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15 of the Most Iconic Fads from the Fifties
15 of the most iconic fads from the fifties: Car hops were THE way to get your hamburger and milkshake Hula hoops DA haircuts—yup, it stands for duck’s ass—the hair was slicked back along the sides of the head Poodle skirts are one of the most iconic fashion fads of the fifties. Invented by fashion designer Juli Lynne Charlot. Sock hops were informal dances usually held in high school gymnasiums, featuring the new Devil’s music—rock ‘n roll Saddle shoes, These casual Oxford shoes have a saddle-shaped decorative panel in the middle. Coonskin caps a major craze among young boys - a tribute to boyhood heroes of the era like Davy Crockett and Daniel Boone. Telephone booth stuffing ; college students crammed themselves into a phone booth. Drive-in movies capitalized on a fortuitous merging of the booming car culture Letterman jackets and letter sweaters: high school/college girls wanted to show off they were dating a jock. Conical bras Marilyn Monroe, Jayne Mansfield, and Jane Russell were largely responsible for igniting the fad. Cateye glasses:the accessory of choice for many young women. Jell-O molds people took a serious interest in encapsulating various foods in gelatin. Fuzzy dice During WWII, fighter pilots hung them in their cockpits for good luck. Sideburns: a classic element of the greaser look, along with DA haircuts, bomber jackets, and fitted T-shirts with sleeves rolled up, Weeks Reached #1 Artist Single @ #1 7-Jan-50 Gene Autry "Rudolph, The Red-nosed Reindeer" 1 14-Jan-50 The Andrews Sisters "I Can Dream, Can't I" 4 11-Feb-50 -
100 Years: a Century of Song 1950S
100 Years: A Century of Song 1950s Page 86 | 100 Years: A Century of song 1950 A Dream Is a Wish Choo’n Gum I Said my Pajamas Your Heart Makes / Teresa Brewer (and Put On My Pray’rs) Vals fra “Zampa” Tony Martin & Fran Warren Count Every Star Victor Silvester Ray Anthony I Wanna Be Loved Ain’t It Grand to Be Billy Eckstine Daddy’s Little Girl Bloomin’ Well Dead The Mills Brothers I’ll Never Be Free Lesley Sarony Kay Starr & Tennessee Daisy Bell Ernie Ford All My Love Katie Lawrence Percy Faith I’m Henery the Eighth, I Am Dear Hearts & Gentle People Any Old Iron Harry Champion Dinah Shore Harry Champion I’m Movin’ On Dearie Hank Snow Autumn Leaves Guy Lombardo (Les Feuilles Mortes) I’m Thinking Tonight Yves Montand Doing the Lambeth Walk of My Blue Eyes / Noel Gay Baldhead Chattanoogie John Byrd & His Don’t Dilly Dally on Shoe-Shine Boy Blues Jumpers the Way (My Old Man) Joe Loss (Professor Longhair) Marie Lloyd If I Knew You Were Comin’ Beloved, Be Faithful Down at the Old I’d Have Baked a Cake Russ Morgan Bull and Bush Eileen Barton Florrie Ford Beside the Seaside, If You were the Only Beside the Sea Enjoy Yourself (It’s Girl in the World Mark Sheridan Later Than You Think) George Robey Guy Lombardo Bewitched (bothered If You’ve Got the Money & bewildered) Foggy Mountain Breakdown (I’ve Got the Time) Doris Day Lester Flatt & Earl Scruggs Lefty Frizzell Bibbidi-Bobbidi-Boo Frosty the Snowman It Isn’t Fair Jo Stafford & Gene Autry Sammy Kaye Gordon MacRae Goodnight, Irene It’s a Long Way Boiled Beef and Carrots Frank Sinatra to Tipperary -
1950S Playlist
1/10/2005 MONTH YEAR TITLE ARTIST Jan 1950 RAG MOP AMES BROTHERS Jan 1950 WITH MY EYES WIDE OPEN I'M DREAMING PATTI PAGE Jan 1950 ENJOY YOURSELF (IT'S LATER THAN YOU THINK) GUY LOMBARDO Jan 1950 I ALMOST LOST MY MIND IVORY JOE HUNTER Jan 1950 THE WEDDING SAMBA EDMUNDO ROS Jan 1950 I SAID MY PAJAMAS (AND PUT ON MY PRAY'RS) TONY MARTIN/FRAN WARREN Jan 1950 SENTIMENTAL ME AMES BROTHERS Jan 1950 QUICKSILVER BING CROSBY/ANDREWS SISTERS Jan 1950 CHATTANOOGIE SHOE SHINE BOY RED FOLEY Jan 1950 BIBBIDI-BOBBIDI-BOO PERRY COMO Feb 1950 IT ISN'T FAIR SAMMY KAYE/DON CORNELL Feb 1950 RAG