DOCSLIB.ORG

That the Tout Untuk Ta on Aina Ka Na Mama Mai Mari

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
That the Tout Untuk Ta on Aina Ka Na Mama Mai Mari THATTHE TOUT UNTUK TAUS ON20170354324A1 AINA KA NA MAMA MAI MARI ANTURI ( 19) United States (12 ) Patent Application Publication ( 10) Pub . No. : US 2017/ 0354324 A1 Bennett (43 ) Pub . Date : Dec . 14 , 2017 (54 ) VISION TEST FOR DETERMINING Publication Classification RETINAL DISEASE PROGRESSION (51 ) Int . CI. A61B 3 / 032 (2006 .01 ) ( 71 ) Applicant: The Trustees of the University of A61B 3 / 06 (2006 .01 ) Pennsylvania , Philadelphia , PA (US ) A61B 3 / 00 (2006 .01 ) (52 ) U . S . CI. (72 ) Inventor : Jean Bennett , Bryn Mawr, PA (US ) CPC . .. .. .. .. A61B 3 / 032 ( 2013 .01 ) ; A61B 3 / 0041 (2013 .01 ) ; A61B 3 / 06 ( 2013 .01 ) ; A61B 37063 (21 ) Appl. No. : 15 /524 , 126 ( 2013 . 01 ) (22 ) PCT Filed : Nov. 4 , 2015 (57 ) ABSTRACT The present invention provides a reading test to measure ( 86 ) PCT No. : PCT/ US15 /58958 vision loss . In one embodiment, the vision loss is due to $ 371 ( c ) ( 1 ) , disease progression . The tests are useful in evaluating the ( 2 ) Date : May 3, 2017 effects of intervention in vision deterioration . The tests are non - invasive , simple , quick , sensitive , reproducible , and easy to administer. The tests measure the subject' s reading speed and accuracy under defined conditions of illumination Related U . S . Application Data and contrast . The results of these tests may be used to (60 ) Provisional application No .62 / 077 ,286 , filed on Nov. determine if treatment of a disease should be initiated , 9 , 2014 terminated , altered , or remain unchanged . US 2017 /0354324 A1 Dec . 14 , 2017 VISION TEST FOR DETERMINING that incorporates measures of brightness and contrast and RETINAL DISEASE PROGRESSION also reflects the effects of peripheral visual field loss . 100041 What is needed in the art is a more reliable , BACKGROUND sensitive , rapid , reproducible and informative set of data [0001 ] Gene therapy using adeno - associated virus (AAV ) relating to an activity ( reading ) that contributes enormously delivered to the retina is an effective strategy for ameliora to independence , knowledge accumulation , security , social tion or even of reversal of retinal and visual dysfunction . A interactions, and personal fulfillment. challenge in demonstrating efficacy of retinal gene therapy for severe retinal degenerative disease , however, has been a SUMMARY OF THE INVENTION lack of relevant outcome measures. Only one outcome [ 0005 ] In one aspect, a method for examining the vision of measure has been defined as a " clinically meaningful” a subject is provided and includes ( i ) the subject reading a outcome measure - visual acuity ( reading the eye chart ) . first passage of text on a screen , wherein the text is displayed Visual acuity determines the efficacy of experimental treat on the screen at high image contrast, high illumination , or a ments for a variety of retinal disorders. However, in many combination thereof, ( ii ) the subject reading a second pas blinding conditions , visual acuity is irrelevant, either sage of text on the screen , wherein the text is displayed on because it is preserved until very late in the disease , or that the screen at low image contrast, low illumination , or a it is so poor, that the person is unable to read any letters at combination thereof, and ( iii ) scoring results obtained from all , i . e ., " off chart " . steps ( i ) and ( ii ) . 0002 ] In addition to eye charts , there are other tests that [0006 ] In another aspect , a method for examining the can be used to measure retinal or visual function but most of vision of a subject is provided and includes , ( i ) displaying a these measure aspects of the retina or vision that are not first passage of text at high image contrast , high illumina deemed clinically meaningful. For example , non - invasive tion , or a combination thereof, on a screen , wherein the imaging can be used to measure the thickness of the retina subject reads the first passage of text, ( ii ) displaying a before and after treatment, but that measure is not deemed second passage of text at low image contrast , low illumina " clinically meaningful. ” The Salisbury Eye Evaluation study tion , or a combination thereof, on the screen , the wherein the measures reading rates in individuals with or without glau subject reads the second passage of text, and ( iii ) scoring coma on a computer screen and correlates reading speed and results obtained from steps ( i) and ( ii ) . disease progression . There are a number of different reading [0007 ] In a further aspect , a method for examining the charts that have been described , including the MNREAD vision of a subject is provided and includes exposing the chart , Radner reading charts , and International Reading subject to a flash of light to ' bleach ' the photoreceptors and Speed Texts . The Radner reading chart is a visual acuity test then conducting the reading test as described herein . This in which the text in different cards is displayed with different method includes measuring the amount of time required for sizes . The Radner test uses standardized language and is the subject ' s photoreceptors to recover from the flash suf administered with hand -held cards . The Radner test is cum ficiently to permit an adequate performance on the reading bersome to administer as the tester must juggle various test , and associating recovery time with ocular disease , activities simultaneously such as holding the test cards , ocular disease progression or the efficacy of therapy for assuring that that the distances are maintained between the ocular disease . card and the reader ' s eyes, presenting the cards, writing [0008 ] In a further aspect , a method for monitoring vision down the answers , and scoring the responses . There is thus loss in a subject having an ocular disease is provided and likely to be variability in terms of the distance of the card includes (i ) the subject reading a first passage of text on a form the subject ' s face , angle of the card presented to the screen , wherein the text is displayed on the screen at high subject, and the movement of the card as the clinician writes image contrast, high illumination , or a combination thereof, down the responses . In the MNREAD reading test and the ( ii ) the subject reading a second passage of text on the Radnor Reading test, the size of the print decreases as the screen , wherein the text is displayed on the screen at low test proceeds , aiming to identify the visual acuity of the image contrast, low illumination , or a combination thereof , patient, not the ease of reading . The Colenbrander mixed and ( iii ) scoring the results of steps ( i) and (ii ). One contrast card set displays individual letters ( not text ) with embodiment further comprises performing the ' bleach ' test high contrast on the left and low contrast on the right. described above in conjunction with this method . Because the letters are bunched together on the Colen [ 0009 ] In still another aspect , a method for monitoring brander cards , there is little effect of peripheral visual field treatment of an ocular disease is provided and includes ( i ) deficits on the performance . Further, this test suffers from treating a subject for vision loss related to the disease, (ii ) the the same problems as the Radner test in that it is hand -held subject reading a first passage of text on a screen , wherein and there are no controls on the level of illumination . This the text is displayed on the screen at high image contrast , test does not evaluate the speed or accuracy of reading high illumination , or a combination thereof , ( iii ) the subject passages, i . e . , it does not reflect reading skills . reading a second passage of text on the screen , wherein the [ 0003 ] When peripheral vision is impaired or lost, it text is displayed on the screen at low image contrast , low becomes very difficult for the individual to move his /her illumination , or a combination thereof, and ( iv ) scoring the eyes from the end of one line of text to the beginning of the results of steps ( ii ) and ( iii ) . One embodiment further succeeding line of text. This slows down the reading speed comprises performing the ‘ bleach ' test described above in and reduces reading accuracy . Reading speed and accuracy conjunction with this method . are also impaired due to disease processes due to decreased [0010 ]. In yet a further aspect , a method for monitoring light perception and contrast sensitivity . The reading tests treatment of an ocular disease is provided and includes ( i ) that are currently available concentrate on visual acuity, i . e ., treating a subject for vision loss related to the disease , ( ii ) foveal function only . However, there is no test on the market displaying a first passage of text at high image contrast , high US 2017 /0354324 A1 Dec . 