IMPULSTANZ – YOUNG CHOREOGRAPHERS’ AWARD CEREMONY

Such Sweet Thunder © James Bantone

Pain Threshold © Gerhard F. Ludwig

Why We Fight © Sebastien de Buyl

Time to Time © Rusted Rustam So, 11. August, 21:00 Kasino am Schwarzenbergplatz hosted by Riem Higazi

SUASH © Luc Depreitere

’d he meant vary a shin’s © Jose Figueroa

SOFTLAMP.autonomies © Ian Douglas BLINK - mini unison intense lamentation © Thomas Lender

Andrade © Clara Hermans

Ask the oracle - the future is now © Mira Kandathil, Annina Machaz

Mademoiselle x © Alan Proosa © Yoshiko Kusano ME, TENDER © Yoshiko HATE International Dance Festival ImPulsTanz – Young ­Choreographers’ IMMER Award Ceremony WIDER

BRAV! DEN GARTEN ALS WOHNRAUM ENTDECKEN Kritische Meinungen Hosted by Riem Higazi

und Kommentare. GARTENARCHITEKTUR BAUMSCHULE 11. August 2019 21:00CONCEPT STORE

Jede Woche. Hauptstraße 18 3441 Zöfing / Tulln Kasino am Schwarzenbergplatzwww.kramerundkramer.at

Wir betreuen Ihr Projekt von der ersten Idee bis zum letzten Grashalm. Beratung, Planung und Umsetzung sowie auch Pflege und Betreuung kommen aus einer Hand. Unser Concept-Store bietet ein breites Sortiment an exklusiven Outdoor-Möbel, besonderen Pflanzen, hochwertigen Pflanzgefäßen und originellen Accessoires. [8:tension] 2019 Young Choreographers‘ Series ImPulsTanz – Young ­Choreographers’ Award Ceremony

Tanzt! Tanzt!! Dance! Dance!! Jannis Niewöhner als / as Beat in Beat

DE EN Nicht ganz so dystopisch wie die Grimme- Not quite as dystopian as the Grimme Preis-gekrönte Serie Beat entwickelt sich die Award-winning series Beat unfolds the [8:tension] Young Choreographers’ Series [8:tension] Young Choreographers’ Series 2019. Allerdings mindestens so spannend 2019. However, at least as thrilling and mu- und musikalisch, so aufregend klug und sical, as excitingly smart and ecstatic. From ekstatisch. Die jungen Choreograf_innen von works that are close to language, such as Eric São Paulo über Kairo bis Moskau vermitteln Arnal-Burtschy’s Why we fight to astonish- ein komplexes und sinnliches Portrait unserer ing new interpretations of the beginnings Zeit – von Arbeiten, die sich eng an Sprache of contemporary dance, from the ancient Hosted by Riem Higazi anlehnen bis zu Neu-Beschäftigungen mit oracle to the anthropophagic manifesto, den Anfängen des zeitgenössischen Tanzes, from Shakespeare’s ‘Sweet Thunder’ or Yung Jury vom antiken Orakel zum anthropophagischen Hurn’s trippy Vienna Anthem up to an intense Steven Cohen, Nastya Proshutinskaya, Manifest, vom Shakespear’schen ‚Süßen and intimate engagement with sexuality and Gabriele Coura Donner‘ oder Yung Hurns Wien-Hymne Pillen care: 12 positions from São Paulo to Cairo zu intensiven, intimen Auseinandersetzungen or ­Moscow convey a complex and sensual Preisskulptur Philipp Gehmacher mit Sexualität und Fürsorge. portrait of our time. Exklusiver Sponsor des ImPulsTanz – Artistic Direction [8:tension] Young Choreographers‘ Award Christine Standfest, Michael Stolhofer, Rio Rutzinger 5 ImPulsTanz – Young ­Choreographers’ Award

Seit 2001 präsentiert die [8:tension] Young Der 2018 ins Leben gerufene ImPulsTanz – Vorgänger des ImPulsTanz – Young Choreographers’ Series innerhalb von Young Choreographers’ Award wird unter Choreographers’ Award ist der Prix Jardin ImPulsTanz neue und aufregende Positionen den Künstler_innen der [8:tension] Young d’Europe. Sieben Mal – 2008, 2012, 2013, aus Tanz, Choreografie und allem, was Choreographers’ Series vergeben. Ausgelobt 2014, 2015, 2016 und 2017– wurde er im daneben, dazwischen oder darum herum wird der mit 5.000 Euro und einer Artistic Rahmen von [8:tension] in Wien verliehen. liegt. Residency bei ImPulsTanz 2020 dotierte Preis 2013 bis 2017 wurde der Preis als Teil des von einer hochkarätigen Fachjury. Diese setzt von der EU geförderten Projekts Life Long Simone Aughterlony, Olivier Dubois, sich zusammen aus dem Künstler Steven Burning vergeben. Jule Flierl, Florentina Holzinger, Maria Jerez, Cohen, der Moskauer Kuratorin Nastya Ian Kaler, Akram Khan, Dana Michel, Proshutinskaya und einer Person aus dem Der Prix Jardin d’Europe, einer der höchst Ivana Müller, Ann Liv Young, Ligia Lewis verehrten Publikum: Gabriele Coura. dotierten Preise für zeitgenössische und viele weitere international erfolgreiche Choreografie in Europa, wurde 2008 vom Choreograf_innen waren bereits eingeladen, Die erste Preisträgerin 2018 war Ofelia Jarl Tanznetzwerk Jardin d’Europe ins Leben ihre Arbeiten im Rahmen von [8:tension] zu Ortega (SE) mit B.B. gerufen. Dieses Projekt, das in Kooperation zeigen. Preisskulptur: Nestor Kovachev mit zehn Tanzinstitutionen initiiert wurde, endete nach fünf erfolgreichen Jahren im 2019 umfasst die Reihe zwölf Produktionen. Die Verleihungszeremonie für den Sommer 2012. Das Projekt Jardin d’Europe Die Arbeiten von Choreograf_innen diesjährigen ImPulsTanz – Young wurde Ende 2015 von dem Directorate- aus Europa, Russland, Brasilien, Kanada Choreographers’ Award wird moderiert von General for Education and Culture of the und Ägypten sind im Kasino am Riem Higazi: ihre Stimme kennt man von European Commision als „Success Story“ Schwarzenbergplatz, Schauspielhaus, mumok FM4, ihre Begeisterung für Tanz von der ausgezeichnet. Den Prix Jardin d’Europe und der mumok Hofstallung sowie im Show Dancing Stars. führte das im Juli 2013 initiierte EU-Projekt Leopold Museum und im Volx/Margareten Life Long Burning bis 2017 fort, das von 2018 zu sehen. bis 2022 in eine neue Runde geht.

