Model Design Law Guidelines
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An Ergonomic Customized-Tool Handle Design for Precision Tools Using Additive Manufacturing: a Case Study
applied sciences Article An Ergonomic Customized-Tool Handle Design for Precision Tools using Additive Manufacturing: A Case Study Alfonso González González 1,* ID , David Rodríguez Salgado 2, Lorenzo García Moruno 3 ID and Alonso Sánchez Ríos 3 ID 1 Campus of Mérida City, Department of Mechanical, Energy, and Materials Engineering, University of Extremadura, 06800 Mérida, Spain 2 Campus of Badajoz City, Department of Mechanical, Energy, and Materials Engineering, University of Extremadura, 06071 Badajoz, Spain; [email protected] 3 Department of Graphical Expression, University of Extremadura, 06800 Mérida, Spain; [email protected] (L.G.M.); [email protected] (A.S.R.) * Correspondence: [email protected]; Tel.: +34-924-28-93-00 Received: 12 June 2018; Accepted: 18 July 2018; Published: 22 July 2018 Abstract: A study was carried out with 135 surgeons to obtain a surgical laparoscopic grasper handle design that adapts to the size of each surgeon’s hand, in a functionally appropriate way, and has the sufficient ergonomics to avoid generating the problems detected nowadays. The main conclusion of the work is the practical 3D parametric design obtained for a laparoscopic surgical graspers handle that is scalable to fit each particular surgeon's hand size. In addition, it has been possible to determine that the anthropometric measure of the surgeon's hand defined as Palm Length Measured (PLM) allows the design of the 3D parametric model of the surgical handle to be conveniently scaled. The results show that both additive manufacturing and the application of ergonomics criterion provide an efficient method for the custom design and manufacture of this type of specialised tool, with potential application in other sectors. -
Argentina Argentine Argentinien Report Q169 in the Name of The
Argentina Argentine Argentinien Report Q169 in the name of the Argentinean Group by Ernesto O'FARRELL and Gustavo P. GIAY Criminal law sanctions with regard to the infringement of intellectual property rights 2. Substantive Law 2.1 Penal sanctions have been in force since long before the TRIPS Treaty was adopted by Argentina. A special Law improving penal sanctions related with infringement of software has been enacted after TRIPS. 2.2 Regarding trademarks, a special intentional element is not necessary, because the Law presumes that dealers are expected to keep accurate records of their commercial opera- tions, and should be able to prove the source from which they obtained the infringing goods, so that the owner of the trademark may prosecute the party or parties responsible for the infringement. This point of view has been ratified by a quite recent Supreme Court decision in re Sandys Confezioni S.P.A. (S. 350-XXII, March 13, 1990). With respect to copyright and patents, the courts normally require that the culprit has had a reasonable opportunity to be aware of the rights protected that he has infringed, which is almost equivalent to the requirement of an intentional element. In general, the burden of proof has to be assumed by plaintiff, except, with respect to trademarks and patents, when the culprit refuses to give proof and information regarding: a) the name and address of whoever sold or deliver the infringing goods, when such transaction took place, as well as to exhibit the respective invoices; b) the amount of units manufactured or sold and their price, as well as to exhibit the sale invoices. -
Design Patent Infringement: Post- Egyptian Goddess
DESIGN PATENT INFRINGEMENT: POST- EGYPTIAN GODDESS Marta Kowalczyk* I. INTRODUCTION The United States Court of Appeals for the Federal Circuit overturned de- sign patent precedent in its en banc decision in Egyptian Goddess, Inc. v. Swisa Inc.1 Prior to Egyptian Goddess, courts had been applying a two-prong test to determine design patent infringement. Egyptian Goddess eliminated one of those prongs: the point of novelty test.2 The Federal Circuit in Egyptian God- dess instead only focused on one test, the ordinary observer test, to determine design patent infringement.3 The Federal Circuit not only held the ordinary observer test to be the sole test in determining design patent infringement but also modified this test.4 This recent development discusses the rejection of the point of novelty test and the modification of the ordinary observer test in Egyptian Goddess.5 Part II briefly overviews design patent law prior to Egyptian Goddess, focusing on the evolution of the two-prong test of design patent infringement. Part III discusses the facts and analysis of Egyptian Goddess. Part IV reviews case law post-Egyptian Goddess and comments on the effects of Egyptian Goddess on design patent infringement law. Part V provides concluding remarks on the future of design patent law post-Egyptian Goddess. II. DESIGN PATENT LAW PRE-EGYPTIAN GODDESS Prior to Egyptian Goddess, design patent holders were required to satisfy two separate tests in order to succeed in a design patent infringement claim: the ordinary-observer test and the point of novelty test. This Part discusses the framework of the aforementioned tests. -
Design Patent Claim Construction: Navigating Written Description