14 , 2017 illumination , or a combination thereof, on a screen , wherein data using a second passage of text displayed at low image the subject reads the first passage of text , ( iii) displaying a contrast, low illumination , or a combination thereof, on the second passage of text at low image contrast , low illumina screen by the subject reading the second passage of text, and tion , or a combination thereof, on the screen , wherein the calculate a score from the data , wherein the score is the subject reads the second passage of text, and ( iv ) scoring percentage of errors in the text. results obtained from steps ( ii ) and ( iii) . In one embodiment , 0017 ] Other aspects and advantages of the invention
Load more

Recommended publications
  • Multimedia Systems DCAP303
    Multimedia Systems DCAP303 MULTIMEDIA SYSTEMS Copyright © 2013 Rajneesh Agrawal All rights reserved Produced & Printed by EXCEL BOOKS PRIVATE LIMITED A-45, Naraina, Phase-I, New Delhi-110028 for Lovely Professional University Phagwara CONTENTS Unit 1: Multimedia 1 Unit 2: Text 15 Unit 3: Sound 38 Unit 4: Image 60 Unit 5: Video 102 Unit 6: Hardware 130 Unit 7: Multimedia Software Tools 165 Unit 8: Fundamental of Animations 178 Unit 9: Working with Animation 197 Unit 10: 3D Modelling and Animation Tools 213 Unit 11: Compression 233 Unit 12: Image Format 247 Unit 13: Multimedia Tools for WWW 266 Unit 14: Designing for World Wide Web 279 SYLLABUS Multimedia Systems Objectives: To impart the skills needed to develop multimedia applications. Students will learn: z how to combine different media on a web application, z various audio and video formats, z multimedia software tools that helps in developing multimedia application. Sr. No. Topics 1. Multimedia: Meaning and its usage, Stages of a Multimedia Project & Multimedia Skills required in a team 2. Text: Fonts & Faces, Using Text in Multimedia, Font Editing & Design Tools, Hypermedia & Hypertext. 3. Sound: Multimedia System Sounds, Digital Audio, MIDI Audio, Audio File Formats, MIDI vs Digital Audio, Audio CD Playback. Audio Recording. Voice Recognition & Response. 4. Images: Still Images – Bitmaps, Vector Drawing, 3D Drawing & rendering, Natural Light & Colors, Computerized Colors, Color Palletes, Image File Formats, Macintosh & Windows Formats, Cross – Platform format. 5. Animation: Principle of Animations. Animation Techniques, Animation File Formats. 6. Video: How Video Works, Broadcast Video Standards: NTSC, PAL, SECAM, ATSC DTV, Analog Video, Digital Video, Digital Video Standards – ATSC, DVB, ISDB, Video recording & Shooting Videos, Video Editing, Optimizing Video files for CD-ROM, Digital display standards.
    [Show full text]
  • Zapfcoll Minikatalog.Indd
    Largest compilation of typefaces from the designers Gudrun and Hermann Zapf. Most of the fonts include the Euro symbol. Licensed for 5 CPUs. 143 high quality typefaces in PS and/or TT format for Mac and PC. Colombine™ a Alcuin™ a Optima™ a Marconi™ a Zapf Chancery® a Aldus™ a Carmina™ a Palatino™ a Edison™ a Zapf International® a AMS Euler™ a Marcon™ a Medici Script™ a Shakespeare™ a Zapf International® a Melior™ a Aldus™ a Melior™ a a Melior™ Noris™ a Optima™ a Vario™ a Aldus™ a Aurelia™ a Zapf International® a Carmina™ a Shakespeare™ a Palatino™ a Aurelia™ a Melior™ a Zapf book® a Kompakt™ a Alcuin™ a Carmina™ a Sistina™ a Vario™ a Zapf Renaissance Antiqua® a Optima™ a AMS Euler™ a Colombine™ a Alcuin™ a Optima™ a Marconi™ a Shakespeare™ a Zapf Chancery® Aldus™ a Carmina™ a Palatino™ a Edison™ a Zapf international® a AMS Euler™ a Marconi™ a Medici Script™ a Shakespeare™ a Zapf international® a Aldus™ a Melior™ a Zapf Chancery® a Kompakt™ a Noris™ a Zapf International® a Car na™ a Zapf book® a Palatino™ a Optima™ Alcuin™ a Carmina™ a Sistina™ a Melior™ a Zapf Renaissance Antiqua® a Medici Script™ a Aldus™ a AMS Euler™ a Colombine™ a Vario™ a Alcuin™ a Marconi™ a Marconi™ a Carmina™ a Melior™ a Edison™ a Shakespeare™ a Zapf book® aZapf international® a Optima™ a Zapf International® a Carmina™ a Zapf Chancery® Noris™ a Optima™ a Zapf international® a Carmina™ a Sistina™ a Shakespeare™ a Palatino™ a a Kompakt™ a Aurelia™ a Melior™ a Zapf Renaissance Antiqua® Antiqua® a Optima™ a AMS Euler™ a Introduction Gudrun & Hermann Zapf Collection The Gudrun and Hermann Zapf Collection is a special edition for Macintosh and PC and the largest compilation of typefaces from the designers Gudrun and Hermann Zapf.