6 7 Prix Jardin d’Europe­ ­Recipients 2008–2018

2017 [8:tension] Series, ImPulsTanz, Vienna 2014 [8:tension] Series, ImPulsTanz, Vienna 2011 eXplore dance festival, Bucharest, Sofia 2009 Working Title Festival #3, Brussels Casinos Prix Jardin d‘Europe Jillian Peña (US) Polly Pocket. Dias & Vitor Roriz (PT) Claire Croizé (FR/BE), The Farewell. Samira Elagoz (NL/FI) A gesture that is nothing but a threat. Cock, Cock.. Who‘s There? The Fan Award was given to Artistic residencies were given to Rebecca Patek (US) INETER(A)NAL F/EAR. Artistic residencies were given to: Florin Flueras (RO) A brave search of the The FM4 Fan Award was given to Cecilia Lisa Eliceche (IT/BE) Cow‘s Theory, ­ultimate reality, Claire Vivianne-Sobottke (DE/FR) The ImPulsTanz Prize was given to Clement Layes (FR) Allege. Varinia Canto Villa (BE) strange songs. Dana Michel (CA) Yellow Towel. During Beginning Ending, Lilia Mestre (PT/BE) The Live-In Room. 2010 iDANS04, 2016 [8:tension] Series, ImPulsTanz, Vienna 2013 [8:tension] Series, ImPulsTanz, Vienna Maria Baroncea (RO), Eduard Gabia (RO) & Casinos Austria Prix Jardin d‘Europe Amanda Apetrea (SE) & Halla Ólaffsdóttir Dragana Bulut (BA/RS) E.I.O. 2008 [8:tension] Series, ImPulsTanz, Vienna Katerina Andreou (FR/GR) A kind of fierce (SE/IS) Beauty and The Beast. Dalija Acin (RS) Handle with great care, Will Rawls (US) The Planet-Eaters: Seconds. Artistic residencies were given to Olivier Dubois (FR) Pour tout l‘or du monde. The Audience Award was given to Fabián Barba (EC), The FM4 Fan Award was given to Willi Prager The Victory Day, A Mary Wigman Evening. Artistic residencies were given to Lea Moro (DE/CH) (B)reaching Stillness. Mariana Tengner Barros/EIRA The Trap. Ayse Orhon (TR) Can you repeat?, A special appreciation of the jury went to Cristina Blanco (ES) Maud Le Pladec (FR) Professor and cuadrado_flecha_persona que corre, 2015 [8:tension] Series, ImPulsTanz, Vienna 2012 [8:tension] Series, ImPulsTanz, Vienna Pieter Ampe (BE) & Guillherme Garrido (PT) Ibrahim Quraishi (NL/PK) Islamic Violins. Casinos Austria Prix Jardin d‘Europe Florentina Holzinger (NE/AT) Silk, Still Standing You. Ligia Lewis (D/DO) Sorrow Swag, Eeva Muilu & Milja Sarkola (FI) Elina Pirinen (FI) Personal Symphonic In Human Disguise. Moment. The sculpture was given to The FM4 Fan Award was given to Naoko Tanaka (DE/JP) Die Scheinwerferin. Simon Mayer (BE/AT) SunBengSitting.

8 9 Nominees 2019 Artists of the [8:tension] Young Choreographers‘ Series

Eric Arnal-Burtschy (BE/FR) Why We Fight

Tatiana Chizhikova & Roman Kutnov (RU) Time to Time

Samuel Feldhandler (AT/FR) ’d he meant vary a shin’s

Ellen Furey (CA) & Malik Nashad Sharpe (UK/US) SOFTLAMP.autonomies

Mira Kandathil & Annina Machaz / Follow us (CH) Ask the oracle -the future is now-

Tobias Koch (CH), Thibault Lac (FR) & Tore Wallert (DE/SE) Such Sweet Thunder

Maria Metsalu (EE) Mademoiselle x

Michelle Moura (DE/BR) BLINK – mini unison intense lamentation

nasa4nasa (EG) SUASH

Perel (DE/US) Pain Threshold

Michiel Vandevelde (BE) Andrade

Teresa Vittucci (CH/AT) HATE ME, TENDER Preisskulptur © Philipp Gehmacher

10 11 The artists and their works

Eric Arnal-Burtschy (BE/FR) Tatiana Chizhikova & Roman Kutnov (RU) Samuel Feldhandler (AT/FR) Ellen Furey (CA) & Why We Fight Time to Time ’d he meant vary a shin’s Malik Nashad Sharpe (UK/US) 22. 7.+24. 7. 9. 8.+11. 8. 26. 7.+28. 7. SOFTLAMP.autonomies Schauspielhaus Schauspielhaus Schauspielhaus 1. 8.+3. 8. Schauspielhaus Who is ready to fight for something? Actually Does he know what’s going on with him? The hidden eminence behind this dance fight, by risking one’s own life and with a Is she in control of the space? Are the three trio is French linguist and writer Jean-Pierre What a dream: One day, everything will weapon in one’s hand? Eric Arnal-Burtschy, a figures banished into a loop? Time is a Brisset, a saint in the pataphysical calendar. be fine! For real. But without dancing and reserve officer in the First Division Scorpion cold goddess. She rules the space and she He was revered by André Breton and Marcel vaporwave it may not come to that. The art of the French Army and at the same time manipulates the mind. She makes use of Duchamp, among others. Incidentally, and music movement called vaporwave is “the a dancer, performer and visual artist, has repose and acceleration, plays a game with pataphysics was invented in the late gigantic natural aunt” of Ellen Furey from done it. His two professions make for a the beginning and the end. And she sets 19th century by Alfred Jarry as a subversive- Montreal and -based New York dance somewhat unusual combination. In Why the rhythm. Russian choreographer Tatiana ironic alternative concept to science. For artist Malik Nashad Sharpe. They transform we fight – titled after a US propaganda film Chizhikova knows this much. With this Samuel Feldhandler, Brisset’s claim that into two white-clad figures for this gender- series from the time of the Second World composition of three consecutive solos, she languages do not originate from older fluid duet. The couple dance to a voice that War – Arnal-Burtschy provides insights into demonstrates her skills as a specialist in languages but are formed by convolutions sends Yung Hurn’s endlessly looped dreams the ambivalences of serving in the military. dance-based time research. In Time to Time, and transformations in and of themselves is of and appeals to togetherness into space: Having completed several assignments in a man seems to merge into the ground, a of key importance. In this sense, “Theme and “Baby willst du chillen und so / Flieg mit mir Africa, he also deals with colonial discourse: woman sweeps the space with her limbs. Variations” becomes the phrase “’d he meant durch Wien und so” (Baby, you wanna chill for instance, by drawing connections between Three figures move within the structures of vary a shin’s”, and the language becomes and stuff / Fly with me through Vienna and a jihadist’s diary he found after a battle and his becoming and of passing, each for themselves, a whirring, subtle dance that unfolds to stuff). They emerge from the darkness of the own biography. This light-footed monologue is in coming and in going, to the sound of time electronic music by the young choreographer/ dance floor until they reach a deep blue in full of drive, with the performer talking about by Moscow electronic artist Roman Kutnov. composer out of Johann Sebastian Bach’s which they abandon themselves completely in a brutal reality. Precision rules in this piece, all but at the Goldberg Variations and is dedicated to the the rhythms of their unison movements. This edges of chaos, with relentless consistency. great postmodern choreographer Trisha hypnotic dance trip through the spheres of the Brown (Theme and Variation, 1972). now is also to be understood as a resistance movement, which Furey and Sharpe invoke a future without authorities and constraints.

12 13 Mira Kandathil & Annina Machaz / Tobias Koch (CH), Thibault Lac (FR) & Tore Maria Metsalu (EE) Michelle Moura (DE/BR) Follow us (CH) Wallert (DE/SE) Mademoiselle x BLINK – mini unison intense lamentation Ask the oracle -the future is now- Such Sweet Thunder 28. 7.+30. 7. 21. 7.+23. 7. 25. 7.+27. 7. 20. 7.+22. 7. Zusatzvorstellung 29. 7. Kasino am Schwarzenbergplatz Kasino am Schwarzenbergplatz Leopold Museum mumok Hofstallung Religious trance iconographies in the West are The future is now. What an ingeniously They hallucinate, they dream, they sleepwalk. An icy bloodbath. An undead being emerges often represented from the tension between double-edged statement in an age that is Two young men are roaming a world in from the water and gets ready for a bizarre sensuality and spirituality, as the emblematic only just beginning to discover that it cannot which the unconscious seems to have greater ritual. Be warned: This performance is bound Bernini‘s Sculpture The Ecstasy of Saint be a good idea if everybody lives like there’s presence than any form of rational control. to give some audience members goosebumps, Teresa, while the trance iconographies of no tomorrow! A shudder has begun to run In the hypnotic reality of beats and fantasies, because young Estonian performer Maria the Brazilian indigenous people are depicted through our society at the thought of what model houses and where a voice speaks the Metsalu has created a protagonist from as extra-human beings. In BLINK, you could lie in store. How are things actually words of a poem by Federico García Lorca, zombie film material. The figure calls herself do not know what you’re seeing - angels, supposed to go on, and where to find a proper time melts away like lovers’ hearts. Mademoiselle x, and she believes that shamans, jaguars, seaweeds... - a plethora of oracle? Swiss artists Mira Kandathil and Tobias Koch, dancer Thibault Lac and artist she’s a living corpse. That’s why she has to embodiments that expand the imaginary of Annina Machaz are just the right people to Tore Wallert take the audience along through push herself through a phase of insight-like the transcendental. ask. Because the two cynical ‚soothsayers’ rustling dried flowers and fresh primroses in provocation. Her two assistants are actually The leitmotif in the duet BLINK is the blinking mirroring Kassandra and Pythia have the gift. a mixture of shifting soundscapes, distorted dead – life-size dolls, images or petrified alter of the eyes as an extreme exercise. BLINK They turn the oracle into a convincing variety references to pop music, live singing and egos with charred mouths. Smoke swirls – mini unison intense lamentation is a show and throw obscure divinations at their altered physical states that resonate of through the scene. Candles burn. Madame challenge to the impossible, in its aspiration to flock of pilgrims. For example, the meaning crumbling cinematic and cultural archetypes. x moves in circles, repeating her actions. choreograph the involuntary, uncontrollable of a garden hut boasting an illuminated toilet A “sweet thunder”, as Shakespeare put it But no need to panic. This isn’t just a horror movement of the eyes and the eyelids. The bowl or the connection between a pregnancy in A Midsummer Night’s Dream, also rolls show but a robust work about femininity, rhythms of blinking change the perception, photo of Beyoncé and a large eagle. through this encounter of communion and body colonisation and alienation – brilliant looking outward as well as inward. The loneliness. soundtrack included. performers generate strong feelings oscillating between happiness and sadness to increasingly ecstatic sounds. The dance of their lids takes hold of both performers’ bodies, driving the piece towards its climax.

