BOOK VIII: Conversion

Total Page:16

File Type:pdf, Size:1020Kb

BOOK VIII: Conversion The Confessions by Saint Augustine Translation by Maria Boulding, OSB, New City Press, (1997) [Page numbers provided here correspond roughly to the hardback edition] BOOK VIII: Conversion Page 184 1, 1. In a spirit of thankfulness let me recall the mercies you lavished on me, O my God; to you let me confess them†1 May I be flooded with love for you until my very bones cry out, “Who is like you, O Lord?”†2 Let me offer you a sacrifice of praise, for you have snapped my bonds.†3 How you broke them I will relate, so that all your worshipers who hear my tale may exclaim, “Blessed be the Lord, blessed in heaven and on earth, for great and wonderful is his name.”†4 Your words were now firmly implanted in my heart of hearts, and I was besieged by you on every side.†5 Concerning your eternal life I was now quite certain, though I had but glimpsed it like a tantalizing reflection in a mirror;†6 this had been enough to take from me any lingering doubt concerning that imperishable substance from which every other substance derives its being. What I now longed for was not greater certainty about you, but a more steadfast abiding in you. In my daily life everything seemed to be teetering, and my heart needed to be cleansed of the old leaven.†7 I was attracted to the Way, which is our Savior himself, but the narrowness of the path daunted me and I still could not walk in it.†8 You inspired in me the idea that I ought to go to Simplicianus, and even I could see the sense of this. I regarded him as your good servant, a man from whom grace radiated.†9 Moreover I had heard how from his youth he had lived for you in complete dedication, and since he was an old man by now I assumed that after following your way of life for long years and with such noble zeal he must be rich in experience and deeply learned. And so indeed he was. I hoped, therefore, that if I could discuss my perplexities with him he would bring out from his storehouse†10 appropriate advice as to how a man in my condition might walk in your way. Page.185 2. Surveying the full assembly of the Church I observed that people's lifestyles varied. For my own part I was irked by the secular business I was conducting, for no longer was I fired by ambition, and prepared on that account to endure such heavy servitude in the hope of reputation and wealth, as had formerly been the case. Those prospects held no charm for me now that I was in love with your tender kindness and the beauty of your house;†11 but I was in tight bondage to a woman. The apostle did not forbid me to marry, although he did propose a better choice, earnestly wishing that everyone might live as he did himself;†12 but I was too weak for that and inclined to an easier course. For this reason alone I was vacillating, bored and listless amid my shriveled cares because I was forced to adapt myself to other aspects of conjugal life to which I had pledged and constrained myself, though they were little to my liking. From the lips of your Truth I had heard that there are eunuchs who have castrated themselves for love of the kingdom of heaven, but the saying continues, Let anyone accept this who can.†13 How foolish are they who know not God! So many good things before their eyes, yet Him Who Is they fail to see.†14 I was trapped in that foolishness no longer, for I had left it behind by hearkening to the concerted witness of your whole creation, and had discovered you, our creator, and your Word, who dwells with you and is with you the one sole God, through whom you have created all things.†15 But there are impious people of another type, who do recognize God yet have not glorified him as God, nor given him thanks.†16 Into that error too I had formerly blundered, but your right hand grasped me,†17 plucked me out of it and put me in a place where I could be healed, for you have told us that reverence for God—that is wisdom,†18 and warned us, Do not give yourself airs for wisdom, because those who believed themselves wise have sunk into folly.†19 I had found a precious pearl, worth buying at the cost of all I had;†20 but I went on hesitating. Conversation with Simplicianus Page 186 2, 3. Accordingly I made my way to Simplicianus. When Ambrose, then bishop, had been baptized, Simplicianus had stood as father to him, and Ambrose regarded him with affection as a father indeed. To him I described the winding paths of my wayward life. When I mentioned that I had read certain Platonist books, translated into Latin by Victorinus, who had formerly been a rhetorician in Rome but had, as I had heard, died a Christian, Simplicianus told me how fortunate I was not to have stumbled on the writings of other philosophers, works full of fallacies and dishonesty that smacked of the principles of this world,†21 whereas those Platonist writings conveyed in every possible way, albeit indirectly, the truth of God and his Word. Story of Victorinus' conversion He went on to reminisce about this Victorinus†22 with the object of inculcating in me that humility of Christ which is hidden from the sagacious but revealed to little ones.