    [Show full text]
  • ITC Franklin Gothic Std Demi Italic
    Laura Bae Baske Baskervilleis a serif typeface designed in the 1750s by John Baskerville in Birming- ham, England, and cut into metal by punchcutter John Handy. Baskerville 1495 is classified as a transitional typeface, intended as a refinement of what are Garamond now called old-style typefaces of the period. Compared to earlier designs pop- ular in Britain, Baskerville increased the contrast between thick and thin Bb Bb strokes, making the serifs sharper and more tapered, and shifted the axis of rounded letters to a more vertical po- sition. The curved strokes are more circular in shape, and the characters Bb became more regular. Characters ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwyz Bb Bb 1234567890’”!”(%)[#](@)/&\<+-=>:;,.* Styles Regular Characters SemiBold ABCDEFGHIJKLMNOPQRSTUVWXYZ SemiBold Italic abcdefghijklmnopqrstuvwyz GARAMOND Italic Bold 1757 1234567890’”!”(%)[#](@)/&\<+-=>:;,.* GARAMOND Styles Italic GARAMOND Bold GBold Italic GGARAMOND rville Bodoni 1934 Bodoni is one of the most carefully re- Characters searched and accurate interpretations of Bodoni’s typefaces ever attemped. ABCDEFGHIJKLM- ROCKWELL The process involved two trips to NOPQRSTUVWXYZ Parma, Italy, and hundreds of hours abcdefghijklmnopqrstuvwyz of research. Then, thousands of hours Rockwell is a slab more were spent carefully designing 1234567890’”!”(%)[#] serif typeface fonts, using an original copy of Bon- (@)/&\<+-=>:;,.* designed by Mono- doni’s 1818 Manuale Tipografico as a type. The design is benchmark for accuracy. based off an earli- The first step was a trip to Parma Styles er slab serif from by the four-person design team to Bold 1910 known as Litho study, first hand, Bodoni’s work. In the Antique, which is words of Sumner Stone, the project’s Book considered the very art director, “The search for Bodoni Book Italic first geometric slab took on a new dimension and mean- serif.
    [Show full text]
  • Agda User Manual Release 2.6.3
    Agda User Manual Release 2.6.3 The Agda Team Sep 23, 2021 Contents 1 Overview 3 2 Getting Started 5 2.1 What is Agda?..............................................5 2.2 Installation................................................7 2.3 ‘Hello world’ in Agda.......................................... 13 2.4 A Taste of Agda............................................. 14 2.5 A List of Tutorials............................................ 22 3 Language Reference 25 3.1 Abstract definitions............................................ 25 3.2 Built-ins................................................. 27 3.3 Coinduction............................................... 40 3.4 Copatterns................................................ 42 3.5 Core language.............................................. 45 3.6 Coverage Checking............................................ 48 3.7 Cubical.................................................. 51 3.8 Cumulativity............................................... 65 3.9 Data Types................................................ 66 3.10 Flat Modality............................................... 69 3.11 Foreign Function Interface........................................ 70 3.12 Function Definitions........................................... 75 3.13 Function Types.............................................. 78 3.14 Generalization of Declared Variables.................................. 79 3.15 Guarded Cubical............................................. 84 3.16 Implicit Arguments...........................................
    [Show full text]
  • Hermann Zapf Collection 1918-2019
    Hermann Zapf Collection 1918-2019 53 boxes 1 rolled object Flat files Digital files The Hermann Zapf collection is a compilation of materials donated between 1983 and 2008. Processed by Nicole Pease Project Archivist 2019 RIT Cary Graphic Arts Collection Rochester Institute of Technology Rochester, New York 14623-0887 Finding Aid for the Hermann Zapf Collection, 1918-2019 Summary Information Title: Hermann Zapf collection Creator: Hermann Zapf Collection Number: CSC 135 Date: 1918-2019 (inclusive); 1940-2007 (bulk) Extent: Approx. 43 linear feet Language: Materials in this collection are in English and German. Abstract: Hermann Zapf was a German type designer, typographer, calligrapher, author, and professor. He influenced type design and modern typography, winning many awards and honors for his work. Of note is Zapf’s work with August Rosenberger, a prominent punchcutter who cut many of Zapf’s designs. Repository: RIT Cary Graphic Arts Collection, Rochester Institute of Technology Administrative Information Conditions Governing Use: This collection is open to researchers. Conditions Governing Access: Access to audio reels cannot be provided on site at this time; access inquiries should be made with the curator. Access to original chalk calligraphy is RESTRICTED due to the impermanence of the medium, but digital images are available. Access to lead plates and punches is at the discretion of the archivist and curator as they are fragile. Some of the digital files are restricted due to copyright law; digital files not labeled as restricted are available for access with permission from the curator or archivist. Custodial History: The Hermann Zapf collection is an artificial collection compiled from various donations.