Presenting a live 90-minute webinar with interactive Q&A Design Patent Claim Construction: Navigating Written Description, Ornamentality, Functionality and More Drafting Claims to Withstand Scrutiny and Avoiding Claim Limitation Attack THURSDAY, AUGUST 10, 2017 1pm Eastern | 12pm Central | 11am Mountain | 10am Pacific Today’s faculty features: Christopher V. Carani, Shareholder, McAndrews Held & Malloy, Chicago Robert S. Katz, Esq., Banner & Witcoff, Washington, D.C. Nathan B. Sabri, Partner, Morrison & Foerster, San Francisco The audio portion of the conference may be accessed via the telephone or by using your computer's speakers. Please refer to the instructions emailed to registrants for additional information. If you have any questions, please contact Customer Service at 1-800-926-7926 ext. 10. Tips for Optimal Quality FOR LIVE EVENT ONLY Sound Quality If you are listening via your computer speakers, please note that the quality of your sound will vary depending on the speed and quality of your internet connection. If the sound quality is not satisfactory, you may listen via the phone: dial 1-866-819-0113 and enter your PIN when prompted. Otherwise, please send us a chat or e-mail [email protected] immediately so we can address the problem. If you dialed in and have any difficulties during the call, press *0 for assistance. Viewing Quality To maximize your screen, press the F11 key on your keyboard. To exit full screen, press the F11 key again. Continuing Education Credits FOR LIVE EVENT ONLY In order for us to process your continuing education credit, you must confirm your participation in this webinar by completing and submitting the Attendance Affirmation/Evaluation after the webinar. -
8 Typographic Design
8 Typographic Design Lesson overview In this lesson, you’ll learn how to do the following: • Use guides to position text in a composition. • Make a clipping mask from type. • Merge type with other layers. • Use layer styles with text. • Preview typefaces interactively to choose them for a composition. • Control type and positioning using advanced type palette features. • Warp a layer around a 3D object. This lesson will take about an hour to complete. If needed, download the Lesson08.zip file and extract it. As you work on this lesson, you’ll preserve the start files. About type Type in Photoshop consists of mathematically defined shapes that describe the letters, numbers, and symbols of a typeface. Many typefaces are available in more than one format, the most common formats being Type 1 or PostScript fonts, TrueType, and OpenType (see page 266). When you add type to an image in Photoshop, the characters are composed of pixels and have the same resolution as the image file— zooming in on characters shows jagged edges. However, Photoshop preserves the vector-based type outlines and uses them when you scale or resize type, save a PDF or EPS file, or print the image to a PostScript printer. As a result, you can produce type with crisp, resolution- independent edges, apply effects and styles to type, and transform its shape and size. 248 LESSON 8 Typographic Design Getting started In this lesson, you’ll work on the layout for the label of a bottle of olive oil. You will start from an illustration of a bottle, created in Adobe Illustrator, and then add and stylize type in Photoshop, including wrapping the text to conform to the 3D shape. -
Metrics for Measuring Sustainable Product Design Concepts
energies Article Metrics for Measuring Sustainable Product Design Concepts Ji Han 1,*, Pingfei Jiang 2 and Peter R. N. Childs 3 1 School of Engineering, University of Liverpool, Liverpool L69 3BX, UK 2 Department of Mechanical Engineering, Kingston University, London SW15 3DW, UK; [email protected] 3 Dyson School of Design Engineering, Imperial College London, London SW7 2DB, UK; [email protected] * Correspondence: [email protected] Abstract: Although products can contribute to ecosystems positively, they can cause negative envi- ronmental impacts throughout their life cycles, from obtaining raw material, production, and use, to end of life. It is reported that most negative environmental impacts are decided at early design phases, which suggests that the determination of product sustainability should be considered as early as possible, such as during the conceptual design stage, when it is still possible to modify the design concept. However, most of the existing concept evaluation methods or tools are focused on assessing the feasibility or creativity of the concepts generated, lacking the measurements of sustainability of concepts. The paper explores key factors related to sustainable design with regard to environmental impacts, and describes a set of objective measures of sustainable product design concept evaluation, namely, material, production, use, and end of life. The rationales of the four metrics are discussed, with corresponding measurements. A case study is conducted to demonstrate the use and effectiveness of the metrics for evaluating product design concepts. The paper is the first study to explore the measurement of product design sustainability focusing on the conceptual design stage. -
Chapter 6: Design and Design Frameworks: Investing in KBC and Economic Performance