14 15 nasa4nasa (EG) SUASH Perel (DE/US) Pain Threshold Michiel Vandevelde (BE) Teresa Vittucci (CH/AT) 7. 8.+9. 8. 8. 8.+10. 8. Andrade HATE ME, TENDER Zusatzvorstellungen 8. 8.+10. 8. Zusatzvorstellung 11. 8. 15. 7.+17. 7. 28. 7.+30. 7. mumok Leopold Museum Schauspielhaus Zusatzvorstellung 31. 7. Volx/Margareten Their luck changed thanks to Instagram, Pain Threshold takes its name from the “Joy is the proof of nines”, Brazilian writer which was especially lucky for the audience. measurement of pain the doctor uses to Oswald de Andrade wrote in 1928 in his Heaven help us! With utmost seriousness In 2016, the two Egyptian dancers Noura Seif test the patient. In Perel’s work, this term Anthropophagic Manifesto, the founding and devilish humour this performance shakes Hassanein and Salma Abdel Salam began to involves more than the threshold of physical document of a Brazilian cultural revolutionary up one of the holiest icons of Christianity. upload photos and videos of their projects on pain. Engaging in questions of openness, movement. It also states that “we are acting Viennese-born Swiss choreographer Teresa social media. “To make the creative process a vulnerability, control, consent, care, and against this plague of supposedly cultured Vitucci has devoted herself to a great mission bit more playful”, they say. Their first video as intimacy, Pain Threshold invites the audience and Christianized peoples”, referring to the with heart and soul: the Virgin Mary, the the dance collective nasa4nasa shows them to bear witness to their own emotional and habitual stigmatising of indigenous peoples biblical Blessed Mother, must be saved, smiling, with table tennis bats and a large intellectual thresholds. In a filigree unfolding as cannibals to reinforce colonial propaganda. emancipated and instated as an ambassador trophy. The sport motif remains: now the choreography, we follow questions like: Is Belgian choreographer Michiel Vandevelde for queer feminism in her ambivalent role as former danceWEBbers turn the stage into a it possible to become a witness of another turns the European man-eater legend upside one who loves unconditionally. And so, with squash court – in Cairo, it was the other way person’s physical or emotional pain without down in Andrade’s sense and launches a a little help from Donna Summer, the solo round for want of a different performance giving in to an impulse – to save, to solve, to performative invasion of Western culture in performer plunges into the lustful pain of love venue: a squash court became the stage. They turn away or to reject? this stirring, science fiction-like, sombrely and introduces the audience in a graphically put on red leotards à la Merce Cunningham NOTICE: This performance explicitly deals gleaming female solo, fragmented through erotic manner to the wonder of one of her for this duet and transform the strictly defined with sexual violence. alienation. The brilliant Bryana Fritz dances a shoes. She has painted beautiful muscles space into a ‚landscape of collapse’. The ‚cannibalised dance’, in which all references to on her body, which isn’t exactly made up synchronously moving bodies dance with the its origins have become indecipherable. chastely, and her immaculate veil shimmers space to the multi-layered music and from this sinfully red. Simply adoreable. real beauty emerges a striking as an intensity.

16 17 SAMUEL FELDHANDLER ELLEN FUREY Biographies Artists is a french choreographer currently living is a choreographer based in Montreal working in Vienna and working between Austria, in experimental and contemporary dance ERIC ARNAL-BURTSCHY TATIANA CHIZHIKOVA Germany, Holland and Sweden. Being from a forms. Since 2012, she’s mostly involved family of , Samuel investigates ways in collaborative, discursive processes that followed a university course before moving is a contemporary dance artist, teacher of translating musical forms within a dance insist on a mess of subjectivities. She works to the performing and visual arts. He creates of ­somatic and performative practices, context as his main approach to choreography. with and for Dana Michel, Andrew Tay, shows, installations and performances visually ­choreography and movement research. His work B-Minor ­S­infonia (2012), dealt with ­Christopher Willes and Simon Portigal. She outside of the norm that are immersive expe- Her artistic focus lies in new hybrid forms of counterpoint, while the second, the quartet has performed in choreographies by Daniel riences containing many levels of meaning. movements between contemporary dance For Four (2014), dealt with harmony. These Léveillé, Frédérick Gravel, Mårten Spång- His work, often based on research about the and other ­media, documentary choreography, two techniques have followed him in all of berg, Tina Tarpgaard, Sasha Kleinplatz and physics of the Universe and a questioning of ­reassembling of the body, concept-based dance his later works, such as in the trio ohne Fuge Clara Furey. Furey is a 2014 recipient of a the human, is shown in numerous places in and the uncanny in performative and physical (2016), which was looking into the forms ­danceWEB scholarship and was part of mobile Europe and international. With Lyllie Rouvière­ practices. of the fugue and the canon. He has written academy ’s Copycat Academy 2015. he created Bouncing Universe in a Bulk, a four pieces in the form of a sonata to this day, Furey is currently a part-time, independent diptych about in nity and emptiness, before ROMAN KUTNOV including two solos and one duet, as well as student at Concordia ­University. Her work to present Ciguë with Clara Furey, a solo on the book First Movement Form (Sonata Nr.3) has been presented in France, Canada and freedom and loneliness. One of his last works, is a musician and has started different projects (2017). The trio ’d he meant vary a shin’s the UK. Deep are the Woods, is an evocation of the such as the solo ambient/experimental (2018) deals with the form of theme and vacuum by the writing of the light. Eager to electronic project called Nole Plastique. He variations while his latest work, Fake Dances MALIK NASHAD SHARPE explore another form of relationship with the released albums and EPs in Russia and Europe (2019) approaches jazz forms, introducing world and still interested in diplomatic and and played local and international festivals. improvisation within his work for the first is a choreographer making performances strategic issues, he is also a reserve officer in In 2008 he graduated from Kazan National time. Samuel holds a Master in choreogra- under their alias marikiscrycrycry building the French army and participated in military Research Technical University with a degree phy from DOCH, ­Stockholm and a Bachelor upon an experimental dance practice thats is operations. This experience led to the creation in engineering of multimedia electronics. in contemporary dance from the Modern concerned with ontological expansion, cre- of his last show Why We Fight, a performance 2012–2016 he studied contemporary and me- Theatre Dance ­department of the ating new frameworks for the study of being that questions in a sensitive and political way dia arts at MediaArtLab School Manezh Mos- University of the Arts. As a performer, Samuel (Black), utilising the choreographic form as what can lead each of us to commit ourselves cow. He worked with artists, directors and worked among others with Michael O’Con- an active tool that gives possibility a material and why we are fighting. He often carries choreographers providing music and sound nor and Matias Daporta. function and subjectivity. They are based in out significant research for the realization design for multimedia installations, dance and London and their work has been shown in of his projects and collaborates with several theatrical performances such as Neil Davidson festivals like American Realness (NYC), Fierce universities and research centres. He will be a (62 Miles from Space) and the contemporary Festival (UK), NOW19 (UK), Festival for fellow of the Centre national de la recherche academic and experimental music collective Alternative Theatrical Expression (HR), Sub- scienti que française (CNRS) at the University Moscow Scratch Orchestra. merge (NYC). They have taught workshops at of Aix-Marseille in 2019–2020 and is collab- In 2014 he won the Innovation Prize for Glasgow School of Art, School of New Dance orating with high tech companies as Safran Contemporary Arts for Death Of Tarelkin. Development, London Contemporary Dance Aerobooster and CMI. In 2017 he started a new solo project Corell School, Royal Conservatoire of Scotland, Tate recording and experimental electronic Modern and others. They are currently Associ- music in a more club-oriented vein. Together ate Artist at Hackney Showroom Productions with choreographer Tatiana Chizhikova he and Schools Artist in Resident at Tate. worked on Time to Time providing a concept, sound design and music production.