    [Show full text]
  • Alphabetgeschichten by Hermann Zapf
    174 TUGboat, Volume 28 (2007), No. 2 Book Reviews Alphabet Stories by Hermann Zapf Hans Hagen & Taco Hoekwater Born on November 8, 1918, Hermann has grown up in and been a witness to turbulent times. The Ger- man version sheds more light on how difficult it was Hermann Zapf to survive in these times and how much art was lost in that period. He wrote down nice anecdotes about Introduction this era, for instance how the ability to write in 1 mm It pays off to be a Dante member! Some time ago script impressed his army superiors so much that it each member received a copy of Hermann Zapf’s kept him out of trouble. Both books have some dif- monograph ‘Alphabetgeschichten’, a gift from Her- ferences in the graphics that go with that period and mann himself. For many users of computers the in the English version some quotes are shortened. name ‘Zapf’ may ring a bell because of the om- The English book catches up on its last pages. nipresent Zapf dingbats fonts. But with Hermann Since 1977 Hermann Zapf has been an associate pro- Zapf being one of the greatest designers of our time, fessor at the Rochester Institute of Technology. In there is much more to learn about him. the postscript to this version the curator describes Being an honorary member of Dante, Hermann the influence Hermann has had on them in the past is quite familiar with TEX and friends, and he is in 30 years. At the time we write this review, Her- contact with several TEXies.
    [Show full text]
  • Aa Bb Cc Dd Ee Ff Gg Hh Lijj Kk LI Mm Nn Oo Pp Qy Rr Sstt Uuvvwwxxyy Zz12345678908dece$S(£%!?( ) []
    Aa Bb Cc Dd Ee Ff Gg Hh liJj Kk LI Mm Nn Oo Pp Qy Rr SsTt UuVvWwXxYy Zz12345678908dECE$S(£%!?( ) [] UPPER AND LOWER CASE. THE INTERNATIONAL JOURNAL OF TYPE AND GRAPHIC DESIGN PUBLISHED BY INTERNATIONAL TYPEFACE CORPORATION. VOLUME SEVENTEEN. NUMBER ONE. WINTER 1990. $5.00 FontStudio- DesignStudio' The new standard for font design and modification of existing The only page composition program which combines precision with fonts, including tetraFore& PostScript ® Type 1 and 3 formats. total design flexibility. Professional typography plus unsurpassed Powerful outline drawing tools for the design of letter forms, object creation and image manipulation features. Full support for logotypes and symbols. Automatic or manual kerning table 24-bit color, PANTONE MATCHING SYSTEle* Color range and pre- generation. Anti-aliasing and color palettes enhance screen dis- press links. Support for all popular word processing and image file play. Hint creation improves low resolution printing and video formats. Add-on modules provide extended functionality and features. display plus support for all PostScript ehigh-resolution type- setters. Creates standard PostScript type 3 characters & fonts. BesignStudio Wit Conceptualize, design, produce. Page design software far tke creative professional. INTRODUCING FIVE 0 FEATURES FOR DESI Letraset, Designstudio, Colorstudio, Imagestudio Letrastudio, Fontstudio and Letrafont are trademarks of Esselte Pendaflex Corporation in the United States, of Letraset Canada LTD. in Canada, and of Esselte Letraset Limited elsewhere and are widely protected by registration. oftware solutions for design and publishing have never *Pantone, Inc's check-standard trademark for color reproduction and color reproduction materials. PANTONE Computer Video been easier to integrate than now. Introducing the Studio Line simulations used in this product may not match PANTONE-identified solid color from Letraset.
