Harold Monro Papers, Ca

Total Page:16

File Type:pdf, Size:1020Kb

Harold Monro Papers, Ca http://oac.cdlib.org/findaid/ark:/13030/tf638nb37c No online items Finding Aid for the Harold Monro Papers, ca. 1910-1935 Processed by Manuscripts Division staff; machine-readable finding aid created by Caroline Cubé UCLA Library, Department of Special Collections Manuscripts Division Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 Email: [email protected] URL: http://www.library.ucla.edu/libraries/special/scweb/ © 2001 The Regents of the University of California. All rights reserved. Finding Aid for the Harold Monro 745 1 Papers, ca. 1910-1935 Finding Aid for the Harold Monro Papers, ca. 1910-1935 Collection number: 745 UCLA Library, Department of Special Collections Manuscripts Division Los Angeles, CA Contact Information Manuscripts Division UCLA Library, Department of Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 Telephone: 310/825-4988 (10:00 a.m. - 4:45 p.m., Pacific Time) Email: [email protected] URL: http://www.library.ucla.edu/libraries/special/scweb/ Processed by: Manuscripts Division staff Encoded by: Caroline Cubé Text converted and initial container list EAD tagging by: Apex Data Services Online finding aid edited by: Josh Fiala, August 2002 © 2001 The Regents of the University of California. All rights reserved. Descriptive Summary Title: Harold Monro Papers, Date (inclusive): ca. 1910-1935 Collection number: 745 Creator: Monro, Harold, 1879-1932 Extent: 8 boxes (4 linear ft.) Repository: University of California, Los Angeles. Library. Department of Special Collections. Los Angeles, California 90095-1575 Abstract: Harold Edward Monro (1879-1932) founded Samurai Press, founded and edited the Poetry Review (1912), Poetry and Drama (1913-14) and the Monthly Chapbook (1919), and founded the Poetry Bookshop (1913). Although he is better known as an editor than a poet, he wrote and published poetry as well. The collection contains correspondence relating to the Poetry Bookshop and literary circles in London with which Harold Monro was associated as well as manuscripts by Monro and a few manuscripts of other authors. Physical location: Stored off-site at SRLF. Advance notice is required for access to the collection. Please contact the UCLA Library, Department of Special Collections Reference Desk for paging information. Language: English. Restrictions on Use and Reproduction Property rights to the physical object belong to the UCLA Library, Department of Special Collections. Literary rights, including copyright, are retained by the creators and their heirs. It is the responsibility of the researcher to determine who holds the copyright and pursue the copyright owner or his or her heir for permission to publish where The UC Regents do not hold the copyright. Letters by T.S. Eliot may not be copied without the permission of Mrs. T.S. Eliot. Finding Aid for the Harold Monro 745 2 Papers, ca. 1910-1935 Restrictions on Access COLLECTION STORED OFF-SITE AT SRLF: Advance notice required for access. Additional Physical Form Available A copy of the original version of this online finding aid is available at the UCLA Department of Special Collections for in-house consultation and may be obtained for a fee. Please contact: Public Services Division UCLA Library, Department of Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 Telephone: 310/825-4988 (10:00 a.m. - 4:45 p.m., Pacific Time) Email: [email protected] G.F. Sims, purchase, 1961. Beryl Sims, purchase, 1961. Alida Monro, purchase, 1961. Preferred Citation [Identification of item], Harold Monro Papers (Collection 745). Department of Special Collections, Charles E. Young Research Library, University of