MOP LIONEL HAMPTON Feb 1950 THE THIRD MAN THEME ANTON KARAS Feb 1950 MY FOOLISH HEART GORDON JENKINS Feb 1950 THE CRY OF THE WILD GOOSE FRANKIE LAINE Feb 1950 THE FAT MAN FATS DOMINO Feb 1950 DADDY'S LITTLE GIRL MILLS BROTHERS Feb 1950 MUSIC MUSIC MUSIC TERESA BREWER Mar 1950 THE THIRD MAN THEME GUY LOMBARDO Mar 1950 CANDY AND CAKE MINDY CARSON Mar 1950 MY FOOLISH HEART BILLY ECKSTINE Mar 1950 IF I KNEW YOU WERE COMIN' I'D'VE BAKED A CAKE EILEEN BARTON Mar 1950 WANDERIN' SAMMY KAYE Mar 1950 DEARIE GUY LOMBARDO Apr 1950 COUNT EVERY STAR HUGO WINTERHALTER Apr 1950 HOOP-DEE-DOO PERRY COMO Apr 1950 BEWITCHED BILL SNYDER Apr 1950 PETER COTTONTAIL GENE AUTRY Apr 1950 ARE YOU LONESOME TONIGHT BLUE BARRON May 1950 THE OLD PIANO ROLL BLUES HOAGY CARMICHAEL/CASS DALEY May 1950 BEWITCHED DORIS DAY May 1950 VALENCIA TONY MARTIN May 1950 I DON'T CARE IF THE SUN DON'T SHINE PATTI PAGE May 1950 I WANNA BE LOVED ANDREWS SISTERS May 1950 BONAPARTE'S RETREAT KAY STARR Jun 1950 MONA -
August 1951 . Vol. 9 • No. 8 Kay Starr
AUGUST 1951 . VOL. 9 • NO. 8 KAY STARR HotD ME, HOLD ME, HOLD ME OCEAN OF TEARS BONAPARTE’S RETREAT Wabash c a n n o n b a l l OH, BABE IM ™E LONESOMEST g a l in CAPITOL N EW S PACE 3 Bud Freeman's dissonance Les-Mary Under Cap’s Dome Les Paul and M ary Ford have signed a new long A lot of guys have stories to tell. Pentup Miller is lerm contract w ith Capitol usually one o f them . Like so m any lads who always dog Records. The husband and up there is the superstition th a t Pentup is a wise one. TK; wife team are currently on top m ay or m ay not be true. So seldom does Pentup open h n the recording industry. With yap it's hard to find out whether he's smart or stupic 'Chicken Reel," "G oofus," "Mock- When the brothers were talking the other night, Penlu; ngbird Hill," "Tennessee W altz," gets on and tells a yarn. Since this comes from Pentu: How High the M o on ," "W a lk in ' everyone listens, which is quite unusual in a conversant and Whistlin Blues" and th e ir where every word is put in edgewise—just in case. IlA latest, "I Wish I Had Never Seen story that Pentup tells is about Adder Kent, a guy who Sunshine" and "Jo se p h in e " Les blowing in one of those traps where the smoke is and Mary have sold more than dense as yesterday's oatmeal. -
'\^OF^RE°Rjrd^I^Jwej) Lish Exchange Ol Cultural Relations Interviewed WMAL, 9:00—George Jessel Drops In
Last-minute changes in THEY made him a he chdhtt need any bars radio programs some- 0 T WE WERE PALS—BUT I DON'T CAPTAIN AND, BELIEVE ME, FOR l)S TO KNOW WHO WAS Radio Program timet reach The Star too late jor correction that aay. I KNOW WHY FRED EVER BOTHERED HE DESERVED IT —BUT TOP DOG IN THAT OUTFIT- R A.M. 630k. — 980k. WI k. 1 WITH ME--HE HAD THOSE BARS NEVER MADE ANY HE HAD EVERYTHING AND WMAL, WRC, WOL, 1,260k. NX, 1,340 WWDC, 1,450k. WTOP, 1,500k. EVERYTHING-^^^P :00 Breneman's Breakfast Fred Cecil Brown, News News, Hr. Evenler Amanda P PL WHAT A SOLDIER!.-DIFFERENCE TO THAT GUY- MOST OF ALL. COURAGE! Waring Symphony [Blessed | in Hollywood and Company Elsa Maxwell Symphony Hoor [Crosby Time 1 Fiorello La Guardia H U:15.'30 Ruth Crane: The Barry Cameron Take It Easy Mozart's Tufty Topics :45 I Modern Woman David Hamm Victor H. A Lindlahr "Symphony Ho. I" Pinup Tunes (Aunt Jenny ■ —P-M ...- — ... — ft N :00 News, Evans News,- Improvisations Van, News (News Kate Smith |Lyle [TelloTest" " 10; 15 | Ted Malone Look to This Day Morion Downey Movie Snaps; Music j Big Sister A L£:30 (Glamour Manor [Matinee Today [Richard Maxwell Chuck Foster Or. [Crossroads of Army Helen frent ;45 I Cliff N Arquette _i _Musica|_Show_[Finders Keeper_" _'News; Hit of the Day Our Gal Sunday OPEN to 5:30 :00 Baukhage Talking Nancy Osgood Matt. Warren, News News; Bouquets All Sports Parade Life Can Be Beautiful N Constance Bennett | Human Interest [Easy Rhythms {Musical Bouquets Tony Wakeman Ma Perkins I 1:15:30 The Music Box Garden With Beattie [Luncheon With Lopez ( All Sports Parade (Young Dr. -
