Board of Trustees (May 2021)
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Looking Ahead Museum Sector Research May 2021 Summary Report
Aberdeen Art Gallery, joint winner Art Fund Museum of the Year 2020, © Marc Atkins/Art Fund 2020 Looking ahead Museum Sector Research May 2021 Summary Report [Art _ CONTENTS Introduction 5 Now 9 Next 19 The role of Art Fund 31 Conclusions 37 Gairloch Museum, joint winner Art Fund Museum of the Year 2020 © Marc Atkins/Art Fund 2020 INTRODUCTION What has emerged is a new We would like to thank our model for the museum, one in colleagues in museums and which the physical space of the galleries across the UK who, at a Almost exactly a year ago, I wrote We hope our findings will not museum is no longer dominant. point at which it felt like there was the introduction to Art Fund’s first only inform Art Fund’s charitable Instead, the museum is divided a new survey to fill out every other survey on the impact of Covid-19. programme, but also help other into three: on-site, on-line, and day, took the time to answer our At that time, our sector faced an organisations, funders and out in the community; each space questions and have yet another unprecedented crisis. One year agencies, across and beyond equally important and informed Zoom meeting. It is a privilege to later and little has changed: across the sector, understand where our by the other two. Alongside this is be part of a sector full of generous, the UK museums and galleries are continued support is most needed. new thinking about recovery: for creative, and dedicated people. only just starting to reopen, finances many, a continual growth model is The themes in this survey will not remain extremely precarious, untenable, and the sector must ask Sarah Philp be a surprise to anyone working in and the future uncertain. -
James Kent Director
James Kent Director Agents Natasha Galloway Associate Agent Talia Tobias [email protected] + 44 (0) 20 3214 0860 Credits Film Production Company Notes THE AFTERMATH Scott Free/Fox Producers: Jack Arbuthnott, Ridley Scott, Malte 2019 Searchlight/BBC Films Grunert Starring: Keira Knightley, Alexander Skarsgard, Jason Clarke TESTAMENT OF Heyday Films Prods: Rosie Alison, David Heyman YOUTH Starring Alicia Vikander, Kit Harington, Taron 2014 Egerton, Emily Watson, Dominic West, Hayley Atwell and Miranda Richardson Documentaries Production Company Notes ONE STRANGE ROCK Nutopia Producer: Darren Aronofsky, Starring: Will Smith 2018 Television Production Company Notes THE CAPTURE II Heyday/BBC/NBC Lead Director. Producers: Rosie Alison, 2021 Kristian Dench, Ben Chanan. Starring: Holliday Grainger, Paapa Essiedu, Ron Perlman. United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Company Notes MOTHER FATHER SON BBC Studios Lead director. 2019 Producers: Hilary Salmon, Lisa Osborne, Alan Poul, Sharon Bloom Starring: Richard Gere, Helen McCrory, Sarah Lancashire, Billy Howle SPARK ABC Pilot 2016 Prods: Ian Sander, Kim Moses Starring Lena Olin, Rege-Gene Page, Tracy Ifeachor AMERICAN CRIME II ABC Prods: John Ridley, Michael MacDonald 2015 Starring Felicity Huffman, Timothy Hutton Regina King 11/22/63 Bad Robot / Warner Prods: JJ Abrams, Bridget Carpenter 2015 Bros TV Starring: James Franco, Chris Cooper, Sarah Gadon THE THIRTEENTH TALE Heyday Films Director. 90min film for BBC2. 2013 Written by Christopher Hampton. Starring Vanessa Redgrave and Olivia Colman *Winner, C21 Media awards 'Best Miniseries'. THE WHITE QUEEN BBC/Starz Lead Director. -
Journal Biological Curation
Journal of Biological Curation Volume 1, Number 1, 1989 Journal of Biological Curation Published by the Biology Curators' Group Editor Dr JH Mathias Keeper of Biology, Leicestershire Museums, Arts and Records Service, 96 New Walk, Leicester LE1 61D. Tel 0533.554100 Special Publications Editor Dr GReid Keeper of Biology, Horniman Museum and Library, London Road, Forest Hill, London SE23 3PQ. Tel 01.699.1872 Officers and Committee of the Biology Curators' Group Chairman Mr SP Garland, Bolton Museum Secretary Mr D Whiteley, Sheffield Museum Treasurer and Membership Secretary Ms K Way, Natural History Museum, London Committee Members, 1989-90 Mr A Coles, Sunderland Museum Mrs R Down, University College, London Ms C Fisher, Liverpool Museum Mr J Lee, Museum of North Devon, Barnstaple Mr W Milne, Kendal Museum Mr G Stansfield, Dept of Museum Studies, Leicester University Mr R Sutcliffe, Glasgow Museum Mr A Wright, Coventry Museum Geology Curators'Group Representative Ms D Smith, Haslemere Educational Museum The Biology Curators' Group was founded in 1975 with the following terms of reference: 1. To facilitate the exchange of information between individuals concerned with collectioruco l biological specimens and records, their conservation and interpretation. 