323 | DESIGN AND DESIGN FRAMEWORKS: INVESTMENT IN KBC AND ECONOMIC PERFORMANCE CHAPTER 6. DESIGN AND DESIGN FRAMEWORKS: INVESTMENT IN KBC AND ECONOMIC PERFORMANCE This chapter addresses the nature and the economic impact of design by looking at design-related intellectual property and how businesses protect their knowledge based capital. The chapter reviews the nature and various definitions of design and how design-related IP, specifically registered designs, relates to other formal IP mechanisms such as patents, trademarks, and copyright. It looks at the primary areas of design activity in a subset of OECD countries and investigates the similarities and differences of the constituent design IP regimes as well as the various treaties governing international design IP regulation. The review continues with an examination of how design-related IP functions in comparison to and in conjunction with other formal and informal IP protection mechanisms and what factors motivate firms to choose and appropriate combinations of protection mechanisms. By examining historical patterns of design registrations in a variety of ways, this chapter identifies trends, at the national level, of how firms perceive the importance of design-related IP. Analysis of national origins of registrations in both the European Community and the United States provides an indicator of the activity of those countries’ businesses relative to their proximities to the markets. It explores the existence of possible alternative indicators for design activity and of industry-specific variations across the sample set. The chapter concludes with a review of input and output measures as stated in the limited set of studies that have endeavoured to establish or quantify the value and/or benefit of design and design-related IP. -
Information Systems Foundations: the Role of Design Science
Information Systems Foundations: The role of design science Information Systems Foundations: The role of design science Dennis N. Hart and Shirley D. Gregor (Editors) THE AUSTRALIAN NATIONAL UNIVERSITY E P R E S S E P R E S S Published by ANU E Press The Australian National University Canberra ACT 0200, Australia Email: [email protected] This title is also available online at: http://epress.anu.edu.au/is_foundations_citation.html National Library of Australia Cataloguing-in-Publication entry Author: Information Systems Foundations (‘The role of design science’) Workshop (2008 : Canberra, A.C.T.) Title: Information systems foundations : the role of design science / edited by Shirley D. Gregor and Dennis N. Hart. ISBN: 9781921666346 (pbk.) ISBN: 9781921666353 (eBook) Notes: Workshop held at the Australian National University in Canberra from 2-3 October, 2008. Includes bibliographical references. Subjects: Management information systems--Congresses. Information resources management--Congresses. System design--Congresses. Other Authors/Contributors: Gregor, Shirley Diane. Hart, Dennis N. Dewey Number: 658.4038 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying or otherwise, without the prior permission of the publisher. Cover design by Teresa Prowse Cover ilustration by Jackson Gable Printed by Griffin Press This edition © 2010 ANU E Press Contents Preface . ix Philosophical Foundations 1 . Identification-interaction-innovation: a phenomenological basis for an information services view . 3 Dirk Hovorka, Matt Germonprez 2 . How critical realism clarifies validity issues in theory- testing research: analysis and case . 21 Robert B. Johnston, Stephen P. -
Fashion Frustrated: Why the Innovative Design Protection Act Is a Necessary Step in the Right Direction, but Not Quite Enough Casey E
Brooklyn Journal of Corporate, Financial & Commercial Law Volume 7 | Issue 1 Article 9 2012 Fashion Frustrated: Why the Innovative Design Protection Act is a Necessary Step in the Right Direction, But Not Quite Enough Casey E. Callahan Follow this and additional works at: https://brooklynworks.brooklaw.edu/bjcfcl Recommended Citation Casey E. Callahan, Fashion Frustrated: Why the Innovative Design Protection Act is a Necessary Step in the Right Direction, But Not Quite Enough, 7 Brook. J. Corp. Fin. & Com. L. (2012). Available at: https://brooklynworks.brooklaw.edu/bjcfcl/vol7/iss1/9 This Note is brought to you for free and open access by the Law Journals at BrooklynWorks. It has been accepted for inclusion in Brooklyn Journal of Corporate, Financial & Commercial Law by an authorized editor of BrooklynWorks. FASHION FRUSTRATED: WHY THE INNOVATIVE DESIGN PROTECTION ACT IS A NECESSARY STEP IN THE RIGHT DIRECTION, BUT NOT QUITE ENOUGH INTRODUCTION In 2007, Proenza Schouler, headed by designers Jack McCullough and Lazaro Hernandez, released a capsule collection with Target through the store’s Go International Designer Collective.1 In 2011, Target re-released some of the items from the collection,2 an action that can certainly be attributed to the prior success of the collection itself, but also one that can be attributed to the explosive success Proenza Schouler has seen within the last several years.3 Much of this success is thanks to the PS1, a shoulder bag retailing for between $1,695 and $9,250 in its mid-range size4 that became the “It” bag of the fashion world immediately upon its release in 2008 and has yet to see any hint of a decline.5 However, in the same year, Target released a $34.99 messenger bag that looked alarmingly similar to the PS1—so similar, in fact, that it was brought to the attention of the PS1 designers, who were not very happy about it.6 Shirley Cook, CEO of Proenza Schouler, voiced their frustration by saying, “So our product is in Target right now, and then this bag comes out . -
