Local Content Digest Magazine H2 2020
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Getting Creative About Development
Atlantic Council AFRICA CENTER ISSUE BRIEF Getting Creative About Development SEPTEMBER 2018 AUBREY HRUBY y 2035, sub-Saharan Africa will have more working-age people than the rest of the world combined. African governments col- lectively need to create eighteen million new jobs each year to absorb the large, young, and ambitious population coming to Bworking age.1 But technological advances, combined with the underde- veloped infrastructure of most African nations, mean that the tried and true model of export-oriented industrialization, which allowed the East and Southeast Asian economies to develop very rapidly, is unlikely to produce adequate job creation in the vast majority of African markets. In fact, manufacturing as a share of total economic activity in Africa has stagnated at about 10 percent,2 and—though there are notable excep- tions, such as Ethiopia—the continent as a whole is deindustrializing.3 Agriculture still continues to serve as the backbone of most African economies, with over 70 percent of Africans earning a living in that sector.4 But as Africa urbanizes, the composition of economic activity is rap- idly changing, shifting away from agriculture and towards the services sector. In 2015, services accounted for 58 percent of sub-Saharan GDP (up from 47 percent in 2005).5 More significantly, 33 percent of African 1 Céline Allard et al., Regional Economic Outlook: sub-Saharan Africa 2015, Internation- al Monetary Fund, April 2015, https://www.imf.org/~/media/Websites/IMF/import- ed-flagship-issues/external/pubs/ft/reo/2015/afr/eng/pdf/_sreo0415pdf.ashx. 2 Brahima Sangafowa Coulibaly, “Africa’s Alternative Path to Development,” The Brook- ings Institution, May 3, 2018, https://www.brookings.edu/opinions/africas-alterna- tive-path-to-development/. -
Afro-Soul Singer Aramide & Rapper Ycee
Afro-Soul Singer Aramide & Rapper Ycee Cover the First Edition of Zebra Stripes Networks “ZSN Monthly” Please note that this post contains affiliate links and any sales made through such links will reward me a small commission – at no extra cost for you. Print PDF eBook Zebra Stripes Networks (ZSN) launches the first edition of their E-magazine called “ZSN Monthly“. The Maiden edition features Nigerian Afro-Soul diva Aramide and rapper Ycee on the cover. The magazine maiden edition highlights some of the events that took place in the Nigerian music and entertainment industry, and some other gist. Tinny Entertainment’s foremost act Ycee has released his anticipated Ep “The First Wave” The 8 tracker Ep features Falz, Maleek Berry, Seyi Shay and South Africa’s Kly with production credits from Maleek Berry, Adey, Karma, Twoseven, Ganjabeats and Thai. Watch Ycee’s The First Wave (DOCUMENTARY) Afro-Soul Singer Aramide & Rapper Ycee Cover the First Edition of Zebra Stripes Networks “ZSN Monthly” Get The First Wave Ep here Aramide has delighted her fans with the release of a new video for her single, Why So Serious. It’s a song off her debut album titled “SUITCASE” The video of Why So Serious was shot in Lagos, Nigeria by AdamsGud, it stars Nollywood Act Lota Chukwu and Musician Minjin. Enjoy the video below For more information on Zebra Stripes Networks (ZSN), visit www.zebrastripesng.net and @Zebrastripesng (Instagram and Twitter). Credit : Zebra Stripes Network The owner of this website is a participant in the Amazon Affiliates Program. Therefore, the links here might be affiliate links and sales from them may earn a small commission for us – at no extra cost to you. -
We're Taking Africa to the World
“We’re Taking Africa to the World”: Commercial Self- fashioning as a Vehicle for Collective Aspirations in the 21st Century JAANA SERRES “It’s finally cool to be an ‘African’” (Kaumbutho). This 2017 blog post by Kenyan poet Kimathi Kaumbutho echoed the performative claims heard throughout the African middle class in the wake of the changing narrative about “Africa,” from “The hopeless continent” (The Economist 2000) to “Africa rising” (The Economist 2011). Elements and signs of “Africanness” have indeed been increasingly featured in “global” popular culture, from clothing lines to films, and even the practice of capitalism is rebranded with “African traditional principles” through the Africapitalist and Ubuntu “economic philosophies.” But as suggested by Kaumbutho’s list of achievements “Africans can take pride in,” one cultural medium has proven particularly instrumental to this new wave of positive identification with “Africa”: Nigerian music. As Nigeria was arguably entering a post-oil era in the 2010s (Burns and Owen), its renewed popular music industry benefitted from the development of digital technology and the expression of corporate interest by telecom companies, retail brands, and foreign-educated young professionals, making it an exemplary manifestation of a new pan-Africanism founded on neoliberal aspirations (Shipley Living the Hiplife). Global professional services firm PwC announced that total revenue for Nigeria’s entertainment and media industry was expected to grow to US$8.1 billion in 2019, calling it the “fastest-expanding major market globally” (Oxford Business Group). However, only a very small share of this revenue occurs from the actual sale of cultural products (PwC 22). -