    [Show full text]
  • Part 1: from Truetype GX to Variable Fonts | Monotype
    Monotype › Blog › Articles Contact Search Menu Part 1: from TrueType GX to Variable Fonts Tom Rickner, veteran type designer, Category: Articles shares his personal role in the Author: Tom Rickner 29. 11. 2016 beginnings of type’s most exciting development in decades. Share this In August of 2016, four unlikely collaborators in the world of type, fonts and font technology stood on a stage at the ATypI conference in Warsaw, Poland. The collaborators were Apple, Microsoft, Adobe and Google. Together they announced the publishing of OpenType 1.8, an update to the now ubiquitous font standard which was originally an amalgam of Apple & Microsoft’s TrueType, and Adobe’s PostScript font formats. The OpenType 1.8 announcement, ATypI, Warsaw, Poland, September 14, 2016 OpenType 1.8 unveils tremendous new powers of control for type designers, typographers and application developers alike, and it will do so on each of the major operating systems. For those of you who remember Adobe’s Multiple Master format, that technology represented a sliver of the capabilities that will be at your disposal within the new OpenType standard. There were numerous reasons that this announcement was unique, and many have written about this news in these past few months. But for me, the announcement was not only the culmination of months of meetings, private discussions and collaboration with industry colleagues, but it was in fact the rebirth of one of my first collaborations in the font software business, some 25 years earlier. During the late 1980’s and early 1990’s I was a member of the TrueType team at Apple, working within the “Blue” system software group that released the revolutionary System 7 for the Macintosh.
    [Show full text]
  • Pipenightdreams Osgcal-Doc Mumudvb Mpg123-Alsa Tbb
    pipenightdreams osgcal-doc mumudvb mpg123-alsa tbb-examples libgammu4-dbg gcc-4.1-doc snort-rules-default davical cutmp3 libevolution5.0-cil aspell-am python-gobject-doc openoffice.org-l10n-mn libc6-xen xserver-xorg trophy-data t38modem pioneers-console libnb-platform10-java libgtkglext1-ruby libboost-wave1.39-dev drgenius bfbtester libchromexvmcpro1 isdnutils-xtools ubuntuone-client openoffice.org2-math openoffice.org-l10n-lt lsb-cxx-ia32 kdeartwork-emoticons-kde4 wmpuzzle trafshow python-plplot lx-gdb link-monitor-applet libscm-dev liblog-agent-logger-perl libccrtp-doc libclass-throwable-perl kde-i18n-csb jack-jconv hamradio-menus coinor-libvol-doc msx-emulator bitbake nabi language-pack-gnome-zh libpaperg popularity-contest xracer-tools xfont-nexus opendrim-lmp-baseserver libvorbisfile-ruby liblinebreak-doc libgfcui-2.0-0c2a-dbg libblacs-mpi-dev dict-freedict-spa-eng blender-ogrexml aspell-da x11-apps openoffice.org-l10n-lv openoffice.org-l10n-nl pnmtopng libodbcinstq1 libhsqldb-java-doc libmono-addins-gui0.2-cil sg3-utils linux-backports-modules-alsa-2.6.31-19-generic yorick-yeti-gsl python-pymssql plasma-widget-cpuload mcpp gpsim-lcd cl-csv libhtml-clean-perl asterisk-dbg apt-dater-dbg libgnome-mag1-dev language-pack-gnome-yo python-crypto svn-autoreleasedeb sugar-terminal-activity mii-diag maria-doc libplexus-component-api-java-doc libhugs-hgl-bundled libchipcard-libgwenhywfar47-plugins libghc6-random-dev freefem3d ezmlm cakephp-scripts aspell-ar ara-byte not+sparc openoffice.org-l10n-nn linux-backports-modules-karmic-generic-pae
    [Show full text]
  • Sketch Block Bold Accord Heavy SF Bold Accord SF Bold Aclonica Adamsky SF AFL Font Pespaye Nonmetric Aharoni Vet Airmole Shaded
    Sketch Block Bold Accord Heavy SF Bold Accord SF Bold Aclonica Adamsky SF AFL Font pespaye nonmetric Aharoni Vet Airmole Shaded Airmole Stripe Airstream Alegreya Alegreya Black Alegreya Black Italic Alegreya Bold Alegreya Bold Italic Alegreya Italic Alegreya Sans Alegreya Sans Black Alegreya Sans Black Italic Alegreya Sans Bold Alegreya Sans Bold Italic Alegreya Sans ExtraBold Alegreya Sans ExtraBold Italic Alegreya Sans Italic Alegreya Sans Light Alegreya Sans Light Italic Alegreya Sans Medium Alegreya Sans Medium Italic Alegreya Sans SC Alegreya Sans SC Black Alegreya Sans SC Black Italic Alegreya Sans SC Bold Alegreya Sans SC Bold Italic Alegreya Sans SC ExtraBold Alegreya Sans SC ExtraBold Italic Alegreya Sans SC Italic Alegreya Sans SC Light Alegreya Sans SC Light Italic Alegreya Sans SC Medium Alegreya Sans SC Medium Italic Alegreya Sans SC Thin Alegreya Sans SC Thin Italic Alegreya Sans Thin Alegreya Sans Thin Italic AltamonteNF AMC_SketchyOutlines AMC_SketchySolid Ancestory SF Andika New Basic Andika New Basic Bold Andika New Basic Bold Italic Andika New Basic Italic Angsana New Angsana New Angsana New Cursief Angsana New Vet Angsana New Vet Cursief Annie BTN Another Typewriter Aparajita Aparajita Bold Aparajita Bold Italic Aparajita Italic Appendix Normal Apple Boy BTN Arabic Typesetting Arabolical Archive Arial Arial Black Bold Arial Black Standaard Arial Cursief Arial Narrow Arial Narrow Vet Arial Unicode MS Arial Vet Arial Vet Cursief Aristocrat SF Averia-Bold Averia-BoldItalic Averia-Gruesa Averia-Italic Averia-Light Averia-LightItalic