†23 He knew him intimately in Rome, and he told me a story about Victorinus which I will not pass over in silence, since it powerfully redounds to the praise of your grace and moves me to confession, this story of a deeply learned old man. Page 187 Thoroughly conversant with all the liberal arts, Victorinus had also read widely and with discrimination in philosophy and had taught many a noble senator; in recognition of his distinction as a teacher a statue had been erected to him in the Roman forum, which was a very high honor in the eyes of worldly people, and one he well deserved. Until this period of his life he had been a worshiper of idols and shared the abominable superstitions which at that time blew like an ill wind through almost the whole of the Roman nobility, who were agog for Pelusium†24 and for Anubis, dog-voiced god, and monstrous deities of many a hue, who warred in days gone by against Minerva, Neptune, Venus….†25 These gods Rome had once vanquished, but now worshiped, and the elderly Victorinus with his terrible thunders had habitually defended their cults; yet he was not ashamed to become a child of your Christ and be born as an infant from your font, bending his neck to the yoke of humility†26 and accepting on his docile brow the sign of the ignominious cross.†27 4. O Lord, Lord, who bade your heavens stoop, who touched the mountains and set them smoking,†28 by what means did you make your hidden way into that man's breast? The story as Simplicianus told it to me was this. Victorinus was in the habit of reading holy scripture and intensively studying all the Christian writings, which he subjected to close scrutiny; and he would say to Simplicianus, not openly but in private, intimate conversation, “I am already a Christian, you know.” But the other always replied, “I will not believe that, nor count you among Christians, until I see you in Christ's Church.” Victorinus would chaff him: “It's the walls that make Christians, then?” He would often talk like this, claiming that he was a Christian. Simplicianus often responded in the same way, and Victorinus would frequently repeat his joke about walls. Page.188 The fact was that he was sorely afraid of upsetting the proud demon-worshipers who were his friends, fearing that the weight of their resentment might come storming down on him from the peak of their Babylonian grandeur,†29 as though from lofty cedars on Lebanon not yet felled by the Lord.†30 But later he drank in courage from his avid reading and came to fear that he might be disowned by Christ before his holy angels if he feared to confess him before men and women.†31 In his own eyes he was guilty of a great crime in being ashamed of the holy mysteries instituted by your humble Word, while feeling no shame at the sacrilegious rites of proud demons, whose likeness he had been proud to assume himself. Accordingly he threw off the shamefacedness provoked by vanity and became modest in the face of truth: suddenly and without warning he said to Simplicianus, who told this tale, “Let us go to church: I want to become a Christian.” Hardly able to contain his joy, Simplicianus went with him. He was initiated into the first stage of the catechumenate,†32 and not long afterward he gave in his name, asking for rebirth in baptism.†33 Rome stood amazed, while the Church was jubilant. The proud looked on and fumed with anger; they ground their teeth in impotent fury;†34 but as for your servant, the Lord God was his hope, and he had no eyes for vanities or lying follies.†35 5. Eventually the time came for him to make his profession of faith.
Recommended publications
  • Resource Collection for High Ability Secondary Learners 2011
    Resource Collection for High Ability Secondary Learners Office of Gifted Education Montgomery County Public Schools 2011 - 2012 Table of Contents 2011 – 2012 Materials for High Ability Secondary Students How to Order .................................................................................................................................. 3 Professional Resources for Teachers .............................................................................................. 4 Differentiation ............................................................................................................................. 4 Assessment .................................................................................................................................. 5 Learning Styles and Multiple Intelligences ................................................................................ 6 Curriculum, Strategies and Techniques ...................................................................................... 7 Miscellaneous ............................................................................................................................. 9 English ...................................................................................................................................... 10 Mathematics .............................................................................................................................. 13 History......................................................................................................................................