18 19 MIRA KANDATHIL TOBIAS KOCH TORE WALLERT MARIA METSALU was born in Cologne. She completed her was born and raised in Basel, Switzerland and was born in Sweden and studied at Gerrit is an Estonian performer and artist, who Bachelor and Master studies at the Hoch- did his Masters in Audiodesign, Composition Rietveld Academy in Amsterdam, The Cooper finished SNDO (School for New Dance Devel- schule der Künste Bern. In 2010, her first and Music Theory at the Hochschule für Union in and the Université de opment) in Amsterdam in 2016. Her former own public project Mira Bhai - a South Indian Musik in Basel. He works as a sound designer la Sorbonne. He had solo exhibitions at Erik practice as a solo artist has mutated into a classical Danceperformance, has premiered. and musician for film, performance arts, Nordenhake (Stockholm 2017); Bad Repu- form of collective practice, often facilitating In 2012 she played several main roles at theater and visual arts. Films with his sound tation (Los Angeles 2017); the debut of his other artist in her work, directly or implied the Stadttheater Basel. Among others in the design and music can be seen internationally feature filmWALKERS at Ginerva Gambino and synthesising it with her own work. She play Der grosse Marsch. In 2014 she won in cinemas and at various festivals including (Cologne), The Loon (Toronto 2016); AMY, has an ongoing interest in the production of the PREMIO Young Talent Award together Filmfestival Cannes, Locarno, Rotterdam, James Fuentes at Allen & Eldridge (New York her own persona, self-mythologisation of it with Annina Machaz. In 2015 she had her Berlinale and Toronto among others. His City 2015), and The Germ of All Potential and her own autopoiesis. Exploring physical movie debut in the German movie Marry Me, works in the field of performing arts and (Frankfurt am Main & Berlin 2014). and virtual realities, bringing them together, a coproduction of ZDF / ARTE. She has a visual arts have been presented at MoMA understanding the differences of those two PhD of the Graduate School oft he Arts in the New York, Documenta 14, Frieze Art Fair, in terms of interaction, social exchange and Department of Social Anthropology and is an Tate Modern London, Centre Pompidou , transformation are important aspects of her re- expert on art figures. 2017 she performed at Maxim Gorki Theater Berlin, Münchner search process. She aims to articulate relations the ‘AUA we live festival’ as her own art figure Kammerspiele, Schauspielhaus Zürich and between visual culture, identity, appropriation, Maria Marshal. Theater Basel, among others. telepresence and voyeurism using self referen- tial relationships with corporate technologies. ANNINA MACHAZ THIBAULT LAC She is creating visual performative works that regardless of the chosen medium places her was born in Zürich and completed her studied architecture at Ecole Nationale own body in the epicentre. Besides her solo ­Bachelor‘s degree in Acting at the Hochschule Supérieure d‘Architecture et de Paysage de work she is one of the founding members of der Künste Bern as well as her Master in Bordeaux before completing P.A.R.T.S in international performance collective Young Scenic Arts Practice. She was honored with Brussels. Alongside his studies, he performed boy dancing group. the award Schauspiel Migros Kulturprozent, with the professional cast of The Show Must the Best Actors Award of the ACT Festival Go On by Jérôme Bel in 2009 and assisted Bilbao and the PREMIO Young Talent Award. Tino Sehgal on preparations for his 2010 Her own productions are Follow us, the future exhibit at the Guggenheim Museum in New is now and Ask the Oracle. She also played in York. Next to performing Little Perceptions by Emil und die Detektive at the Schauspielhaus Noé Soulier, A Dance for the Newest Age by Zürich. She worked a. o. with Ivo Dimchev Eleanor Bauer and Zombie Aporia by Daniel in the Favor and Fest; in body & freedom Linehan, he danced in Mathilde Monnier‘s with Lange, Holzinger, Riebeek, Scheiwiller; latest piece Twin Paradox. He has been taking in Peter Pan with Ann-Liv Young; in Fallen part in several sizes of Trajal Harrell‘s project with Johannes Mager; and as Calamity Jane in Twenty Looks or Paris is Burning at the Appollon by Florentina Holzinger. Judson Church and was named for one of the dancers of 2012 by the New York Times. Also in Harrell‘s piece for MoMA Used, Abused, and Hung out to dry, he recently opened the 16th Lyon Dance Biennial with Faits by theatre director Daniel Jeanneteau.

20 21 MICHELLE MOURA NOURA SEIF HASSANEIN PEREL MICHIEL VANDEVELDE is a visual artist, choreographer and dancer. is a Brazilian choreographer and dancer. She graduated from the Faculty of Fine Arts in is a choreographer, artist, and writer whose studied dance and choreography at P.A.R.T.S., Among her creations are FOLE (2013), 2007 and exhibited her work in Youth Salon work is centered on disability and queer- Brussels. He is active as a choreographer, cura- CAVALO­ (2010) and BLINK mini unison Cairo, Carrousel du Louvre, Grand Palais, ness as they relate to trauma, consent, care tor, writer and editor. As a freelance curator intense wail (2015), where she develops PhotoCairo5 and Gypsum gallery. In 2012 she and sexuality. Perel has been presented he worked or works for Extra City Kunsthal, strategies to generate psycho-physical changes. joined the Cairo Contemporary Dance Center. by the American Realness Festival in New Het Bos, Bâtard festival, Z33 and Precarious A contrast among her previous creations is She received scholarships from Henri Jurriens York both for Pain Threshold in 2019, and Pavilions. He is involved as an editor in the Coreografia estudo#1 (2016), where she de- foundation in 2012 and from danceWEB in (do not) despair solo in 2018. The artist is Disagree. magazine, and he has written arti- velops her interest in structure. Her creations 2015. She performed in works by Mohamed currently developing a new work for the No cles for Etcetera, De Witte Raaf, Rekto:Verso, have been presented in international dance Shafik, Karima Mansour, Mirette Michael, Limits ­Festival at Hebbel-Am-Ufer, Berlin Mister Motley, among others. From 2017 to and performing arts festivals and venues Mårten Spångberg, Hend el Balouty, Shaymaa for November 2019. Perel was an inaugural 2021 he is artist in residence at Kaaitheater in South America and Europe including Shoukry and Doa Aly. Her solo performance ­Choreographic Lab commissioned artist with (Brussels). In his work he investigates the Panorama Festival, HAU – Hebbel am Ufer Catatonia: A History One (Free Radicals) by the integrated dance company, AXIS Dance, in elements that constitute or obstruct the con- and the Musée de la danse. As performer, she Doa Aly was shown at Art Dubai in 2016, California and was the first International Artist temporary public sphere. He explores which has worked with Wilhelm Groener, Vincent Sharjah biennale 2017 and in Art Jameel in in Residence at Sophiensaele, Berlin through other social, economic and cultural alterna- Dupont, Raphaëlle Latini/Groupe Entorse, 2019. the Making A Difference project. 2018 Perel tives we can imagine in order to question, Dani Lima and Alex Cassal. She continued had a Dance In Process AIR residency at challenge and transform dominant logics and her dance studies at Essais Program, CNDC SALMA ABDEL SALMA Gibney Dance and has one 2018–2020 at ways of organizing. He has been developing a d’Angers (FR) (2010) and Das Choreography received her BA in Sociology in 2012 and Mertz-Gilmore AIR at ­Movement Research variety of projects both in public space and in (2015). Moura is co-founder and member of studied at the Cairo Contemporary Dance in New York. Perel’s previous work has been (performing) arts institutions. Cauliflower Miniglobal Artistic Community Center. In 2015 Salma completed her MA presented by ­numerous theatres, galleries (2005–2012) together with seven other Bra- in Performance Studies from NYU Tisch and historic venues in the U.S. including BRYANA FRITZ zilian artists. In 2019, Moura will premiere and worked at ArteEast and Movement The Chocolate Factory Theater, Movement the piece Enquanto Somos Humanos in Research in New York. In 2016 Salma Research at the Judson Church, The ­Elizabeth is a dancer and choreographer based in collaboration with Maikon K, at Rumos Itaú received the danceWEB scholarship. She Foundation for the Arts, FringeArts, the ­Brussels. Her work situates itself at the Cultural, São Paulo. She will be collaborating teaches performance and dance theory at ­Chicago Cultural Center, and the 2015­ intersection between poetry and perfor- with Sara Anjo in the creation of the group the Contemporary Dance Center’s and at ­Chicago ­Humanities Festival in partnership mance in duet with the user interface of performance Nós aqui nesse passinho vamos the American University, both in Cairo. She with the 25th ­Anniversary of the ­Americans OS X. Indispensible­ Blue (offline) is a title até o sol raiar in Lisbon. taught a workshop titled ‚Body as political with ­Disabilities Act. In Europe, Perel has which hosted multiple iterations of this generator’ as part of ImPulsTanz’s 2019 Public ­presented works at the DIVO ­Institute inquiry - performance, screenshot recordings, Moves Series. Salma performed in works (Prague) Medium Gallery (­Bratislava), and publications - addressing the poetics of by Benoît Lachambre, Tino Sehgal, Yoshiko ­Konstfack College for Art + ­Design usership. Submission Submission re-situ- Chuma, Karima Mansour, Mirette Michel, (­Stockholm), Sophiensaele for ­Tanztage 2019, ates this duet (with OS X) by occupying the Mohamed Shafik, Adham Hafez. and most recently, at the WHOLE United position of amateur hagiographer, portraiting Queer Festival (Berlin). the subversive strategies of Medieval women Hassanein and Salma co-founded nasa4nasa in saints. Bryana has also worked as a performer 2016 and received Mophradat’s Consortium for Anne Teresa de Keersmaeker, Xavier le Commissions in 2017. Their debut SUASH Roy, and Michiel Vandevelde. Since 2016, she premiered at BUDA’s Next Festival and MDT’s collaborates with Henry Andersen under the ‘A Fine Selection. Confirmed.’ in Stockholm. moniker Slow Reading Club, a semi-fictional In 2019 SUASH premiered in the Maadi reading group that deals in choreographed Sports Club’s squash court (Cairo) where the situations for collective reading. piece was originally conceived.