2. To present the views of biological curators to the Museums Association and other bodi<a. BCG holds regular meetings, usually based on topical themes, and occasionally in association wi th other groups. There are usually two meetings a year, one in the Spring which incorpora te~ the AGM, and one in the Autumn. BCG publishes three Newsletters a year, one volume of the Journal of Biological Curation a ye· u , and a series ofSpecial Reports and leaflets as the need arises. -
'The Neo-Avant-Garde in Modern Scottish Art, And
‘THE NEO-AVANT-GARDE IN MODERN SCOTTISH ART, AND WHY IT MATTERS.’ CRAIG RICHARDSON DOCTOR OF PHILOSOPHY (BY PUBLISHED WORK) THE SCHOOL OF FINE ART, THE GLASGOW SCHOOL OF ART 2017 1 ‘THE NEO-AVANT-GARDE IN MODERN SCOTTISH ART, AND WHY IT MATTERS.’ Abstract. The submitted publications are concerned with the historicisation of late-modern Scottish visual art. The underpinning research draws upon archives and site visits, the development of Scottish art chronologies in extant publications and exhibitions, and builds on research which bridges academic and professional fields, including Oliver 1979, Hartley 1989, Patrizio 1999, and Lowndes 2003. However, the methodology recognises the limits of available knowledge of this period in this national field. Some of the submitted publications are centred on major works and exhibitions excised from earlier work in Gage 1977, and Macmillan 1994. This new research is discussed in a new iteration, Scottish art since 1960, and in eight other publications. The primary objective is the critical recovery of little-known artworks which were formed in Scotland or by Scottish artists and which formed a significant period in Scottish art’s development, with legacies and implications for contemporary Scottish art and artists. This further serves as an analysis of critical practices and discourses in late-modern Scottish art and culture. The central contention is that a Scottish neo-avant-garde, particularly from the 1970s, is missing from the literature of post-war Scottish art. This was due to a lack of advocacy, which continues, and a dispersal of knowledge. Therefore, while the publications share with extant publications a consideration of important themes such as landscape, it reprioritises these through a problematisation of the art object. -
List of Scottish Museums and Libraries with Strong Victorian Collections
Scottish museums and libraries with strong Victorian collections National Institutions National Library of Scotland National Gallery of Scotland National Museums Scotland National War Museum of Scotland National Museum of Costume Scottish Poetry Library Central Libraries The Mitchell Library, Glasgow Edinburgh Central Library Aberdeen Central Library Carnegie Library, Ayr Dick Institute, Kilmarnock Central Library, Dundee Paisley Central Library Ewart Library, Dumfries Inverness Library University Libraries Glasgow University Library University of Strathclyde Library Edinburgh University Library Sir Duncan Rice Library, Aberdeen University of Dundee Library University of St Andrews Library Municipal Art Galleries and Museums Kelvingrove Art Gallery, Glasgow Burrell Collection, Glasgow Aberdeen Art Gallery McManus Galleries, Dundee Perth Museum and Art Gallery Paisley Museum & Art Galleries Stirling Smith Art Gallery & Museum Stewartry Museum, Kirkcudbright V & A Dundee Shetland Museum Clydebank Museum Mclean Museum and Art Gallery, Greenock Hunterian Art Gallery & Museum Piers Art Centre, Orkney City Art Centre, Edinburgh Campbeltown Heritage Centre Montrose Museum Inverness Museum and Art Gallery Kirkcaldy Galleries Literary Institutions Moat Brae: National Centre for Children’s Literature Writers’ Museum, Edinburgh J. M. Barrie Birthplace Museum Industrial Heritage Summerlee: Museum of Scottish Industrial Life, North Lanarkshire Riverside Museum, Glasgow Scottish Maritime Museum Prestongrange Industrial Heritage Museum, Prestonpans Scottish -
