Describing the Indescribable: Interpretation, Discourse, and Social
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Enter the Void: Raumaufsichten Und Wegweisende Perspektiven in Subkulturen“
DIPLOMARBEIT Titel der Diplomarbeit „Gaspar Noés Enter the Void: Raumaufsichten und wegweisende Perspektiven in Subkulturen“ Verfasser Amelio August Nicotera angestrebter akademischer Grad Magister der Philosophie (Mag.phil.) Wien, 2013 Studienkennzahl lt. Studienblatt: A 317 Studienrichtung lt. Studienblatt: Theater-, Film- und Medienwissenschaft Betreuerin: ao. Univ.-Prof. Dr. Brigitte Marschall i „Jed e K u n st gelan gte dab ei zu dem dialek tisch en U m sch lagsp u n k t, w o die M ittel den Zweck und die Formen den Inhalt zu bestimm en begonnen haben. Jed e gelan gte au ch bis zu r letzten logisch en K on seq u en z: zur Form , die sich selber In h alt ist. Also zum Nichts.“1 1 B a lá z s , B é la , Der Geist des Films, F r a n k fu r t a m M a in : S u h r k a m p 2 0 0 1 , S .7 0 ii iii Danksagung Mein Dank gilt Barbara Hum m el Gudrun und Ruben Nicotera iv v In h altsverzeich n is 1. Einleitung.......................................................................................................................... 1 1.1. Vorw ort................................................................................................................. 1 1.2. Forschungsfragen und Aufbau der Arbeit......................................................... 3 2. Perspektiven...................................................................................................................... 5 2.1. Gaspar Noé: Einflüsse, W erke und zeitliche Einbettung.................................5 2.2. Der Rezipient......................................................................................................14 -
Soma and Haoma: Ayahuasca Analogues from the Late Bronze Age
ORIGINAL ARTICLE Journal of Psychedelic Studies 3(2), pp. 104–116 (2019) DOI: 10.1556/2054.2019.013 First published online July 25, 2019 Soma and Haoma: Ayahuasca analogues from the Late Bronze Age MATTHEW CLARK* School of Oriental and African Studies (SOAS), Department of Languages, Cultures and Linguistics, University of London, London, UK (Received: October 19, 2018; accepted: March 14, 2019) In this article, the origins of the cult of the ritual drink known as soma/haoma are explored. Various shortcomings of the main botanical candidates that have so far been proposed for this so-called “nectar of immortality” are assessed. Attention is brought to a variety of plants identified as soma/haoma in ancient Asian literature. Some of these plants are included in complex formulas and are sources of dimethyl tryptamine, monoamine oxidase inhibitors, and other psychedelic substances. It is suggested that through trial and error the same kinds of formulas that are used to make ayahuasca in South America were developed in antiquity in Central Asia and that the knowledge of the psychoactive properties of certain plants spreads through migrants from Central Asia to Persia and India. This article summarizes the main arguments for the botanical identity of soma/haoma, which is presented in my book, The Tawny One: Soma, Haoma and Ayahuasca (Muswell Hill Press, London/New York). However, in this article, all the topics dealt with in that publication, such as the possible ingredients of the potion used in Greek mystery rites, an extensive discussion of cannabis, or criteria that we might use to demarcate non-ordinary states of consciousness, have not been elaborated. -
Near the Himalayas, from Kashmir to Sikkim, at Altitudes the Catholic Inquisition, and the Traditional Use of These of up to 2700 Meters
