country: US Released: 1982 Style: Afrobeat MP3 version RAR size: 1228 mb FLAC version RAR size: 1604 mb WMA version RAR size: 1747 mb Rating: 4.7 Votes: 442 Other Formats: AAC DTS FLAC ADX MIDI WMA MP1 Tracklist A1 Scatterlings Of Africa A2 Spirit Is The Journey A3 Umbaqanga Music A4 Digging For Some Words A5 Two Humans On The Run A6 Shake My Way B1 Siyayilanda B2 Kwela Man B3 Simple Things B4 Ijwanasibeki B5 Two Humans On The Run Credits Arranged By – Juluka Bass, Percussion, Vocals – Gary Van Zyl Drums, Percussion, Vocals – Zola Mtiya Flute, Vocals – Scorpion Madondo Keyboards – Tim Hoare Lead Vocals, Backing Vocals, Guitar, Concertina – Sipho Mchunu Lead Vocals, Backing Vocals, Guitar, Performer [Umhupe-mouth Bow] – Johnny Clegg Producer – Hilton Rosenthal Notes Cat # on cover 9 23898-4 Cat # on cassette AR 4-23898 Other versions Category Artist Title (Format) Label Category Country Year MINC(L) 1040, Scatterlings (LP, MINC(L) 1040, Juluka MINC, MINC South Africa 1982 MINC (L) 1040 Album) MINC (L) 1040 Scatterlings (CD, CDM 4064742 Juluka EMI CDM 4064742 Germany 1990 Album, RE) RSMCD 1029 Scatterlings (CD, Rhythm RSMCD 1029 Juluka South Africa 2006 134 Album, RE) Safari 134 Scatterlings (LP, Warner Bros. 9 23898-1 Juluka 9 23898-1 US 1982 Album) Records Scatterlings (LP, Safari SHAKA 1 Juluka SHAKA 1 UK 1982 Album) Records Related Music albums to Scatterlings by Juluka 1. Teufelskreis - Unplugged 2. Juluka - The Best Of Juluka 3. Johnny Clegg & Savuka - Third World Child 4. -
Taylor B Dbs Rday 2019.Pdf (989.1Kb)
Break Something and Write about the Pieces File Types, Formats and Collaborative Creative Media Practice in the Classroom Dr. Barnaby Taylor Dublin Business School June 2019 Questions How do we teach the same things differently? How do we innovate in the classroom? Where are the opportunities for innovation to be found in the classroom? Is assessment is a key area for innovation? voicesonfilm Co-curated, collaborative, audiovisual academic research initiative Provides opportunities for academic content creation Engages in relevant audiovisual debate, academic branding, innovation, and entrepreneurship, A continual emphasis on the relationship between research and practice. voicesonfilm Facebook Twitter YouTube Vimeo voicesonfilm 2013 ‘Film and Moving Image Studies: Re-Born Digital?’ 2014 Barr on Barr – creative documentary series 2015 ‘Cultivating Film-makers’ 2016 ‘The Disaster Artist: Inside The Room with Greg Sestero’ 2016 ‘Story16 – The Art of Digital Storytelling’ 2017 Showreal 17 2018 Professor Laura Mulvey, ‘Remixing Hollywood movies of the 1950s’ Lumière Word Cloud (2017) A co-curated experiment in the design and execution of academic/student collaborative assessment methods at Third Level. Inspired by classroom conversations regarding the parallels between the earliest forms of cinema – as exemplified by the films of Auguste and Louis Lumière – and the now ubiquitous .gif file Lumière Word Cloud also asks us to reconsider the position and position that cinema history occupies in the contemporary classroom. Lumière Word Cloud (2017) As the result of a classroom discussion following a screening of these early films, ten key words were generated. CAT SEA TRAIN CROWD BABY HORSE WINE BOUNCE CAMERA WALK Basic Mechanics 6 collaborators 3 files for each word Independent selection – no discussion The url for each .gif was collected All files inserted into a single timeline Order of the images was the order of the contributions Files were captured via QuickTime but not edited Outcome How Do We See What We See? 1. -
BOB SEDERGREEN: the INTERVIEW by Adrian Jackson*