Museum of Garden History, St Mary's Church, 5 Lambeth Palace Road
SECTION 1 – SITE LOCATION MAP Museum of Garden History, St Mary’s Church, 5 Lambeth Site address Palace Road, London, SE1 7LB Ward Bishops Restoration, internal and external alterations (including partial Proposal demolition and provision of additional mezzanine display floorspace) to the existing church abuilding, construction of single storey extensions within rear garden to provide a café and educational facilities, alterations to the rear churchyard including landscaping and relocation of tombs, removal and reconstruction of existing boundary treatment. Application type Full Planning Application Listed Building Consent 14/01448/FUL Application ref(s) 14/01450/LB 27 March 2014 (14/01448/FUL) Validation date 27 March 2014 (14/01450/LB) Name: Nicholas Linford Case officer details Tel: 020 7926 4069 Email: [email protected] Mr. Christopher Woodward Applicant Agent Ms Anna Cullum Kennington Cross Neighbourhood Association Considerations/constraints South Bank Employers Group Conservation Area Environment Agency Flood Zone Listed Building Sites of Borough Nature Conservation Importance London Plan Thames Policy Area Tree Preservation Order Historic Parks and Gardens on English Heritage Register Protected Vistas Ex010; Ex050; Ex100; Ex110; Ex120; Ex130; Ex200; Ex210; Approved plans Ex220; Ex230; Ex301; Ex302; Ex303; Ex305; Ex306; Ex309; Dm100; Dm301; Dm302; Dm303; Dm305; Dm306; Dm309; PA/001; PA/010; PA/100; PA/101; PA/102; PA/110; PA/120; PA/130; PA/200; PA/210; PA/300; PA/301; PA/302; PA/303; PA/304; PA/305; PA/306; PA/307; PA/308; -
Museum Futures, Creating Entry Level Press Images: Routes Into the Sector
Press release Final group of museums announced for Museum Futures, creating entry level Press images: https://bit.ly/3fbPxvY routes into the sector A British Museum initiative to invest in a diverse generation of museum professionals has announced the third and final cohort of partner museums for 2021 across the UK. Museum Futures, a three-year programme supported by The National Lottery Heritage Fund and managed by the British Museum, gives 18–24-year olds from a range of backgrounds the opportunity to receive year-long paid training. This training enables applicants without degrees or prior museum experience to pursue a career in the museum and heritage sector that might have otherwise been unattainable. Focusing on digital skills, trainees receive on-the-job training at UK partner museums, and also work towards a Level 3 diploma in Cultural Heritage to boost their learning throughout the year. Trainees further benefit from support of a trained mentor working within the sector, monthly training sessions at the partner museums and experience working on digital skills-based projects related to museum collections. Partner museums participating in Museum Futures 2021 are: Museum of East Anglian Life, South West Heritage Trust, Fitzwilliam Museum: University of Cambridge Museums, National Football Museum, The Atkinson, Museum of Cardiff, Culture Perth and Kinross and the British Museum. Currently in its second year of a three-year programme, Museum Futures will benefit a total of 25 trainees by its end in 2021. Successful projects from 2019 ranged from 3D imaging and projections at York Museums Trust, editing the official podcast at the British Museum to launching a new software to help digitally preserve archives in Somerset. -
Please See the Application Pack