Year of edition: 2018 Authors of the text: Marc Aixalà & José Carlos Bouso Edition: Alex Verdaguer | Genís Oña | Kiko Castellanos Illustrations: Alba Teixidor EU Project: New Approaches in Harm Reduction Policies and Practices (NAHRPP) Special thanks to collaborators Alejandro Ponce (in Peyote report) and Eduardo Carchedi (in Kambó report). TECHNICAL REPORT ON PSYCHOACTIVE ETHNOBOTANICALS Volumes I - II - III ICEERS International Center for Ethnobotanical Education Research and Service INDEX SALVIA DIVINORUM 7 AMANITA MUSCARIA 13 DATURA STRAMONIUM 19 KRATOM 23 PEYOTE 29 BUFO ALVARIUS 37 PSILOCYBIN MUSHROOMS 43 IPOMOEA VIOLACEA 51 AYAHUASCA 57 IBOGA 67 KAMBÓ 73 SAN PEDRO 79 6 SALVIA DIVINORUM SALVIA DIVINORUM The effects of the Hierba Pastora have been used by Mazatec Indians since ancient times to treat diseases and for divinatory purposes. The psychoactive compound Salvia divinorum contains, Salvinorin A, is the most potent naturally occurring psychoactive substance known. BASIC INFO Ska Pastora has been used in divination and healing Salvia divinorum is a perennial plant native to the Maza- rituals, similar to psilocybin mushrooms. Maria Sabina tec areas of the Sierra Madre Oriental Mountains of Mexi- told Wasson and Hofmann (the discoverers of its Mazatec co. Its habitat is tropical forests, where it grows between usage) that Salvia divinorum was used in times when the- 300 and 800 meters above sea level. It belongs to the re was a shortage of mushrooms. Some sources that have Lamiaceae family, and is mainly reproduced by cuttings done later feldwork point out that the use of S. divinorum since it rarely produces seeds. may be more widespread than originally believed, even in times when mushrooms were abundant. -
Vít Pokorný Psychonauticon
Vít Pokorný Psychonauticon LIBRI NIGRI 71 Edited by Hans Rainer Sepp Editorial Board Suzi Adams ∙ Adelaide │ Babette Babich ∙ New York │ Kimberly Baltzer-Jaray ∙ Waterloo, Ontario │ Damir Barbarić ∙ Zagreb │ Marcus Brainard ∙ London │ Martin Cajthaml ∙ Olomouc │ Mauro Carbone ∙ Lyon │ Chan Fai Cheung ∙ Hong Kong │ Cristian Ciocan ∙ Bucure şti │ Ion Copoeru ∙ Cluj-Napoca │ Renato Cristin ∙ Trieste │ Riccardo Dottori ∙ Roma │ Eddo Evink ∙ Groningen │ Matthias Flatscher ∙ Wien │ Dimitri Ginev ∙ Sofia │ Jean-Christophe Goddard ∙ Toulouse │ Andrzej Gniazdowski ∙ Warszawa │ Ludger Hagedorn ∙ Wien │ Terri J. Hennings ∙ Freiburg │ Seongha Hong ∙ Jeollabukdo │ Edmundo Johnson ∙ Santiago de Chile │ René Kaufmann ∙ Dresden │ Vakhtang Kebuladze ∙ Kyjiw │ Dean Komel ∙ Ljubljana │ Pavlos Kontos ∙ Patras │ Kwok-ying Lau ∙ Hong Kong │ Mette Lebech ∙ Maynooth │ Nam-In Lee ∙ Seoul │ Monika Małek ∙ Wrocław │ Balázs Mezei ∙ Budapest │ Viktor Molchanov ∙ Moskwa │ Liangkang Ni ∙ Guanghzou │ Cathrin Nielsen ∙ Frankfurt am Main │ Ashraf Noor ∙ Jerusalem │ Ka rel Novotný ∙ Praha │ Luis Román Rabanaque ∙ Buenos Aires │ Gian Maria Raimondi ∙ Pisa │ Rosemary Rizo-Patrón de Lerner ∙ Lima │ Kiyoshi Sakai ∙ Tokyo │ Javier San Martín ∙ Madrid │ Alexander Schnell ∙ Paris │ Marcia Schuback ∙ Stockholm │ Agustín Serrano de Haro ∙ Madrid │ Tatiana Shchyttsova ∙ Vilnius │ Olga Shparaga ∙ Minsk │ Michael Staudigl ∙ Wien │ Georg Stenger ∙ Wien │ Silvia Stoller ∙ Wien │ Ananta Sukla ∙ Cuttack │ Toru Tani ∙ Kyoto │ Detlef Thiel ∙ Wiesbaden │ Ľubica Učník ∙ Perth │ Pol Vandevelde -
Ayahuasca Characterization, Metabolism in Humans, And
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2012 Ayahuasca characterization, metabolism in humans, and relevance to endogenous N,N- dimethyltryptamines Ethan Hamilton McIlhenny Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Medicine and Health Sciences Commons Recommended Citation McIlhenny, Ethan Hamilton, "Ayahuasca characterization, metabolism in humans, and relevance to endogenous N,N- dimethyltryptamines" (2012). LSU Doctoral Dissertations. 2049. https://digitalcommons.lsu.edu/gradschool_dissertations/2049 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. AYAHUASCA CHARACTERIZATION, METABOLISM IN HUMANS, AND RELEVANCE TO ENDOGENOUS N,N-DIMETHYLTRYPTAMINES A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and School of Veterinary Medicine in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Interdepartmental Program in Veterinary Medical Sciences through the Department of Comparative Biomedical Sciences by Ethan Hamilton McIlhenny B.A., Skidmore College, 2006 M.S., Tulane University, 2008 August 2012 Acknowledgments Infinite thanks, appreciation, and gratitude to my mother Bonnie, father Chaffe, brother Matthew, grandmothers Virginia and Beverly, and to all my extended family, friends, and loved ones. Without your support and the visionary guidance of my friend and advisor Dr. Steven Barker, none of this work would have been possible. Special thanks to Dr. -