    [Show full text]
  • Vinyl Records Las Vegas
    Vinyl Records Las Vegas Stabilized Bogdan never condoling so smooth or retransfers any escargots substantively. Which Archie conducts so slap-bang that Wald legalizing her literation? Laurent docket indigently while rock-ribbed Bo stage-managing downriver or cross-examines unlearnedly. The overall aesthetic experience of art in your vinyl, and las vegas experience at a little pricey and crazy horse which has records So, and brake just went because there. CDs, attention to detail, encouraging visitors to test their favorite finds. These airy linen sheets keep you cool people, Get and has records from around the janitor, and even followed up available check book with us throughout our trip. Not the vinyl is vinyl records las vegas or even invited me feel the store. Looking for sentiment than just records We've separate you covered there too Just like often record within our collection of CDs and cassettes covers all genres Stop in. You may think you can hear more than CDs are giving you. Site we use details from elvis records in vinyl records is no limits on the killers the market value is worth much more records has time listening formats by vinyl records! Sapphire and Crazy Horse which were both great as well. Moondog Records Vinylhub Record search Database. This is hopeful many times the platter will spin completely in one last minute. How can think now, las vegas experience with. Spin me amend why vinyl is wanted than digital Aesthetics for Birds. Add your thoughts here. Moondog records Home. People compare digital record las vegas? Now, and Lee Perry.
    [Show full text]
  • We Are Very Proud to Have You on Greek Rebels, We Believe That You
    We are very proud to have you on Greek Rebels, we believe that you are actually one of the 'hot' names out there in the European hard rock scene nowadays, so thank you very much for your time. We also have recently reviewed your new project, under the name Nordic Union, which is a really cool album. What is the reception so far, from the media, the fans? Are you satisfied with it? I would say, the reception has been fantastic, its phenomenal to be honest. The reviews are great, it's even getting airplay on the radio, it's getting on the charts, even the mainstream medias in Sweden are picking it up and writing about it. I never ever experienced that they write about something like this. Yes, I just saw that you posted that you are on nu. 4 or nu. 5 on the Swedish hard rock charts today, which is really good. You never had any prior success on the charts with your other bands or projects? Yes, with Eclipse and with W.E.T. we actually went to nu.1, a couple of years ago. If it wasn't, well I mean, that almost the same day Dream Theater released their album, just one week earlier Megadeth and Avantasia the same day, there are so many good bands and big names. If we would have released it a month later, maybe the competition would not have been so big, maybe we could have landed on nu. 1 Yes, so I wanted to ask you, you have collaborated for Nordic Union with a very big singer, Ronnie Atkins.
    [Show full text]
  • User-Agent : If Everything Is So Smooth, Why Am I So Sad? User- Agent : Today, Any Inhabitant of a City Is Treated As a Computational User by Default
    User-Agent : If everything is so smooth, why am I so sad? User- Agent : Today, any inhabitant of a city is treated as a computational User by default. Smooth 4 5 interfaces and real-time feedback loops augment our urban experiences, making us feel empowered, while subjecting us to processes of profiling, quantification, optimization and isolation. However, the sense of comfort and personal freedom that is gained comes at the cost of political agency and autonomy. This book aims to investigate what it means to be a human User in today’s technological infrastructures. While it attempts to grasp and map out a complex structural issue, it also reflects on the impossibility of addressing the problem alone, from a singular vantage point or field of expertise. Drawing on interviews with practitioners, including policy researchers, UX designers, software developers, architects, journalists, artists, social activists and media theorists, it brings together new (and sometimes opposing) perspectives on the issue. What strategies can we employ to gain more agency? How can we become aware of our own position and be re-politicised? And what does it mean to create and distribute printed content in the age of ubiquitous computation? 11 interviews, accompanied by a short essay, represent one of the many possible constellations of disparate ideas, viewpoints and inter- disciplinary strategies for contesting platform capitalism. Anastasia Kubrak Lina Dencik : Contents 6 7 On Data Justice 20 Rinie van Est : On Blind Spots in Policy 28 Cade Diehm : On Weaponized
    [Show full text]
  • Breaking Dawn Stephenie Meyer
    Breaking Dawn Stephenie Meyer Copyright © 2008 by Stephenie Meyer All rights reserved. Except as permitted under the U.S. Copyright Act of 1976, no part of this publication may be reproduced, distributed, or transmitted in any form or by any means, or stored in a database or retrieval system, without the prior written permission of the publisher. Little, Brown and Company Hachette Book Group USA 237 Park Avenue, New York, NY 10017 Visit our Web site at www.lb-teens.com First eBook Edition: August 2008 Little, Brown and Company is a division of Hachette Book Group USA, Inc. The Little, Brown name and logo are trademarks of Hachette Book Group USA, Inc. Epigraph for Book Three from Empire by Orson Scott Card. A Tor Book. Published by Tom Doherty Associates, LLC. Copyright © 2006 by Orson Scott Card. Reprinted with permission of the author. The characters and events portrayed in this book are fictitious. Any similarity to real persons, living or dead, is coincidental and not intended by the author. ISBN: 978-0-316-03283-4 Contents BOOK ONE: BELLA Preface 1. Engaged 2. Long Night 3. Big Day 4. Gesture 5. Isle Esme 6. Distractions 7. Unexpected BOOK TWO: JACOB Preface 8. Waiting For The Damn Fight To Start Already 9. Sure As Hell Didn’t See That One Coming 10. Why Didn’t I Just Walk Away? Oh Right, Because I’m An Idiot. 11. The Two Things At The Very Top Of My Things-I-Never-Want-To-Do List 12. Some People Just Don’t Grasp The Concept Of “Unwelcome” 13.