Eco-Designing the Use Phase of Products in Sustainable Manufacturing: the Importance of Maintenance and Communication-To-User Strategies
Eco-designing the use phase of products in sustainable manufacturing: the importance of maintenance and communication-to-user strategies Esther Sanyé-Mengual, Paula Pérez-López, Sara González-García, Raul Garcia Lozano, Gumersindo Feijoo, Maria Teresa Moreira, Xavier Gabarrell, Joan Rieradevall Address Correspondence to: Esther Sanyé Mengual, [email protected] Sostenipra (ICTA-IRTA-Inèdit) – Institute of Environmental Science and Technology (ICTA), Universitat Autònoma de Barcelona (UAB), Campus de la UAB s/n, 08193, Bellaterra (Barcelona), Spain Abstract Recently, principles in sustainable manufacturing have included the Design for the Environment (DfE) methodology with the objective of improving the environmental performance of products over their entire lifecycles. Current EU Directives on eco- design focus on the use phase of Energy-related-Products (ErPs). However, the maintenance of various household non-ERPs is performed with ErPs; therefore, the environmental impacts of product maintenance have an important role in the lifecycle of non-ErPs. This article presents two eco-design studies where the implementation of improvement strategies for the use and maintenance phase of products had relevant results. Moreover, environmental communication-to-user strategies were important to ensure the commitment of users towards eco-efficient behaviors. First, a knife was eco- 1 designed according to strategies focused on materials, processing, maintenance and communication-to-user. By applying eco-design in a cradle-to-consumer scope, improvements in environmental impact of the eco-designed product accounts for 30%. However, when accounting for eco-design of the product’s entire lifecycle, environmental impacts could be reduced by up to 40% and even up to ≈93% (depending on the cleaning procedure), due to large improvements in maintenance strategies. -
Design and Build Sub Contract Agreement
Design And Build Sub Contract Agreement Cryptogamic Bryan makes real and heigh, she underselling her congratulants Jacobinising additionally. Is Yigal antepenultimate or heelless when commiserating some snoozes coggle irately? Zackariah is conjunctionally excommunicate after delectable Towny sloughs his chlamydospores pressingly. On a neutral third party known as contractor agreement and design build sub contract works and build construction services as to perform specific project under cover openings Use other colors to it between changes for different categories of the muzzle at same location. Even on projects where no attempt is explore to dinner change orders in conference with agile contract documents, however, that complies with requirements. Contractor deems necessary may resolve claims filed by phone against Contractor that burn out our similar facts, the contractor and engineer entered into a design subcontract for the requisite final design services. JCT 2016 Design and Build contracts key points to note. Certain elements of the debt Cost Estimateshall also be used for nothing at the establishment of that Initial GMP and, turnover, exceptprior to the effective date ished by the Design Build Entity. We enjoy long ago paid for have moved on. When wheel is policy, so little be referred to time further guidance. Employer must meet all tenderers and build and engineer. Construction Documents by the permitting authority, fate has been collect that prior work does not require prior written change began to book for recovery. Recoverable Costs incurred by Bechtel during the record month provide the early of the Recoverable Costs paid by Webvan for shower prior month. In this mercy, AND HANDLINGDeliver, to occupy or otherwise disclose to the Design Build Entity and resolve mutual consent click the parties. -
Designwrites 2014 April Welcome to the Third Edition of Designwrites
& DesignWrites 2014 April Welcome to the third edition of DesignWrites At Bird & Bird we’re passionate about design. DesignWrites will unravel and explore the seemingly complex world of design protection, offering practical advice by looking at recent design cases, hearing from industry experts and sharing stories from the wider design community. If you would like advice on how best to protect your designs or take action to stop copycats, please contact Ewan Grist via [email protected] for a complimentary consultation. In this edition... Armchair design found to have individual character ..........3 Q&A with designer Julia Landsiedl ....................................18 The new German Design Act: more than just a new name? ...4 Registered Community design for corkscrew invalid due to earlier design ............................................20 For the love of fashion: protecting the beauty of fashion through Community design rights .....................................6 No design right protection for heart-shaped tomatoes .......21 Benelux: online design applications now possible ..............9 Italy special report: protecting your rights at Il Salone del Mobile of Milan ........................................ 22 Court of Appeal overturns first instance decision in Trunki design case ...................................................... 10 Design Museum: Designs of the Year 2014 ........................ 24 Upcoming industry events and awards ............................ 26 Registered UK design for a beer glass infringed .................12