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BILL BOES Production Designer williamboes.wixsite.com/boes PROJECTS DIRECTORS STUDIOS/PRODUCERS RED NOTICE Rawson Thurber FLYNN PICTURE / NETFLIX Add’l Production Designer David Householter, Beau Flynn AFTERWARD Dito Monteil GRINDSTONE ENT. GROUP Elizabeth Gast Napolitano Tom Adelman UPSIDE-DOWN MAGIC Joe Nussbaum DISNEY CHANNEL Drew Locke TALL GIRL Nzingha Stewart NETFLIX Jenny Hinkey, Mary Viola HAPPY DEATH DAY 2 Christopher UNIVERSAL PICTURES Landon Samson Mucke, Jason Blum ELI Ciaran Foy PARAMOUNT PLAYERS Jenny Hinkey, Mathew Ferrante ELOISE Robert Legato HYDE PARK INTERNATIONAL Tripp Vinson INCARNATE Brad Peyton BLUMHOUSE / UNIVERSAL PICTURES Jason Blum, Kaylene Carlson MARY + JANE Various Directors MTV Season 1 Nellie Nugiel SINISTER 2 Ciaran Foy BLUMHOUSE / FOCUS FEATURES Jason Blum, Kaylene Carlson THE SMURFS 2 Raja Gosnell COLUMBIA Ezra Swerdlow, Jordan Kerner JOURNEY 2: THE MYSTERIOUS ISLAND Brad Peyton NEW LINE CINEMA Marcus Viscidi, Tripp Vinson, Beau Flynn THE SMURFS Raja Gosnell COLUMBIA Ezra Swerdlow, Jordan Kerner CORALINE Henry Selick FOCUS FEATURES Prep Production Designer Harry Linden, Bill Mechanic FANTASTIC FOUR Tim Story 20TH CENTURY FOX Ralph Winter, Ross Fanger SCOOBY 2: MONSTERS UNLEASHED Raja Gosnell WARNER BROS. Charles Roven, Richard Suckle RETURN TO THE BATCAVE: Paul Kaufman ARTISAN ENTERTAINMENT / CBS THE MISADVENTURES OF ADAM & BURT Paul A. Kaufman, Larry Germain Series Dawn Wells, Jo Ticknor SCOOBY DOO Raja Gosnell WARNER BROS Charles Roven, Richard Suckle MONKEYBONE Henry Selick 20TH CENTURY FOX Chris Columbus, Michael Barnathan JAMES AND THE GIANT PEACH Henry Selick WALT DISNEY PICTURES Art Director BUENA VISTA PICTURES Denise Di Novi, Tim Burton THE NIGHTMARE BEFORE CHRISTMAS Tim Burton TOUCHSTONE PICTURES Art Director BUENA VISTA INTERNATIONAL Denise Di Novi, Tim Burton INNOVATIVE-PRODUCTION.COM | 310.656.5151 .

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John Hughes' Family Films and Seriality
Article Title ‘Give people what they expect’: John Hughes’ Family Films and Seriality in 1990s Hollywood Author Details: Dr Holly Chard [email protected] Biography: Holly Chard is Lecturer in Contemporary Screen Media at the University of Brighton. Her research focuses on the U.S. media industries in the 1980s and 1990s. Her recent and forthcoming publications include: a chapter on Macaulay Culkin’s career as a child star, a monograph focusing on the work of John Hughes and a co- authored journal article on Hulk Hogan’s family films. Acknowledgements: The author would like to thank Frank Krutnik and Kathleen Loock for their invaluable feedback on this article and Daniel Chard for assistance with proofreading. 1 ‘Give people what they expect’: John Hughes’ Family Films and Seriality in 1990s Hollywood Keywords: seriality, Hollywood, comedy, family film Abstract: This article explores serial production strategies and textual seriality in Hollywood cinema during the late 1980s and early 1990s. Focusing on John Hughes’ ‘high concept’ family comedies, it examines how Hughes exploited the commercial opportunities offered by serial approaches to both production and film narrative. First, I consider why Hughes’ production set-up enabled him to standardize his movies and respond quickly to audience demand. My analysis then explores how the Home Alone films (1990-1997), Dennis the Menace (1993) and Baby’s Day Out (1994) balanced demands for textual repetition and novelty. Article: Described by the New York Times as ‘the most prolific independent filmmaker in Hollywood history’, John Hughes created and oversaw a vast number of movies in the 1980s and 1990s.1 In a period of roughly fourteen years, from the release of National Lampoon’s Vacation (Ramis, 1983) to the release of Home Alone 3 (Gosnell, 1997), Hughes received screenwriting credits on twenty-seven screenplays, of which he produced eighteen, directed eight and executive produced two.
