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February 26, 2021 Amazon Warehouse Workers In
February 26, 2021 Amazon warehouse workers in Bessemer, Alabama are voting to form a union with the Retail, Wholesale and Department Store Union (RWDSU). We are the writers of feature films and television series. All of our work is done under union contracts whether it appears on Amazon Prime, a different streaming service, or a television network. Unions protect workers with essential rights and benefits. Most importantly, a union gives employees a seat at the table to negotiate fair pay, scheduling and more workplace policies. Deadline Amazon accepts unions for entertainment workers, and we believe warehouse workers deserve the same respect in the workplace. We strongly urge all Amazon warehouse workers in Bessemer to VOTE UNION YES. In solidarity and support, Megan Abbott (DARE ME) Chris Abbott (LITTLE HOUSE ON THE PRAIRIE; CAGNEY AND LACEY; MAGNUM, PI; HIGH SIERRA SEARCH AND RESCUE; DR. QUINN, MEDICINE WOMAN; LEGACY; DIAGNOSIS, MURDER; BOLD AND THE BEAUTIFUL; YOUNG AND THE RESTLESS) Melanie Abdoun (BLACK MOVIE AWARDS; BET ABFF HONORS) John Aboud (HOME ECONOMICS; CLOSE ENOUGH; A FUTILE AND STUPID GESTURE; CHILDRENS HOSPITAL; PENGUINS OF MADAGASCAR; LEVERAGE) Jay Abramowitz (FULL HOUSE; GROWING PAINS; THE HOGAN FAMILY; THE PARKERS) David Abramowitz (HIGHLANDER; MACGYVER; CAGNEY AND LACEY; BUCK JAMES; JAKE AND THE FAT MAN; SPENSER FOR HIRE) Gayle Abrams (FRASIER; GILMORE GIRLS) 1 of 72 Jessica Abrams (WATCH OVER ME; PROFILER; KNOCKING ON DOORS) Kristen Acimovic (THE OPPOSITION WITH JORDAN KLEPPER) Nick Adams (NEW GIRL; BOJACK HORSEMAN; -
AM-05-Sheetmusic.Pdf
SHEET music SHEET MUSIC 27 America the Beautiful At Last (from Cadillac Records) SHEET MUSIC Words by Katherine Lee Bates, music by Samuel A. Ward Music by Harry Warren, lyric by Mack Gordon / recorded by Beyoncé Piano/Vocal/Chords ...............................$3.95 00-PVM01132____ Piano/Vocal/Chords ...............................$3.95 00-32178____ Numeric American Honey Arr. Dan Coates Words and music by Cary Barlowe, Shane Stevens, and Hillary Easy Piano ..............................................$3.95 00-32552____ 8th of November Lindsey / recorded by Lady Antebellum August Rush (Piano Suite) (from August Rush) Recorded by Big & Rich Piano/Vocal/Chords ...............................$3.99 00-34678____ Composed by Mark Mancina / arr. Dave Metzger Piano/Vocal/Chords ...............................$3.95 00-26211____ An American in Paris Advanced Piano Solo .............................$3.95 00-29201____ 21 Guns By George Gershwin / paraphrased by Maurice C. Whitney Auld Lang Syne Sheet Music Lyrics by Billie Joe, music by Green Day / recorded by Green Day / Advanced Piano Solo .............................$4.95 00-PS0004____ (from the motion picture Sex and the City) arr. Carol Matz Transcr. William Daly Traditional / arr. Mairi Campbell and Dave Francis / Easy Piano ..............................................$3.95 00-34018____ Advanced Piano Solo ...........................$14.95 00-0092B____ as recorded by Mairi Campbell and Dave Francis 10,000 Reasons (Bless the Lord) An American in Paris (Blues Theme) Piano/Vocal/Chords ...............................$3.95 00-31853____ Words and music by Matt Redman and Jonas Myrin / By George Gershwin / performance miniature transcr. and arr. Ave Maria and Prelude No. 1 recorded by Matt Redman Jan Thomas Ave Maria by Johann Sebastian Bach / Charles François Gounod, Piano/Vocal/Guitar ................................$3.99 00-39445____ Easy Piano Solo ......................................$3.50 00-PS0350____ Prelude No. -
Our Boys : a Comedy in Three Acts
