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Cedric Jimenez
THE STRONGHOLD Directed by Cédric Jimenez INTERNATIONAL MARKETING INTERNATIONAL PUBLICITY Alba OHRESSER Margaux AUDOUIN [email protected] [email protected] 1 SYNOPSIS Marseille’s north suburbs hold the record of France’s highest crime rate. Greg, Yass and Antoine’s police brigade faces strong pressure from their bosses to improve their arrest and drug seizure stats. In this high-risk environment, where the law of the jungle reigns, it can often be hard to say who’s the hunter and who’s the prey. When assigned a high-profile operation, the team engages in a mission where moral and professional boundaries are pushed to their breaking point. 2 INTERVIEW WITH CEDRIC JIMENEZ What inspired you to make this film? In 2012, the scandal of the BAC [Anti-Crime Brigade] Nord affair broke out all over the press. It was difficult to escape it, especially for me being from Marseille. I Quickly became interested in it, especially since I know the northern neighbourhoods well having grown up there. There was such a media show that I felt the need to know what had happened. How far had these cops taken the law into their own hands? But for that, it was necessary to have access to the police and to the files. That was obviously impossible. When we decided to work together, me and Hugo [Sélignac], my producer, I always had this affair in mind. It was then that he said to me, “Wait, I know someone in Marseille who could introduce us to the real cops involved.” And that’s what happened. -
Catalogue-2018 Web W Covers.Pdf
A LOOK TO THE FUTURE 22 years in Hollywood… The COLCOA French Film this year. The French NeWave 2.0 lineup on Saturday is Festival has become a reference for many and a composed of first films written and directed by women. landmark with a non-stop growing popularity year after The Focus on a Filmmaker day will be offered to writer, year. This longevity has several reasons: the continued director, actor Mélanie Laurent and one of our panels will support of its creator, the Franco-American Cultural address the role of women in the French film industry. Fund (a unique partnership between DGA, MPA, SACEM and WGA West); the faithfulness of our audience and The future is also about new talent highlighted at sponsors; the interest of professionals (American and the festival. A large number of filmmakers invited to French filmmakers, distributors, producers, agents, COLCOA this year are newcomers. The popular compe- journalists); our unique location – the Directors Guild of tition dedicated to short films is back with a record 23 America in Hollywood – and, of course, the involvement films selected, and first films represent a significant part of a dedicated team. of the cinema selection. As in 2017, you will also be able to discover the work of new talent through our Television, Now, because of the continuing digital (r)evolution in Digital Series and Virtual Reality selections. the film and television series industry, the life of a film or series depends on people who spread the word and The future is, ultimately, about a new generation of foreign create a buzz. -
Here Was Obviously No Way to Imagine the Event Taking Place Anywhere Else
New theatre, new dates, new profile, new partners: WELCOME TO THE 23rd AND REVAMPED VERSION OF COLCOA! COLCOA’s first edition took place in April 1997, eight Finally, the high profile and exclusive 23rd program, years after the DGA theaters were inaugurated. For 22 including North American and U.S Premieres of films years we have had the privilege to premiere French from the recent Cannes and Venice Film Festivals, is films in the most prestigious theater complex in proof that COLCOA has become a major event for Hollywood. professionals in France and in Hollywood. When the Directors Guild of America (co-creator This year, our schedule has been improved in order to of COLCOA with the MPA, La Sacem and the WGA see more