California, Los Angeles. UCLA Catalog Record ID UCLA Catalog Record ID: 2470257 Biography Harold Edward Monro was born on March 14, 1879, St. Gilles, Belgium; educated at Radley, 1892-96, and Cambridge, 1898-1901; married Dorothy Elizabeth Browne, 1903; founded Samurai Press and published first book, Proposals for a Voluntary Nobility (1907); moved to London, 1911; founded and edited the Poetry Review, 1912; founded the Poetry Bookshop, 1913, where he met Alida Klementaski, who later became his second wife after his first marriage was dissolved in 1916; began poetry readings at Poetry Bookshop which continued up through the time of Monro's death; founded and edited Poetry and Drama (1913-14) and the Monthly Chapbook (1919); although better known as an editor than a poet, he continued to write and publish poetry, and The Collected Poems of Harold Monro was published in 1933; died after an extended illness, 1932. Scope and Content Collection contains correspondence relating to the Poetry Bookshop and literary circles in London with which Harold Monro was associated. Correspondents include T.S. Eliot, E.M. Forester, John Galsworthy, A.E. Houseman, D.H. Lawrence, Virginia Woolf, William Butler Yeats, and Ezra Pound. Collection also includes manuscripts by Monro as well as a few manuscripts of other authors. Contains a poem in French by Filippo Tommaso Marinetti titled, Bombardement d'Andrinople. Expanded Scope and Content Note This is a collection of correspondence, manuscripts, and ephemera of Harold Monro, London author, editor, publisher and bookseller. The correspondence, ca. 1910-1935, is addressed variously to Harold Monro or to his wife, Alida Klamantaski, and pertains to matters touching the Poetry Bookshop, poetry readings there, contributions to the periodicals published by Monro, as well as serious literary criticism, and aesthetics. Monro's activities during those early years of the 20th Century were devoted to the support of modern literary movements, and the list of correspondents includes such recognized names as Walter De La Mare, Thomas Stearns Eliot, Edward Morgan Forster, John Galsworthy, Gordon Craig, Alfred Edward Housman, D.H. Iawrence, Amy Lowell, Wyndham Lewis, John Masefield, Alfred Noyes, Edith and Sacheverell Sitwell, Alec Waugh, Virginia Woolf, and William Butler Yeats, and Ezra Pound. The correspondence ranges alphabetically through the first three boxes, and totals ca. 1500 items. Organization and Arrangement Arranged in the following series: 1. Correspondence (Boxes 1-3). 2. Manuscripts (Boxes 4-8). Indexing Terms Finding Aid for the Harold Monro 745 3 Papers, ca. 1910-1935 The following terms have been used to index the description of this collection in the library's online public access catalog. Monro, Harold, 1879-1932--Archives. Marinetti, Filippo Tommaso, 1876-1944--Bombardement d'Andrinople--French. Poetry Bookshop. Poets, English--20th century--Archival resources. Authors, English--20th century--Correspondence. Box 1 Abercrombie, Lascelles, 1881-1938. Physical Description: (1 folder) 12 items. Box 1 Acton, Harold Mario Mitchell, 1904- . Physical Description: 2 items. Box 1 Aiken, Conrad Potter, 1889- . Physical Description: 5 items. Box 1 Ainslie, Douglas, 1865-1948. Physical Description: 1 item. Box 1 Aldington, Mrs. Hilda Doolittle, 1886- . Physical Description: 8 items. Note 6 letters from H.D.; 2 letters to H.D. Box 1 Aldington, Richard, 1892- . Physical Description: (4 folders) 134 items. Box 1 Alford, Edward John Gregory, 1890- . Physical Description: (1 folder) 18 items. Box 1 Anderson, John Redwood, 1883- . Physical Description: 6 items. Box 1 Anrep, Boris. Physical Description: (1 folder) 15 items. Box 1 Archer, William, 