DOSSIER INGLES 07.08.12.Indd
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Parque De Los Colores
PARQUE DE LOS COLORES DESCRIPCIÓN DEL PROYECTO El parque de Mollet del Vallès, con el Centro Cívico y la Ludoteca, ocupa una superficie de aproximadamente 10.000 mq y surge en un área que originalmente era marginal. Sin ninguna identidad, simplemente delimitada por las construcciones que la rodeaban. Debido a que el terreno estaba libre de construcciones, se pudo trabajar con la topografía, obteniendo distintas zonas a partir de las diversas funciones: la zona de juegos, los paseos, los descansos, el verde. Los temas principales del proyecto derivan del lugar: como los edificios del barrio estaban recubiertos por decoraciones murales surgidas espontáneamente, del mismo modo se re-propone en el parque este tema por medio de la realización de paneles suspendidos sobre pilares. Las ságomas de estos paneles están estructuradas como verdaderos graffitis tridimensionales y las sombras –junto con las de los edificios circunstantes– localizan en el parque zonas con funciones diferentes. La Ludoteca es un volumen semicircular que se puede subdividir mediante paredes móviles; se genera sobre tres niveles escalonados, de manera tal que pueden comunicarse recíprocamente las tres distintas áreas de juego que contiene. Los accesos desde el exterior son una parte muy importante del proyecto del Centro Cívico, ya que el edificio se desarrolla alrededor del nivel de ingreso. La sombra de los edificios y la sucesión de los pilares, la vegetación, dispuesta en espesas masas arbóreas, el teatro al aire libre, formado por las gradas de la pista de bochas, -
Award Steering Committee
Aga Khan Award for Architecture 2 0 1 3 AWARD STEERING COMMITTEE His Highness the Aga Khan, Chairman. Mohammad al-Asad is a Jordanian architect and architectural historian. He is the founding director of the Center for the Study of the Built Environment in Amman. Dr. al-Asad studied architecture at the University of Illinois at Urbana-Champaign and history of architecture at Harvard University, before taking post-doctoral research positions at Harvard and at the Institute for Advanced Study at Princeton. He has taught at the University of Jordan, Princeton University, the Massachusetts Institute of Technology and the University of Illinois at Urbana-Champaign, where he was the Alan K. and Leonarda Laing Distinguished Visiting Professor. He was also adjunct professor at Carleton University in Ottawa. Dr. al-Asad has published in both Arabic and English on the architecture of the Islamic world, in books and academic and professional journals. He is the author of Old Houses of Jordan: Amman 1920-1950 (1997) and Contemporary Architecture and Urbanism in the Middle East (2012); and co-author (with Ghazi Bisheh and Fawzi Zayadine) of The Umayyads: The Rise of Islamic Art (2000) and (with Sahel Al Hiyari and Álvaro Siza) Sahel Al Hiyari Projects (2005). He is the editor of Workplaces: The Transformation of Places of Production: Industrialization and the Built Environment in the Islamic World (2010), and co-editor (with Majd Musa) of Architectural Journalism and Criticism: Global Perspectives (2007) and Exploring the Built Environment (2007). Dr. al-Asad has been a member of the board of directors of organisations including the Jordan National Gallery of Fine Arts (part of the Royal Society for Fine Arts), the Jordan Museum, and the Royal Institute of Inter-Faith Studies in Amman. -
20 Years in Spain
