DOCSLIB.ORG

Literatura Chicana

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Literatura Chicana TEMA Y V ARIACIONES EII UNIVERSIDAD lA. AUTONOMA METROPOLITANA Casa abier1¡¡ al tiempo 4zcapotzalco División de Ciencias Sociales y Humanidades SEMESTRE 1, 2000 Ima gen de Portada Tomado del poster: Chicallo SllIdies ( Tlle Joumey Beg/m ... ; que se encuen tra en la Coordinación de Estudios Chicanos del CEPE. UNAM . Espejos y Reflejos: literatura Chicana (oordinadora¡ dilo rial MIra. Alejandra Sánchez Valencia ~ . AZ CA.~' OT 7 ALCO I~ COSloI d,ULlO I ECJI Rector ¡enerdl Dr. José Lui s Gázquez Mateos Secretario¡e neral Lic. Edmundo Jacobo Molin a Rec tora del aUnidad Rlcapotlalco Mtra. Mónica de la Garza Malo Secretario del aU nidad Li c. Guillermo Ejea Me ndoza Director de la Diuisión de (iencias Sociales ~ Humanidades Mtro. Víctor Manuel Sosa Godínez Jefad el Depar tamento de Humanidades Lic. Gabriela Medina Wi echers (onsejo lditorial Tomás Bemal A. José Francisco Conde Ortega Alejandra Herrera Ezequiel Maldonado Osear Mata Yladimiro Ri vas Ilurralde Joaq uina Rodríguez Pl aza Alejandra Sánchez Valencia Severino Sal azar Tatiana Sorokina B. Vi cente Francisco Torres [oordinador fdilorial del número Alejandra Sánchez Va lencia Tel.: 53- r 8-9 r -29 e-maíl : sva @correo.azc.uam.mx Oislribución Ma. de Lourdes Delgado Reyes Ter s.: 53- r 8-9 1-09. 53- 18-93-36 e-maí! : [email protected] Universidad Autónoma Metropolilana-Azcapolzalco Av. San Pablo No. 180 Edificio E-004 Publicaciones de Ciencias Soc iales y Humanidades Col. Reynosa Tamaulipas Azcapolzalco. c.P. 02200 México. O.E '0. R. © 2000 UHIUfRSIOAO AUIUHOHA HflROPOUIAHA Universidad Au tónoma Melropolitana-Azcapolzalco División de Cienc ias Sociales y Humanidades Depart amento de Humanidades. Tel. 53- 18-91-01 al 04 Av. San Pablo N°, 180 Col. Reynosa Tamaulipas Azcapolzalco. c.p, 02200 México. O.E [erlificadode licilud de liIulo yconl en ido en Irámile Reserua 04·1 ggg·1 02616323600 -102 ISSH en Irámi le Impresión Edici ones y Gráficos Eón , S. A. de C. V. Av. Méx ico Coyoacán #421 CoL Xoco General Anaya c.P. 03330 México. D.F. Tels.: 568891 12.5604 77 6 1. Impreso en Méx ico Printed in Mexico Presentacian Alejandra Sánchez Valencia 11 [spejos yreflejos los ch icanos ys uliteratu rae nHéHico AxeJ Ramlrez 11 literatura chicana ¡cruce de fron teras lingüísticas1 Judith Hernández 3/ la fronlera Inuisióle las uoces itinerantes Tomés Bemal AIanís SI la fronlera ululenle Enlreulsla con lucha [orpl Javier Perucho 63 Chicano Geography inOetectiue fiction Marcos Embry 73 [lIdchelfa ¡heHouel Rs Community Sbeila Ortiz TayJor 8/ literatas boricuas. chicanas ycubana sen [stados Unidos G. Patricia Casasa lOS Identidad chicana en fo sog Jlldquin Alejandra Sánchez Valencia liS Tino Uillanueua fl duro cerco de su tiempo José Francisco Conde Ortega 163 ¿lapr imera nouelac hicana picaresca1 Joaqulna Rodríguez Plaza J7g De lo picaresco ala épica de la desgracia (de las avenlvras de Don [nipole .. a Peregrinos de /lllMm OscarMata m Perfil de Higuel Héndez Vicente Francisco Torres 205 Jack Hendoza. Pararrayos del sufrimiento humano . Rcercamientoa los molivos de rain de José Reuueltas 213 Alejandra Herrera John Rechy, un chicano suigeneris Ignacio Trejo Fuentes 227 Klail [ity ysus alrededores un teHto ¡[asico de la literatura chicana Ezequiel Maldonado 2JJ los espejos multifocales de la cultura chicanaen el perfur/lldnce de Guillermo Gómez Peña Isabel Dfaz 24g loot Suit Película di rigida por luis Ualdez Nicolás Amoroso Boelcke 265 Por sus pistolas ycon sus propias manos: cronologia de la literatura chicana, 1542-1 gg¡ Javier Perucho m la política hegemónica de fUR yl ar esistencia chicana Elisabetb A1hine Mager Hois m 5poemas Alfonso Rodríguez 321 Ultima espera Ricardo AguiJar Melantz6n m la sonrisa de seda roja Eduardo José Torres Maldonado ]61 Globos en forma de cora2ón Severino SaJazar ]85 ¡he Siluer Seeret Alejandra Sánchez Valencia ,______ _ Alejandra Sánchez Valencia xiste en México, cuesta arriba hacia el Castillo de Chapuilepec, un lu gar denominado "la casa de los espejos", Los visitantes realizan un reco- rrido en el que poco a poco se observan los re fl ejos distorsionados de su propia imagen. En cuestión de minutos se pueden ver más altos, más bajos, más ll enos, más esbelt os o completamente desfigurados. Se es todo menos uno mi smo. Tal ocurriría si caminásemos al lago del mismo sitio con la ilusión de ve r nu estra imagen; bastaría un poco de viento. arro­ jar una pequeña piedra.. y el agua estancada. ahora ll ena de ondas reflejaría un a fantasía del presente, una di slOrsión . ¿Por qué esa necesidad humana de ve rse a sí mi smo, y por qué también el miedo de ve rn os como somos? ¿Por qué a veces el temor y otras, paradójicamente, la comodid ad de andar por la vida con la idea que los "otros" tienen de "nosotros"? En el número 13 de Tema y Variaciones de L¡¡era/JI/V tu vi­ mos nuestra primera aprox imación al mundo multilingual que es el nuestro; y la mirada se posó en nu estras comuni dades indígenas con sus respectivas lenguas: náhuatl , tsotsil , mazaleco. hhnañhú. zapoteco y maya, enlre olras. Esto haría que más tarde 11 nu estros ojos se posaran en otra realidad, en otro espejo bilingüe y diglósico en que entraran en contacto el inglés y el español. Sin duda tocábamos otra ll aga al interior del país pero res­ catábamos ot ra parte de nu estra hi storia al pensar en el otro México tan cercano y tan distante, que aunque nos cueste re­ conocerl o ya no es México. As í, la mi rada cruzaba la frontera norte y veía a los hombres de bronce hablar en in glés -su lengua-, entonces se aguzaba el oído para esc uchar cadenci as invent adas y prestar atención a las hi storias que unas veces hermanaban y otras se despedían. Fue así como nació Tema y Variaciones No. /4 "Espejos y reflejos: literatura chicana". Tuvimos el agrado de contar con el entusiamo de nacionales y extranjeros, todos tenían un refl ejo del espejo para obsequiar, y tal vez juntándolos todos podía obtenerse la imagen más aproximada. Hubo participantes de México, Estados Unidos, España, Venezuela, Alemania, y Ar­ gentina. La convocatoria estu vo abierta en inglés y español, y algunos escritores chi canos decidieron colaborar en este último idioma. A diferencia de otros números quisimos inaugurar este año 2,000 con algunas modificaciones en nu estra rev ista, y a propós ito de la divulgación del tema, tu vimos una variación: dos de los artíc ul os aparecen en inglés. y se cuenta con la versión bilingüe de la presentación, las notas bio-bibliográfi cas y los .. abslrac/i'. El número abre con el artículo del Dr. Axel Ramírez (figura clave en Méx ico en torno a la divulgación de temas chicanos) y gracias a ell o el lector puede tener un a vi sión general de la suerte que ha vivido la literatura chi cana en Méx ico, los mo­ mentos por los que ha pasado, y los fac tores que inevitablemen­ te han repercutido en su limitada divulgación. Los artículos siguientes tienden a seguir un a línea de lo general a lo particul ar y así se transita de los aspectos lingüísti cos 12 lema y ua riaciones 14 (Judith Hernández) y culturales (Tomás Bernal A1 anís) a la palabra viva (una entrevista con Lucha Corpi de Javier Perucho) relacionada también con la novela detectivesca que aborda Marcus Embry para demostrar que la temática chicana se en­ cuentra cada vez más inmersa en la corri ente prin cipal de la literatura estadounidense. La autora Sheila Ortiz TayJor nos habla de su novela Coac/¡e/la donde pueden observarse los temas de actualidad abordados por la comunidad chicana que cada vez ti enden a ser más univer­ sales. en este caso el SIDA. La atención viene a