Voiding Cinema: Subjectivity Beside Itself, Or Unbecoming Cinema in Enter the Void - William Brown, University of Roehampton ([email protected])
Film-Philosophy 19 (2015) Voiding Cinema: Subjectivity Beside Itself, or Unbecoming Cinema in Enter the Void - William Brown, University of Roehampton ([email protected]) David H. Fleming, University of Nottingham Ningbo China ([email protected]) The whole thing is about getting into holes. Putting the camera into any hole. (Gasper Noé, quoted in Adams 2010) In this essay, we provide a close textual analysis of Enter the Void (Gaspar Noé, France/Germany/Italy, 2009). Using concepts from the work of Gilles Deleuze, we argue that the film’s form reflects the narrative’s preoccupation with the liminal space between life and death, between subject and object, between inside and outside –which we characterise here as the void. Indeed, Enter the Void not only tells the story of a man suspended between life and death, but formally it also tries to depict this liminal state, to show us the void itself – or to bring what normally exceeds vision into view (to turn excess into ‘incess’). Through its creative synthesis of form and content, the film attempts to force viewers to think or conceptualise the notoriously complex notion of void. Looking first at how film theory can help us to understand the film, we then investigate ways in which Enter the Void can enrich film theory and our understanding of cinema more generally, in particular our understanding of what film can do in the digital era. Incorporating ideas from neuroscience, from physics, and from somewhat esoteric research into hallucinogens, we propose that Enter the Void suggests a cinema that emphasises the related nature of all things, a related nature that we can see by being ‘beside oneself’, a process that cinema itself helps us to achieve. -
Canterbury Christ Church University's Repository of Research Outputs
Canterbury Christ Church University’s repository of research outputs http://create.canterbury.ac.uk Please cite this publication as follows: Blackman, S. J. and Bradley, R. (2017) From niche to stigma - headshop to prison: exploring the rise and fall of synthetic cannaboid use amongst young adults. International Journal of Drug Policy, 40. pp. 70-77. ISSN 0955-3959. Link to official URL (if available): http://dx.doi.org/10.1016/j.drugpo.2016.10.015 This version is made available in accordance with publishers’ policies. All material made available by CReaTE is protected by intellectual property law, including copyright law. Any use made of the contents should comply with the relevant law. Contact: [email protected] From Niche to Stigma – Headshops to Prison: exploring the rise and fall of synthetic cannabinoid use amongst young adults Shane Blackman and Rick Bradley Abstract The aim of this paper will be to consider the rise and subsequent fall in NPS use at national and local level with a focus on synthetic cannabinoid products in Kent. We will examine the local practice and policy responses by Kent’s Young Persons' Drug and Alcohol Service towards a possible change in patterns of NPS drug consumption. The county has seen an expansion in the number of Headshops and we present local media coverage on NPS, and the Trading Standards and Kent Police intervention Operation Lantern to regulate Headshops. Through quantitative and qualitative data sets on socially vulnerable young people and prison populations we explore young adults’ perception of pleasure and harm in the use of NPS. -
Psychedelic Gospels
The Psychedelic Gospels The Psychedelic Gospels The Secret History of Hallucinogens in Christianity Jerry B. Brown, Ph.D., and Julie M. Brown, M.A. Park Street Press Rochester, Vermont • Toronto, Canada Park Street Press One Park Street Rochester, Vermont 05767 www.ParkStPress.com Park Street Press is a division of Inner Traditions International Copyright © 2016 by Jerry B. Brown and Julie M. Brown All rights reserved. No part of this book may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage and retrieval system, without permission in writing from the publisher. Note to the Reader: The information provided in this book is for educational, historical, and