APPLICATION PACK Application deadline: 6 February 2019 Shortlist announcement: May 2019 Winner announcement: July 2019 artfund.org/museum-of-the-year #museumoftheyear Art Fund Museum of the Year 3 Art Fund Museum of the Year Recent winners and finalists 4 The biggest museum prize in the world, Art Fund Museum of the Year The judges 6 seeks out and celebrates innovation and exceptional achievement in museums and galleries across the UK. What the judges are looking for 8 We award one outstanding winner £100,000 and each of the other Our work with finalists 10 finalists £10,000 to support future activity. Eligibility 12 It’s a moment to spotlight the originality and creativity of the museum sector. During the process each year’s finalists – selected from How to apply 14 applications from museums of all kinds and sizes – typically see a major boost in attendance and profile, strengthened support from stakeholders What happens after you’ve applied 16 and wider public recognition. Winner announcement 17 The prize also helps to reinforce finalists’ relationships with their audiences both locally and nationally and to make new, Timeline 18 lasting connections. Terms and conditions 19 2 3 Recent winners and finalists Art Fund Museum of the Year has helped to draw national and international attention to the many and varied accomplishments of UK museums. 2018 Winner: Tate St Ives Celebrating the important contribution of 20th-century artists who lived and worked in Cornwall, Tate St Ives reopened in 2017 following a major redevelopment undertaken in close consultation with the community. Finalists: Brooklands Museum, Weybridge; Ferens Art Gallery, Hull; Glasgow Women’s Library; The Postal Museum, London 2017 Winner: The Hepworth Wakefield The gallery hosted a sequence of special exhibitions, saw the success of its inaugural Hepworth Prize for Sculpture, and showed a dedication to Atkins 2018 © Marc Ives, St Tate serving the local community. -
Garden Museum
Garden Museum Lambeth Palace Road, SE1 Rooff are delighted to have been appointed preferred contractor on the prestigious Garden Museum Extension Project in Lambeth, adjacent to Lambeth Palace. This is a great appointment for Rooff and very typical of the type of work that we secure due to our sig- nificant track record of similar projects for high profile clients. The extension of the Garden Museum and internal alterations of the existing museum building located in a former Grade II* listed church. The new build extension consists of three single storey pavilions located in the garden connected by a winter-garden, which will provide café, education and community facilities; and a new office wing. Works within the existing museum building include the introduction of a mezzanine floor by extending the existing cross laminated timber (CLT) structure to access exhibition space. External works include landscaping and the repair of the boundary walls. Client: Garden Museum Architect: Dow Jones Architects Employers Agent: Gardiner and Theobald LLP Quantity Surveying: Pierce Hill Contract value: £3.4M Form of Contract: JCT Standard Building Contract With Quantities Remains of five 'lost' Archbishops of Canterbury found—BBC News 16th April 2017 Site Managers Karl Patten and Craig Dick “The remains of five Archbishops of Canterbury have been found beneath a medieval parish church next to Lambeth Palace, the Archbishop of Canterbury's official London residence. Builders renovating the Garden Museum, housed at the deconsecrated church of St Mary-at-Lambeth, found a hidden crypt containing 30 lead coffins. Site manager Karl Patten said: "We discovered numer- ous coffins - and one of them had a gold crown on top of it". -
The British Museum Annual Reports and Accounts 2019
The British Museum REPORT AND ACCOUNTS FOR THE YEAR ENDED 31 MARCH 2020 HC 432 The British Museum REPORT AND ACCOUNTS FOR THE YEAR ENDED 31 MARCH 2020 Presented to Parliament pursuant to Section 9(8) of the Museums and Galleries Act 1992 Ordered by The House of Commons to be printed on 19 November 2020 HC 432 The British Museum Report and Accounts 2019-20 © The British Museum copyright 2020 The text of this document (this excludes, where present, the Royal Arms and all departmental or agency logos) may be reproduced free of charge in any format or medium provided that it is reproduced accurately and not in a misleading context. The material must be acknowledged as British Museum copyright and the document title specifed. Where third party material has been