From the Treasure Chest to the Pope's Soup. Coins, Mints and the Roman
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Coins and Identity: from Mint to Paradise
Chapter 13 Coins and Identity: From Mint to Paradise Lucia Travaini Identity of the State: Words and Images on Coins The images and text imprinted with dies transformed disks of metal into coins and guaranteed them. The study of iconography on coins is therefore no less important than that of its other aspects, although each coinage should be studied together with the entire corpus of data and especially with reference where possible to its circulation.1 It may be difficult sometimes to ascertain how coin iconography was originally understood and received, but in most cases it is at least possible to know the idea behind the creation of different types, the choice of a model or of a language, as part of a crucial interaction of identity between the State and its coinage. We shall examine first some ex- amples of the creative phase, before minting took place, and then examples of how a sense of identity between the coins and the people who used them can be documented, concluding with a very peculiar use of coins as proof of identity for security at the entrance of gates of fortresses at Parma and Reggio Emilia in 1409.2 1 St Isidore of Seville stated in his Etymologiae that “in coins three things are necessary: metal, images and weight; if any of these is lacking it is not a coin” (in numismate tria quaeren- tur: metallum, figura et pondus. Si ex his aliquid defuerit nomisma non eriit) (Isidore of Seville, Origenes, Vol. 16, 18.12). For discussion of method, see Elkins and Krmnicek, Art in the Round, and Kemmers and Myrberg, “Rethinking numismatics”. -
The Alfred Jewel, an Historical Essay, Earle John, 1901
F — — ALFEED JEWEL. tAv£S 3JD-6/. THE — THJ!; ALFIiED JEWEL. TIMES. TO THE EDITOR OF THE TO THE EDITOR OF THE TIMES. have been treading it is oir -Where so many angels Sir, —Mr. Elworthy would appear to be incapable of hnmble student to ventnre in. &tm, apprehending " perhaps rmwise for a my particular predicament in this Five another guess at the \"^^he worth whUe to make o'clock tea" controversy over the " Al frcd Jewel " jewel. which simply is that the traces of Oriental truth about the Alfred influence to be Musgrave, a Fellow of the Royal observed in its form and decoration support Professor Since 1698, when Dr. the the first notice of the jewel m Earle's contention that it was meant to be worn on a Society, published Tnmsactions"(No 247) It has been helmet. Surely this very humble suggestion is deserving f< Sophi-l " have been (1) an amulet of some consideration, especially as the " Alfred Jewel en^.ested that the jewel may a pendant to a chaan or was fastened to whatever it was attached in the same Musgrave's suggestion) ; (2) mT " " " of a roller for a M.S. ; manner as the two parts—the knop" and the flower • or head (3) an umbilicus, collar book-pomter (5) the head of a ; —of the Mo(n)gol torn were, and are, fastened together. the' top of a stilus ; U) sceptre standard; (7) the head of a ; After Professor Earle's suggestion of the purpose of 6 the top of a xs tbe " for .Alfred's helmet. -
Reno Cartwheel February 2021
Page 1 Reno Cartwheel February 2021 Next Meeting: 2020 NA &CT, MA, MD, SC Innovation $1, Bush $1 and 2019S .25 sets here. Tuskegee .25 ordered. MARCH MAYBE??!! F ebruary 19-21, Reno Coin Show, Silver Legacy , Admit: $3, $1 with registration, 10-6 Friday and Saturday, 10-4 on Sunday.(COVID-19 restrictions: first hour maximum of 50 people in the room). Additional hours are $1 when the show is at maximum capacity. PCGS submissions will be accepted. John Ward 559 967-8067 Info www. coinzip.com/Reno-Coin-Show-Silver-Legacy February 23 6:30PM Board Meeting only Dennys, 205, Nugett Ave, Sparks After the Last Cancelled Meeting Reno Coin Show and Board meeting this month. Ordered Tuskegee airmen coin, last S set of all five 2013-2019 quarters in case $5 American the Beautiful .25. Got Kansas butterfly National Park Quarters PDS .50 .25, Bush $1, Hubble $1, and last 2020 Innovation, Native American $1 D P $1.25 Innovation dollar. Call and come by to get any of the new coins if you want. John Ward’s coin New Coins show on, at Silver Legacy February 19-21 Info: The Trump presidential medal with price tripled at 1.5 559 967-8067. Details at CoinZip.com We get a inches for $20 and quadrupled at 3 inch at $160 is back table and will do a raffle. Need help on Friday ordered. I have found a six quarter case to put the S sets 19th. ANA Coin Week April 18-24 Money, Big together for the 2020 and 2021 quarters. -
The Role of Religious Institutions in Constructing Minorities’ Religious