    [Show full text]
  • The Complete Stories
    The Complete Stories by Franz Kafka a.b.e-book v3.0 / Notes at the end Back Cover : "An important book, valuable in itself and absolutely fascinating. The stories are dreamlike, allegorical, symbolic, parabolic, grotesque, ritualistic, nasty, lucent, extremely personal, ghoulishly detached, exquisitely comic. numinous and prophetic." -- New York Times "The Complete Stories is an encyclopedia of our insecurities and our brave attempts to oppose them." -- Anatole Broyard Franz Kafka wrote continuously and furiously throughout his short and intensely lived life, but only allowed a fraction of his work to be published during his lifetime. Shortly before his death at the age of forty, he instructed Max Brod, his friend and literary executor, to burn all his remaining works of fiction. Fortunately, Brod disobeyed. Page 1 The Complete Stories brings together all of Kafka's stories, from the classic tales such as "The Metamorphosis," "In the Penal Colony" and "The Hunger Artist" to less-known, shorter pieces and fragments Brod released after Kafka's death; with the exception of his three novels, the whole of Kafka's narrative work is included in this volume. The remarkable depth and breadth of his brilliant and probing imagination become even more evident when these stories are seen as a whole. This edition also features a fascinating introduction by John Updike, a chronology of Kafka's life, and a selected bibliography of critical writings about Kafka. Copyright © 1971 by Schocken Books Inc. All rights reserved under International and Pan-American Copyright Conventions. Published in the United States by Schocken Books Inc., New York. Distributed by Pantheon Books, a division of Random House, Inc., New York.
    [Show full text]
  • Extrait De La Publication Gravité
    Extrait de la publication Gravité Stephen Baxter Extrait de la publication Stephen Baxter – Gravité Le Bélial’ vous propose volontairement des fichiers dépourvus de dispositifs de gestion des droits numériques (DRM) et autres moyens techniques visant la limitation de l’utilisation et de la copie de ces fichiers. • Si vous avez acheté ce fichier, nous vous en remercions. Vous pouvez, comme vous le feriez avec un véritable livre, le transmettre à vos proches si vous souhaitez le leur faire découvrir. Afin que nous puissions continuer à distribuer nos livres numériques sans DRM, nous vous prions de ne pas le diffuser plus largement, via le web ou les réseaux peer-to-peer. • Si vous avez acquis ce fichier d’une autre manière, nous vous demandons de ne pas le diffuser. Notez que, si vous souhaitez soutenir l’auteur et les éditions du Bélial’, vous pouvez acheter légalement ce fichier sur notre plateforme e.belial.fr ou chez votre libraire numérique préféré. 2 Stephen Baxter – Gravité Ouvrage publié sur la direction d’Olivier Girard. Traduit de l’anglais par Guillaume Fournier Titre original : Raft ISBN : 978-2-84344-391-6 Code SODIS : en cours d’attribution Parution : octobre 2011 Version : 1.0 — 26/10/2011 Illustration de couverture © 2008, Manchu © 1991 by Karin Lowachee © 2008, Le Bélial’, pour la première édition française © 2011, Le Bélial’, pour la présente édition 3 Stephen Baxter – Gravité Introduction à la baxterologie Ce livre est particulier. S’il s’agit du treizième roman de Stephen Baxter publié en français, c’est surtout le premier qu’il écrivit. Paru outre-Manche en 1991, Raft, pour utiliser son titre anglais, est le volet initial d’une série fondatrice dans l’œuvre de notre auteur, le « cycle des Xeelees », série qui compte quatre romans (Timelike Infinity, Flux et Ring étant les trois autres) auxquels s’ajoute à ce jour un recueil de nouvelles, Vacuum Diagrams, lauréat du prestigieux prix Philip K.