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6769 Shary & Smith.Indd
ReFocus: The Films of John Hughes 66769_Shary769_Shary & SSmith.inddmith.indd i 110/03/210/03/21 111:501:50 AAMM ReFocus: The American Directors Series Series Editors: Robert Singer, Frances Smith, and Gary D. Rhodes Editorial Board: Kelly Basilio, Donna Campbell, Claire Perkins, Christopher Sharrett, and Yannis Tzioumakis ReFocus is a series of contemporary methodological and theoretical approaches to the interdisciplinary analyses and interpretations of neglected American directors, from the once-famous to the ignored, in direct relationship to American culture—its myths, values, and historical precepts. The series ignores no director who created a historical space—either in or out of the studio system—beginning from the origins of American cinema and up to the present. These directors produced film titles that appear in university film history and genre courses across international boundaries, and their work is often seen on television or available to download or purchase, but each suffers from a form of “canon envy”; directors such as these, among other important figures in the general history of American cinema, are underrepresent ed in the critical dialogue, yet each has created American narratives, works of film art, that warrant attention. ReFocus brings these American film directors to a new audience of scholars and general readers of both American and Film Studies. Titles in the series include: ReFocus: The Films of Preston Sturges Edited by Jeff Jaeckle and Sarah Kozloff ReFocus: The Films of Delmer Daves Edited by Matthew Carter and Andrew Nelson ReFocus: The Films of Amy Heckerling Edited by Frances Smith and Timothy Shary ReFocus: The Films of Budd Boetticher Edited by Gary D.
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Beverly-Hills-Chihuahua-Production
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A University of Sussex DPhil thesis Available online via Sussex Research Online: http://sro.sussex.ac.uk/ This thesis is protected by copyright which belongs to the author. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the Author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the Author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Please visit Sussex Research Online for more information and further details 1 MAINSTREAM MAVERICK? JOHN HUGHES AND NEW HOLLYWOOD CINEMA HOLLY CHARD SUBMITTED FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF SUSSEX MAY 2014 2 I hereby declare that this thesis has not been and will not be, submitted in whole or in part to another university for the award of any other degree. Signature:……………………………………… 3 UNIVERSITY OF SUSSEX HOLLY CHARD SUBMITTED FOR THE DEGREE OF DOCTOR OF PHILOSOPHY MAINSTREAM MAVERICK? JOHN HUGHES AND NEW HOLLYWOOD CINEMA SUMMARY My thesis explores debates on the commercial and textual priorities of New Hollywood cinema through examination of the career of John Hughes. I argue that scrutiny of Hughes’ career and the products associated with him expose the inadequacy of established approaches to cinematic authorship and New Hollywood cinema. By mounting a historically grounded investigation of Hughes’ career, his status within the cinema industry, and his work as a commercially successful and agenda-setting filmmaker, I aim to reevaluate existing perspectives on post-1970s mainstream popular U.S.
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Joshua Gersen, conductor Friday, December 20, 2019, at 7:00PM Webster University Chorale Saturday, December 21, 2019, at 2:00PM Trent A. Patterson, director Home Alone – Film with Live Orchestra JOHN WILLIAMS Home Alone (b. 1932) This program is a presentation of the complete film Home Alone with a live performance of the film’s score, including music played by the orchestra during the end credits. Please remain seated until the conclusion of the credits. There will be one 25-minute intermission. 28 TWENTIETH CENTURY FOX Presents A JOHN HUGHES Production A CHRIS COLUMBUS Film Home Alone MACAULAY CULKIN JOE PESCI DANIEL STERN JOHN HEARD and CATHERINE O’HARA Music by JOHN WILLIAMS Film Editor RAJA GOSNELL Production Designer JOHN MUTO Director of Photography JULIO MACAT Executive Producers MARK LEVINSON & SCOTT ROSENFELT and TARQUIN GOTCH Written and Produced by JOHN HUGHES Directed by CHRIS COLUMBUS Color by DELUXE® Film screening of Home Alone courtesy of Twentieth Century Fox. © 1990 Twentieth Century Fox Film Corporation. All Rights Reserved. 29 PRODUCTION CREDITS Home Alone – Film with Live Orchestra produced by Film Concerts Live!, a joint venture of IMG Artists, LLC and The Gorfaine/Schwartz Agency, Inc. Producers: Steven A. Linder and Jamie Richardson Production Manager: Rob Stogsdill Production Coordinator: Sophie Greaves Worldwide Representation: IMG Artists, LLC Supervising Technical Director: Mike Runice Technical Director: Chris Szuberla Music Composed by John Williams Music Preparation: Jo Ann Kane Music Service Film Preparation for Concert Performance: Ramiro Belgardt Technical Consultant: Laura Gibson Sound Remixing for Concert Performance: Chace Audio by Deluxe The score for Home Alone has been adapted for live concert performance.
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Phd Thesis Noel Brown
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Newsletter 17/08 DIGITAL EDITION Nr
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HOME ALONE the Movie: Live in Concert Hits WSO Stage for 25Th Anniversary
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DAVID RENNIE, ACE Editor
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