BOB SEDERGREEN: THE INTERVIEW by Adrian Jackson* _______________________________________________________ [This interview appeared in the December 1981 edition of Jazz Magazine] ver the last decade, I have had the pleasure of hearing pianist Bob Sedergreen play on many occasions: with vibist Alan Lee, with a succession of bands led O by Brian Brown, as the focal point of the Ted Vining Trio, with Onaje, as the wild card in Peter Gaudion’s Blues Express, providing fairly heroic support to visiting stars Jimmy Witherspoon, Phil Woods, Richie Cole and Milt Jackson, even solo. I have always enjoyed and admired his playing for its unflagging swing and qualities of joy, resourcefulness and commitment, and his determination to take chances at all times in search of inspiration, which he seems to find more frequently than most. He has long impressed me as a jazz musician who often plays ‘above himself’ because he has the courage to do just that. Bob Sedergreen: the sum total of his music is pure Sedergreen… In the last few years, he has continued to increase the scope and depth of his playing, and his confidence in it, to the point where he is obviously one of the best musicians in Australia. We have too few others who can so consistently be so exciting, original, inventive, surprising and enjoyable. __________________________________________________________ *In 1981 when this was published, Adrian Jackson was a freelance writer, who had been jazz critic with the Melbourne Age since 1978. 1 I won’t try to describe his playing. As with any really good jazz artist, his playing is a reflection of his listening and playing experiences, and his own personality. -
Film Guide April 2018
FILM GUIDE APRIL 2018 www.loftcinema.org BEST F(R)IENDS & THE DISASTER ARTIST W/ GREG SESTERO IN PERSON! LAWRENCE OF ARABIA PRESENTED IN 70MM • SUNDAY, APRIL 15 AT NOON! ENJOY BEER & WINE AT THE LOFT CINEMA! We also offer Fresco Pizza*, Tucson Tamale Factory Tamales, Burritos from Tumerico, Ethiopian Wraps from Cafe Desta and Sandwiches from the 4th Ave. Deli, along with organic popcorn, craft chocolate bars, vegan cookies and more! *Pizza served after 5pm daily. APRIL 2018 SPECIAL ENGAGEMENTS 4-23 JOURNALISM ON SCREEN 6 BEER OF THE MONTH: LOFT MEMBERSHIPS 8 FIRESTONE LAGER LOFT JR. 12 BY FIRESTONE WALKER BREWING CO. ESSENTIAL CINEMA 14 ONLY $3.50 ALL THROUGH APRIL! SCIENCE ON SCREEN 16 NATIONAL THEATRE LIVE 17 NEW AT THE LOFT CINEMA! MONTH-LONG SERIES 19-20 The Loft Cinema now offers Closed Captions and Audio LOFT STAFF SELECTS 21 Descriptions for films whenever they are available. Check our COMMUNITY RENTALS 23-24 website to see which films offer this technology. NEW FILMS 25-34 REEL READS SELECTION 32 FILM GUIDES ARE AVAILABLE AT: MONDO MONDAYS 35 • aLoft Hotel • Espresso Art • Revolutionary Grounds • Antigone Books • Fantasy Comics • Rincon Market CULT CLASSICS 36 • Aqua Vita • First American Title • Rocco’s Little Chicago • Art Institute of Tucson • Fresco Pizza • Rogue Theatre THE LOFT CINEMA • AZ Title Security • Fronimos • Santa Barbara Ice Cream 3233 E. Speedway Blvd. • Bentley’s • Heroes & Villains • Shot in the Dark Café Tucson, AZ 85716 • Black Crown Coffee • Hotel Congress • Southern AZ AIDS • Bookman’s • How Sweet It Was -
January 2019 Programming Highlights – All Programming Subject to Change – Saturday, Jan. 5 Original Series – Season Two Pr
January 2019 Programming Highlights – All programming subject to change – Saturday, Jan. 5 Original Series – Season Two Premiere on Disney Channel and Disney XD Milo Murphy's Law "The Phineas and Ferb Effect" (7:00–8:00 A.M. EST) Milo and his friends, along with their newly discovered neighbors—Phineas, Ferb, Perry the Platypus, Candace, Isabella, Baljeet and Buford—must work together to overcome Murphy's Law in order to stop a pistachio invasion. *Guest stars include Ashley Tisdale ("High School Musical") as Candace, Alyson Stoner ("Camp Rock") as Isabella, Vincent Martella ("Everybody Hates Chris") as Phineas, David Errigo Jr. ("Yu- Gi-Oh! Arc-V") as Ferb, Dee Bradley Baker ("Mickey and the Roadster Racers") as Perry the Platypus, Maulik Pancholy ("30 Rock") as Baljeet and Bobby Gaylor ("The Nightly Show with Larry Wilmore") as Buford. TV-Y7 Sunday, Jan. 6 Original Series – Episode Premiere on Disney XD Marvel's Avengers: Black Panther's Quest "Vibranium Curtain Part One" (9:00–9:30 P.M. EST) Black Panther devises a plan to get the information he needs, but he isn't the only one with a plan. TV-Y7 FV Original Series – Episode Premiere on Disney XD Marvel's Avengers: Black Panther's Quest "Vibranium Curtain Part Two" (9:30–10:00 P.M. EST) Captured by his enemies, Black Panther must break out of prison with an unlikely ally. TV-Y7 FV Friday, Jan. 11 Original Series – Episode Premiere on Disney Channel Vampirina "The Woodsie Way/TNN" (10:30–11:00 A.M. EST) "The Woodsie Way" – Vee and her friends go on their first hiking trip with the Woodchuck Woodsies. -