1856-1924. Physical Description: 3 items. Box 1 Armstrong, Martin Donisthorpe, 1882- . Physical Description: 4 items. Box 1 Austin, Alfred, 1835-1913. Physical Description: 1 item. Box 1 Bard, Josef. Physical Description: 1 item. Box 1 Barnett, Harry Villiers, 1858-1928. Physical Description: 1 item. Finding Aid for the Harold Monro 745 4 Papers, ca. 1910-1935 Container List Box 1 Barry, Iris, 1895- . Physical Description: 6 items. Box 1 Batterham, Eric N., 1898-1936. Physical Description: 2 items. Box 1 Bax, Clifford, 1886- . Physical Description: (1 folder) 34 items. Box 1 Bennett, Arnold, 1867-1931. Physical Description: 2 items. Box 1 Benson, Arthur Christopher, 1862-1925. Physical Description: 1 item. Box 1 Birch, Frank, 1889- . Physical Description: 3 items. Box 1 Bithell, Jethro, 1878- . Physical Description: 3 items. Box 1 Bosanquet, Theodora, B. Physical Description: 3 items. Box 1 Bosschére, Jean de, 1878- . Physical Description: 1 item. Box 1 Bottomley, Gordon, 1874- . Physical Description: 3 items. Box 1 Brown, Alec, 1900- . Physical Description: (1 folder) 16 items. Box 1 Bruno, Guido, 1884- . Physical Description: 1 item. Box 1 Bullen, Arthur Henry, 1857-1920. Physical Description: 1 item. Box 1 Bullett, Gerald William, 1894- . Physical Description: 2 items. Box 1 Bynner, Witter, 1881- . Physical Description: 3 items; and 1 photograph of Bynner inscribed to Monro. Box 1 Cammaerts, Émile. Physical Description: 2 items. Box 1 Campbell, Archibald Young, 1885- . Physical Description: 1 item. Finding Aid for the Harold Monro 745 5 Papers, ca. 1910-1935 Container List Box 1 Campbell, Joseph, 1879- . Physical Description: 2 items. Note Also, 1 from his wife, Nancy Campbell. Box 1 Carpenter, Edward, 1844-1929. Physical Description: 1 item. Box 1 Carter, Huntley, d. 1942. Physical Description: 5 items. Box 1 Chalmers, Patrick Reginald, 1872- . Physical Description: 3 items. Box 1 Chase, Lewis Nathaniel, 1873-1937. Physical Description: 3 items. Box 1 Childe, Wilfrid Rowland, 1890- . Physical Description: 3 items. Box 1 Church, Richard,
Recommended publications
  • A MEDIUM for MODERNISM: BRITISH POETRY and AMERICAN AUDIENCES April 1997-August 1997
    A MEDIUM FOR MODERNISM: BRITISH POETRY AND AMERICAN AUDIENCES April 1997-August 1997 CASE 1 1. Photograph of Harriet Monroe. 1914. Archival Photographic Files Harriet Monroe (1860-1936) was born in Chicago and pursued a career as a journalist, art critic, and poet. In 1889 she wrote the verse for the opening of the Auditorium Theater, and in 1893 she was commissioned to compose the dedicatory ode for the World’s Columbian Exposition. Monroe’s difficulties finding publishers and readers for her work led her to establish Poetry: A Magazine of Verse to publish and encourage appreciation for the best new writing. 2. Joan Fitzgerald (b. 1930). Bronze head of Ezra Pound. Venice, 1963. On Loan from Richard G. Stern This portrait head was made from life by the American artist Joan Fitzgerald in the winter and spring of 1963. Pound was then living in Venice, where Fitzgerald had moved to take advantage of a foundry which cast her work. Fitzgerald made another, somewhat more abstract, head of Pound, which is in the National Portrait Gallery in Washington, D.C. Pound preferred this version, now in the collection of Richard G. Stern. Pound’s last years were lived in the political shadows cast by his indictment for treason because of the broadcasts he made from Italy during the war years. Pound was returned to the United States in 1945; he was declared unfit to stand trial on grounds of insanity and confined to St. Elizabeth’s Hospital for thirteen years. Stern’s novel Stitch (1965) contains a fictional account of some of these events.