20 YEARS IN SPAIN 1993-2013 Few of us would have imagined that 20 years after we opened a small office in Madrid we would be looking back on our contributions to some of the most innovative and influential projects that have been realized in Spain over that period. Probably none of us would have foreseen that five years after the onset of a lingering global financial crisis we would have a thriving multi- disciplinary Spanish practice, advising, planning, designing and supervising the delivery of projects all over the world. We are tremendously proud of the achievements of our colleagues in Spain over these 20 years and are confident that they will go on to achieve more great things in the next 20. Gregory Hodkinson Arup Group Board 20 YEARS IN SPAIN 1993 - 2013 At the service of life Arup has been able to successfully combine the small with the large, engineering with architecture and Scandinavian democracy with British empiricism. The firm, started in 1946 by the Danish engineer, Ove Arup, and founded in its present form in 1963 with the British architect, Philip Dowson, celebrates its first twenty years in Spain as mindful of its legacy as it is to its future. Those who have made many iconic works possible in recent decades are also responsible for minimal works in harsh and demanding social and technical environments, because as much talent is required to build a small bridge in a remote region of China as it is to erect a skyscraper in Europe. It is a saga of mythical engineers of the likes of the late-lamented Peter Rice – without -
The New Stobhill Hospital Glasgow Scotland
The New Stobhill Hospital Glasgow Scotland Ambulatory Care and Diagnostic Centre RIBA Award Winner 2010 EuHPN Health Facility Fact File Series No. 1 November 2011 Health Facility Project Name The New Stobhill Hospital Country Scotland Location The New Stobhill Hospital 133 Balornock Road Glasgow G21 3UW Population served 1,196,335 people living in the catchment area which includes, City of Glasgow, East Dunbartonshire, West Dunbartonshire, South Lanarkshire, North Lanarkshire, East Renfrewshire, Greenock, Renfrewshire and Dumbarton Type of healthcare facility Ambulatory Care and Diagnostic Centre (ACAD) Type of construction New Build Construction start date November 2006 Construction completion date February 2009 Gross floor area 30,000m2 Project, design and This project was a joint Private Finance Initiative (PFI) project construction cost providing new facilities for Stobhill and Victoria Hospitals. The process which was taken forward was one of a combined nature, therefore given the nature of this project financing it is difficult to provide costs. Cost per m2 This project was a joint PFI project providing new facilities for Stobhill and Victoria Hospitals. The process which was taken forward was one of a combined nature, therefore given the nature of this project financing it is difficult to provide costs per m2 Total bed numbers The new ward constitutes 60 beds, 48 for rehabilitation and a 12 bedded unit within Day Surgery. The beds within day surgery are available to medics to extend the range of short stay surgical procedures offered to patients. The beds, known as “23-hour” beds are for patients who need a short spell of recovery time following day treatment such as day surgery. -
Introduction Association (AA) School Where She Was Awarded the Diploma Prize in 1977
Studio London Zaha Hadid, founder of Zaha Hadid Architects, was awarded the Pritzker 10 Bowling Green Lane Architecture Prize (considered to be the Nobel Prize of architecture) in 2004 and London EC1R 0BQ is internationally known for her built, theoretical and academic work. Each of T +44 20 7253 5147 her dynamic and pioneering projects builds on over thirty years of exploration F +44 20 7251 8322 and research in the interrelated fields of urbanism, architecture and design. [email protected] www.zaha-hadid.com Born in Baghdad, Iraq in 1950, Hadid studied mathematics at the American University of Beirut before moving to London in 1972 to attend the Architectural Introduction Association (AA) School where she was awarded the Diploma Prize in 1977. She founded Zaha Hadid Architects in 1979 and completed her first building, the Vitra Fire Station, Germany in 1993. Hadid taught at the AA School until 1987 and has since held numerous chairs and guest professorships at universities around the world. She is currently a professor at the University of Applied Arts in Vienna and visiting professor of Architectural Design at Yale University. Working with senior office partner, Patrik Schumacher, Hadid’s interest lies in the rigorous interface between architecture, landscape, and geology as her practice integrates natural topography and human-made systems, leading to innovation with new technologies. The MAXXI: National Museum of 21st Century Arts in Rome, Italy and the London Aquatics Centre for the 2012 Olympic Games are excellent manifestos of Hadid’s quest for complex, fluid space. Previous seminal buildings such as the Rosenthal Center for Contemporary Art in Cincinnati and the Guangzhou Opera House in China have also been hailed as architecture that transforms our ideas of the future with new spatial concepts and dynamic, visionary forms. -