HBO, Sky's 'Chernobyl' Leads 2020 Baftas with 14 Nominations
HBO, Sky's 'Chernobyl' Leads 2020 BAFTAs with 14 Nominations 06.04.2020 HBO and Sky's Emmy-winning limited series Chernobyl tied Killing Eve's record, set last year, of 14 nominations at the 2020 BAFTA TV awards. That haul helped Sky earn a total of 25 nominations. The BBC led with a total of 79, followed by Channel 4 with 31. The series about the nuclear disaster that befell the Russian city was nominated best mini-series, with Jared Harris and Stellan Skarsgård nommed best lead and supporting actor, respectively. Other limited series to score nominations were ITV's Confession, BBC One's The Victim and Channel 4's The Virtues. Netflix's The Crown, produced by Left Bank Pictures, was next with seven total nominations, including best drama and acting nominations for Oscar-winner Olivia Colman, who played Queen Elizabeth, and Helena Bonham Carter, who played Princess Margaret. Also nominated best drama were Channel 4 and Netflix's The End of the F***ig World, HBO and BBC One's Gentleman Jack and BBC Two's Giri/Haji. Besides Colman, dramatic acting nominations went to Glenda Jackson for BBC One's Elizabeth Is Missing, Emmy winner and last year's BAFTA winner Jodie Comer for BBC One's Killing Eve, Samantha Morton for Channel 4's I Am Kirsty and Suranne Jones for Gentleman Jack. Besides Harris, men nominated for lead actor include Callum Turner for BBC One's The Capture, Stephen Graham for The Virtues and Takehiro Hira for Giri/Haji. And besides Carter, other supporting actress nominations went to Helen Behan for The Virtues, Jasmine Jobson for Top Boy and Naomi Ackie for The End of the F***ing World. -
ANNUAL REPORT 2015 16 A70 TV Acad Ad.Qxp Layout 1 7/8/16 11:43 AM Page 1
ANNUAL REPORT 2015 16_A70_TV_Acad_Ad.qxp_Layout 1 7/8/16 11:43 AM Page 1 PROUD MEMBER OF »CBS THE TELEVISION ACADEMY 2 ©2016 CBS Broadcasting Inc. MESSAGE FROM THE CHAIRMAN AND CHIEF EXECUTIVE OFFICER AS THE QUANTITY AND QUALITY OF CONTENT HAVE INCREASED in what is widely regarded as television’s second Golden Age, so have employment opportunities for the talented men and women who create that programming. And as our industry, and the content we produce, have become more relevant, so has the relevance of the Television Academy increased as an essential resource for television professionals. In 2015, this was reflected in the steady rise in our membership — surpassing 20,000 for the first time in our history — as well as the expanding slate of Academy-sponsored activities and the heightened attention paid to such high-profile events as the Television Academy Honors and, of course, the Creative Arts Awards and the Emmy Awards. Navigating an industry in the midst of such profound change is both exciting and, at times, a bit daunting. Reimagined models of production and distribution — along with technological innovations and the emergence of new over-the-top platforms — have led to a seemingly endless surge of creativity, and an array of viewing options. As the leading membership organization for television professionals and home to the industry’s most prestigious award, the Academy is committed to remaining at the vanguard of all aspects of television. Toward that end, we are always evaluating our own practices in order to stay ahead of industry changes, and we are proud to guide the conversation for television’s future generations. -
Supplemental Information