2021 Breeze Show Choir Catalog
Previously Arranged Titles (updated 2/24/21) Specific details about each arrangement (including audio samples and cost) are available at https://breezetunes.com . The use of any of these arrangements requires a valid custom arrangement license purchased from https://tresonamusic.com . Their licensing fees typically range from $180 to $280 per song and must be paid before you can receive your music. Copyright approval frequently takes 4-6 weeks, sometimes longer, so plan accordingly. If changes to the arrangement are desired, there is an additional fee of $100. Examples of this include re-voicing (such as from SATB to another voice part), rewriting band parts, making cuts, adding an additional verse, etc. **Arrangements may be transposed into a different key free of charge, provided that the change does not make re-voicing necessary** For songs that do not have vocal rehearsal tracks, these can be created for $150/song. To place an order, send an e-mail to [email protected] or submit a license request on Tresona listing Garrett Breeze as the arranger, Tips for success using Previously Arranged Titles: • Most arrangements can be made to work in any voicing, so don’t be afraid to look at titles written for other combinations of voices than what you have. Most SATB songs, for example, can be easily reworked for SAT. • Remember that show function is one of the most important things to consider when purchasing an arrangement. For example, if something is labelled in the catalog as a Song 2/4, it is probably not going to work as a closer. -
The Jerry Gray Story
THE JERRY GRAY STORY THE JERRY GRAY STORY “The Jerry Gray Story” has been compiled to provide researchers and music fans an overview of the musical life of Jerry Gray (1915-1976) following his discharge from the US Army Air Force in late 1945. This chronology documents all known daily activities, media articles, commercial recording sessions, transcription library recording sessions, radio broadcasts, film productions, television appearances, theater appearances, and personal appearances of Jerry Gray post-WWII. This encompasses three primary locations and time frames: The New York City Years 1945-1947; The Hollywood Years 1947-1969; and The Dallas Years 1969-1977. These are presented as: Part 01 - 1945-1946 Part 02 – 1947 Part 03 – 1948 Part 04 – 1949 Part 05 – 1950 Part 06 – 1951-1952 Part 07 – 1953-1954 Part 08 – 1955-1960 Part 09 – 1961-1968 Part 10 – 1969-1977 Additionally, we will eventually include as: Part 11 – Song Index Part 12 – Location Index Part 13 – Artist Index Part 14 – Recording Session Index Part 15 - Discography This is a work-in-progress. There are still many items, articles, stories, photographs, and label scans to be reviewed and confirmed. They will be included in future versions. As of today, our full work product is about 2,342 pages and 526,447 words. Events are posted chronologically. However, like topics are grouped together when possible [such as record reviews and media reports of a specific event]. Recording sessions will show only the matrix number and the primary released recordings for each song. Part 1 - Page 2 of 200 Part 15 - Discography to follow will document all known commercial and transcription recording sessions and radio/film/television/personal performances and their known releases in detail. -
Jingle Bells Full Score