22 23 TERESA VITTUCCI Biographies Jury was born in Vienna, graduated from Vienna Conservatory, The Ailey School, Salzburg Experimental Academy of Dance (SEAD) and University of Arts Berne where she received her Masters in Scenic Arts Practice in 2013. Her works include the solos knitterfest (HKB STEVEN COHEN 2010), watch (HKBn2011), unleash (HKB (Jury) 2012) and her latest work LUNCHTIME (brut Wien 2015). Collaborations include working was born in 1962 in Johannesburg, South Vienna Kunsthalle (2011); Dada South?, with Dries Verhoeven (you are here), The Africa and lives in Lille, France. He is a visual South African National Gallery, Cape Town Loose Collective (The Music of Sound), Staat- and performance artist, staging interventions (2009-10); and Under Pain of Death, Austrian stheater Mainz (ensemble member), Marie in the public realm and in gallery/theatre Cultural Forum, New York (2008). Caroline Hominal (Taxi Dancers), know- spaces. From 2003 to 2008 Cohen was an associated botiq (b(l)ack DADA and DRAFT) and Nils He has performed extensively on the festival artist of the Ballet Atlantique/Régine Amadeus Lange (666 – The Group Piece and Circuit, at such prestigious venues and events Chopinot in La Rochelle, France. He has U BETTA CRY). Her work has been shown at as Montpellier Danse; the Festival d‘Automne, participated in residencies at the Baryshnikov several festivals and theatres including zürich Centre Pompidou, Paris; Festival d‘Avignon; Arts Center and the Center for Performance moves!, Tanz Ist, brut Wien – imagetanz, Munich Opera Festival, Bavarian State Opera; Research in New York, and conducted Zürich Tanzt, Swiss Dance Days, Theater Win- Festival Escena Contemporánea, Madrid; workshops in Body Scenography at CIFAS kelwiese, Südpol Luzern and others. Vittucci Bozar in Brussels; Oktoberdans, Bergen, (International Centre for the Performing Arts), has received several scholarships, including Norway; and Canadian Stage, Toronto. Les Brigittines, Brussels, and Haute école des ImPulsTanz danceWEB scholarship 2013 Cohen participated in the most recent Arts du Rhin, Strasbourg, among many other (mentor Ivo Dimchev), the Foreign Study National Arts Festival in Grahamstown institutions. Scholarship of the Austrian CultureMinistry (2018); EVA International, Irish Biennial of (BKA), the STARTstipendium scholarship from Contemporary Art (2018); the 11th Havana BKA as well as the TURBO Residency at Im- Biennale (2012) and the first Aichi Triennale PulsTanz 2014 (mentors Meg Stuart & Miguel in Japan (2010). Notable group exhibitions Guiterrez). Her work ALL EYES ON has been include Disguise: Masks and Global African selected for the Swiss Dance Days in February Art, Seattle Art Museum and Brooklyn Art 2019 and she has been awarded recognition Museum, USA (2015-16); Chercher le prize for her work as an outstanding perform- garçon, Musée d‘Art Contemporain du Val-de- er by the city of Zurich. Marne, France (2015); Josephine Baker and Le Corbusier in Rio – A Transatlantic A air, Museu de Arte do Rio (2014); Black Milk: Holocaust in Contemporary Art, Museum for Contemporary Art, Roskilde, Denmark (2014); My Joburg, La Maison Rouge, Paris, and Staatliche Kunstsammlungen (2013); Revolution vs Revolution, Beirut Art Centre, Lebanon (2012); No Fashion, Please: Photography between Gender and Lifestyle,

24 25 NASTYA PROSHUTINSKAYA GABRIELE COURAG RIEM HIGAZI PHILIPP GEHMACHER (Jury) (Jury) (Host) (Artist Award Sculpture) is an independent curator, researcher and pro- Gabi Coura left her business job more than 10 was born in 1970 in Cairo, Egypt, to an is a choreographer, dancer and visual artist, ducer who lives and works in Moscow, Russia. years ago to follow her two strong passions: Egyptian father and an Austrian mother. Her currently living and working in Vienna. In 2012-2018, she had been in charge of On the one hand, she is a PhD candidate in family emigrated to Toronto, Canada which ­Gehmacher’s artistic works use bodies contemporary dance curating in ZIL Culture Tibetan Studies and an Associate Lecturer for is where she went to school, travelling to her and language as forms of expression, the built Centre, Moscow with focus on stage produc- History of Tibet at the University of ­Vienna, grandparents’ country estate in Lower Austria as well as institutional space, such as the tions, residencies for young dance artists, as and is cataloging the photos of the deceased almost every summer holiday. the object and the sculpture. With these well as educational events in dance theory travel writer Herbert Tichy at the Austrian works between Black Box and White Cube, and international networking. Independently, Academy of Sciences. On the other hand, She moved to Paris, France in 1989 where Philipp Gehmacher is an international artist. in March 2019 she had curated a showcase she is active in the Viennese performance she spent a year as an au pair and then moved Theatre festivals and exhibition installations that brought together Moscow-based emerg- scene as a frequent visitor of performance and to Vienna, Austria to pursue a degree in include Tanzquartier Wien, Museum der ing dance artists and international curators; dance pieces and as a participant of numerous journalism and psychology at the University Moderne Salzburg, steirischer herbst (Graz), the project was called What If They Went to workshops. She was taking part in shows of Vienna. She joined the Austrian Broad- Biennale of Sydney, Baltic Circle International Moscow?. Since 2018, Anastasia co-curates by Holzinger/Lange/Machaz/Riebeek/­ casting Corporation as a music journalist for Theatre Festival (Helsinki), Leopold Museum, the documentary choreography research lab Scheiwiller, nadaproductions, irreality.tv and the youth-oriented radio show Treffpunkt mumok in Vienna and Gri th University Art and lectures on this topic in Moscow and Club Real and showed her own work in the Ö3 in 1993. In 1995, Riem Higazi joined a Museum in Brisbane. Gehmacher is also a abroad. Anastasia Proshutinskaya acquired a course of Raw Matters - An Unpolished Dance group of like-minded journalists and became mentor and teacher at renowned educational M.A. in Art Theory and History from Moscow and Performance Evening. a founding member of Austria’s first alterna- institutions such as P.A.R.T.S in Brussels, HZT State University, M.A. in Performance Studies tive radio station FM4. There, she hosted a in Berlin, DOCH in Stockholm and at the from The Southern Illinois University. comedy show until 1996. She then moved University of Salzburg. to London, England and spent seven years working at diverse media jobs, the most prom- inent of which was as at HIT Entertainment, a children’s television production company and the makers of the world-famous 2D animation television series Bob the Builder. During her stay in London, she continued to provide features for FM4 plus maintained her status as ‘station voice’. Riem Higazi moved back to Vienna in 2002 and has been the Chief Pro- ducer of English Programming, an on-air host of diverse shows, plus station voice at FM4 since then. In 2017, she was a contestant in Austria’s highest ratings television program Dancing Stars and with her professional dance partner, Dimitar Stefanin, she placed third in the competition.