Supplemental Information for the Consolidated Financial Results for the Third Quarter Ended December 31, 2017 2017 年度第 3 四半期連結業績補足資料 February 2, 2018 Sony Corporation ソニー株式会社 Supplemental Financial Data 補足財務データ 2 ■ Average foreign exchange rates 期中平均為替レート 2 ■ Results by segment セグメント別業績 2 ■ Sales to customers by product category (to external customers) 製品カテゴリー別売上高(外部顧客に対するもの) 3 ■ Unit sales of key products 主要製品販売台数 3 ■ Sales to customers by geographic region (to external customers) 地域別売上高(外部顧客に対するもの) 3 ■ Depreciation and amortization (D&A) by segment セグメント別減価償却費及び償却費 4 ■ Amortization of film costs 繰延映画製作費の償却費 4 ■ Additions to long-lived assets and D&A 固定資産の増加額、減価償却費 4 ■ Additions to long-lived assets and D&A excluding Financial Services 金融分野を除くソニー連結の固定資産の増加額、減価償却費及び償却費 4 ■ Research and development (R&D) expenses 研究開発費 5 ■ R&D expenses by segment セグメント別研究開発費 5 ■ Restructuring charges by segment (includes accelerated depreciation expense) セグメント別構造改革費用 5 ■ Period-end foreign exchange rates 期末為替レート 5 ■ Inventory by segment セグメント別棚卸資産 5 ■ Film costs (balance) 繰延映画製作費(残高) 6 ■ Long-lived assets by segment セグメント別固定資産 6 ■ Goodwill by segment セグメント別営業権 6 ■ Return on Invested Capital (ROIC) セグメント別 ROIC 6 Music Segment Supplemental Information (English only) 7 ■ Recorded Music 7 - Recorded Music Revenue breakdown of physical, digital and other revenues - Top 10 best-selling recorded music projects - Noteworthly projects ■ Music Publishing 7 - Number of songs in the music publishing catalog owned and administered Pictures Segment Supplemental Information (English only) 8 ■ Pictures Segment Aggregated U.S. Dollar Information 8 - Pictures segment sales and operating revenue and operating income (loss) - Sales by category and Motion Picture Revenue breakdown - Film costs breakdown ■ Motion Pictures 9 - Motion Pictures Box Office for films released in North America - Select films to be released in the U.S. -
Short Takes Jazz News Festival Reviews Jazz Stories Interviews Columns
THE INDEPENDENT JOURNAL OF CREATIVE IMPROVISED MUSIC SHORT TAKES JAZZ NEWS FESTIVAL REVIEWS JAZZAMANCA 2020 JAZZ STORIES PATTY WATERS INTERVIEWS PETER BRÖTZMANN BILL CROW CHAD LEFOWITZ-BROWN COLUMNS NEW ISSUES - REISSUES PAPATAMUS - CD REVIEWS OBITURARIES Volume 46 Number 2 April May June Edition 2020 Ed Schuller (bassist, composer) on GM Recordings My name is Eddy I play the bass A kind of music For the human race And with beauty and grace Let's stay on the case As we look ahead To an uncertain space Peace, Music Love and Life" More info, please visit: www.gmrecordings.com Email: [email protected] GM Recordings, Inc. P.O. Box 894 Wingdale, NY 12594 3 | CADENCE MAGAZINE | APRIL MAY JUNE 2016 L with Wolfgang Köhler In the Land of Irene Kral & Alan Broadbent Live at A-Trane Berlin “The result is so close, so real, so beautiful – we are hooked!” (Barbara) “I came across this unique jazz singer in Berlin. His live record transforms the deeply moving old pieces into the present.” (Album tip in Guido) “As a custodian of tradition, Leuthäuser surprises above all with his flawless intonation – and that even in a live recording!” (Frankfurter Allgemeine Zeitung) “Leuthäuser captivates the audience with his adorable, youthful velvet voice.” (JazzThing) distributed by www.monsrecords.de presents Kądziela/Dąbrowski/Kasper Tom Release date: 20th March 2020 For more information please visit our shop: sklep.audiocave.pl or contact us at [email protected] The latest piano trio jazz from Quadrangle Music Jeff Fuller & Friends Round & Round Jeff Fuller, bass • Darren Litzie, piano • Ben Bilello, drums On their 4th CD since 2014, Jeff Fuller & Friends provide engaging original jazz compositions in an intimate trio setting. -
American Players Theatre Production History
American Players Theatre Production History 1980 A Midsummer Night's Dream by William Shakespeare Directed by Anne Occhiogrosso & Ed Berkeley Titus Andronicus by William Shakespeare Directed by Ed Berkeley 1981 King John by William Shakespeare Directed by Anne Occhiogrosso & Mik Derks The Comedy of Errors by William Shakespeare Directed by Anne Occhiogrosso & Mik Derks The Two Gentleman of Verona by William Shakespeare Directed by Anne Occhiogrosso & Mik Derks A Midsummer Night's Dream by William Shakespeare Directed by Anne Occhiogrosso & Mik Derks Titus Andronicus by William Shakespeare Directed by Anne Occhiogrosso & Mik Derks 1982 Romeo & Juliet by William Shakespeare Directed by Fred Ollerman & Mik Derks Titus Andronicus by William Shakespeare Directed by Mik Derks The Comedy of Errors by William