Jazz Lines Publications Presents jingle bells written for frank sinatra Arranged By Lowell martin prepared by rob duboff and jeffrey sultanof full score jlp-9887 By James Lord Pierpont Copyright © 2019 The Jazz Lines Foundation Inc. Frank Sinatra Is Under License from Frank Sinatra Enterprises LLC. Published by the Jazz Lines Foundation Inc., a not-for-profit jazz research organization dedicated to preserving and promoting America’s musical heritage. The Jazz Lines Foundation Inc. PO Box 1236 Saratoga Springs NY 12866 USA frank sinatra series jingle bells (1944) Background: Francis Albert Sinatra was one of the greatest figures in the history of American entertainment and pop culture. Born December 12, 1915, in Hobo- ken, New Jersey, he developed an early interest in music, becoming proficient as a singer and arranging for bands by his teens. He soon dropped out of high school to pursue a career in music. Following the exposure resulting from a successful appearance on the then-popular Major Bowes Amateur Hour radio show, he came to the attention of Harry James, who hired him to front his big band. While he gained experience and released his first records with James, they did not sell well and he soon grew frustrated with the James band and left to join Tommy Dorsey, with whom he had his first huge successes. Seeing his popularity begin to skyrocket, Sinatra soon felt the need to become a solo artist, and left Dorsey, taking ar- ranger Axel Stordahl with him; this would be the first of several very close relationships Sinatra would enjoy with arrangers over the years. -
Bensman, Marvin R.; Walker, Dennis Sources of Broadcast Audio
DOCUMENT RESUME ED 109 724 CS 5,01 094 AUTHOR Bensman, Marvin R.; Walker, Dennis TITLE Sources of Broadcast Audio Programming. PUB DATE 75 NOTE 332p. EDRS PRICE MF-$0.76 HC-$17.13 PLUS POSTAGE DESCRIPTORS *Broadcast Industry; Instructional Materials; *Phonograph Records; *gadio; Resource Materials IDENTIFIERS *DiscographieS _ABSTRACT This publication'is the result of a search conducted for sources of,recordings of old radio programs. Section 1 consists of an annotated list of broadcast programs available on commercial phonograph records. Section 2 consists of an annotated listing of associations concerned with the preservation of recorded broadcast material, organizations which sell programs, newsletters and publications by individuals who collect and trade old radio prograts, and institutions which ha *e collections which are available to some degree for research and teaching purposes. Section 3 is a computerized- catalog of over 100 private collections which was devised to locate specific programs as well as to give some idea of the depth of the material available from such sources. (TS) ****************************************************4i***************** Documents acquired by ERIC Include manyinformal unpublished * materials not available from other sources. ERIC wakes everyeffort * * to obtain the best copy available. nevertheless, items ofmarginal * * reproducibility are often encountered and this affects thequality * * of the microfiche and hardcopy reproductions ERIC makesavailable * * via the ERIC Document Reproduction Service -
Contents Caroline Ellis: It's Never Too Late to Get Into Radio
May-June 2020 www.otrr.org Groups.io No. 108 Contents Caroline Ellis: It’s Never Too Late Caroline Ellis 1 to Get Into Radio Jane Eyre 11 Ryan Ellett The Danny Kaye Though all but forgotten to radio Show 13 historians and old time radio enthusiasts, Danny Kaye 14 Caroline Crockett Ellis can lay claim to DIY Radio 15 being Kansas City's most prominent aural Wistful Vistas 17 homemaker and one of the few in the Nat Brusiloff 19 genre who worked her way up to a Maupin’s Musings regional program on the Red Network. 