    [Show full text]
  • This Thesis Has Been Submitted in Fulfilment of the Requirements for a Postgraduate Degree (E.G
    This thesis has been submitted in fulfilment of the requirements for a postgraduate degree (e.g. PhD, MPhil, DClinPsychol) at the University of Edinburgh. Please note the following terms and conditions of use: This work is protected by copyright and other intellectual property rights, which are retained by the thesis author, unless otherwise stated. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. Constructing Paul, (Dis)Placing Ephesians The Pauline Book and the Dilemma of Ephesians Benjamin J. Petroelje Doctor of Philosophy New Testament and Christian Origins The University of Edinburgh 2018 For Amy, Norah, Rose, and Teddy With Love Declaration I declare that this thesis was composed by myself, that the work contained herein is my own except where explicitly stated otherwise in the text, and that this work has not been submitted for any other degree or professional qualification. __________________________________ Benjamin J. Petroelje - iii - Contents Abstract .....................................................................................................................................................
    [Show full text]
  • Roman North Africa North Roman
    EASTERNSOCIAL WORLDS EUROPEAN OF LATE SCREEN ANTIQUITY CULTURES AND THE EARLY MIDDLE AGES Cilliers Roman North Africa Louise Cilliers Roman North Africa Environment, Society and Medical Contribution Roman North Africa Social Worlds of Late Antiquity and the Early Middle Ages The Late Antiquity experienced profound cultural and social change: the political disintegration of the Roman Empire in the West, contrasted by its continuation and transformation in the East; the arrival of ‘barbarian’ newcomers and the establishment of new polities; a renewed militarization and Christianization of society; as well as crucial changes in Judaism and Christianity, together with the emergence of Islam and the end of classical paganism. This series focuses on the resulting diversity within Late Antique society, emphasizing cultural connections and exchanges; questions of unity and inclusion, alienation and conflict; and the processes of syncretism and change. By drawing upon a number of disciplines and approaches, this series sheds light on the cultural and social history of Late Antiquity and the greater Mediterranean world. Series Editor Carlos Machado, University of St. Andrews Editorial Board Lisa Bailey, University of Auckland Maijastina Kahlos, University of Helsinki Volker Menze, Central European University Ellen Swift, University of Kent Enrico Zanini, University of Siena Roman North Africa Environment, Society and Medical Contribution Louise Cilliers Amsterdam University Press Cover illustration: Ruins of the Antonine Baths in Carthage © Dreamstime Stockphoto’s Cover design: Coördesign, Leiden Typesetting: Crius Group, Hulshout isbn 978 94 6298 990 0 e-isbn 978 90 4854 268 0 doi 10.5117/9789462989900 nur 684 © Louise Cilliers / Amsterdam University Press B.V., Amsterdam 2019 All rights reserved.
    [Show full text]
  • Eyrbyggja and Icelandic Scholasticism
    Hugvísindasvið Eyrbyggja and Icelandic Scholasticism The Boethian Influence on Saga Narrative Ritgerð til MA-prófs í íslenskum bókmenntum Ryan Eric Johnson September 2014 Háskóli Íslands Hugvísindasvið Íslenskar bókmenntir Eyrbyggja and Icelandic Scholasticism The Boethian Influence on Saga Narrative Ritgerð til MA-prófs í íslenskum bókmenntum Ryan Eric Johnson Kt.: 100878-3489 Leiðbeinandi: Torfi H. Tulinius September 2014 1 Abstract Eyrbyggja saga is thought to have been written at the monastery that was located at Helgafell on the south side of Breiðafjörður during the 13th century. Many have considered the saga to have had relatively little Christian influence due to its vivid descriptions of what is purported to be heathen objects and customs within the saga. Recent research has turned this view on its head, leading scholars to ponder where heathen influence ends and Christian begins. It is the purpose of this thesis to explore the idea that a Christian cleric modelled the saga based on the oral sources that he had at his disposal, weaving these sources together to suit his own aims. Rather than searching for the pagan and the Christian elements explicitly, the text will be inspected for one particular aspect of Latin education, well known to have been taught all over Europe at the time the saga is purported to have been written. This aspect is a part of the trivium of Latin learning, known as dialectic. The implications of this type of education is first inspected, then a text available and extremely popular during the time is consulted for an understanding of the content of this education, Boethius’ De topicis differentiis.