A: Chris Loyn
Architect Q&A: Chris Loyn Having worked from a provincial town near Cardiff for nearly three decades, Welsh architect Chris Loynhas recently achieved extraordinary things. His firm Loyn & Co Architects has garnered international recognition for its published projects and gives a rare and valuable insight into the latest thoughts, philosophies, and practices in design. Chris Loyn spoke to Luxury Defined about his life’s work and the influences that underpin both his and his firm’s success. What was your earliest encounter with architecture? One of my earliest memories is that of a bedroom extension at my parents’ home in Cardiff during the early 1960s. A Victorian porch was replaced with a two-story, flat-roofed “cube.” I was fascinated with the scale of the change. Not only did it create a new bedroom and other accommodation, but also (unofficially) a space on the flat roof above it that you could access by climbing through a loft window. Sitting there, you could watch the world go by. Today, my office is in a large Victorian property that we extended and where you can sit (officially) on the roof, just like I did all those years ago. When and why did you set up Loyn & Co? I set up in practice in 1987 two years after my first son, Seb, was born. In 1989, my second son Jack had a brain haemorrhage at two weeks old. As a result he is severely disabled and has cerebral palsy. I wanted to be around both my children and my wife, so continuing to work at home was the perfect solution. -
Scottish Parliament Building Edinburgh, Scotland
Scottish Parliament Building Client: Location: Edinburgh, Scotland Date: Typology: In 1998 EMBT won the bid to design the new Edinburgh Parliament building. The Architect: proposal generated great enthusiasm due to its organic capacity to combine existing Project directors: elements with new technologies through the contemporary and unique language of the Design team: Barcelona studio. The project’s development centered on reflecting the characteristics Gross floor area: of the country and its inhabitants via a new way of building that was directly linked to the land itself. This close tie to the site and its setting would, when the adjacent distillery is demolished, enable the generation of multiple perspective lines on the city. Intentionally, a contrast is sought, a conceptual distance, between the new construction and Holyrood Palace, the twelfth-century royal residence that has been renovated many times. Unlike the palace, which dominates the landscape, the new Scottish Parliament drops literally into the hillside terrain, the lowest part of Arthur’s Seat, and appears to sprout from the living stone. Client: The Scottish Executive Government Location: Edinburgh, Scotland Date: 2004 Typology: Civic Government, Landscape Architects: Enric Miralles, Benedetta Tagliabue in a joint venture with: RMJM Scotland LTD, M.A.H Duncan, T.B. Stewart EMBT Staff Competition: Joan Callis, project leader. Constanza Chara, Omer Arbel, Fabian Asunción, Steven Bacaus, Michael Eichhorn, Christopher Hitz, Francesco Mozzati. Leonardo Giovanozzi, Fergus Mc Ardle, Fernanda Hannah, Annie Marcela Henao, Ricardo Jimenez. Project: Joan Callis, project leader. Karl Unglaub, site architect Constanza Chara Umberto Viotto, Michael Eichhorn, Fabian Asunción, Fergus Mc Ardle, Sania Belli , Gustavo Silva Nicoletti, Vicenzo Franza , Antonio Benaduce, Andrew Vrana, Bernardo Ríos, Torsten Skoetz, Tomoko Sakamoko, Javier García Germán,. -
Creating the Wow!