20 Born on July 10, 1877, between the Crime Pays 22 cities of Lawrence and Topeka in northeastern Kansas, Caroline Crockett Acquisitions 31 taught school for a few short years before Contributors: marrying Charles Ellis. Caroline Joe Adams remained a homemaker during the 19- Ryan Ellett teens while husband Charles made a Martin Grams small but comfortable wage working as a Larry Maupin railroad mail clerk. The Ellises never had children so Caroline began writing in her Caroline Ellis Edited by Ryan Ellett spare time and even saw some of her *** poetry published in Kansas City and In 1924 she joined Crowley, Milner and OldRadioTimes@ Denver newspapers. Her editor at the Company, a competing department store yahoo.com now-defunct Kansas City Post, a chain where she learned the ins and outs of clergyman named Dr. Burris Jenkins, the retail industry and was promoted to would figure prominently in her move to manager of the company's superintendent's radio years later. -
Jack Beiiiiy
Press' ~,\~ '~, ~ ~- THE OLD TIME RADIO CLUB SINCE 1975 NUMB,ER 37 JULY. 1979 16 PAGES . JACK BEIIIIY, . ~ ' ,.",.,'~ . r.~, , _,li ., ·-l11''''f. ... ' ~" NN?¥ MARY LIVINGSTON PHIL HARRIS • ROCHESTER • DON WILSON ~ Page Two ILLUSTRATED PRESS Jul.L...1219 tl CLUB ADDRESSES:Please use the cor ~ rect address for the business you have in mind. Return library mat a! erials to the library address. ~ TAPE LIBRARY:Dom Parisi SI 38 Ardmore Place 11 Buffalo~N.y. 14213 LUX HALLMARK c1 (716) 804-2004 RADIO THEATER PLAYHOUSE ti tl REFERENCE LIBRARY:Pete Bellanca 9:00 P. M. 10:00 P. M. 1620 Ferry Road AI J.I,•••ta ... a• . .. ..H I. y.... HetD. ,til I. ttti. r.a. BI "J.I,•• 51.,. A'.1e", .f "St.ry .. n dl.....1 at Grand Island, t~ N.Y. 14072 HOLLYWOOD OVER THE AIR:MOVIE (716) 773-248$ Fl STARS AND OLD TIME RADIO il OTHER BUSINESS: OTRC AI P.O. Box 119 by Alf H. Walle t1 Kenmore,N.Y. 14217 7: (716) 877-2387 In his autobiography,~ at THE OLD TIME RADIO CLUB LETTERS TO IP:Kean Crowe mill To Oblivion,Fred Allen wrote, tl ee MEMBERSHIP INFORMATION: 200 Woodward Drive "When a radIo comedian's program West Seneca,N.Y. is finally finished it slinks down iJ Club dues are $13.00 per yr. 14224 Memory Lane into the limbo of yes me from Jan. 1 through Dec. 31. Mem (716) 674-6123 terday's happy hours. All that 01 bers recieve a membership card, the comedian has to show for his se library lists,a monthlr newsletter COLUMNISTS:Jerry Collins years of work and aggravation is sl (The Illustrated Press),a semi $6 Christen Court the echo of forgotten laUghter." annual magazine (Memories),and Lancaster,N.Y. -
Post-Gazette 12-18-09 2222.Pmd
VOL. 113 - NO. 51 BOSTON, MASSACHUSETTS, DECEMBER 18, 2009 $.30 A COPY Liberal Attacks on Two Advent Events in Preparation for Christmas Joe Lieberman Get Personal by Bennett Molinari and Richard Molinari by Jamie Weinstein Liberals are once again health care bill. Talk about engaging in their favorite personal. sport: Joe Lieberman bash- The Washington Post’s Ezra ing. Klein went even further by The Connecticut senator writing that Lieberman’s and former Democratic vice- motivation in opposing the presidential nominee first current Senate health care drew liberal ire for his vocal bill is nothing more than support of President George revenge against those liber- W. Bush’s surge in Iraq. Now, als who opposed him in Democrats are attacking his 2006 Senate campaign. him for pledging to stand Worse, Klein charges, Lieb- with Republicans in filibus- erman “seems to be willing tering the Senate health to cause the deaths of hun- care bill if it contains a dreds of thousands of people public option or a Medicare in order to settle an old elec- buy-in. toral score.” One influential liberal What slander. blogger, Jane Hamsher, is so Joe Lieberman is a states- enraged with Lieberman man senator. No matter how that she has asked the hard the left tries to tar Susan B. Komen Foundation Lieberman with unseemly to fire Lieberman’s wife, labels and accusations, they Hadassah, from her role as can’t erase the fact that international spokesperson Lieberman risked his politi- for the breast cancer fight- cal career by endorsing John ing charity. Hamsher has McCain for president.