    [Show full text]
  • First World War Centenary Poetry Collection
    First World War Centenary Poetry Collection 28th July 2014 All items in this collection are in the U.S. Public Domain owing to date of publication. If you are not in the U.S.A., please check your own country's copyright laws. Whether an item is still in copyright will depend on the author's date of death. 01 Preface to Poems by Wilfred Owen (1893 - 1918) This Preface was found, in an unfinished condition, among Wilfred Owen's papers after his death. The (slightly amended) words from the preface “My subject is War, and the pity of War. The Poetry is in the pity” are inscribed on the memorial in Poets' Corner in Westminster Abbey. 02 For the Fallen by Laurence Binyon (1869 - 1943) Published when the Battle of the Marne was raw in people's memories, For the Fallen was written in honour of the war dead. The fourth verse including the words “We will remember them” has become the Ode of Remembrance to people of many nations and is used in services of remembrance all over the world. 03 [RUSSIAN] Мама и убитый немцами вечер (Mama i ubity nemcami vecher) by Vladimir Mayakovsky (1893 - 1930) В стихах «Война объявлена!» и «Мама и убитый немцами вечер» В.В. Маяковский описывает боль жертв кровавой войны и свое отвращение к этой войне. In this poem “Mama and the Evening Killed by the Germans” Mayakovsky describes the victims' pain of bloody war and his disgust for this war. 04 To Germany by Charles Hamilton Sorley (1895 - 1915) Sorley is regarded by some, including John Masefield, as the greatest loss of all the poets killed during the war.
    [Show full text]
  • Modem Women's Poetry 1910—1929
    Modem Women’s Poetry 1910—1929 Jane Dowson Submitted for the degree of Doctor of Philosophy at the University of Leicester. 1998 UMI Number: U117004 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. Dissertation Publishing UMI U117004 Published by ProQuest LLC 2013. Copyright in the Dissertation held by the Author. Microform Edition © ProQuest LLC. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 Modern Women9s Poetry 1910-1929 Jane Dowson Abstract In tracing the publications and publishing initiatives of early twentieth-century women poets in Britain, this thesis reviews their work in the context of a male-dominated literary environment and the cultural shifts relating to the First World War, women’s suffrage and the growth of popular culture. The first two chapters outline a climate of new rights and opportunities in which women became public poets for the first time. They ran printing presses and bookshops, edited magazines and wrote criticism. They aimed to align themselves with a male tradition which excluded them and insisted upon their difference. Defining themselves antithetically to the mythologised poetess of the nineteenth century and popular verse, they developed strategies for disguising their gender through indeterminate speakers, fictional dramatisations or anti-realist subversions.
    [Show full text]
  • Harold Monro Poet of the New Age
    palgrave.com Literature : Poetry and Poetics Hibberd, D. Harold Monro Poet of the New Age Troubled by his complex sexuality, Monro was a tormented soul whose aim was to serve the cause of poetry. Hibberd's revealing and beautifully-written biography will help rescue Monro from the graveyard of literary history and claim for him the recognition he deserves. Poet and businessman, ascetic and alcoholic, socialist and reluctant soldier, twice-married yet homosexual, Harold Monro probably did more than anyone for poetry and poets in the period before and after the Great War, and yet his reward has been near oblivion. Aiming to encourage the poets of the future, he befriended, among many others, T.S. Eliot, Ezra Pound and the Imagists; Rupert Brooke and the Georgians; Marinetti the Futurist; Wilfred Owen and other war poets; and the noted women poets, Charlotte Mew and Amma Wickham. Order online at springer.com/booksellers Palgrave Macmillan Springer Nature Customer Service Center GmbH Customer Service 2001, XII, 300 p. 1st Tiergartenstrasse 15-17 edition 69121 Heidelberg Germany T: +49 (0)6221 345-4301 Printed book [email protected] Hardcover Printed book Hardcover ISBN 978-0-333-77934-7 £ 107,00 | CHF 147,50 | 124,99 € | 137,49 € (A) | 133,74 € (D) Available Discount group Palgrave Monograph (P6) Product category Monograph Prices and other details are subject to change without notice. All errors and omissions excepted. Americas: Tax will be added where applicable. Canadian residents please add PST, QST or GST. Please add $5.00 for shipping one book and $ 1.00 for each additional book.