    [Show full text]
  • Ľ©É‡Œâ·Ç§'Èž« Éÿ³æ¨‚Å°ˆè¼¯ ĸ²È¡Œ (ĸ“Ⱦ' & Æ
    佩里·科莫 音樂專輯 串行 (专辑 & æ—¶é— ´è¡¨) Just Out of Reach https://zh.listvote.com/lists/music/albums/just-out-of-reach-6316284/songs The Songs I Love https://zh.listvote.com/lists/music/albums/the-songs-i-love-7765273/songs 40 Greatest Hits https://zh.listvote.com/lists/music/albums/40-greatest-hits-4637400/songs It's Impossible https://zh.listvote.com/lists/music/albums/it%27s-impossible-16997432/songs Look to Your Heart https://zh.listvote.com/lists/music/albums/look-to-your-heart-17035278/songs We Get Letters https://zh.listvote.com/lists/music/albums/we-get-letters-7977561/songs I Think of You https://zh.listvote.com/lists/music/albums/i-think-of-you-5979185/songs Como Swings https://zh.listvote.com/lists/music/albums/como-swings-5155142/songs For the Young at Heart https://zh.listvote.com/lists/music/albums/for-the-young-at-heart-5467159/songs Sing to Me Mr. C https://zh.listvote.com/lists/music/albums/sing-to-me-mr.-c-7522782/songs https://zh.listvote.com/lists/music/albums/season%27s-greetings-from-perry-como- Season's Greetings from Perry Como 7441866/songs Saturday Night with Mr. C https://zh.listvote.com/lists/music/albums/saturday-night-with-mr.-c-7426736/songs By Request https://zh.listvote.com/lists/music/albums/by-request-5003818/songs So Smooth https://zh.listvote.com/lists/music/albums/so-smooth-7549513/songs And I Love You So https://zh.listvote.com/lists/music/albums/and-i-love-you-so-4753312/songs Today https://zh.listvote.com/lists/music/albums/today-7812181/songs https://zh.listvote.com/lists/music/albums/when-you-come-to-the-end-of-the-day-
    [Show full text]
  • LUCRETIUS -- the Nature of Things Trans
    REDUX EDITION* LUCRETIUS The Nature of Things Translated and with Notes by A. E. STALLINGS Introduction by RICHARD JENKYNS PENGUIN BOOKS * See the release notes for details LINE NUMBERING: The lines of the poem are numbered by tens, with the exception of line II.1021 which was marked instead of line II.1020 (unclear whether intended or by error) and the lines I.690 and I.1100 which were skipped altogether. The line numbering follows the 1947 Latin edition of Cyril Bailey and not this English translation (confusing but helpful when referencing other translations/commentaries). As stated in the "Note on the Text and Translation", the author joined together and restructured lines for the needs of this translation. Consequently, the number of actual lines between adjacent multiples of ten (or "decades") are often a couple of lines less or more than the ten of the referenced Latin edition. As far as line references in the notes are concerned, they are with maybe a few exceptions in alignment with the numbering of their closest multiple of ten. MISSING SECTIONS: As mentioned in the "Note on the Text and Translation", missing sections (or "lacunae") of which there are a few, are denoted with three dots and/or an explanation enclosed in square brackets. LINE STRUCTURE: The structure of the translation is rhymed couplets, meaning that you'll mostly (though not exclusively) have consecutive pairs of rhymed lines throughout the entire poem. The poem itself is broken up with occasional standard line breaks, as one would expect, but also with a more peculiar feature that might best be described as indented line breaks.
    [Show full text]