^“.“LesUbranf Sciences fcrts & Digitized by the Internet Archive in 2016 https://archive.org/details/ourboyscomedyint00byro_0 IVv \ [jiw y\ 7 1 >t ir? f i/wjMr'.' ' v'-’ Vi lliahVarren EDITION OF- STANDARD • PLAYS OUR. BOYS VALTER H .BAKER & CO. N X} HAM I LTOM • PLACE BOSTON a. W, ^laj>3 gBrice, 50 €entg €acl) TH£ AMAZONS ^arce * n Three Acts. Seven males, five females. Costumes, modern ; scenery, not difficult. Plays a full evening. THE CABINET MINISTER in Four Acts. Ten males, nine females. Costumes, modern society ; scenery, three interiors. Plays a full evening. in Three DANDY DICK Farce Acts. Se\en males, four females. Costumes, modern ; scenery, two interiors. Plays two hours and a half. Comedy in Four Acts. Four males, ten THE GAY LORD OUEX^ females. Costumes, modern ; scenery, two interiors and an exterior. Plays a full evening. Comedy in Four Acts. .Nine males, four BIS BOUSE IN ORDER ' females. Costumes, modern scenery, ; three interiors. Plays a full evening. ^ome<i ^ Three Acts. Ten males, five THE HOBBY HOBSE ^ females. Costumes, modern; scenery easy. Plays two hours and a half. ^rama ^ Five Acts. Seven males, seven females. Costumes, IRIS modern ; scenery, three interiors. Plays a full evening. Flay *n Four Acts. Eight males, seven fe- I A R0I1NTIFITI ** BY ** males. Costumes, modern ; scenery, four in- teriors, not easy. Plays a full evening. T>rama in Four Acts and an Epilogue. Ten males, five fe- I FTTY ** males. Costumes, modern ; scenery complicated. Plays a full evening Sent prepaid on receipt of price by Waltn % oaafeet & Company No. 5 Hamilton Place, Boston, Massachusetts OUR BOYS A Comedy in Three Acts By HENRY J. -
Gay Marriage Party Ends For
'At Last* On her way to Houston, pop diva Cyndi Lauper has a lot to say. Page 15 voicewww.houstonvoice.com APRIL 23, 2004 THIRTY YEARS OF NEWS FOR YOUR LIFE. AND YOUR STYLE. Gay political kingmaker set to leave Houston Martin's success as a consultant evident in city and state politics By CHRISTOPHER CURTIS Curtis Kiefer and partner Walter Frankel speak with reporters after a Houston’s gay and lesbian com circuit court judge heard arguments last week in a lawsuit filed by gay munity loses a powerful friend and couples and the ACLU charging that banning same-sex marriages is a ally on May 3, when Grant Martin, violation of the Oregon state Constitution. (Photo by Rick Bowmer/AP) who has managed the campaigns of Controller Annise Parker, Council member Ada Edwards, Texas Rep. Garnet Coleman and Sue Lovell, is moving to San Francisco. Back in 1996 it seemed the other Gay marriage way around: Martin had moved to Houston from San Francisco after ending a five-year relationship. Sue Lovell, the former President party ends of the Houston Gay and Lesbian Political Caucus (PAC), remembers first hearing of Martin through her friend, Roberta Achtenberg, the for mer Clinton secretary of Fair for now Housing and Equal Opportunity. “She called me and told me I have a dear friend who is moving back to Ore. judge shuts down weddings, Houston and I want you to take Political consultant Grant Martin, the man behind the campaigns of Controller Annise Parker, good care of him.” but orders licenses recognized Council member Ada Edwards, Texas Rep. -
Grease Teaching Resource.Pages
2016-2017 SEASON 2016-2017 SEASON Teacher Resource Guide and Lesson Plan Activities Tickets: Featuring general information about our production along with some creative activities to thalian.org help you make connections to your classroom curriculum before and after the show. 910-251-1788 The production and accompanying activities address North Carolina Essential Standards in Theatre or Arts, Goal A.1: Analyze literary texts & performances. CAC box office 910-341-7860 Look for this symbol for other curriculum connections. Grease Book, Music & Lyrics by: Jim Jacobs and Warren Casey October 14-23, 2016 7:30 PM Friday - Saturday and 3:00 PM Sunday Hannah Block Historic USO / Community Arts Center Second Street Stage 120 South 2nd Street (Corner of Orange) Resource About This Teaching Resource This Teaching Resource is designed to help build new partnerships that employ theatre and the arts Overview: to address some of today’s pressing issues such as peer pressure & bullying. It provides a backdrop Page 2 to an exploration of youth peer pressure, stereotypes, prejudice and the romances of young people Characters, Vocabulary, caught in the struggle to fit in. The fun & electrifying music of Jim Jacobs and Warren Casey, paint a Grease Day picture as relevant today as it was more than 40 years ago. About The Musical Page 3 Rydell High’s senior class of 1959: duck-tailed, hot-rodding “T-Birds” and their gum-snapping, hip- Listening for Lines, shaking “Pink Ladies” in bobby sox and pedal pushers, evoking the look and sound of the 1950s in Expressions, Music this rollicking musical. -