    [Show full text]
  • A Note on the Origins of 1914-18 'War Poetry'
    A note on the origins of 1914-18 ‘war poetry’ Dominic Hibberd Biography Dominic Hibberd, was a biographer, editor and critic who taught at universities in Britain, the USA, and China. He wrote biographies of two poets, Harold Monro and Wilfred Owen, as well as the critical study Owen the Poet (1986). He edited Poetry of the First World War in the Casebook series (1981), and with John Onions, compiled and edited The Winter of the World: Poems of the First World War (2007). Abstract The sort of work that has often been thought of as typical British First World War poetry – realistic, often angry poems about the actualities of the front line, written from the point of view of the ordinary soldier and aimed at the civilian conscience – was in fact not typical at all. And it was not begun by soldiers in the aftermath of front-line horrors, as is often supposed, but by two civilian poets very early in the war. Harold Monro and Wilfrid Gibson deserve to be recognised as the first of what modern readers would call the ‘war poets’. Résumé Les œuvres qui sont souvent considérées comme tout à fait caractéristiques de la poésie britannique de la première guerre mondiale, — réalistes, souvent des poèmes d’un style cru, traduisant la réalité du front, telle qu’elle est vécue par le soldat de base, pour en faire prendre conscience aux civils, ne sont en réalité en rien conformes à ce modèle. Les premières œuvres relevant de ce genre n’ont pas été le fait de militaires revenant de l’horreur du front, comme on le croit souvent, mais de deux poètes civils qui les ont écrites au tout début de la guerre.
    [Show full text]
  • Connotations of "Strange Meeting"
    Connotations Vol. 3.1 (1993) Connotations of "Strange Meeting" KENNETH MUIR Wilfred Owen's early imitations of the Romantic poets had been a means oflearning his "trade" as a poet (to use Yeats' word for a poet's vocation) but without producing poems of permanent value. It was not until his stay in Bordeaux, and still more after his experience of the realities of modern war that Owen's investment in the Romantics began to pay dividends. There are traces of Keats and Shelley in "Strange Meeting" but no one denies that the poem is essentially original: no one else could have written it. Luckily for him, Owen's poems have been edited by a long line of poets-Edith Sitwell, Siegfried Sassoon, Edmund Blunden, Ceci1 Day Lewis, Jon Stallworthy-and this is a posthumous existence he would have appreciated. He was a poets' poet. Like Keats, Owen wished to be judged by his peers. Just as annotated editions of Keats demonstrate the way in which some of his best poems owe a great deal to deliberate or unconscious echoes of his predecessors, so editors have similarly identified a wealth of echoes in the poems of Willed Owen.1 Many of these were discovered by Stallworthy; others were summarised in his two splendid editions.2 An excellent example is offered by 11 Anthem for doomed Youth," the poem that made Sassoon realize that Owen was an important poet. It is a useful example because the material is readily available and unambiguous. Moreover we have facsimiles of five manuscripts, reproduced by Day Lewis and in the Stallworthy biography, and we can watch how under Sassoon's tutelage, Owen turned it into a great poem.3 He had been working on two related fragmentary poems} one of which contained the line- Bugles that sadden all the evening air, _______________ ConnotationsFor debates inspired - A Journal by this for article, Critical please Debate check by the the Connotations Connotations website Society at is licensed<http://www.connotations.de/debmuir00301.htm>.
    [Show full text]
  • Imagism and Te Hulme
    I BETWEEN POSITIVISM AND Several critics have been intrigued by the gap between late AND MAGISM Victorian poetry and the more »modern« poetry of the 1920s. This book attempts to get to grips with the watershed by BETWEEN analysing one school of poetry and criticism written in the first decade of the 20th century until the end of the First World War. T To many readers and critics, T.E. Hulme and the Imagists . E POSITIVISM represent little more than a footnote. But they are more HULME . than mere stepping-stones in the transition. Besides being experimenting poets, most of them are acute critics of art and literature, and they made the poetic picture the focus of their attention. They are opposed not only to the monopoly FLEMMING OLSEN T AND T.S. ELIOT: of science, which claimed to be able to decide what truth and . S reality »really« are, but also to the predictability and insipidity of . E much of the poetry of the late Tennyson and his successors. LIOT: Behind the discussions and experiments lay the great question IMAGISM AND What Is Reality? What are its characteristics? How can we describe it? Can we ever get to an understanding of it? Hulme and the Imagists deserve to be taken seriously because T.E. HULME of their untiring efforts, and because they contributed to bringing about the reorientation that took place within the poetical and critical traditions. FLEMMING OLSEN UNIVERSITY PRESS OF ISBN 978-87-7674-283-6 SOUTHERN DENMARK Between Positivism and T.S. Eliot: Imagism and T.E.