    [Show full text]
  • Docsconverter License Table of Contents 1.1
    DocsConverter License table of contents 1.1. DocsConverter License 1.2. Font Types and Copyright Holders 1.3. Open Source Licenses used in DocsConverter 1.4. Customer Support and Product Info 1.1. DocsConverter License Hancom Inc. or subject developer reserves the copyrights and intellectual property rights for all programs and adjuncts included in DocsConverter. These rights are protected by the Copyright Act of Korea and international copyright treaties. You may not alter, modify or reproduce the included data files or documents without the prior written consent of Hancom Inc. Hancom Inc. does not guarantee fitness of the functions included in the Software to the user's particular requirements or needs, and is not liable for any and all outcomes derived from the use of the Software. All programs, data files, information booklets and content of the documents included in DocsConverter are protected by the Copyright Act of Korea and international copyright treaties. All programs, data and documents included in DocsConverter may not be resold after modifications or alternations for any purpose. 1.2. Font Types and Copyright Holders Fonts included in DocsConverter are copyright-protected and may only be used in conjunction with this product as per agreements between Hancom Inc. and the font copyright holders. Hancom Inc. shall not be held liable against claims arising from violations thereof. Please inquire directly with the concerned copyright holder if you intend to use copyrighted fonts with other products. More information regarding license of the fonts, or if you intend to distribute a converted PDF document that embeds copyrighted fonts, please inquire directly with the concerned copyright holders.
    [Show full text]
  • The UK Tex FAQ Your 469 Questions Answered Version 3.28, Date 2014-06-10
    The UK TeX FAQ Your 469 Questions Answered version 3.28, date 2014-06-10 June 10, 2014 NOTE This document is an updated and extended version of the FAQ article that was published as the December 1994 and 1995, and March 1999 editions of the UK TUG magazine Baskerville (which weren’t formatted like this). The article is also available via the World Wide Web. Contents Introduction 10 Licence of the FAQ 10 Finding the Files 10 A The Background 11 1 Getting started.............................. 11 2 What is TeX?.............................. 11 3 What’s “writing in TeX”?....................... 12 4 How should I pronounce “TeX”?................... 12 5 What is Metafont?........................... 12 6 What is Metapost?........................... 12 7 Things with “TeX” in the name.................... 13 8 What is CTAN?............................ 14 9 The (CTAN) catalogue......................... 15 10 How can I be sure it’s really TeX?................... 15 11 What is e-TeX?............................ 15 12 What is PDFTeX?........................... 16 13 What is LaTeX?............................ 16 14 What is LaTeX2e?........................... 16 15 How should I pronounce “LaTeX(2e)”?................. 17 16 Should I use Plain TeX or LaTeX?................... 17 17 How does LaTeX relate to Plain TeX?................. 17 18 What is ConTeXt?............................ 17 19 What are the AMS packages (AMSTeX, etc.)?............ 18 20 What is Eplain?............................ 18 21 What is Texinfo?............................ 19 22 Lollipop................................ 19 23 If TeX is so good, how come it’s free?................ 19 24 What is the future of TeX?....................... 19 25 Reading (La)TeX files......................... 19 26 Why is TeX not a WYSIWYG system?................. 20 27 TeX User Groups............................ 21 B Documentation and Help 21 28 Books relevant to TeX and friends...................
    [Show full text]