centrarse después con la literatura fe ­ menina (tema tratado por Patricia Casasa) para seguir con los análi sis poéti cos. el primero de identidad (Alejandra Sánchez Valencia) en un poema clave dentro del movimiento chi cano " Yo soy Joaquín" de Corky Gonzáles. José Francisco Conde Ortega ofrece un análi sis de la obra del poeta Tino Villanueva. Aunque Pocho fue considerada la primera novela chicana, una vez que se encontró el manuscrito de Las avelllllras de Don Chipo/e ... ésta fu e considerada como la novela más anti gua dent ro de tal literatura. Joaquina Rodríguez Plaza encuadra el tema dentro de la novela picaresca y de manera mu y novedosa ob­ sequia al lector un análi sis del léxico México-E.U. empleado en la década de 1920, así no es de extrañarse que también nos haga llegar algunas de las canciones a que se hace referencia en la novela. Oscar Mata realza la trayectoria de lo picaresco a lo épico al hacer un parangón entre Las oven/u ras de Don C/lipo/e ... y Peregrinos de Aztlán, siguiendo por esta temáti ca Vi cente Fran­ cisco Torres analiza la obra de Miguel Méndez. Se presentan entonces dos obras de carácter totalmente di­ ferente, una escrita por un mexicano en torno a lo chicano (estudio que reali zó Alejandra Herrera), y otra escrita por un chi cano que Alejandra Sán ch el Valenc ia 13 nada tiene qu e ve r con "lo chi cano", tal es el caso de John Rechy (Ignac io Trejo Fuentes). En la rec reación hi stórica y de voces migran te s nos encon­ tramos con el anális is de K/ai/ City ... por Ezequiel Maldonado, para dar un salt o y con el trabajo de Isabel Díaz rescatar el peiformance como otro tipo de lectura, y el artículo de Nicolás Amoroso que nos muestra la literatura ll evada al cin e.
Load more

Recommended publications
  • The Concept of Generation in the Study of Twenty-First Century Mexican Literature: Usefulness and Limitations
    The Concept of Generation in the Study of Twenty-First Century Mexican Literature: Usefulness and Limitations Elsa M. Treviño Investigadora independiente [email protected] Recibido: 15/02/2018 – Aceptado: 05/06/2018 DOI: 10.17533/udea.lyl.n74a06 Abstract: This article analyzes the concept of generation as a methodological tool for con- temporary literary research, advancing its use to characterize aesthetic trends in the artistic production of diverse groups of coetaneous writers. By providing a cultural history of the uses of the category in Mexican literary studies, it examines the applicability and limitations of the concept of generation, highliting the importance of contextual and diachronic aware- ness in its deployment. This study then advocates for an understanding of a generation as a porous sociobiological category that groups several people under a similar Weltanschauung. It contends that the heterogeneity of Mexican cultural nationalism generates an equivocal ground for the literature of the generation of writers born in the 1960s and 1970s, and argues for the consideration of the cluster of Mexican authors born in these decades as a generation. Keywords: Generational analysis, Mexican Literature, Mexican Cultural Studies, Literary Research Methods, Literature of the crack. EL CONCEPTO DE GENERACIÓN EN EL ESTUDIO DE LA LITERATURA MEXICANA DEL SIGLO XXI: USOS Y LIMITACIONES Resumen: Este artículo analiza el concepto de generación como una herramienta metodo- lógica para la investigación literaria contemporánea, proponiendo el uso del concepto para caracterizar las tendencias estéticas en la producción artística de diversos grupos de escri- tores coetáneos. A partir de una historia cultural de los usos de la categoría en los estudios literarios mexicanos, se examinan la aplicabilidad y limitaciones del concepto, recalcando la importancia de la conciencia textual y diacrónica en la aplicación de dicha categoría ana- lítica.