    [Show full text]
  • Harold Monro - Poems
    Classic Poetry Series Harold Monro - poems - Publication Date: 2012 Publisher: Poemhunter.com - The World's Poetry Archive Harold Monro(14 March 1879 - 16 March 1932) Harold Edward Monro was a British poet, the proprietor of the Poetry Bookshop in London which helped many famous poets bring their work before the public. Monro was born in Brussels, but his parents were Scottish. He was educated at Radley and at Caius College, Cambridge. His first collection of poetry was published in 1906. He founded a poetry magazine, The Poetry Review, which was to be very influential. In 1912, he founded the Poetry Bookshop in Bloomsbury, London, publishing new collections at his own expense and rarely making a profit, as well as providing a welcoming environment for readers and poets alike. Several poets, including <a href="http://www.poemhunter.com/wilfred- owen/">Wilfred Owen</a>, actually lodged in the rooms above the bookshop. Monro was also closely involved with Edward Marsh in the publication of Georgian Poetry. Although homosexual, he married before World War I, but he and his wife separated and were divorced in 1916. In 1917, he was called up for military service, a very unhappy experience for him. His health soon gave way, and he returned to run the Poetry Bookshop in 1919. He was not a mainstream war poet, but did occasionally write about the subject. In 1920, he married his long- standing assistant, Alida Klementaski. Their relationship seems to have been an intellectual rather than a physical one. Monro continued to suffer from alcoholism, which contributed to his early death.
    [Show full text]
  • Appendix a the Monro Family
    Appendix A The Monro Family Legend traces the origins of the Clan Munro to an eleventh-century prince of Fermanagh. Written records at least as far back as the fourteenth century show the Clan as occupying ancestral lands north of Inverness, at Fowlis (pronounced `Fowls', hence the eagles in the family arms). The chief of the Clan was made a baronet by Charles I. Harold's branch of the Clan, the Monros of Fyrish, one of several cadet families, started in the sixteenth century and later adopted the spelling `Monro'. In 1690 Alexander Monro was dismissed as Principal of Edinburgh University and incumbent of St Giles for his Jacobite sympathies; he was apparently sent to London so that the government could keep an eye on him. Dr James Monro (1680±1752), Alexander's son, became physician in charge of Bethle- hem Hospital for Lunatics, the ancient asylum better known as Bedlam. He was succeeded there by his son, Dr John Monro (1715±91). Both men were criticised for discouraging research and for keeping their knowledge and patients to themselves. John went so far as to say that madness was `a distemper of such a nature, that very little of real use can be said concerning it`. A preference for doing rather than theorising was perhaps a family characteristic, but there were probably good financial reasons for keeping a monopoly. In 1781 John acquired control of Brooke House, a medieval mansion in Hackney which had been converted into a profitable asylum for patients from wealthy families. John was a man of culture, a Shakespeare scholar, a friend of Hogarth and a keen collector of books and prints.
    [Show full text]
  • David Gascoyne Interviewed by Mel Gooding
    NATIONAL LIFE STORIES ARTISTS’ LIVES David Gascoyne Interviewed by Mel Gooding C466/03 This transcript is copyright of the British Library Board. Please refer to the Oral History curators at the British Library prior to any publication or broadcast from this document. Oral History The British Library 96 Euston Road London NW1 2DB 020 7412 7404 [email protected] This transcript is accessible via the British Library’s Archival Sound Recordings website. Visit http://sounds.bl.uk for further information about the interview. © The British Library Board http://sounds.bl.uk IMPORTANT Access to this interview and transcript is for private research only. Please refer to the Oral History curators at the British Library prior to any publication or broadcast from this document. Oral History The British Library 96 Euston Road NW1 2DB 020 7412 7404 [email protected] Every effort is made to ensure the accuracy of this transcript, however no transcript is an exact translation of the spoken word, and this document is intended to be a guide to the original recording, not replace it. Should you find any errors please inform the Oral History curators ( [email protected] ) © The British Library Board http://sounds.bl.uk The British Library National Life Stories Interview Summary Sheet Title Page Ref no: C466/03 Digitised from cassette originals Collection title: Artists’ Lives Interviewee’s surname: Gascoyne Title: Mr Interviewee’s forename: David Sex: Male Occupation: poet, artist and translator Date and place of birth: 1916 Dates of recording: 11.07.1990 Location of interview: interviewee's home Name of interviewer: Mel Gooding Type of recorder: Marantz CP430 Recording format: D60 Cassette F numbers of playback cassettes: F1380 – F1385 Total no.