films during the day and have more choices West) decided to upgrade both sound and projection between different films offered in our three theatres. As systems in their main theater last year, the FACF board an example, evening screenings in the Renoir theater made the logical decision to postpone the event from will start earlier and give you the opportunity to attend April to September. The DGA building has become part screenings in other theatres after 10:00 p.m. of the festival’s DNA and there was obviously no way to imagine the event taking place anywhere else. All our popular series are back (Film Noir Series, French NeWave 2.0, After 10, World Cinema, documentaries Today, your patience is fully rewarded. First, you will and classics, Focus on a filmmaker and on a composer, rediscover your favorite festival in a very unique and TV series) as well as our educational program, exclusive way: You will be the very first audience to supported by ELMA and offered to 3,000 high school enjoy the most optimal theatrical viewing experience in students. -
Cyrano De Bergerac
7 November to 16 December 2018 www.frenchfilmfestival.org.uk A TOUCH OF STYLE Nestled in the heart of Edinburgh and only two minutes from Princes Street, the ibis Styles St Andrew Square is an ideal base to tease tales from this mysterious city. Whether you're here to have a date with History, browse some Burns or have an intimate affair with a single malt, this hotel could not be better placed to fulfil your dreams. Not only that but breakfast and WIFI are included. The bedrooms are all uniquely designed and individual. 19 ST ANDREW SQUARE, EDINBURGH EH2 1AU TEL (+44) 131 292 0200 I FAX (+44) 131 292 0210 GENERAL INFORMATION [email protected] welcome BIENVENUE and welcome to the 26th Documentary selection features INDEX Edition of the French Film Festival UK five strong contenders – take your which every November and December partners for The Grand Ball; find out FILMS AT A GLANCE 5 –9 brings you the best of Francophone about the secrets of a master chef in cinema from France, Belgium, The Quest of Alain Ducasse; raise a PANORAMA HORIZONS 10 – 23 Switzerland, Quebec and French- glass to Wine Calling; join student speaking African territories. nurses for Nicolas Philbert’s Each DISCOVERY HORIZONS 24 – 28 For the first time this year the and Every Moment and uncover the DOCUMENTARY 29 – 31 Festival has established informal links daily life of a Parisian film school in The Graduation. with the Festival International du Film CROSSING BORDERS 33 / 34 Francophone in Namur in Belgium, Classics embrace master film-maker with whom we share titles and ideals. -
Ogc Nice Mag
25E JOURNÉE - FC Nantes 25E JOURNÉE - FC Nantes 218 - Samedi 15 février 2014 NICE - NANTES Samedi 15 février 2014 - Allianz Riviera 25E JOURNÉE - FC Nantes *Prix emporté valable pour une période de 15jours date de parution. Photos non contractuelles. Sauf erreurs typographiques. Offre non cumulable non cumulable Offre typographiques. erreurs Sauf non contractuelles. Photos de parution. pour une période de 15jours date valable emporté *Prix en magasin signalés produits sur les à l’opération, participants magasins sur une période de 15 jours dans les valables en cours, offres d’autres avec XXL réseau du membres indépendants, Magasins spécifique. un étiquetage par SAINT-LAURENT-DU-VAR VILLENEUVE-LOUbET ZONE CAP 3000 - AVENUE DU MARéChAL jUIN 1966 RN7 (fACE MARINA bAIE DES ANgES) Tél. : 04 93 07 07 71 Tél. : 04 92 13 82 12 NOUS RACHETONS VOTRE CANAPÉ* * Reprise de votre ancien canapé, pour l’achat d’un nouveau modèle. Voir conditions en magasin. Offre non cumulable avec d’autres offres en cours, valable 45 jours à partir de l’affichage dans les magasins participant à l’opération. Photo non contractuelle. Sauf erreurs typographiques. Magasins indépendants membres du réseau HomeSalons. www.homesalons.fr ST-LAURENT-DU-VAR ZONE CAP 3000 VILLENEUVE-LOUBET rn7 (à côté de mac donald’s) PUGET-SUR-ARGENS 97, BD DU COLONEL DESSERT P. 2 HOMESALONS_XXL OGC NICE FEVRIER 2014.indd 1 07/02/14 19:54 25E JOURNÉE - FC Nantes INTERVIEW 25E JOURNÉE - FC Nantes « Je N’AI JAMAIS VOULU LÂcher » ERIC BAUTHEAC. ELOIGNÉ DES TERRAINS À DEUX REPRISES POUR LA PREMIÈRE FOIS DE sa CARRIÈRE, L’AILIER S’est MONTRÉ DÉCISIF À chacun DE SES REtours. -