CREATING THE WOW! CULTURAL Sector PortFOLIO CAN OUR ENGINEERING ENHANCE THE Potential OF A CULTURAL VENUE? CAN OUR ENGINEERING ENHANCE THE Potential OF A CULTURAL VENUE? HERE ARE SIX EXAMPLES OF HOW IT CAN (and 76 more for you to explore) 5 11 19 26 33 41 CONTENTS 5 St. Ann’s Warehouse, Brooklyn, New York, NY, USA 11 Louvre Abu Dhabi, UAE 19 Xiqu Centre, West Kowloon Cultural District, Hong Kong 26 Queen Elizabeth II Great Court, British Museum, London, UK 33 Polish National Radio Symphony Orchestra, Katowice, Poland 41 Whitworth Art Gallery, Manchester, UK 51 Our Cultural projects – where in the world? 5 Sector Portfolio BUROHAPPOLD ENGINEERING Cultural INGENIOUS design realises A successFUL theatre WITHIN AN INDUSTRIAL landmark ST. ANN’S WAREHOUSE | brooklyn, NEW york, USA 6 Sector Portfolio BUROHAPPOLD ENGINEERING Cultural ST. ANN’S WAREHOUSE LO C AT I O N : Brooklyn, New York, NY, USA C L I E N T: St. Ann’s Warehouse A R C H I T E C T: Marvel Architects Images: Dustin Nelson ST. ANN’S WAREHOUSE | brooklyn, NEW york, USA BUROHAPPOLD ENGINEERING Cultural 8 Sector Portfolio BUROHAPPOLD ENGINEERING Cultural ST. ANN’S WAREHOUSE | brooklyn, NEW york, USA 9 Sector Portfolio BUROHAPPOLD ENGINEERING Cultural ENGINUITYTM Process Our Enginuity solution for St. Ann’s Warehouse focussed on the Intelligent Reuse of Buildings. Click to see the range of BuroHappold specialisms that collaborated to make the vision viable. ST. ANN’S WAREHOUSE | brooklyn, NEW york, USA 10 Sector Portfolio BUROHAPPOLD ENGINEERING Cultural ENGINUITYTM Process Building services engineering (MEP) Sustainability Energy consultancy INTELLIGENT REUSE OF BUILDINGS Bridge engineering and civil structures ST. -
1 New Park Square Edinburgh Park Edinburgh Park Is an Ambitious New Community Designed Around the Happiness and Success of Its People
1 New Park Square Edinburgh Park Edinburgh Park is an ambitious new community designed around the happiness and success of its people BY PARABOLA 1 New Park Square is the heart of Edinburgh Park, setting the standard for a business community powered by zero-carbon energy 85,000 sq ft of offices by Stirling Prize winners AHMM architects Designed for wellness, with beautiful landscapes and 24/7 vibrancy 1 New Park Square from the south Zero-carbon working and living We’re building a vibrant, socially inclusive community in one of the best-connected parts of the city. Edinburgh Park will be an architectural exemplar, creating a new blueprint for sustainability and wellness alike. We’re bringing wider horizons to Scotland’s flourishing businesses Edinburgh Park is redefining what it means to live and work in the city; businesses no longer have to choose between buzz and breathing room, or between good views 1 New Park Square is centred around a new and good value public square for vibrancy by day and night. 9 Our Edinburgh With its nimble start-up scene and the largest arts festival in the world, Edinburgh is one of Europe’s fastest growing cities 10 11 ACTIVE LIFESTYLE A city beloved by its The city’s enviable position between the Pentland Hills citizens and businesses and sandy beaches makes for an active, outdoor lifestyle. Edinburgh is a city with many sides, from festival Best place in the town to university city to economic powerhouse, CLEAN ENVIRONMENT UK to live and work and it is home to an educated population with 2 Between 2010 and 2016, the a progressive mindset. -
La Planta Miralles Representación Y Pensamiento En La Arquitectura De Enric Miralles
2013 DPA - Departamento de Proyectos Arquitectónicos ETSAM - Escuela Técnica Superior de Arquitectura de Madrid LA PLANTA MIRALLES REPRESENTACIÓN Y PENSAMIENTO EN LA ARQUITECTURA DE ENRIC MIRALLES Autor: Javier Fernández Contreras, Arquitecto Director: José Manuel López Peláez, Doctor Arquitecto Índice 00 01 LA PLANTA MIRALLES REPRESENTACIÓN Y PENSAMIENTO EN LA ARQUITECTURA DE ENRIC MIRALLES ÍNDICE RESUMEN - ABSTRACT 2 0. INTRODUCCIÓN 4 0.1. Representación y pensamiento en la arquitectura de Enric Miralles 4 0.2. Definición de “planta Miralles”. Hipótesis 6 0.3. Estructura de la tesis 8 0.4. Método de investigación 10 1. LA PLANTA MIRALLES 1.1. GEOMETRÍA: DIBUJO EN PLANTA Y TIPO ARQUITECTÓNICO 14 1.1.1. Formación de Enric Miralles: el pensamiento gráfico 14 1.1.2. Miralles/Pinós. De la escuadra y cartabón