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“Please Tell Me Where's Her Head” “Please Tell Me Where’s Her Head”: Pearl Bryan in Song and Story, by Paul Slade. © 2011, all rights reserved. “Please Tell Me Where’s Her Head” Pearl Bryan in Song and Story By Paul Slade All the material in this book first appeared in Sept. 2011 on www.PlanetSlade.com Please visit the site for information on many other murder ballads, including Stagger Lee, Frankie & Johnny, Knoxville Girl, Hattie Carroll and Tom Dooley. www.PlanetSlade.com 1 “Please Tell Me Where’s Her Head”: Pearl Bryan in Song and Story, by Paul Slade. © 2011, all rights reserved. Contents Chapter One: In which a pregnant girl’s body is found, but not her head. 3 Blood-stained leaves testify to the killer’s brutality; Arthur Carter’s famous bloodhounds join the hunt; The dead girl’s unborn child is exhibited in a candy jar; And a surprising clue is revealed. Chapter Two: In which we meet the victim and her killers. 12 The girl’s shoes identify her as Pearl Bryan; Police arrest her lover Scott Jackson; A reluctant witness is brought to Cincinnati; Jackson makes sure his friend Alonzo Walling is arrested too: And a severed head is carried round the city’s bars. Chapter Three: In which Miss Bryan’s final hours are described. 23 New evidence links both Jackson and Walling to the murder scene; Discarded clothing is recovered from a sewer; A glass of sarsaparilla is spiked with cocaine; And a crucial witness is almost lynched for his pains. Chapter Four: In which the first Pearl Bryan songs are heard. 31 The newspapers allocate everyone their roles; An ancient ballad is repurposed; Charlie Poole and others put the story to disc; The trade in souvenirs reaches a new height; And Miss Bryan’s family confronts Jackson beside her open coffin. Chapter Five: In which police utilise an ingenious listening device. 44 Ohio fails in its bid to retain custody of the prisoners; Jackson weeps with fear when he learns they must go to Kentucky; A wild ride through Cincinnati is undertaken; Miss Bryan is buried at last; And a charming custom begins at her grave. Chapter Six: In which both Jackson and Walling are condemned to hang. 51 Each man’s murder trial produces a guilty verdict; Appeals to Governor Bradley and the Bryan family prove fruitless; The prisoners decline an opportunity to escape their cells; A journalist advances her career through subterfuge; And many lies are told. Chapter Seven: In which Jackson refuses to save his friend. 60 His last-minute confession is recanted; Governor Bradley stands firm; There are plans to sell the gallows wood as souvenirs; Jackson sings hymns for the watching crowd; The traps are pulled; And a cruel miscalculation is made. Chapter Eight: In which the search for Miss Bryan’s head resumes. 65 Theories on its whereabouts persist into the 1950s; Jackson’s love letters are discovered; One of Walling’s jurists dies before his time; Dr Carothers provides a memoir; And a modern bluegrass band launches the ballad into its second century. Chapter Nine: In which desperate measure are required. 72 Theft is undertaken for the best of motives; Satanists gather at the Well of Blood; Cyndi gets a scare; The ballad is pruned to its chorus alone; A new Scott sleeps with Pearl; And Kate Weare’s dancers give Miss Bryan her revenge at last. Appendix One: The headless girl on record. 79 Appendix Two: The case against George Jackson. 81 Appendix Three: Collateral damage. 83 Appendix Four: Journal entries from the author’s research trip. 84 Appendix five: Sources & Footnotes. 89 www.PlanetSlade.com 2 “Please Tell Me Where’s Her Head”: Pearl Bryan in Song and Story, by Paul Slade. © 2011, all rights reserved. Chapter One In which a pregnant girl’s body is found, but not her head. “The lives and deaths of Pearl Bryan, Scott Jackson and Alonzo Walling had everything to make a great story. It had mystery love, tragedy and pathos. Its brutality was enraging and its inhumanity sickening,” – Joe Doran, Cincinnati Post, May 8, 1930. “There was the image of a young country girl meeting her tragic end in the big city, there was the scandalous subject of out-of-wedlock pregnancy. There was a question of innocence or guilt. And there was a missing head.” – George Stimson, The Cincinnati Crime Book. His first guess was that the girl must have passed out from too much drink. John Hewling often stumbled across women in that state on his Saturday morning walks into work, and this corner of his employer’s orchard always seemed to be the spot where he found them. The three-board fence separating it from Alexandria Pike road was easy