Pressekonferenz Zum Programm Der 68. Internationalen Filmfestspiele Berlin
Pressekonferenz zum Programm der 68. Internationalen Filmfestspiele Berlin 6. Februar 2018 um 11:30 Uhr Ablauf 9:45 – 11:15 Uhr Einlass 11:30 Uhr Beginn, Begrüßung und Photo-Call aller Leiter*innen der Sektionen und Initiativen Berlinale-Direktor Dieter Kosslick stellt neue Beiträge im Programm vor Moderation: Thomas Hailer / Berlinale-Kurator 11:50 Uhr Fragen der Presse Darüber hinaus sind alle Sektionsleiter*innen und Kurator*innen der Sektionen, Initiativen und des EFM anwesend und stehen für Fragen zur Verfügung. 68. Internationale Filmfestspiele Berlin Material zur Pressekonferenz > Grußwort Dieter Kosslick .........................................................................................................4 > Wettbewerb ..................................................................................................................................5 > Berlinale Special ..........................................................................................................................8 > Die Internationale Jury .......................................................................................................... 10 > Hommage und Goldener Ehrenbär für den Schauspieler Willem Dafoe ............ 12 > Berlinale Kamera 2018 ........................................................................................................... 13 > Gäste von Wettbewerb und Berlinale Special ............................................................... 15 > GWFF Preis Bester Erstlingsfilm ......................................................................................... -
Catalogue-2020-21 Mise En Page 1
2 Éditos p 4 L’association Cannes Cinéma p 8 Les Rencontres de Cannes p 14 Cannes Cinéphiles p 22 Cannes Écrans Juniors p 24 CANNESERIES p 26 Les événements spéciaux p 28 En avant les premières p 29 Regards sur... p 30 Semaine du Cinéma Italien de Cannes p 33 ACID POP p 35 Les Mercredis de l’image p 36 Les événements de la ville de Cannes avec Cannes Cinéma p 37 Les Jeudis de Cannes Cinéma p 39 Les Mercredis des petits p 43 Les Ciné-conférences avec Cannes Université p 49 Ciné voir et revoir avec le GIP Cannes Bel Âge p 52 Ciné-club avec le Film Club de Cannes p 62 Cannes Filmécole p 71 Les lieux de projection de Cannes Cinéma p 74 Calendrier des projections p 77 Remerciements p 82 3 4 Éditos Retrouvons le cinéma Que de jours, de semaines, de mois avons-nous été privés du plaisir des salles obscures par la pandémie du Covid-19. Aujourd’hui encore, malgré l’application de règles sanitaires plus souples, nous peinons parfois à franchir le seuil d’un cinéma. Et pourtant… Quoi de plus précieux et de plus nécessaire que d’échapper, l’espace de quelques heures, à un quotidien pesant en se laissant transporter par la magie d’un bon scénario ? Comme le disait le réalisateur François Truffaut : « Le cinéma est un mélange parfait de vérité et de spectacle ». C’est cette double réalité que nous recherchons en toute œuvre. Celle qui raconte à la fois le monde tel qu’il est et tel qu’il pourrait être, gardant les pieds sur terre et la tête dans les étoiles. -
PROGRAMME CARTES BLANCHES DU 10 AU 15 MARS Jean-Hugues Nicolas Anglade Philibert Comédien Réalisateur