JAYE BARRE Directed By: MARIELLA KLINGER
Bernards Township2015 Parks & Recreation Presents a Trilogy Repertory Production of Executive Producer: LORRIE LANE Produced by: JAYE BARRE Directed by: MARIELLA KLINGER Musical Direction by: JOE LESKY Choreography by: SAMANTHA KESTENBAUM In The Heights is presented through special arrangement with R&H Theatricals Conceived by: Lin-Manuel MirandaMusic and Lyrics by: Lin-Manuel Miranda Book by: Quiara Alegria Hudes Development of In The Heights was supported by the Eugene O’Neill Theater Center during a residency at the Music Theater Conference of 2005 Originally produced on Broadway by Kevin McCollum, Jeffrey Seller, Jill Furman Willis, Sander Jacobs, Goodman/Grossman, Peter Fine, Everett/Skipper Summer, 2016 Dear Residents and Friends of the Community, Good evening and welcome to the Bernards Township Department of Parks and Recreation’s 29th season of Plays in the Park. So many of you enjoy and look forward to the plays year after year. I am excited that the Township brings this tradition free to the public for all to enjoy. Bernards Township proudly sponsors this event and substantially subsidizes the budget because we recognize the importance of keeping performing arts alive. It is truly wonderful that these productions are here, under the stars, in Pleasant Valley Park. July is Parks and Recreation Month. Bernards Township offers many opportunities to enjoy family outings such as Plays In The Park. Please join us as we celebrate… details may be found on pages 17-18 of this playbill. You can stay current on all our special events by visiting our website at www.bernrads.org. There you will find information on the wide variety of programs we offer. -
Repertoire List (January 2009) Classical
Dovetail Quartet - Repertoire list (January 2009) Classical Tango Albéniz Adagio Albinoni The Waltzing Cat Anderson Air on G J.S Bach Arie ‘Mein gläubiges Herze’ J.S Bach Jesu, Joy of Man’s Desiring J.S Bach Orchestral Suite no. 3 J.S Bach Sheep May Safely Graze J.S Bach Cavatine op. 130 Beethoven Menuett op. 20 Beethoven Quartet in G op.18 no.2 Beethoven ‘Au Fond de Temple’ (The Pearl Fishers) Bizet Prelude to Carmen Bizet Menuett Bocherini Polovtsian Dances from Prince Igor Borodin O Sole Mio Capua Scherzo Cherubini La Spagnola Chiara Mazurka op.7 no.2 Chopin Hoedown from Rodeo Copland Santa Lucia Cottrau Mazurka from Coppelia Delibes Flower Duet from Lakme Delibes Pizzicato Polka Delibes Funiculi Funicula Denza ‘American’ Quartet op.96 no.12 in F Dvořák Humoresque Dvořák Slavonic Dance Dvořák Chanson de Matin Elgar Chanson de Nuit Elgar Salut d’amour Elgar Pavane Faure Por Una Cabeza (tango) Gardel Summertime from Porgy and Bess Gershwin Ave Maria Gounod Morning from Peer Gynt Suite Grieg Arrival of the Queen of Sheba Handel Hornpipe from The Water Music Handel Largo ‘Ombra mai fu’ Handel ‘Where ‘ere you walk’ from Semele Handel Canzona Hasse Serenade Haydn Intermezzo from Cavalleria Rusticana Mascagni Meditation from Thaïs Massenet Canzonetta op. 12 Mendelssohn On Wings of Song Mendelssohn Wedding March Mendelssohn ‘Dissonance’ Quartet in C K. 465 Mozart Divertimento in B flat Mozart Divertimento in D Mozart Divertimento in F Mozart Eine Kleine Nachtmusik Mozart Menuett from Quartet in B flat Mozart Overture to The Magic Flute Mozart -
The Enduring Power of Musical Theatre Curated by Thom Allison