The Role of Religious Institutions in Constructing Minorities’ Religious Identity Muslim Minorities in non-Muslim Society Case Study of The Manchester Islamic Centre A thesis submitted to the University of Manchester for the degree of PhD Sociology in the Faculty of Humanities, School of Social Sciences, Department of Sociology. 2014 Ghalia Sarmani 1 Contents…………………………………………………………………………................2 Abstract ……………………………………………………………………………………9 Declaration of Authenticity……………………………………………………………...10 Copyright Statement……………………………………………………………………..11 Acknowledgements……………………………………………………………………….12 Chapter One: Themes and Issues……………………………………………………….13 1.1 Introduction …………………………………………………………………………...13 1.2 Summary of Chapters …………………………………………………………………15 Chapter Two: History of Muslim Presence in Britain from Early Times until the Present………………………………………………………………………………….....20 2.1 Introduction…………………………………………………………………………....20 2.2 Earliest Period of Muslim Migration to Britain ………………………………………22 2.2.1 Muslim Settlement up to the First World War…………………………………..24 2.2.2 Muslim Migration to Britain after the Second World War……………………...26 2.3 Muslim Arab Settlement in Manchester……………………………………………….27 2.4 Patterns of Muslim Migration ………………………………………………………...29 2.5 Muslim Migration Factors……………………………………………………………..29 2.6 Statistical Summary of Muslims in Britain……………………………………………35 2.6.1 Muslim Population Estimates via Census....………………………………….....35 2.6.2 Christianity as the Main Religion in Britain...…………………………………..38 2.6.3 Ethnic Groups, England and -
Alfred the West Saxon, King of English
Cornell University Library The original of tliis book is in tine Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924027953888 /S3 BOUGHT WITH THB«INC FROM th:^ SAGE ENDOWMENT the; gift o^ Benrg HI. %nt 1891 Saintly %ivc8 Edited by R. F. Horton, M.A. Alfred the West Saxon King of the English Frontispiece^. The Traditional Portrait of Alfred the Great. This conception of Alfred's features is probably at least 200 years old. It appears in one of the Bodlean prints with this legend: Alfredus Saxonuvt Rex, Coll. Universitatis Oxon. Fvndalvr. Ciica A. Chr. 877. Hujus Suinmi Regis ^Efigiem a Taiula in Btbl. Bodkiana /ulUuii Reverendo viro Nathan Wciiwri'll, S.T-R. Nathan Wetherell was Master of University :from 1764-1808, but the original to which he refers cannot be traced. Alfred the West Saxon King of the EngHsh DUGALD MACFADYEN, M.A. (J^ametime ExM^itioner in Modem History on ihs Foundation of Merton Colleg4, Ox/orS} WITH PORTRAIT AND OTHER ILLUSTRATIONS 1901 LONDON: J. M. DENT & CO. NEW YORK : E. P. DUTTON & CO. M ; The Author's Apology This book was undertaken at the request of a friend who found himself prevented under doctor's orders from preparing a Life of King Alfred for this series in time for the millenary celebration of his reign. Though undertaken to oblige someone else, it has been finished to please myself, and to gratify my reverence and liking for the hero of the book. -
Building in Early Medieval Rome, 500-1000 AD
BUILDING IN EARLY MEDIEVAL ROME, 500 - 1000 AD Robert Coates-Stephens PhD, Archaeology Institute of Archaeology, University College London ProQuest Number: 10017236 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest. ProQuest 10017236 Published by ProQuest LLC(2016). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. Microform Edition © ProQuest LLC. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 Abstract The thesis concerns the organisation and typology of building construction in Rome during the period 500 - 1000 AD. Part 1 - the organisation - contains three chapters on: ( 1) the finance and administration of building; ( 2 ) the materials of construction; and (3) the workforce (including here architects and architectural tracts). Part 2 - the typology - again contains three chapters on: ( 1) ecclesiastical architecture; ( 2 ) fortifications and aqueducts; and (3) domestic architecture. Using textual sources from the period (papal registers, property deeds, technical tracts and historical works), archaeological data from the Renaissance to the present day, and much new archaeological survey-work carried out in Rome and the surrounding country, I have outlined a new model for the development of architecture in the period. This emphasises the periods directly preceding and succeeding the age of the so-called "Carolingian Renaissance", pointing out new evidence for the architectural activity in these supposed dark ages. -
Inauguration and Political Liturgy in the Hohenstaufen Empire, 1138–1215*