Lil Kesh Ladi Lyrics
It Young John the wicked producer! Skibo Skibo robo skibo, skibo robo skibo, ehba ooshey baddest [Verse - Phyno:] Emi Phyno ehnn baba Igbo ehnn baba obago kimo ladi ehnn kimo Jedi ehnn eghi simba Emi Phyno ehnn baba Igbo ehnn baba obago kimo0Akimo ladi ehnn kimo Jedi ehnn maghi simba Iranu abasha irasha iranu abasha iranu abasha iranu abasha iranu abasha iranu abasha iranu abasha This is Nonsense It’s obvious na enwelu conscience Anyi aba nye sie go ka enwe futalam ya E sie m saa efele ka anyi biara efele contest Ihe i bu n’ukwu Nwata bia check, m bu kwa the book o And ima na m ihe m choro is a chucku So,cool down and taste what i cook oo what i cook oo. Haa! O na ewu kwa gi Ibughi bore-hole mana m n’echu kwa gi E sie m racha gi ka oroma nkilisi so, in the hood anyi ebedo kwa n’isi Mara na agbari go m O buru na ichoghi carry go Everyday m n’achu ha ri gi are you dough? Lezie condition nawa for you though. Mtchew!… nonsense M n’aracha gi,i bu ube? See Eba puo osiso! [Verse - Lil Kesh:] Emi Keshi ehnn baba shoki ehnn kima ladi, kima Jedi ehnn kima mudi ehn.. wah wah Emi Keshi ehnn baba shoki ehnn kima ladi, kima Jedi ehnn kima mudi ehn.. Kima ehn ehn Iranu abasha iranu abasha iranu abasha iranu abasha iranu abasha iranu abasha iranu abasha iranu abasha Na ija lyrics zone dot com Olurun… jeje mi jeje mi mo joko si’ta mo bari omo kan to’n pe ni kemi nigba ti mo ri idi kemi Mo pariwo ahhh! Mo ni Kemi wa se o ma femi. -
Cyprus Journal of Sciences Vol. 18
The Cyprus Journal of Sciences The e-Journal of American College Editor George Tsobanoglou, University of the Aegean, Greece Charalambos Louca Graham Orange, Leeds Metropolitan American College University, Leeds, UK Irene Sciriha, University of Malta, Malta Co-Editors Jan Katherine Bamford, London Metropolitan University, London, UK Andreas Petasis Joseph S. Joseph, University of Cyprus, Marios Charalambous Cyprus Constantinos A. Iacovou Kalliope Agapiou-Josephides, University of American College Cyprus, Cyprus Krassimira Ilieva, Bulgarian Academy of Editorial Board Sciences, Sofia, Bulgaria Andreas Andreou, University of Cyprus, Leonidas A. Phylactou, Cyprus Institute of Cyprus Neurology & Genetics, Cyprus Andros Gregoriou, Brunel University, Marianna Sigala, University of the Aegean, Uxbridge, Middlesex, UK Greece Andreas A. Jobst, International Monetary Marina-Selini Katsaiti, United Arab Emirates Fund (IMF), Washington, USA University, UAE Andreas Kapardis, University of Cyprus, Mary Koutselini-Ioannidou, University of Cyprus Cyprus, Cyprus Anton Anthonissen, University of Utrecht, the Mary Vaxevanidou, Hellenic Open Netherlands University, Greece Arie De Ruijter, Tilburg University, the Panagiotis Kyratsis, Technological Netherlands Educational Institution of West Macedonia, Athanasios Laios, Democritus University of Greece Thrace, Greece Paul Verweel, University of Utrecht, the Biser Petrov, Bulgarian Academy of Sciences, Netherlands Sofia, Bulgaria Povey Ghislaine, University of Caroline Ann Wiscombe, University of Wolverhampton, -
ONE AFRICA MUSIC FEST Dubai 2019
ONE AFRICA MUSIC FEST Dubai 2019. (MEDIA PROJECT) Africa, powered by Music. Afrobeats to the World. STATISTICS & IMPACT. Attendance – 5000 attendees (Sold out) Access fee – Average $40 Male – 65% Female – 35% Countries in attendance – Nigeria, Zimbabwe, Rwanda, Uganda, UAE etc. Economic Impact to Kigali - $6million Industries affected – Airlines, Hospitality(Hotels), Logistics(Transportation), Arts & Craft, Food(Restaurants) WHY ‘ONE AFRICA MUSIC FEST’? • One Africa Global (Parent Company of ‘One Africa Music Fest’) mission is to afford the general public with African cultural and artistic experiences, promote the sense of Pan Africanism, make known the prospects in Africa and positioning Africa as the perfect destination for investment and by so doing, making Africa great again. This is accomplished through our goals: i. Encouraging people to increase their knowledge of African culture, using African arts that relate to the