THE ENDURING POWER OF MUSICAL THEATRE CURATED BY THOM ALLISON PRODUCTION SUPPORT IS GENEROUSLY PROVIDED BY NONA MACDONALD HEASLIP PRODUCTION CO-SPONSOR LAND ACKNOWLEDGEMENT Welcome to the Stratford Festival. It is a great privilege to gather and share stories on this beautiful territory, which has been the site of human activity — and therefore storytelling — for many thousands of years. We wish to honour the ancestral guardians of this land and its waterways: the Anishinaabe, the Haudenosaunee Confederacy, the Wendat, and the Attiwonderonk. Today many Indigenous peoples continue to call this land home and act as its stewards, and this responsibility extends to all peoples, to share and care for this land for generations to come. CURATED AND DIRECTED BY THOM ALLISON THE SINGERS ALANA HIBBERT GABRIELLE JONES EVANGELIA KAMBITES MARK UHRE THE BAND CONDUCTOR, KEYBOARD ACOUSTIC BASS, ELECTRIC BASS, LAURA BURTON ORCHESTRA SUPERVISOR MICHAEL McCLENNAN CELLO, ACOUSTIC GUITAR, ELECTRIC GUITAR DRUM KIT GEORGE MEANWELL DAVID CAMPION The videotaping or other video or audio recording of this production is strictly prohibited. A MESSAGE FROM OUR ARTISTIC DIRECTOR WORLDS WITHOUT WALLS Two young people are in love. They’re next- cocoon, and now it’s time to emerge in a door neighbours, but their families don’t get blaze of new colour, with lively, searching on. So they’re not allowed to meet: all they work that deals with profound questions and can do is whisper sweet nothings to each prompts us to think and see in new ways. other through a small gap in the garden wall between them. Eventually, they plan to While I do intend to program in future run off together – but on the night of their seasons all the plays we’d planned to elopement, a terrible accident of fate impels present in 2020, I also know we can’t just them both to take their own lives. -
Opera and Music Theater Dance Readings and Workshops Lighting
J O S H U A B ENGHIAT 53 Lefferts Ave • Brooklyn, NY 11225-3901 (646) 249-2478 • [email protected] • www.BenghiatLighting.com L I G H T I N G D ESIGNER Opera and Music Chamber Music Society of Lincoln Center Lighting Designer (includes live concerts and digital broadcast) 2013 – Present Lincoln Center for the Performing Arts The White Light Festival (Assoc. Lighting Designer to Matt Frey 2011-2015) 2011 – Present Lincoln Center for the Performing Arts The Swedish Chamber Orchestra with Nina Stemme 2013 NY Opera Society & Newark Archdiocese Dialogues of the Carmelites Dir. Will Bryan 2007 The Lyric Opera of Chicago Resident Assistant 2000 – 2002 Theater The 14th Street Y Hanna and the Moonlit Dress Dir. Ronit Muszkatblit Long View Theater Company Office Politics(Premiere) Dir. Aimee Todoroff 2015 Theatre 167 Pirira (Premiere) Dir. Ari Laura Kreith 2013 Barnard College Marisol Dir. Saheem Ali 2011 New Worlds Theatre Project Under the Cross Dir. David Winitsky 2011 Midtown International Theatre Festival Until We Find Each Other Dir. David Winitsky 2010 Barter Theatre The Blue-Sky Boys (Premiere) Dir. Nicholas Piper 2010 Barter Theatre Annie Dir. Richard Rose 2010 Zoellner Arts Center, Lehigh University Our Dad is in Atlantis Dir. David Winitsky 2009 Barter Theatre Heaven Sent (Premiere) Dir. Mary Lucy Bivins 2009 Playwrights Theatre, NJ Our Dad is in Atlantis Dir. David Winitsky 2009 Luna Stage The Santaland Diaries Dir. David Winitsky 2008 What Exit? Theatre Company The Housekeeper Dir. Jim Peskin 2008 What Exit? Theatre Company The Santaland Diaries Dir. David Winitsky 2007 Columbia University The Wild Party Dir. -
Return of Organization Exempt from Income
efile GRAPHIC p rint - DO NOT PROCESS As Filed Data - DLN: 93493321035384 Return of Organization Exempt From Income Tax OMB No 1545-0047 Form 990 Under section 501 ( c), 527, or 4947 ( a)(1) of the Internal Revenue Code ( except private foundations) 2O1 3 Do not enter Social Security numbers on this form as it may be made public By law, the IRS Department of the Treasury Open generally cannot redact the information on the form Internal Revenue Service Inspection - Information about Form 990 and its instructions is at www.IRS.gov/form990 For the 2013 calendar year, or tax year beginning 06-01-2013 , 2013, and ending 05-31-2014 C Name of organization B Check if applicable D Employer identification number EQUITY LEAGUE HEALTH TRUST FUND f Address change 13-6092981 Doing Business As • Name change fl Initial return Number and street (or P 0 box if mail is not delivered to street address) Room/suite E Telephone number 165 WEST 46TH STREET 14TH FLOOR p Terminated (212)869-9380 (- Amended return City or town, state or province, country, and ZIP or foreign postal code NEW YORK, NY 10036 1 Application pending G Gross receipts $ 104,708,930 F Name and address of principal officer H(a) Is this a group return for Arthur Drechsler subordinates? 