German History Vol. 34, No. 2, pp. 191–213 Inauguration and political liturgy in the Hohenstaufen Empire, 1138–1215* Downloaded from https://academic.oup.com/gh/article-abstract/34/2/191/2605062 by University College London user on 27 January 2020 Johanna Dale I: Introduction In an important essay on ritual and royal sacrality in the twelfth century, Geoffrey Koziol commented that, ‘for all Gregory VII’s radical desacralization of royal author- ity in the Empire, in France and England the ecclesiastical reform movement’s ultimate impact on political liturgy was minimal’.1 It might seem counterintuitive to begin an essay concerned with the high medieval Empire by quoting from a study that predomi- nantly concerns England and France and makes only passing reference to the Empire. Koziol’s assertion points, however, to a relationship between liturgy and sacral kingship, and also draws attention to the comparative context in which the present study was conceived. Moreover, the assumption that the Investiture Controversy had a greater impact on the political liturgy of German monarchs than on their counterparts in England and France is prevalent in Anglophone scholarship and is a notion this essay seeks to dispel. To this end, the assumption that royal authority within the Empire was radically desacralized will be questioned. To do this a distinction between the royal and imperial inauguration will be drawn, an important distinction that has traditionally been rather blurred. Medieval commentators from outside of the Empire drew attention to the fact that German monarchs underwent more than one inauguration. Writing in the twelfth century, the chronicler Ralph de Diceto, archdeacon of Middlesex and later dean of St Paul’s in London, recorded the inauguration of Frederick Barbarossa as king of Burgundy at Arles in 1178. -
Income and Working Time of a Fencing Master in Bologna in the 15Th And
Acta Periodica Duellatorum, Scholarly Volume, Articles 153 DOI 10.1515/apd-2016-0005 Income and working time of a Fencing Master in Bologna in the 15th and early 16th century Alessandro Battistini and Niki Corradetti translated by Luca Dazi, Sala d’Arme Achille Marozzo (www.achillemarozzo.it) [email protected], [email protected] Abstract – Since ancient times, the master-at-arms profession has always been considered essential for the education of the nobility and the common citizenship, especially in the Middle Ages. Yet, we know nothing about the real standard of living of these characters. The recent discovery of documents, which report the sums earned by fencing masters to teach combat disciplines, has brought us the possibility to estimate how highly this profession was regarded, and what its actual economic value was in the Italian late Middle Ages. They also give us also a material view into the modes of operation of a sala d’arme in those times. Using different comparative methods based on the quoted currencies, primary goods and the cost of living, it was possible to analyze prices and duration of various military teachings offered by the fencing Masters in the late Middle Ages and equivalent viable activities of the time. We use three ways to calculate equivalent income levels in euros: from the silver content of the coins (bolognini, equivalent to the soldo); from purchasing power in relation to bread prices; and from equivalent wages. As a result we were able to define more accurately both the accessibility of these services for citizens and the relative value to other professions. -
Ancient, British, Islamic, Italian and World Coins Historical and Commemorative Medals
Ancient, British, Islamic, Italian and World Coins Historical and Commemorative Medals To be sold by auction at: Sotheby’s, in the Upper Grosvenor Gallery The Aeolian Hall, Bloomfield Place New Bond Street London W1 Days of Sale: Tuesday 28 November 2006 10.30 am and 2.00 pm Wednesday 29 November 2006 2.00 pm Public viewing: 45 Maddox Street, London W1S 2PE Thursday 23 November 10.00 am to 4.30 pm Friday 24 November 10.00 am to 4.30 pm Monday 27 November 10.00 am to 4.30 pm Or by previous appointment Catalogue no. 23 Price £10 Enquiries: James Morton, Tom Eden, Paul Wood or Stephen Lloyd Cover illustrations: Lot 494 (front); Lot 108 (back); Lot 459 (inside front and back covers) in association with 45 Maddox Street, London W1S 2PE Tel.: +44 (0)20 7493 5344 Fax: +44 (0)20 7495 6325 E-mail: [email protected] Website: www.mortonandeden.com This auction is conducted by Morton & Eden Ltd. in accordance with our Conditions of Business printed at the back of this catalogue. All questions and comments relating to the operation of this sale or to its content should be addressed to Morton & Eden Ltd. and not to Sotheby’s. Important Information for Buyers All lots are offered subject to Morton & Eden Ltd.’s Conditions of Business and to reserves. Estimates are published as a guide only and are subject to review. The actual hammer price of a lot may well be higher or lower than the range of figures given and there are no fixed “starting prices”. -
LOCATING El GRECO in LATE SIXTEENTH-CENTURY