to climb, and led directly to a disused wagon track inside where thick privet bushes hid everyone from view. The young farmhand knew that soldiers from the nearby fort often entertained the local whores here, and he’d gotten used to finding the debris of their parties strewn around when he arrived for work next day. “It was a lonely spot, and they used it for a trysting place,” he told reporters. “We had to run lots of women out of there who were drunk.” (1) Something about this particular girl stopped Hewling from trying to rouse her. She was lying on her back, angled down the slope of a bank with her feet at the top and her arms flung up over her shoulders - a position that would make sleep difficult however drunk you were. Her clothes were in disarray, with the skirt of her long green dress pulled up to conceal everything above her waist. The sun was still rising on this cold, foggy February morning, so that’s about all Hewling would have seen on his first inspection. It was enough to convince him this was no routine drunk, though, and that he didn’t want to get any closer to her just at the moment. Instead, he ran straight to his boss’s house to raise the alarm. John Lock, the farmer who owned the land, sent Hewling off to summon the police from the nearby town of Newport, and then to alert Colonel Cochran, who commanded the US infantry regiment at Fort Thomas itself. Jule Plummer, the county sheriff, Bob Tingley, the coroner, and Lock himself led a small party back to the orchard, arriving there a little before 10:30am. Now there was enough light to see the whole scene. “As they approached, they noticed that the ground was torn, leaves were scattered about and bushes were trampled,” writes the Cincinnati Post’s Joe Doran. “Spots of blood flecked the privet bushes to a height of two or three feet. Beside the woman lay a tan kid glove. The woman’s dress, which covered her www.PlanetSlade.com 3 “Please Tell Me Where’s Her Head”: Pearl Bryan in Song and Story, by Paul Slade. © 2011, all rights reserved. head, was pale green. […] A short distance from the body was a woman’s white corset, with part of the left shoulder strap cut away. “Coroner Tingley walked to the woman, grasped her foot, and tumbled her down the bank into the roadway. The small party started back in horror at what his move revealed. When the woman fell to the road and her dress slipped down from her neck, the men found themselves staring at a headless body. “‘When I saw that, I got weak and sick,’ Hewling said. ‘It was the most gruesome sight I have ever seen’.” With the skirt pulled away, it was also obvious that the girl had been half stripped. “Officers were at first inclined to believe that the woman had been outraged before she was murdered,” says the Cincinnati Enquirer. “The upper part of the woman’s dress was open, as was the garment beneath and her bosom was bare. The skirtband was unloosed, and the skirt of the dress was gathered up above the waist. Beneath the stump of the neck, there was a large pool of blood.” (2) All this happened on Saturday, February 1, 1896, in the Kentucky town of Fort Thomas, just across the river from Cincinnati, Ohio. The crime uncovered that day was still producing headlines in both states’ papers a century later, and has inspired as many as six different songs. It’s become an archetype of the “Murdered Girl” ballad, recorded by everyone from Charlie Poole to The Crooked Jades, and a vivid example of the way that story’s narrative stereotypes shape its telling. Most recently, Pearl’s tale has been told by a dance troupe in San Francisco, where Kate Weare’s company choreographed it as part of their 2011 show at the city’s ODC Theatre. Oh, and one more thing: They still haven’t found her head. The late 19th Century was a turbulent time for Newport and the other small Kentucky settlements lining the Ohio river’s state boundary. Jim Reis’s review of Kentucky Post front pages from that era lists an impressive selection of natural disasters, including an earthquake (1877), a steamboat sunk by ice floes on the river (1881), floods (1884), tornados (1890) and a bridge collapse (1892). (3) Meanwhile, just across the river, Cincinnati was dealing with problems of its own. Settled in 1788, the city had grown rapidly to become what state historians call “the first American boomtown in the centre of the country”. But the shift from steamboats to railroads slowed that growth dramatically and, by 1890, Cincinnati had fallen well behind its mid-west rivals, boasting only 297,000 residents against the burgeoning Chicago’s 1.1m.
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