PROGRAMME CARTES BLANCHES DU 10 AU 15 MARS Jean-Hugues Nicolas Anglade Philibert Comédien Réalisateur 37°2 le matin - version longue Maladie d’amour Nocturne indien La Ville Louvre Le Pays des sourds La Moindre des choses de Jean-Jacques Beineix de Jacques Deray de Alain Corneau de Nicolas Philibert de Nicolas Philibert de Nicolas Philibert avec Béatrice Dalle, Jean-Hugues avec Jean-Hugues Anglade, avec Jean-Hugues Anglade, France, 1h24 France/Italie/Royaume-Uni/Suisse, 1h39 France, 1h44 Anglade et Gérard Darmon Nastassja Kinski et Michel Piccoli Clémentine Célarié et Otto Tausig France, 3h05 France, 2h02 France, 1h50 Christophe Brachet Christophe Mon Voisin Productions Mon Voisin © © Philippe Quaisse La Reine Margot Les Affinités électives Je suis un soldat © LDZ Être et avoir La Maison de la Radio De chaque instant de Patrice Chéreau de Paolo Taviani et Vittorio Taviani de Laurent Larivière de Nicolas Philibert de Nicolas Philibert de Nicolas Philibert Président avec Isabelle Adjani, Daniel Auteuil avec Isabelle Huppert, Fabrizio avec Louise Bourgoin, Jean-Hugues Président France, 1h44 France, 1h43 France, 1h45 Jury Fictions et Jean-Hugues Anglade Bentivoglio et Jean-Hugues Anglade Anglade et Anne Benoit Jury Documentaires France, 2h39 Italie/France, 1h30 France, 1h37 Agnès Xavier Jaoui Beauvois Comédienne, Réalisatrice, Réalisateur, Scénariste, Mars Distribution Mars Scénariste, Chanteuse Comédien © On connaît la chanson Le Goût des autres Comme une image N’oublie pas que tu vas mourir Le Petit lieutenant Des hommes et des dieux de -
Celebrating Forty Years of Films Worth Talking About
2 NOV 18 6 DEC 18 1 | 2 NOV 18 - 6 DEC 18 88 LOTHIAN ROAD | FILMHOUSEcinema.COM CELEBRATING FORTY YEARS OF FILMS WORTH TALKING ABOUT Move over, Braveheart! Last month saw the culmination of our 40th anniversary celebrations here at Filmhouse, and it has been hugely interesting time (for me at any rate!) comparing the us of now with the us of then. I’ve thoroughly enjoyed spending time talking to Filmhouse’s first Artistic Director, Jim Hickey, and finding out in more detail than I knew what myriad ways the business of running Filmhouse has stayed the same and the as many ways it has not (one of these days I’ll write it all down and you can find out how interesting it is for yourselves!). UK film distribution itself has changed immeasurably – the dawn of the multiplex in the latter half of the 1980s saw to that. Back in 1978, Filmhouse itself was part of a sort of movement that saw the birth of a number of similar venues around the UK whose aim was to show a kind of cinema (predominantly foreign language) that simply was not catered for within mainstream film exhibition. Despite 40 years having passed and much having changed, the notion of an audience-driven, ‘curated’ cinema like Filmhouse remains something of a film exhibition anomaly; and something Jim Hickey wrote 30+ years ago rings just as true today as it did then: “But best of all, the new cinemas are being run by those who care about audiences as well as the films that they have paid to watch.” Now, we’ve got a bit of a first for you in November, for we have metaphorically got into bed with Netflix to give one of their films a hugely deserved, exclusive, short run in a cinema – namely David Mackenzie’s splendidly entertaining Robert the Bruce epic, Outlaw King. -
List of Players
FIFA U-20 World Cup Turkey 2013 List of Players Australia # FIFA Display Name Last Name First Name Shirt Name DOB POS Club Height 1 Paul IZZO IZZO Paul David IZZO 06.01.1995 GK Adelaide United FC (AUS) 184 Newcastle United Jets FC 2 Joshua BRILLANTE BRILLANTE Joshua BRILLANTE 25.03.1993 DF 175 (AUS) Newcastle United Jets FC 3 Connor CHAPMAN CHAPMAN Connor Edward CHAPMAN 31.10.1994 DF 181 (AUS) Newcastle United FC 4 Curtis GOOD GOOD Curtis Edward GOOD 23.03.1993 DF 182 (ENG) Melbourne Victory FC 5 Scott GALLOWAY GALLOWAY Scott GALLOWAY 25.04.1995 MF 170 (AUS) 6 Jackson IRVINE IRVINE Jackson Alexander IRVINE 07.03.1993 MF Celtic FC (SCO) 180 7 Ryan WILLIAMS WILLIAMS Ryan WILLIAMS 28.10.1993 MF Fulham FC (ENG) 170 8 Terry ANTONIS ANTONIS Terry ANTONIS 26.11.1993 MF Sydney FC (AUS) 178 Newcastle United Jets FC 9 Adam TAGGART TAGGART Adam TAGGART 02.06.1993 FW 172 (AUS) Wellington Phoenix FC 10 Corey GAMEIRO GAMEIRO Corey James GAMEIRO 