a los planos croissant 26 1.1.3. Enric Miralles y EMBT. La planta como contorno, la maqueta como sección 48 1.1.C. Dibujo manual de Enric Miralles: la geometría soporte 78 1.2. DIÉDRICO: FRAGMENTACIÓN DE LA PLANTA Y COMPOSICIÓN POR PIEZAS 82 1.2.1. Planta matriz y planos parciales: concepto 82 1.2.2. Dos familias compositivas: yuxtaposición y superposición 84 1.2.3. Yuxtaposición: de la composición urbana a la fragmentación arquitectónica 86 1.2.4. Superposición: de la planta libre al plano de situación en altura 124 1.2.C. Autonomía y relatividad: el límite de una planta 141 2. CONSTRUCCIÓN EN PLANTA MIRALLES: LA REUNIÓN DE LOS FRAGMENTOS 144 2.1. Los proyectos de yuxtaposición: discontinuidades e intersticios 145 2.2. Los proyectos de superposición: la tectónica de lo aéreo 164 2.C. -
Conferencia Dada En La Facultad De Arquitectura De Oporto, Portugal
Conferencia dada en la Facultad de Arquitectura de Oporto, Portugal, dentro del “6th European Symposium on Research in Architecture and Urbanism, EURAU 12”, celebrado en Oporto del 12 al 15 de Septiembre de 2012. Publicación en actas digitales del Congreso del artículo “Enric Miralles Santa Rosa´s Park in Mollet del Valles: Redefining public space in contemporary city” http://eurau12.arq.up.pt/sites/default/files/588.pdf CONGRESO EURAU 12. OPORTO. PORTUGAL MATEO_VEGA_JOSE MANUEL_MERITOS “Enric Miralles’ Santa Rosa´s Park in Mollet del Vallés: Redefining public space in contemporary city”. EURAU’12 ABSTRACT: This article attempts to show the influence of Enric Miralles’ project in Santa Rosa’s park (1992-2001), in Mollet del Vallés (North-West of Barcelona). How in the middle of an empty, degraded, and useless field, the contemporaneous architect assumes the responsibility of intervene to give live to this wasteland generating an ideal landscape, amending the breach previously existing in the surroundings. This project proves that there are still some models and practices that enlighten the future of public space in contemporary city. The park shows that the local authorities chose the right man for the job. Nowadays, the people of the districts of Santa Rosa, Plana Lledó and Can Borrell (a very old neighborhood, a working-class district of the 60’s and a new neighborhood) walk freely and enjoy collectively of the environment. KEYWORDS: site, landscape, public space, contemporary city, natural, artificial José Manuel Mateo Vega Institution: Escuela Técnica Superior de Arquitectura de Madrid. ETSAM. Professional postal: Utrillas 8, 5º D – Madrid 28043 – Spain Email: [email protected] Telephone: +34 616 553 580 1. -
Eisenman Architects’ Map
1 INTRODUCTION M Matteo Cainer Matteo Cainer is a practising After receiving his master’s degree from the University In 2013 he co-founded and co-directed with Odile of Architecture in Venice, Italy, Matteo worked and Decq the Confluence Institute for Innovation and Office Principal architect, curator and educator. collaborated with a number of celebrated international Creative Strategies in Architecture in Lyon, France Based in London, he is Principal of practices including Peter Eisenman in New York and was Chair and professor until July 2015. City, Coop Himmelb(l)au in Vienna, and Arata Isozaki Matteo Cainer Architecture, founder Associati in Milan. It was in London that he then In March of 2020 to respond to the pandemic he of the Confluence Institute for created/directed the Design Research Studio at launches MCA Online a free educational initiative to Fletcher Priest Architects, and in June 2010 opened provide help and support to home-bound students Innovation and Creative Strategies his own practice. with tutorials, crits and a series of Lectures. He then in Architecture in Lyon, France and launches as part of Alphabet for the Futrure “What Now? Curatorially in 2004 he was Assistant Director to and ‘Post C-19!’ an Open Call to all the Architectural Director of Architecture Whispers. Kurt W. Forster for the 9th International Architecture Graduates of 2020 to imagine and sketch how Exhibition of la Biennale di Venezia - METAMORPH, they see and want the future to CHANGE. Matteo and in 2006 was appointed curator of the London continues to be a regular guest critic and jury member Architecture Biennale - CHANGE, with the exhibition: in various universities worldwide.