Shakespeare Directed by Fred Ollerman & Mik Derks The Taming of the Shrew by William Shakespeare Directed by Fred Ollerman & Mik Derks The Two Gentleman of Verona by William Shakespeare Directed by Fred Ollerman A Midsummer Night's Dream by William Shakespeare Directed by Anne Occhiogrosso & Sandra Reigel-Ernst 1983 Romeo & Juliet by William Shakespeare Directed by Mik Derks Tamburlaine the Great by Christopher Marlowe Directed by Mik Derks Love's Labour's Lost by William Shakespeare Directed by Fred Ollerman The Taming of the Shrew by William Shakespeare Directed by Fred Ollerman A Midsummer Night's Dream by William Shakespeare Directed by Anne Occhiogrosso 1984 Romeo & Juliet by William Shakespeare Directed by Anne Occhiogrosso & Randall -
HIGHLANDS NEWS-SUN Monday, October 29, 2018
HIGHLANDS NEWS-SUN Monday, October 29, 2018 VOL. 99 | NO. 302 | $1.00 YOUR HOMETOWN NEWSPAPER SINCE 1919 An Edition Of The Sun Beaudry overcomes breast cancer with faith and family By KIM LEATHERMAN and urges others to be Beaudry said. “We live a “I was shocked when STAFF WRITER tested. healthy lifestyle. I am a she told me,” she said. “I An RN, BSN and nurse and don’t like to have no history of breast LAKE PLACID — Breast the Assistant Director take medicines if I don’t cancer on either side of cancer — the two words of Cardiac Services have to. Living healthy my family.” woman fear hearing from of Florida Hospital helps with that.” While Beaudry is a their doctor. It strikes fear Heartland Medical In September, 2017 her proponent for monthly in the hearts of woman of Center, Beaudry is also a world was shaken when self exams, she said mam- all ages. breast cancer survivor. she received a dreaded di- mograms are a necessary October is Breast Despite being busy agnosis — she had breast tool for early detection. Cancer Awareness Month with a career and family cancer. It was only a week She said she would not and it means much more — she and her husband after Hurricane Irma blew have been able to feel than wearing a pink rib- Craig have raised two through and she was still her tumor in a self exam bons, ties or pink socks. children — Beaudry says dealing with the after- because it was too small. Breast cancer awareness she finds time to get her math of the storm when “We found it very, very it about sharing per- yearly check up. -
Performing Othello in South Africa Natasha Distiller
Authentic Protest, Authentic Shakespeare, Authentic Africans: Performing Othello in South Africa Natasha Distiller ugh Quarshie famously declared Othello a play that black actors Hshould avoid: “If a black actor plays Othello does he not risk making racial stereotypes seem legitimate… namely that black men… are over- emotional, excitable and unstable?”1 Ben Okri, referencing the reception of Shakespeare’s tragedy by critics and audiences,2 said that if Othello were not originally a play about race (as indeed it was not in the modern sense of the term), its history has made it one.3 By now, Othello both invokes and confounds modern notions of race and racial difference, speaking powerfully to the long history of misogyny it has facilitated.4 The play also points to the ways in which race and gender are imbricated in one another and co-depend.5 The meaning of Desdemona’s whiteness and femininity depend on each other, as do Othello’s blackness and masculinity. As Celia Daileader has pointed out, Desdemona’s punishment for being an unruly woman is symbolized by and through Othello’s racial identity.6 One might say that Othello both is and is not about race and racial difference, a play that invokes a relation between gender and the range of human cultures, religions, civic belongings, and/or appearances that we now encode as “race.” Whichever ideological frame one chooses to read through (an early modern construction of Moorishness, a postmodern antiracism, a feminist awareness of domestic violence, a combination of these, or any of the other possible lenses one could apply), to understand the play one must recognize the ways it explores the experience of difference as emotionally fraught at best, potentially dangerous at worst.