    [Show full text]
  • The View from the Waste Land: How Modernist Poetry in England Survived the Great War
    UNIVERSIDADE FEDERAL DO RIO GRANDE DO SUL INSTITUTO DE LETRAS PROGRAMA DE PÓS-GRADUAÇÃO EM LETRAS Martin John Fletcher The view from The Waste Land: how Modernist poetry in England survived the Great War PORTO ALEGRE 2016 UNIVERSIDADE FEDERAL DO RIO GRANDE DO SUL INSTITUTO DE LETRAS PROGRAMA DE PÓS-GRADUAÇÃO EM LETRAS The view from The Waste Land: how Modernist poetry in England survived the Great War Tese de doutorado em Literatura Inglesa, submetida como requisito parcial para a obtenção do título de doutor. Orientadora: Profa. Dra. Kathrin Rosenfield Doutorando: Martin Fletcher Area de concentração: Literatura inglesa PORTO ALEGRE 2016 CIP - Catalogação na Publicação Fletcher, Martin The view from 'The Waste Land': how Modernist poetry in England survived the Great War / Martin Fletcher. -- 2016. 233 f. Orientadora: Profa. Dra. Kathrin Rosenfield. Tese (Doutorado) -- Universidade Federal do Rio Grande do Sul, Instituto de Letras, Programa de Pós- Graduação em Letras, Porto Alegre, BR-RS, 2016. 1. T. S. Eliot; Ezra Pound; Imagism; Herbert Read; Harold Monro.. I. Rosenfield, Profa. Dra. Kathrin, orient. II. Título. Elaborada pelo Sistema de Geração Automática de Ficha Catalográfica da UFRGS com os dados fornecidos pelo(a) autor(a). For Ana, my wonderful Carioca wife, and my loving son Edward For my mother, Grace May, who has supported me in all I have done, and my brother Graham, a true friend In memory of Rupert Brooke, Wilfred Owen and all the Great War poets who gave their lives selflessly and gifted us with their poetry THANKS AND
    [Show full text]
  • Short Form American Poetry
    SHORT FORM AMERICAN POETRY The Modernist Tradition Will Montgomery Chapter 1 Ezra Pound, H.D. and Imagism While Imagism is typically given foundational status in the modernist line of anglophone poetry, it was produced by a grouping as confected and irregular as any in the long history of twentieth-century avant- gardes. Ezra Pound, obviously, is central to this conversation, but in this chapter I will also pay close attention to H.D., whose poetry was the most rigorous exemplar of imagist practice (even if Pound remained for many poets of the modernist line the pre-eminent model). I discuss austerity, clarity and directness in this writing, and the complex relation- ship that Imagism has with figures of the inexpressible, both in its highly mediated adaptations of poetry of the French symbolist tradition and in the literature of ancient Greece, China and Japan. The relationship between the empirical and short form is usually taken as implicit by poets of the imagist and post-imagist line: a reduced style becomes an inevitable concomitant of this mode of writing. Yet the use of ellipsis and the handling of the linebreak in this poetry go a long way beyond the eschewal of ornamentation. There is a contradiction between the reduced style and the empirical ambitions of such poets – the desire for direct statement as a means of forging a relationship between object and artwork that is unmediated by the artifice of poetic language. The compression and ellipsis that characterises such writing, even at the level of the sentence, works against conventional sense- making, preventing the poetry from representing the things of the world with anything approaching directness.
    [Show full text]