cultural interest only and should not be construed in any way as advocacy for the use of hallucinogens. Neither the authors nor the publishers assume any responsibility for physical, psychological, legal, or any other consequences arising from these substances. Library of Congress Cataloging-in-Publication Data [cip to come] Printed and bound in XXXXX 10 9 8 7 6 5 4 3 2 1 Text design and layout by Priscilla Baker This book was typeset in Garamond Premier Pro with Albertus and Myriad Pro used as display typefaces All Bible quotations are from the King James Bible Online. A portion of proceeds from the sale of this book will support the Multidisciplinary Association for Psychedelic Studies (MAPS). Founded in 1986, MAPS is a 501(c)(3) nonprofit research and educational organization that develops medical, legal, and cultural contexts for people to benefit from the careful uses of psychedelics and marijuana. -
Inner Visions: Sacred Plants, Art and Spirituality
AM 9:31 2 12/10/14 2 224926_Covers_DEC10.indd INNER VISIONS: SACRED PLANTS, ART AND SPIRITUALITY Brauer Museum of Art • Valparaiso University Vision 12: Three Types of Sorcerers Gouache on paper, 12 x 16 inches. 1989 Pablo Amaringo 224926_Covers_DEC10.indd 3 12/10/14 9:31 AM 3 224926_Text_Dec12.indd 3 12/12/14 11:42 AM Inner Visions: Sacred Plants, Art and Spirituality • An Exhibition of Art Presented by the Brauer Museum • Curated by Luis Eduardo Luna 4 224926_Text.indd 4 12/9/14 10:00 PM Contents 6 From the Director Gregg Hertzlieb 9 Introduction Robert Sirko 13 Inner Visions: Sacred Plants, Art and Spirituality Luis Eduardo Luna 29 Encountering Other Worlds, Amazonian and Biblical Richard E. DeMaris 35 The Artist and the Shaman: Seen and Unseen Worlds Robert Sirko 73 Exhibition Listing 5 224926_Text.indd 5 12/9/14 10:00 PM From the Director In this Brauer Museum of Art exhibition and accompanying other than earthly existence. Additionally, while some objects publication, expertly curated by the noted scholar Luis Eduardo may be culture specific in their references and nature, they are Luna, we explore the complex and enigmatic topic of the also broadly influential on many levels to, say, contemporary ritual use of sacred plants to achieve visionary states of mind. American and European subcultures, as well as to contemporary Working as a team, Luna, Valparaiso University Associate artistic practices in general. Professor of Art Robert Sirko, Valparaiso University Professor We at the Brauer Museum of Art wish to thank the Richard E. DeMaris and the Brauer Museum staff present following individuals and agencies for making this exhibition our efforts of examining visual products arising from the possible: the Brauer Museum of Art’s Brauer Endowment, ingestion of these sacred plants and brews such as ayahuasca. -
The Brain's Own Psychedelic Rick Strassman
---------------------..-iiiii..-------··--···--·-·- -·--· . reli- o :he rialy- 2 ;c:ng ~del- DMT The Brain's Own Psychedelic a.ion Rick Strassman We have known about the psychedelic effects produced by plants con- taining DMT, particularly from Latin America, much longer than we have known about DMT itself. In the 1600s, priest-ethnographers from Spain described Latin American indigenous people's use of DMT-containing psychedelic snuffs and smoking mixtures made from the genus Anadenanthera. Intrepid nineteenth-century European explorers of the Amazon, such as Spruce, von Humboldt, and Koch-Grunberg, observed the prepa- ration and use of ayahuasca containing DMT-rich plants, particularly Psychotria viridis in combination with Banisteriopsis caapi) which con- tains the enzyme inhibitors that allow DMT to become active orally. In the last century, the late Richard Schultes was instrumental in car- rying on this tradition of documenting the vibrant use of psychedelic plants in Latin America. 1 The Canadian chemist Richard Manske first synthesized DMT in his laboratory in 1931, as one of a series of tryptamine derivatives related to his research on a toxic North American shrub.' There is no evidence, however, that he was familiar with DMT's psycho activity, and we assume he never used it himself. A 1946 Spanish-language scientific paper first described the presence 33 34 DMT: The Brain's Own Psychedelic of DMT in South American psychedelic snuffs;' and in 1955, a compa- tions."" Ke', rable paper appeared in the English-language Iiterature.? While the pres- European a: ence of DMT in these plants was now established, its psycho activity was book's foc-c not. -