26 27 Zusatzvorstellung Research Project Showing 21. 7. / So Spielplan / Schedule Tanztheater Wuppertal Elio Gervasi Pina Bausch The Choreographic Engine Masurca Fogo 17:00, Probebühne Diskussion 21:00, Burgtheater, Kat A Volksoper, Kat O Jérôme Bel 11. 7. / Do 14. 7. / So Think Tank: Dance Dimitri Chamblas & [8:tension] Mette Ingvartsen and Ecology Boris Charmatz / Terrain Michiel Vandevelde 7 Pleasures 13:00, Arsenal, Kat Z FESTIVALERÖFFNUNG Workshop Opening Lecture À bras-le-corps Andrade 19:00, Akademietheater, Kat D Johann Kresnik | Gottfried «impressions’19» 19:30, Leopold Museum, 22:30, Schauspielhaus, Kat M Musikvideoprogramm Helnwein | Kurt Schwertsik 16:00, Arsenal Kat M Open House Synthesize the Real & TANZLIN.Z Eintritt frei Miller, Hill, Weber, 16:00, Leopold Museum Macbeth Tanztheater Wuppertal 18. 7. / Do Martinez & Guests Auditorium, Kat R 21:00, Volkstheater, Kat B Mette Ingvartsen Pina Bausch Unstable Nights 69 positions Masurca Fogo Filmvorführung 19:00, mumok Hofstallung, [8:tension] 18:30, Kasino am 21:00, Burgtheater, Kat A César Vayssié Kat K + Q Michelle Moura Schwarzenbergplatz, Kat J 12. 7. / Fr Les Disparates BLINK – mini unison Tanztheater Wuppertal Boris Charmatz & intense lamentation Doris Uhlich 17. 7. / Mi Pina Bausch Doris Uhlich César Vayssié 19:00, Kasino am TANK Masurca Fogo TANK Levée Schwarzenbergplatz, Kat M 19:00, Odeon, Kat I 21:00, Burgtheater, Kat A 19:00, Odeon, Kat I Filmvorführung 18:00, Leopold Museum César Vayssié Ali Moini Michael Laub / Remote Auditorium, Kat R Michael Laub / Remote Les Disparates ImPulsTanz Party My Paradoxical Knives Control Productions A-Side Control Productions Boris Charmatz & Open House 20:15, mumok, Kat P Rolling 22:00, Kasino am Rolling César Vayssié Miller, Hill, Weber, 21:00, Akademietheater, Kat D Schwarzenbergplatz Mette Ingvartsen 21:00, Akademietheater, Levée Martinez & Guests 7 Pleasures Kat D 17:30, Leopold Museum Unstable Nights 21:00, Akademietheater, Kat D 15. 7. / Mo Auditorium, Kat R 19:00, mumok Hofstallung, 20. 7. / Sa Filmvorführung Kat K + Q Wim Wenders Zusatzvorstellung Zusatzvorstellung Steven Cohen PINA Annie Dorsen Dimitri Chamblas & Dimitri Chamblas & Diskussion put your heart under 21:30, Kino wie noch nie Spokaoke Boris Charmatz / Terrain Boris Charmatz / Terrain Jérôme Bel your feet ... and walk! 19:00, Festival Lounge im À bras-le-corps À bras-le-corps Think Tank: Dance 21:00, Odeon, Kat I Burgtheater Vestibül, Kat O 18:30, Leopold Museum, 19:30, Leopold Museum, and Ecology 13. 7. / Sa Kat M Kat M ab 13:00, Arsenal, Kat Z [8:tension] Michiel Vandevelde 22. 7. / Mo Annie Dorsen Ali Moini Annie Dorsen Open House Andrade Spokaoke My Paradoxical Knives Spokaoke Miller, Hill, Weber, 21:00, Schauspielhaus, Kat M 17:00, Arsenal, Kat O 19:00, mumok, Kat P 20:30, Leopold Museum, Martinez & Guests [8:tension] Kat O Unstable Nights Tobias Koch, Thibault Open House Johann Kresnik | Gottfried 19:00, mumok Hofstallung, Lac & Tore Wallert Helnwein | Kurt Schwertsik 16. 7. / Di Miller, Hill, Weber, Tanztheater Wuppertal Kat K + Q Such Sweet Thunder & TANZLIN.Z Martinez & Guests Pina Bausch 19:00, Leopold Museum, Macbeth Vernissage Unstable Nights Masurca Fogo [8:tension] Kat M 19:30, Volkstheater, Kat B Karolina Miernik & Emilia 19:30, mumok Hofstallung, 21:00, Burgtheater, Kat A Tobias Koch, Thibault Milewska / yako.one Kat K + Q Lac & Tore Wallert Filmvorführung Filmvorführung Come on! Dance with me Such Sweet Thunder Jérôme Bel Wim Wenders 18:00, OstLicht. Mette Ingvartsen 19. 7. / Fr 19:00, Leopold Museum, Retrospective PINA Gallery for 69 positions Kat M 19:00, Akademietheater, Kat P 20:30, Kasino am 20:30, METRO Photography, Kat Z Dance of Urgency, Q21 Schwarzenbergplatz, Steven Cohen Langheinrich & Hentschläger Kinokulturhaus Frédéric Gies Kat J put your heart under / Granular Synthesis Mette Ingvartsen Good Girls Go To Heaven, your feet ... and walk! MODELL 5 Mette Ingvartsen 69 positions Bad Girls Go Everywhere 69 positions 18:30, Kasino am Steven Cohen 21:00, Odeon, Kat I 20:30, Odeon, Kat N put your heart under 14:30–18:08, frei_raum 22:00, Kasino am Schwarzenbergplatz, Q21, Kat Z Schwarzenbergplatz, Kat J Kat J your feet ... and walk! Juliana F. May Juliana F. May 21:00, Odeon, Kat I Folk Incest Folk Incest 22:30, Volx/Margareten, Kat K 21:00, Volx/Margareten, Kat K Mette Ingvartsen Lenio Kaklea [8:tension] Zusatzvorstellung Zusatzvorstellung to come (extended) Practical Encyclopaedia, 26. 7. / Fr Mira Kandathil & Annina [8:tension] [8:tension] 21:30, Volkstheater, Kat C Chosen Portraits Machaz / Follow us Maria Metsalu Teresa Vittucci 20:30, mumok, Kat M Open House Ask the oracle Mademoiselle x HATE ME, TENDER [8:tension] Miller, Hill, Weber, – the future is now – 21:00, mumok Hofstallung, 21:00, Volx/Margareten, Kat M Eric Arnal-Burtschy Claire Croizé & Matteo Martinez & Guests 22:30, Kasino am Kat M Why We Fightt Fargion / ECCE vzw Unstable Nights Schwarzenbergplatz, Kat M 23:00, Schauspielhaus, Kat M Flowers (we are) 18:00, mumok Hofstallung, Book Presentation 1. 8. / Do 20:30, Akademietheater, Kat F Kat K + Q Mårten Spångberg Hg. 28. 7. / So Movement Research Philipp Gehmacher Zusatzvorstellung 23. 7. / Di Lenio Kaklea 22:30, Volkstheater – It is a balancing act to live Ismael Ivo / Balé da Practical Encyclopaedia, Musikvideoprogramm Rote Bar, Kat Z without your attention Cidade de São Paulo & Open House Chosen Portraits B-E-H-A-V-E mit Mårten Spångberg Theaterversion Morena Nascimento Miller, Hill, Weber, 18:00, mumok, Kat M 16:00, Leopold Museum und Anne Juren 19:00, Odeon, Kat I Um Jeito de Corpo Martinez & Guests Auditorium, Kat R Unstable Nights 21:00, Burgtheater, Kat B Ian Kaler & Planningtorock Zusatzvorstellung 18:00, mumok Hofstallung, o.T. | RAW PRACTICE [8:tension] 30. 7. / Di Amanda Piña / Mette Ingvartsen Kat K + Q 19:00, Leopold Museum, Teresa Vittucci nadaproductions 21 pornographies Kat M HATE ME, TENDER [8:tension] Danza y Frontera 22:00, Volkstheater, Kat E Jérôme Bel 18:00, Volx/Margareten, Maria Metsalu (Museum Version) Work in Progress Presentation Lecture on nothing Kat M Mademoiselle x 19:00, mumok, Kat K Peter Stamer & Frank Willens 19:00, Schauspielhaus, Kat L 19:00, mumok Hofstallung, 25. 7. / Do In the Penal Colony [8:tension] Kat M [8:tension] Ismael Ivo / Balé da 19:00, mumok, Kat O Samuel Feldhandler Ellen Furey & Malik Cidade de São Paulo & Lenio Kaklea ’d he meant vary a shin’s Frank Willens Nashad Sharpe Zusatzvorstellung Morena Nascimento Practical Encyclopaedia, 19:30, Schauspielhaus, Kat M Radiant Optimism SOFTLAMP.autonomies Ismael Ivo / Balé da Um Jeito de Corpo Lecture demonstration 20:15, Kasino am 21:00, Schauspielhaus, Kat M Cidade de São Paulo & 21:00, Burgtheater, Kat B 18:00, mumok, Kat M Frédéric Gies Schwarzenbergplatz, Kat K Morena Nascimento walk + talk Liquid Loft / Chris Haring [8:tension] Open House Um Jeito de Corpo 19:30, mumok, Kat M Zusatzvorstellung Stand-Alones Michelle Moura Miller, Hill, Weber, 21:00, Burgtheater, Lisbeth Gruwez / Voetvolk ( polyphony ) BLINK – mini unison Martinez & Guests Kat B Lisi Estaras & Ido Batash / The Sea Within 21:00, Leopold Museum, Kat K intense lamentation Unstable Nights MonkeyMind Company 21:00, Akademietheater, Kat F 22:30, Kasino am 18:00, mumok Hofstallung, [8:tension] The Jewish Connection Project Frank Willens Schwarzenbergplatz, Kat M Kat K + Q Samuel Feldhandler 21:00, Volkstheater, Kat E Philipp Gehmacher Radiant Optimism ’d he meant vary a shin’s It is a balancing act to live 23:00, Kasino am [ImPulsTanz Classic] 22:30, Schauspielhaus, [8:tension] without your attention Schwarzenbergplatz, Kat K 24. 