07.02.1993 FW 177 (NZL) Melbourne Victory FC 11 Connor PAIN PAIN Connor PAIN 11.11.1993 MF 174 (AUS) Newcastle United Jets FC 12 Jack DUNCAN DUNCAN Jack DUNCAN 19.04.1993 GK 180 (AUS) Western Sydney Wanderers 13 Reece CAIRA CAIRA Reece CAIRA 07.01.1993 MF 168 FC (AUS) Blackburn Rovers FC 14 Jamie MacLAREN MACLAREN Jamie MACLAREN 29.07.1993 MF 170 (ENG) Melbourne Victory FC 15 Jason GERIA GERIA Jason Kato GERIA 10.05.1993 DF 179 (AUS) 16 David VRANKOVIC VRANKOVIC David VRANKOVIC 11.11.1993 DF Melbourne Heart FC (AUS) 178 Newcastle United Jets FC 17 Andrew HOOLE HOOLE Andrew HOOLE 22.10.1993 MF 175 (AUS) 18 James -
Ligue-1-2016 2017.Pdf
A Note from the Editor: For many, Ligue 1 cannot restart quickly enough following an almost perfect, but fundamentally cruel EURO 2016 for France on home soil. The pain suffered on that night in Paris by Didier Deschamps’s men and an entire nation remains all the more heartrending because of the newfound professionalism that Les Bleus conducted themselves with throughout the tournament. Karim Benzema antics aside, contrary to years of squad infighting, the team spirit inside the French camp was the strongest it had been since 2000. On the pitch, France proved that they are on the cusp of a new golden generation, with Samuel Umtiti, Kingsley Coman and Antoine Griezmann all shining. Although some of Les Bleus’ much touted young guns fell short of expectations, namely Paul Pogba and Anthony Martial, France’s U19 EURO win further confirms that the future is astonishingly bright for French football on the international scene. One would not be foolish to expect there to be some turnover of talent for the 2018 World Cup cycle, with Patrice Evra and others’ involvement coming to an end. Much like Les Bleus therefore, Ligue 1 too can expect a very different feel for the 2016/17 season. PSG have entered a new era after President Al Khelaifi’s obsession for progression in the Champions’ League failed to be adequately satisfied by Laurent Blanc, leading to the latter’s dismissal. Les Parisiens have appointed Unai Emery in Blanc’s place, who brings a new-age management approach that relies on a squad instead of a team of individuals, a charge often leveled at Blanc’s PSG. -
IX EDIZIONE Autore 3 | 8 Aprile 2019 Roma Bologna, Firenze, Milano, Napoli, Palermo, Torino
IX EDIZIONE Autore 3 | 8 Aprile 2019 Roma Bologna, Firenze, Milano, Napoli, Palermo, Torino ITALIA 1 Rendez-vous, Festival del nuovo cinema francese Christian Masset Ambasciatore di Francia in Italia iamo giunti alla IX edizione del festival che presenta, anche quest’anno, una selezione molto rigorosa, varia e vitale di opere legate da una costante fiducia nel cinema e nella sua capacità di Saffrontare i temi del presente. Sono felice di dare il benvenuto, accanto a maestri riconosciuti, come Jacques Audiard e Alexandre Desplat, a tante voci di esordienti e mi rallegro per la nutrita presenza di registe, impegnate in una riscrittura originale del fare cinema, che respira l’aria di questo tempo. In un’epoca in cui le piattaforme digitali hanno impresso una così rapida evoluzione alla diffusione e fruizione delle opere, la magia della sala - e quindi il valore morale e sentimentale dei festival - si potenzia. Perché i festival sono spazi vivi d’incontro, condivisione, dibattito e riflessione. E Rendez-vous è una festa del cinema che porta felicemente scritto nel suo nome anche l’ulteriore missione di scambio tra due culture affini e sorelle. Lo storico legame tra il cinema italiano e francese, che ha scritto capitoli nodali nella storia dell’audiovisivo, sta incrementando di nuovo il suo dialogo con scambi artistici e co- produzioni. Ed ora, da giovane cinefilo, che sono stato, e da spettatore appassionato che sono, concedetemi un salto nel passato. Quest’edizione ha avuto una pre-inaugurazione con la proiezione speciale di Les Quatre Cents Coups di François Truffaut, cui hanno assistito studentesse e studenti delle scuole romane.