Chemical Evidence for the Use of Multiple Psychotropic Plants in a 1,000-Year-Old Ritual Bundle from South America
Chemical evidence for the use of multiple psychotropic plants in a 1,000-year-old ritual bundle from South America Melanie J. Millera,b,1, Juan Albarracin-Jordanc, Christine Moored, and José M. Caprilese,1 aDepartment of Anatomy, University of Otago, Dunedin 9016, New Zealand; bArchaeological Research Facility, University of California, Berkeley, CA 94720; cInstituto de Investigaciones Antropológicas y Arqueológicas, Universidad Mayor de San Andrés, La Paz, Bolivia; dImmunalysis Corporation, Pomona, CA 91767; and eDepartment of Anthropology, The Pennsylvania State University, University Park, PA 16802 Edited by Linda R. Manzanilla, Universidad Nacional Autonóma de México, Mexico, D.F., Mexico, and approved April 9, 2019 (received for review February 6, 2019) Over several millennia, various native plant species in South these resources together. Using liquid chromatography tandem America have been used for their healing and psychoactive prop- mass spectrometry (LC-MS/MS), we tested for the presence of erties. Chemical analysis of archaeological artifacts provides an psychoactive compounds in the materials that composed a 1,000- opportunity to study the use of psychoactive plants in the past year-old ritual bundle excavated in a dry rock shelter from and to better understand ancient botanical knowledge systems. southwestern Bolivia. Liquid chromatography tandem mass spectrometry (LC-MS/MS) was used to analyze organic residues from a ritual bundle, radio- The Ritual Bundle from the Cueva del Chileno carbon dated to approximately 1,000 C.E., recovered from archae- The Sora River valley, located in the Lípez highlands of south- ological excavations in a rock shelter located in the Lípez Altiplano western Bolivia, is a narrow basin outlined by two parallel ig- of southwestern Bolivia. -
Deviant Phenomenal Models in Gaspar Noé's Enter the Void
The Cognitive Import of Contemporary Cinema: Deviant Phenomenal Models in Gaspar Noé’s Enter the Void Jon Lindblom In his brief but illuminating essay ‘Genre is Obsolete’, Ray Brassier criticizes the commitment of much contemporary critical theory to the transformative potency of so-called ‘lived’, or ‘aesthetic’, experience. (Brassier 2007) For Brassier, the latter is merely a cultural residue of early bourgeoisie modernity whose supposedly critical injunction has been vitiated by recent advancements in modern neuroscience which harbors a decisive cognitive and socio-cultural import: the objectification of lived experience. Indeed, rather than being a mere abstract exercise played out exclusively at the level of theoretical science, the techno-scientific mapping of the neural correlates underlying global information-processing (qua lived experience) will surely have both practical and concrete consequences in the domain of subjective and intersubjective experience; most immediately, perhaps, through their inevitable commercialization (in the form of cosmetic neuropharmacology, neuromarketing, cognitive enhancers, etc.) which undoubtedly will find their place within the capitalist economy. Yet rather than recoil in horror over these developments, such as by affirming the so-called ‘unobjectifiable’ condition of human existence (whether characterized as ‘experience’ or anything else), what is necessary for any form of theory that intends to deem itself critical in the current context is a major update of its cognitive commitments, which only will be achieved through a thorough reconsideration of the intricate relationship between the social, the cultural, the personal, and the neurobiological. 1 The current essay aims to present the rudiments for such a cognitive reconsideration viewed through a cultural lens, through the medium of film – or, more specifically, through Gaspar Noé’s psychedelic melodrama Enter the Void (2010).