1 Yes F No H(b) Are all subordinates 1 Yes F No included? I Tax-exempt status F_ 501(c)(3) F 501(c) ( 9 I (insert no (- 4947(a)(1) or F_ 527 If "No," attach a list (see instructions) J Website : - www equityleague org H(c) Group exemption number 0- K Form of organization 1 Corporation 1 Trust F_ Association (- Other 0- L Year of formation 1960 M State of legal domicile NY Summary 1 Briefly describe the organization's mission or most significant activities TO PROVIDE HEALTH AND OTHER BENEFITS TO ELIGIBLE PARTICIPANTS w 2 Check this box Of- if the organization discontinued its operations or disposed of more than 25% of its net assets 3 Number of voting members of the governing body (Part VI, line 1a) . -
A Career Overview 2019
ELAINE PAIGE A CAREER OVERVIEW 2019 Official Website: www.elainepaige.com Twitter: @elaine_paige THEATRE: Date Production Role Theatre 1968–1970 Hair Member of the Tribe Shaftesbury Theatre (London) 1973–1974 Grease Sandy New London Theatre (London) 1974–1975 Billy Rita Theatre Royal, Drury Lane (London) 1976–1977 The Boyfriend Maisie Haymarket Theatre (Leicester) 1978–1980 Evita Eva Perón Prince Edward Theatre (London) 1981–1982 Cats Grizabella New London Theatre (London) 1983–1984 Abbacadabra Miss Lyric Theatre, Hammersmith Williams/Carabosse (London) 1986–1987 Chess Florence Vassy Prince Edward Theatre (London) 1989–1990 Anything Goes Reno Sweeney Prince Edward Theatre (London) 1993–1994 Piaf Édith Piaf Piccadilly Theatre (London) 1994, 1995- Sunset Boulevard Norma Desmond Adelphi Theatre (London) & then 1996, 1996– Minskoff Theatre (New York) 19981997 The Misanthrope Célimène Peter Hall Company, Piccadilly Theatre (London) 2000–2001 The King And I Anna Leonowens London Palladium (London) 2003 Where There's A Will Angèle Yvonne Arnaud Theatre (Guildford) & then the Theatre Royal 2004 Sweeney Todd – The Demon Mrs Lovett New York City Opera (New York)(Brighton) Barber Of Fleet Street 2007 The Drowsy Chaperone The Drowsy Novello Theatre (London) Chaperone/Beatrice 2011-12 Follies Carlotta CampionStockwell Kennedy Centre (Washington DC) Marquis Theatre, (New York) 2017-18 Dick Whttington Queen Rat LondoAhmansen Theatre (Los Angeles)n Palladium Theatre OTHER EARLY THEATRE ROLES: The Roar Of The Greasepaint - The Smell Of The Crowd (UK Tour) -
Creative New York by Michael Kane, Robin Keegan, Neil Kleiman, and Beth Siegel
creative new york By Michael Kane, Robin Keegan, Neil Kleiman, and Beth Siegel also an economic powerhouse comparable to the city’s biggest industries. While the combined strength of the city’s creative sector may not trump the impact of the financial services sector, it isn’t far off. The city’s creative economy consists of 12,066 businesses and non- profits (5.8 percent of all employers in the five bor- oughs) and provides employment to 309,142 peo- ple (8.1 percent of all city workers). In recent years, the sector has added jobs at a considerably faster rate than the overall city economy: between 1998 and 2002, employment in New York’s creative core grew by 13.1 percent (adding 32,000 jobs) while the city’s overall job totals increased by 6.5 percent during this period. Among the city’s nearly unparalleled concentra- tion of creative core enterprises, New York has more than 2,000 arts and cultural non-profits and over 500 art galleries, roughly 2,300 design services businesses, more than 1,100 advertising-related firms, nearly 700 book and magazine publishers, and 145 film production studios and stages. Robin Keegan is a fel- No other place in the U.S. even comes close to low and Neil Kleiman The theaters on and off Broadway are perhaps New York City’s matching the city’s creative assets. In fact, 8.3 percent is former director of most recognized cluster of a creative workforce. of all creative sector workers in the U.S. are based in the Center for an New York.