7. / Mi Akemi Takeya Kat M Maria Metsalu Theaterversion ZZremix Mademoiselle x 21:30, Odeon, Kat I Neuinszenierung 22:30, mumok Hofstallung, 2. 8. / Fr Open House 27. 7. / Sa Miller, Hill, Weber, 19:30, Odeon, Kat I Kat M [8:tension] Martinez & Guests Teresa Vittucci Symposium & Performance Ismael Ivo / Balé da Unstable Nights IDOCDE Symposium HATE ME, TENDER Chateau Rouge & Red Edition Cidade de São Paulo & 18:00, mumok Hofstallung, Tracing Forwards 29. 7. / Mo 23:00, Volx/Margareten, Kat M Salon Souterrain: Morena Nascimento Kat K + Q 27. Juli, 12:00 bis 28. Juli, Art & Prostitution Um Jeito de Corpo 13:00, Arsenal Work in Progress Presentation 19.00–21:30, Volkstheater – 21:00, Burgtheater, Kat B Ian Kaler & Planningtorock Peter Stamer & Frank Willens 31. 7. / Mi Rote Bar, Kat M o.T. | RAW PRACTICE Steven Cohen In the Penal Colony [8:tension] 19:00, Leopold Museum, Taste 19:00, mumok, Kat O Amanda Piña / Amanda Piña / Mira Kandathil & Annina Kat M 19:00, Leopold Museum, nadaproductions nadaproductions Machaz / Follow us Kat O Steven Cohen Danza y Frontera Danza y Frontera Ask the oracle [8:tension] Taste (Museum Version) (Museum Version) – the future is now – [ImPulsTanz Classic] Eric Arnal-Burtschy 20:15, Leopold Museum, Kat O 19:00, mumok, Kat K 19:00, mumok, Kat K Why we fi ght 22:30, Kasino am Akemi Takeya 19:00, Schauspielhaus, Kat M Schwarzenbergplatz, Kat M ZZremix Lisbeth Gruwez / Voetvolk Lisbeth Gruwez / Voetvolk Alleyne Dance Neuinszenierung The Sea Within The Sea Within A Night’s Game 21:00, Odeon, Kat I 21:00, Akademietheater, Kat F 21:00, Akademietheater, Kat F 20:30, Odeon, Kat I Zusatzvorstellung Zusatzvorstellung toxic dreams & WTKB [8:tension] Zusatzvorstellung Liquid Loft / Chris Haring Agudo Dance Company 6. 8. / Di The Deadpan Dynamite nasa4nasa [8:tension] Stand-Alones Silk Road – The Art of the Gag SUASH nasa4nasa ( polyphony ) 19:00, Akademietheater, Kat F Showing 21:00, Schauspielhaus, Kat L 19:30, mumok, Kat M SUASH 20:30, Leopold Museum, Kat K ATLAS – create your 19:30, mumok, Kat M Philipp Gehmacher dance trails Anne Juren God’s Entertainment Planningtorock It is a balancing act to live 16:00, Arsenal, Kat Z 42 TARZAN Simone Aughterlony, Powerhouse without your attention 21:00, Odeon, Kat I 20:00, Zacherlfabrik, Kat K Petra Hraš´canec & Saša Boži´c 22:00, Halle E, Kat H Museumsversion Musikvideoprogramm Compass 19:00, mumok, Kat K B-E-H-A-V-E Wim Vandekeybus ImPulsTanz Party 21:00, Kasino am Synthesize the Real / Ultima Vez B-Side Schwarzenbergplatz, Kat K 3. 8. / Sa Alleyne Dance 16:00, Leopold Museum Go Figure Out Yourself 22:00, Kasino am A Night’s Game Auditorium, Kat R 22:30, mumok Hofstallung, Schwarzenbergplatz [8:tension] 21:00, Odeon, Kat I Kat K 11. 8. / So [8:tension] Ellen Furey & Malik Philipp Gehmacher [ImPulsTanz Classic] Tatiana Chizhikova Nashad Sharpe It is a balancing act to live Zusatzvorstellung DD Dorvillier / human & Roman Kutnov SOFTLAMP.autonomies without your attention 8. 8. / Do [8:tension] future dance corps Time to Time 19:00, Schauspielhaus, Kat M Museumsversion Marissa Perel No Change, or “freedom is a 23:00, Schauspielhaus, Kat M 19:00, mumok, Kat K [8:tension] Pain Threshold psycho-kinetic Skill” (2005) Zusatzvorstellung Marissa Perel 16:00, Leopold Museum, Kat M Alleyne Dance 22:00, Kasino am God’s Entertainment Pain Threshold A Night’s Game Schwarzenbergplatz, Kat K TARZAN 19:00, Leopold Museum, Kat M 10. 8. / Sa Musikvideoprogramm 19:00, Odeon, Kat I 20:00, Zacherlfabrik, Kat K Collapse Filmvorführung Final Workshop Showing 16:30, mumok kino, Kat. S Liquid Loft / Chris Haring 5. 8. / Mo Jonathan Burrows César Vayssié «expressions’19» Stand-Alones Rewriting Ne travaille pas (1968–2018) 16:00, Arsenal, Kat Z [ImPulsTanz Classic] ( polyphony ) Wim Vandekeybus 20:15, Leopold Museum, Kat M 19:00, mumok kino, Kat Q Ivo Dimchev 19:00, Leopold Museum, Kat K / Ultima Vez CieLaroque/Helene Weinzierl The Selfi e Concert Zusatzvorstellung Go Figure Out Yourself God’s Entertainment AS FAR AS WE ARE 18:00, Leopold Museum, Kat K toxic dreams & WTKB Dance Contest 19:00, mumok TARZAN 18:00, Arsenal, Kat M The Deadpan Dynamites Rhythm is a Dancer Hofstallung, Kat K 20:00, Zacherlfabrik, Kat K [8:tension] Hosted by Storm – The Art of the Gag [8:tension] Tatiana Chizhikova 20:00, Arsenal, Kat Z Jonathan Burrows 21:00, Schauspielhaus, Kat L Zusatzvorstellung Marissa Perel & Roman Kutnov Rewriting Jonathan Burrows Pain Threshold Time to Time Wim Vandekeybus Agudo Dance Company 20:00, Leopold Museum, Kat M Rewriting 18:00, Leopold 19:30, Schauspielhaus, Kat M Silk Road / Ultima Vez 21:00, Leopold Museum, Kat M Museum, Kat M 21:00, Akademietheater, Kat F Agudo Dance Company Go Figure Out Yourself Zusatzvorstellung Silk Road 21:00, mumok Hofstallung, Zusatzvorstellung Dana Michel Dana Michel Zusatzvorstellung 21:00, Akademietheater, Kat F Kat K [8:tension] CUTLASS SPRING CUTLASS SPRING Alleyne Dance nasa4nasa 19:30, Odeon, Kat K 19:30, Odeon, Kat K A Night’s Game toxic dreams & WTKB SUASH 22:30, Odeon, Kat I The Deadpan Dynamites 7. 8. / Mi 21:00, mumok, Kat M Book Presentation & ImPulsTanz – Young – The Art of the Gag Musical Improvisation Choreographers’ 21:00, Schauspielhaus, Kat L [8:tension] Simone Aughterlony, Johannes Odenthal, Award Ceremony 4. 8. / So nasa4nasa Petra Hraš´canec & Saša Boži´c Ko Kôkô, Manos Tsangaris 21:00, Kasino am Jonathan Burrows SUASH Compass Passagen Schwarzenbergplatz Future Clinic for Critical Care Rewriting 19:00, mumok, Kat M 21:00, Kasino am 19:30, Schauspielhaus, Kat Z FCCC’ing ImpulsTanz 21:00, Leopold Museum, Kat M Schwarzenbergplatz, Kat K Konzert Zusatzvorstellung The Musical: A Past Wim Vandekeybus Hahn Rowe Wim Vandekeybus Annie Dorsen Present Future Clinic / Ultima Vez Hahn Rowe in Concert / Ultima Vez Spokaoke Hosted by Jeremy Wade & Nina Go Figure Out Yourself 9. 8. / Fr 22:30, Kasino am Go Figure Out Yourself 23:00, Volx/ Mühlemann & Tanja Erhart 19:00, mumok Hofstallung, Schwarzenbergplatz, Kat M 22:30, mumok Hofstallung, Margarethen, Kat O 12:00–18:00, Arsenal, Kat M Kat K [ImPulsTanz Classic] Kat K Ivo Dimchev Musikvideoprogramm Jonathan Burrows The Selfi e Concert Programmänderungen vorbehalten Collapse Rewriting 18:00, Leopold Museum, Kat K / Programme subject to change 17:00, mumok kino, Kat S 20:00, Leopold Museum, Kat M IMMER