values and principles of African society and life. ii. Encouraging the respect that is incorporated in African culture. iii. Educating people of African descent about their culture and history so that they may gain a positive self-image, self-awareness and self-direction. iv. Create avenue where global communities can access the opportunities that Africa houses. v. Showcasing the beauty of African culture by performing African dance, music and story globally. vi. Provide investment and trade exchange platform that ushers in robust development in Africa for smart economy. STRATEGIES OF OAMF SYNCS WITH THAT OF AMFEST. • OUR STRATEGY • i. Fostering integration using African culture and art that facilitates world acceptance. • ii. Structuring a new frame work for economic growth and development by Africans for Africa. -
Davido Latest Music Video Assurance
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L'état Des Etats Au Nigéria
Service économique régional L’état des Etats au Nigéria 1 Ambassade de France au Nigéria European Union Crescent Off Constitution Avenue Central Business District, Abuja Clause de non-responsabilité : le Service économique s’efforce de diffuser des informations exactes et à jour, et corrigera, dans la mesure du possible, les erreurs qui lui seront signalées. Toutefois, il ne peut en aucun cas être tenu responsable de l’utilisation et de l’interprétation de l’information contenue dans cette publication. L’information sur les projets soutenus par l’Agence Française de Développement (AFD) est donnée à titre purement indicatif. Elle n’est ni exhaustive, ni contractuelle. Un classement par Etats peut être sujet à interprétation, notamment pour des projets nationaux (relatifs à la culture, à la gouvernance…) ou régionaux (coordonnées par la CEDEAO) non mentionnés dans le document. Ce classement n’emporte aucun jugement de valeur et n’est pas une justification de l’aide publique apportée par la France à un Etat fédéré plutôt qu’à un autre. Il peut également être soumis à des changements indépendants de la volonté de l’AFD. 2 Ambassade de France au Nigéria European Union Crescent Off Constitution Avenue Central Business District, Abuja SOMMAIRE Avant-propos .................................................................................................................................................4 Etat d’Abia (Sud-Est) ......................................................................................................................................6 -
SXSW2016 Music Full Band List
P.O. Box 685289 | Austin, Texas | 78768 T: 512.467.7979 | F: 512.451.0754 sxsw.com PRESS RELEASE - FOR IMMEDIATE RELEASE SXSW Music - Where the Global Community Connects SXSW Music Announces Full Artist List and Artist Conversations March 10, 2016 - Austin, Texas - Every March the global music community descends on the South by Southwest® Music Conference and Festival (SXSW®) in Austin, Texas for six days and nights of music discovery, networking and the opportunity to share ideas. To help with this endeavor, SXSW is pleased to release the full list of over 2,100 artists scheduled to perform at the 30th edition of the SXSW Music Festival taking place Tuesday, March 15 - Sunday, March 20, 2016. In addition, many notable artists will be participating in the SXSW Music Conference. The Music Conference lineup is stacked with huge names and stellar latebreak announcements. Catch conversations with Talib Kweli, NOFX, T-Pain and Sway, Kelly Rowland, Mark Mothersbaugh, Richie Hawtin, John Doe & Mike Watt, Pat Benatar & Neil Giraldo, and more. All-star panels include Hired Guns: World's Greatest Backing Musicians (with Phil X, Ray Parker, Jr., Kenny Aranoff, and more), Smart Studios (with Butch Vig & Steve Marker), I Wrote That Song (stories & songs from Mac McCaughan, Matthew Caws, Dan Wilson, and more) and Organized Noize: Tales From the ATL. For more information on conference programming, please go here. Because this is such an enormous list of artists, we have asked over thirty influential music bloggers to flip through our confirmed artist list and contribute their thoughts on their favorites. The 2016 Music Preview: the Independent Bloggers Guide to SXSW highlights 100 bands that should be seen live and in person at the SXSW Music Festival. -
News Letter2