    [Show full text]
  • SIMS AGENCY Office of Education (DHEW), Washington, D.C
    DOCUMENT RESUME ED 134 288 95 JC 770 128 .AUTHOR Bryton, Robert J. TITLE Literature of and about Mexico. Project Mexico. INSTITUTION California Univ., Los Angeles. Latin American Center. SIMS AGENCY Office of Education (DHEW), Washington, D.C. PUB DATE [Feb 773 NOTE 10p.; For related documents, see JC 770 127-140 EDRS PRICE MF-$0.83 HC-$1.67 Plus Postage. DESCRIPTORS Community Colleges; *Course Descriptions; Course Objectives; Course-Organization; *Curriculua Guides; *Junior Colleges; *Latin American Culture; Literary History; Mexican American History; *Spanish American Literature IDENTIFIERS *Mexico ABSTRACT This document is a course outline .for an 18 week course in literature of and about Mexico designed to give:community college students the experience of studying a variety of literary forms, such as the epic, the lyric, the:short story and the.novel, in a foreign and exotic setting such as Mexico. Further, the course is intended to help the:student gain a broad, and in someitreas, a deep understanding of .the Mexican cultural experience, leading to an understanding of the Mexican consciousness. Course goals and general materials and activities are described in this outline.as are the objectives, methods, and readings (in translation) for each unit coiprising the course. Course units cover Mexican literature from the pre-Hispanic period through the modern era. An extensive bibliography listing alternative-readings from which instructors may select-is attached. (JDS) 414141311,414141413141414144414141414144414141314141414141414141******4141414141***41414414141****41414141441414141414141e Documents acquired by ERIC include many informal:unpublished * materials not-available from other sources. ERIC makes.every effort * * to obtain the best copy available. Nevertheless, items of marginal * * reproducibility are-often encountered and this affects the:quality * * of the microfiche and hardcopy-reproductions ERIC makes available.
    [Show full text]
  • UNIVERSITY of CALIFORNIA Los Angeles Black Mexico's Sites of Struggles Across Borders
    UNIVERSITY OF CALIFORNIA Los Angeles Black Mexico’s Sites of Struggles across Borders: The Problem of the Color Line A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Hispanic Languages and Literatures by Christian Yanaí Bermúdez-Castro 2018 © Copyright by Christian Yanaí Bermúdez-Castro 2018 ABSTRACT OF THE DISSERTATION Black Mexico’s Sites of Struggles across Borders: The Problem of The Color Line by Christian Yanaí Bermúdez-Castro Doctor of Philosophy in Hispanic Languages and Literatures University of California, Los Angeles, 2018 Professor Héctor V. Calderón, Chair This dissertation studies the socio-cultural connections of the United States and Mexico’s Pan-African selected twentieth- and twenty-first century sites of struggle through literature, film, and music. Novels and movies such as La negra Angustias (1948/1950), Imitation of Life (1933/1959), Angelitos negros (1948/1970), Como agua para chocolate saga (1989, 2016, 2017), and film (1992), as well as music of racial activism by Mexican and Afro-Latino artists such as Negro José and Afro-Chicano band Third Root, are all key elements of my project to study the formation and understanding what of Mexico’s Tercera Raíz entails historically, politically, and culturally. I focus my study on the development of black racial consciousness in twentieth-century Mexican cultural life, and I consequently explore the manner in which Mexican writers, filmmakers and artists have managed the relationship between Afro-Mexicans and majority ii populations of white and mestizo Mexicans, as well as the racial bridge existent between the United States’ black history, and Mexico’s Third Root.
    [Show full text]
  • Cuadernos De Viaje: Contemporary Mexican Travel-Chronicles
    2807563983 Cuadernos de Viaje: Contemporary Mexican Travel - Chronicles Thea Pitman, Doctoral Thesis University College London, 1999 ProQuest Number: U643485 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest. ProQuest U643485 Published by ProQuest LLC(2016). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. Microform Edition © ProQuest LLC. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 ABSTRACT This thesis aims to prove the existence of contemporary Mexican travel-chronicling. Section 2 concentrates on two recent series of travel-chronicles commissioned by Alianza Editorial Mexicana and the Consejo Nacional para la Cultura y las Artes (1989-1997). The purpose of this section is to examine the variety of contemporary, and possibly postmodern, approaches to this stubbornly realist and traditional genre. Authors studied in detail are: Juan Villoro and Francisco Hinojosa (an ironic approach to the effects of postmodemity and postmodernism on Mexican life and the practice of travel-chronicling); Rafael Ramirez Heredia and Orlando Ortiz (the commonplaces of the contemporary travel- chronicle); Hector Perea and Alvaro Ruiz Abreu (an increasingly speculative, metaphorical approach); Fernando Solana Olivares and Hugo Diego Blanco (a move towards ‘archival fictions’ (Gonzalez Echevarria) which use previous travel-chronicles as an ‘archive’, rather than as models for form and content).