View metadata, citation and similarbroughtCORE papers to you at by core.ac.uk provided by Online Repository of Birkbeck Institutional Theses LOCATING El GRECO IN LATE SIXTEENTH‐CENTURY ROME: ART and LEARNING, RIVALRY and PATRONAGE Ioanna Goniotaki Department of History of Art, School of Arts Birkbeck College, University of London Submitted for the degree of Doctor of Philosophy, July 2017 -1- Signed declaration I declare that the work presented in the thesis is my own Ioanna Goniotaki -2- ABSTRACT Much has been written about the artistic output of Domenicos Theotocopoulos during his time in Spain, but few scholars have examined his works in Venice and even fewer have looked at the years he spent in Rome. This may be in part attributed to the lack of firm documentary evidence regarding his activities there and to the small corpus of works that survive from his Italian period, many of which are furthermore controversial. The present study focuses on Domenicos’ Roman years and questions the traditional notion that he was a spiritual painter who served the principles of the Counter Reformation. To support such a view I have looked critically at the Counter Reformation, which I consider more as an amalgam of diverse and competitive institutions and less as an austere movement that strangled the freedom of artistic expression. I contend, moreover, that Domenicos’ acquaintance with Cardinal Alessandro Farnese’s librarian, Fulvio Orsini, was seminal for the artist, not only because it brought him into closer contact with Rome’s most refined circles, but principally because it helped Domenicos to assume the persona of ‘pictor doctus’, the learned artist, following the example of another of Fulvio’s friends, Pirro Ligorio. -
Chapter Five the Physically Impaired
Chapter Five The Physically Impaired !" : aa! Fig I: Marc Quinn, `Alison Lapper Pregnant' (photograph: Matthew Phillpott, 16/10/05) Responding to Marc Quinn's `Alison Lapper Pregnant', erected on the Fourth Plinth in Trafalgar Square in September 2005, Robin Simon, editor of the British Art Journal, said I think it's horrible. Not because of the subject matter, I hasten to add. I think is brave, it's she very very wonderful. But just a rather repellent artefact - very 241 shiny, slimy surface, machine-made, much too big... it's just rather ugly. Not because of her, I hasten to add. It's just a bad piece of sculpture. Simon expressed his dislike of the sculpture in uncompromising tones, giving his professional judgement on Radio 4's `Today' programme. But why did he feel the need twice to `hastento add' that his criticisms of the sculpture were not due to its subject, Alison Lapper and, almost in the way of a further apology, describe her as `very brave. very wonderful'? And why did a member of the public, on observing the statue, qualify her assessment of it as `grotesque' with the words `[t]his is not meant as a slur on 2 Alison herself and yet another claim that she did not like to use the word 'disabled' in reference to Alison Lapper `because I think everyone is normal, and everyone's good at 3 something'? At the time of its unveiling, Quinn's sculpture caused something of a furore, with opinions split between those who welcomed it as a `very powerful sculpture 5 of a disabled woman'4 and those who dismissed it as `all message and no art'. -
Byzantine Gold Coins and Jewellery
Byzantine Gold Coins andJewellery A STUDY OF GOLD CONTENTS * Andrew Oddy * and Susan La Niece * Department of Conservation and Technical Service, and Research Laboratory *, British Museum, London, United Kingdom When the capital oftheRoman Empire was transferredfrom Rome to Constantinople in 330 A.D., a new `Rome' was created in the Eastern half oftheEmpire which was initially to rival, and very soon eclipse, the original one. This city became the capital of onehalfof a divided Empire, and as most of the Western half was gradually overrun and fell to `barbariuns'from outside the Empire during the next 150 years, Constantinople became the centre forthesurtrival of `classical' culture. The Byzantine Empire slowly changed, of course, being affected by the emergence ofMedievalEurope to the Westand oflslam to the East andSouth, but despitethepressuresfromthesetwopotentaenemies, the essential culture ofearly Byzantium adhered to Roman traditions, particularly in art, architecture, and all other applied arts, such as coinage. The Byzantine Gold Coinage same in the main mint of Constantinople until the reign of The standard gold coin of the later Roman Empire was the Nicephorus 11 (963-969 A.D.) although the designs changed solidus, first introduced by Constantine the Great in 312 A.D. and dramatically, with the introduction of other members of the struck at 72 to the Roman pound (i.e. an individual weight of about imperial family on either obverse or reverse and, from the first reign 4.5 g). The shape and weight of this coin remained essentially the ofJustinian 11(685-695 A.D.), with a representation of Christ on Fig. 1(above) The Byzantine Gold Coinagefrom A.D.