5th - Oct - 2020 FESTIVALS IN Africa East Meets West Festival This is an afro-beat festival that brings talent together from West and East Africa. Western artists meet with eastern artists on the same stage to share W E talent and portray different dynamics. There’s a lot of activities seen at East meets West Festival for example deejays playing the best music, face paint- S ing, performances from different artists in form of a Coachella. East meets west has worked with a couple of artists namely Burna boy, Wizkid, Lapidoe, Mayorkun, Leru, Lagum, King Perry, John Blaq to mention Festival but a few. Gidi Fest This festival usually takes place once a year in Nigeria, Lagos. This festival that’s usually known as the Coachella Lagos which features live bands, deejays and musical performances to be done throughout that day. It attracts numerous people from different countries including Uganda, Kenya, United Kingdom, Ghana, South Africa and Congo. Its sponsors for the festival to be successful include brandit old school, vintage studio, brandna tagline, yellow bepink etc Nyege Nyege Festival Nyege Nyege meaning peace, joy and love is a festival that happens in Jinja town located at the pearl of Africa, Uganda. The festival that was founded in 2015 is one of a kind which happens every September. Its takes duration of four days infused with music, dance and excitement. Over 300 artists travel to Uganda during this time to go perform on nyege nyege and sponsor for this beautiful event has been the South African telecom called MTN. Afro-chella Festival This festival is done to embrace thrilling and thriving millennial talent from and within Africa. -
Wizkid's Made in Lagos: Deluxe Edition Available Everywhere Today! Contains Four New Tracks, Including “Essence” Featuring
WIZKID’S MADE IN LAGOS: DELUXE EDITION AVAILABLE EVERYWHERE TODAY! CONTAINS FOUR NEW TRACKS, INCLUDING “ESSENCE” FEATURING JUSTIN BIEBER AND TEMS “ESSENCE” CONTINUES TO CLIMB THE CHARTS: #16 ON BILLBOARD’S THE HOT 100 TOP 5 ON HOT R&B SONGS, MAINSTREAM R&B/HIP-HOP AIRPLAY AND MORE CHARTS MADE IN LAGOS #1 ON THE BILLBOARD WORLD ALBUMS CHART [New York, NY – August 27, 2021] Today, international superstar Wizkid releases Made In Lagos: Deluxe Edition, available everywhere via Starboy/Sony Music International/RCA Records – click here to listen. The deluxe version of the album contains four new tracks including “Essence” featuring Justin Bieber & Tems, which is rapidly ascending up the charts. The song is currently #16 on Billboard’s The Hot 100 chart, #3 Hot R&B Songs, #4 Mainstream R&B/Hip-Hop Airplay, #5 on both Hot R&B/Hip-Hop Songs and R&B/Hip-Hop Digital Song Sales charts. Released October 2020, the original version of Made in Lagos is currently #1 on the Billboard World Albums chart, the longest charting album by a Nigerian artist for the new decade (2020) at 41 weeks and counting. The album is also the longest charting album by an African artist on the Worldwide and European Apple Music albums charts. The 14-track project includes features from an incredible group of chart-topping artists - Burna Boy, Skepta, Damian Marley, H.E.R., Ella Mai and Starboy Entertainment’s youngest signee Terri. The Grammy Award winner will embark on the now sold-out Made In Lagos North American tour, kicking off September 10th at Boston’s Orpheum Theatre. -
Simisola Album Mp3 Download Naija
simisola album mp3 download naija Download: Simi – O Wa N’bę [Audio+Video+Lyrics] Simisola Bolatito Ogunleye who simply goes by the stage name Simi , is a Nigerian soul singer and songwriter who started her career as a gospel singer, releasing her debut studio album in 2008 titled Ogaju . Now signed to X3M Music , Simi ‘s musical career however came into spotlight in 2014 after she released “Tiff“, which got nominated in two categories at The Headies 2015 and further brought her to mainstream recognition. From her sophomore studio album Simisola , TopNaija.ng brings you “ O Wa Nbe ” by Simi . Watch, download and enjoy! LYRICS. [Verse 1] All the party wey them dey do for Lagos City Na there where you go find Mummy Risi She no dey carry last oh; She no dey gree (eh eh) Ye oh, ye oh, ye oh, ye, ki lon wa ki ri? Ah, Mummy Yetunde, won tun la ya’wo (ah) Won fe ra gele lo s’ibi Iyawo (Iyawo) Daddy Suliya, won fe lo s’aye (ki lo de?) Won ti de fila pe k’a lo j’aye (o ga gan) Won j’amala, won tun lo sayo (omuti) Won pe Sunny Ade, won pe Baddo (Baddo) [Chorus] Eyi tun le gan o, won ni Ijo ti mo jo lana (ko ma i to mi rara oh eh) Aye ti mo je lojo yen oh ohh (ko ma i to mi rara oh eh) Onilu, sa ma rora oh (ko ma i to mi rara oh eh) Ijo ti fe ma wo’ra oh oh (ko ma i to mi rara oh eh) [Verse 2] Na so you dance and forget yourself (ehh) You take Jalopy block Mercedes Benz (eh eh ehh) Uncle Jide see us You brought me Aunty Susan Susie, she don see fire (fire) You say you no go leave am Ah, won fe lo da’wo (da’wo); o wo Aso Ebi lo s’ibi Iyawo (Iyawo oh) Daddy Suliya, won fe lo s’aye (ah) Won ti de fila pe k’a lo j’aye (k’a lo j’aye) Won j’amala, won mu Champagne (omuti eh) Won pe Chief Commander k’on wa play.