WIDERRiem Higazi © Manfred Baumann

Medieninhaber und Herausgeber: ImPulsTanz – Vienna International Dance Festival; Museumstraße 5/21, 1070 Wien, Austria T +43.1.523 55 58/F +43.1.523 55 58-9; [email protected]/impulstanz.com DEN GARTEN Intendant: KarlBRAV! Regensburger; Künstlerische Beratung: Ismael Ivo; Künstlerische Leitung Workshops & Research: Rio Rutzinger, Marina Losin; Künstlerische Leitung [8:tension]: Christine Standfest, Michael Stolhofer; Dramaturgie & Programm mumok- Kooperation: Christine Standfest; ImPulsTanz soçial Programm: Hanna Bauer; Finanzen: Gabriele Parapatits, Katharina Binder; ALS WOHNRAUM Kaufmännische Beratung: Andreas Barth – Castellio Consulting GmbH; Festivalorganisation: Gabriel Schmidinger, Alissa Horngacher; Künstlerisches Betriebsbüro: Yasamin Nikseresht, Maiko Sakurai, Laura Fischer; Produktionsassistenz: Oihana Azpillaga Camio; Produktionsleitung: Johannes Maile; IT: Hannes Zellinger, Zimmel + Partner; Presse & PR: Theresa Pointner, Almud ENTDECKEN Krejza, Zorah Zellinger; Marketing: TheresaKritische Pointner; New Media: Maja Preckel; Meinungen Online Redaktion: Maja Preckel, Marina Losin; Förderungen & Kooperationen: Hanna Bauer; EU Project Life Long Burning & danceWEB Scholarship; Programme: Hanna Bauer, Katharina Binder, Rio Rutzinger; Sponsoring: Andreas Barth, Hanna Bauer, Wolfgang Mayr – mayr & more; ImPulsBringer – Freunde des ImPulsTanz Festivals: Präsident Josef Ostermayer, Organisation Laura Fischer; Workshop Offi ce: Carine Carvalho Barbosa & Team Koordination; danceWEB & ATLAS: Gabri Einsiedl; Technische Leitung Performances: Andreas Grundhoff & Team; Chiefs GARTENARCHITEKTUR of Ticketing: Ralf - I. Jonas, Gabriel Schmidinger; und Publikumsdienst: Kommentare. Gabriel Schmidinger, Alissa Horngacher & Team; Koordination der Künstler_innenwohnungen: Joseph Rudolf & Team; Gästekarten: Isabelle Nisanyan & Timothy Gundacker; Infoservice: Anna BAUMSCHULE Korenitsch, Martina Dähne; Spielstättengestaltung: Maximilian Pramatarov, Nestor Kovachev; Technische Leitung Workshops: CONCEPT STORE Hannes Zellinger & Team; Musikvideo-Programm: Christoph Etzlsdorfer (VIS Vienna Shorts), Theresa Pointner; Fotografi e: Karolina Miernik, Emilia Milewska; Video: Maximilian Pramatarov; Fuhrpark Manager: Nathan Gundacker Jede Woche. Hauptstraße 18 Redaktion Abendprogramme: Christine Standfest & Stefanie Gunzy; Satz (Kern): Valerie Eccli; Coverdesign, Introseiten & Art 3441 Zöfing / Tulln Direction: CIN CIN, Vienna – Stephan Göschl, Gerhard Jordan, Annika Perktold & Jasmin Roth; Print: Druckerei Walla. www.kramerundkramer.at

Wir betreuen Ihr Projekt von der ersten Idee bis zum letzten Grashalm. 34 Beratung, Planung und Umsetzung sowie auch Pflege und Betreuung kommen aus einer Hand. Unser Concept-Store bietet ein breites Sortiment an exklusiven Outdoor-Möbel, besonderen Pflanzen, hochwertigen Pflanzgefäßen und originellen Accessoires. Such Sweet Thunder © James Bantone

So, 11. August, 21:00 Kasino am Schwarzenbergplatz hosted by Riem Higazi

Vienna International Dance Festival