identifed, permission from the respective copyright holder must be sought. Any enquiries related to this publication should be sent to us at [email protected]. This publication is available at www.gov.uk/ofcial-documents. ISBN 978-1-5286-2095-6 CCS0320321972 11/20 Printed on paper containing 75% recycled fbre content minimum Printed in the UK by the APS Group on behalf of the Controller of Her Majesty’s Stationery Ofce The British Museum Report and Accounts 2019-20 Contents Trustees’ and Accounting Ofcer’s Annual Report 3 Chairman’s Foreword 3 Structure, governance and management 4 Constitution and operating environment 4 Subsidiaries 4 Friends’ organisations 4 Strategic direction and performance against objectives 4 Collections and research 4 Audiences and Engagement 5 Investing -
Mark Fairnington Unnatural History
Mark Fairnington UnnaturalMarkFairningtonHistory Mannheimer Kunstverein Mark Fairnington Galerie Peter Zimmermann Mannheimer KunstvereinMannheimer GaleriePeter/ Zimmermann Unnatural History Mark Fairnington Unnatural History 1 Mark Fairnington Unnatural History 2 3 Published on the occasion of 6 The Observing Eye Unnatural History 8 Das beobachtende Auge at Mannheimer Kunstverein and Galerie Peter Zimmermann 11 Specimens in February 2012 29 Paradise Birds 22 Interview with Darian Leader by Mannheimer Kunstverein e.V. Augustaanlage 58 D-68165 Mannheim, Germany 39 Bulls www.mannheimer-kunstverein.de 50 Im Gespräch mit Darian Leader and Galerie Peter Zimmermann Leibnizstraße 20 D-68165 Mannheim, Germany 57 Flora www.galerie-zimmermann.de 69 Eyes with design – Jaakko / Supergroup Studios 80 How can I move thee? photography – Peter White, Simon Steven & ??? ??? english translation – Amy Klement german translation – Catrin Huber 83 Displays print – Die Keure, Brugge, Belgium 92 Wie kann ich Sie? © Peter Zimmerman Gallery, Mark Fairnington and FXP Photography ISBN 978-3-9808352-9-9 95 Storage 106 Curriculum Vitae 108 Acknowledgements 4 5 The Observing Eye Martin Stather “The eyes of an animal when they consider a man are causes a pulling away, that maintains a distance blocks of stone, finishes off her sketches, signs them with particularly unique. Although not portraits in the attentive and wary. The same animal may well look between the subject of the painting and the viewer. his stamp, impresses on them his artistic hall-mark.” conventional sense, these images are, nonetheless, at other species in the same way. He does not reserve The living now seems lifeless, excised from the (Huysmans, 1884) distinctive in their portrayal and in the respect a special look for man. -
Patrick Painter, Inc
PATRICK PAINTER, INC Glenn Brown Born 1966, Northumberland, England Lives and works in London Education 1992 Goldsmiths’ College, London 1988 Bath College of Higher Education 1985 Norwich School of Art, Foundation Course Solo Exhibitions 2006 Galerie Max Hetzler, Berlin, Germany 2005 Patrick Painter Inc., Santa Monica, CA 2004 Serpentine Gallery, London, England Gagosian Gallery, New York, New York 2002 Galerie Max Hetzler, Berlin, Germany 2001 Patrick Painter Inc., Santa Monica, California Künstlerverein Malkasten, Düsseldorf, Germany 2000 Domaine de Kerguéhennec, Centre d’art Contemporain, Bignan, Franc Galerie Max Hetzler Berlin, Germany Patrick Painter Inc., Santa Monica, California Jerwood Space, London, England Galerie Ghislaine Hussenot, Paris, France 1996 Queen’s Hall Arts Centre, Hexham, England 1995 Karsten Schubert Gallery, London, England Group Exhibitions 2005 Translations, Thomas Dane, London, England Ecstasy: In and About Altered States, Museum of Contemporary Art, Los Angeles, California Strata: Difference and Repetition, Fondazione Davide Halevim, Milan, Italy 2003 La Biennale di Venezia: Delays and Revolutions, Padiglione Italia, Giardini della Biennale, Venice, Italy 2002 Sao Paulo Bienal: Iconografias Metropolitanas, Oscar Niemeyer Bulding, 1 PATRICK PAINTER, INC Pavilhao Ciccillio Matarazzo, Parque Ibirapuera Melodrama, Artium, Centro-Museo Vasco de Arte Contemporaneo, Spain and Palacio de los Condes de Gabia, Granada Biennale of Sydney 2002: (The World May Be) Fantastic, Museum of Contemporary Art Sydney and Art Gallery