    [Show full text]
  • Mexican Nationalism in Ignacio Manuel Altamirano's Clemencia
    Bard College Bard Digital Commons Senior Projects Spring 2017 Bard Undergraduate Senior Projects Spring 2017 Mexican Nationalism in Ignacio Manuel Altamirano’s Clemencia Josue Efrain Pontaza Bard College, [email protected] Follow this and additional works at: https://digitalcommons.bard.edu/senproj_s2017 Part of the Modern Literature Commons This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation Pontaza, Josue Efrain, "Mexican Nationalism in Ignacio Manuel Altamirano’s Clemencia" (2017). Senior Projects Spring 2017. 166. https://digitalcommons.bard.edu/senproj_s2017/166 This Open Access work is protected by copyright and/or related rights. It has been provided to you by Bard College's Stevenson Library with permission from the rights-holder(s). You are free to use this work in any way that is permitted by the copyright and related rights. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. For more information, please contact [email protected]. Mexican Nationalism in Ignacio Manuel Altamirano’s Clemencia Senior Project Submitted to The Division of Languages and Literature of Bard College by Efrain Pontaza Annandale-on-Hudson, New York May 2017 To my family, for the constant support. Without you I would not be where I am today. Table of Contents Introduction ....................................................................................................................................1
    [Show full text]
  • The Transformation and Perception of Mexican Identity in the United States
    Globalization, Immigration, & Identity: The Transformation and Perception of Mexican Identity in the United States Kristen Fedie Dedication I would like to dedicate this thesis to and express my deepest appreciation for my thesis advisor, Professor John Waldron, without whom this thesis would not have been written. I would also like to thank my committee members, Professor Teresa Mares, Professor Ignacio Lopez-Vicuna, and Professor Thomas Macias, for taking their time to support my academic growth. 2 Contents Introduction 4 I: Colonization & Indigeneity: The History of Mexican Identity 15 II: The Asserstion of “Americanity” 36 III: The Formation of Mexican American Identity: Living, Speaking, & Thinking “Interlingually” 56 Conclusion 74 3 Introduction Nations hardly ever have the luxury to develop their identity in strict introspection; extraneous factors intervene. The process usually includes some degree of contrasting with neighbors or ideal models. Nations develop in the context of other nations. –Juan D. Bruce-Novoa A nation or group of people creates connections to others who are part of the same group through shared images and symbols. According to Benedict Anderson (1983), the nation is “an imagined political community” and “it is imagined because the members of even the smallest nation will never know most of their fellow-members, meet them, or even hear of them, yet in the minds of each lives the image of their communion” (6). Thus, each nation or community is unified by common foundational myths, the stories it tells and how it relates its past in stories. However, the images that unite one group of people also work to distinguish and differentiate communities from one another.
    [Show full text]
  • Performing the Mexican Revolution in Neoliberal Times
    ABSTRACT Since the time of the Mexican Revolution of 1910, images associated with this nation-defining event have been presented in an array of media and cultural productions. Within the past two decades these images have been re-imagined, re-coded and re/de- constructed in reaction to social and cultural changes associated with a crisis of political legitimation and the demise of hegemonic revolutionary ideology, as espoused by the long-ruling Party of the Institionalized Revolution (PRI), amid the generalized implementation of neoliberal policies in the county. My dissertation argues that the ascendance of neoliberalism, with the opening of Mexican economic and political systems, has resulted in changes in the socio-cultural work performed by the Revolution- Nation-Gender triad. This trinity, solidified in the post-Revolutionary national imaginary, weaves the three notions together such that as hegemonic discourses of Revolutionary nationalism enter in crisis, discourses of gender are also destabilized. The dissertation consists of three main sub-arguments. First, I argue that the discourse(s) surrounding Revolutionary heroes has been integral to the (re)definition of the Mexican nation and that analyzing recodings of this discourse through the example of Emiliano Zapata reveals a destabilization of hegemonic nationalism. These changes have allowed alternatives to surface both in Mexico and across the border as part of a recoded ii transnational Revolutionary nationalism. As cracks opened in the Revolutionary edifice allowing alternatives to emerge, they have also opened space for alternative gender discourses. I next argue that a close analysis of representations of masculine gender roles as manifested in a variety of cultural texts, specifically through Revolutionary icons Pancho Villa and Emiliano Zapata, reveals a crisis of the macho archetype in the contemporary Mexican nation.
    [Show full text]
  • Las Mujeres Del Otro Lado: a Critique of the Representations of Mexican Women at the U.S.-Mexico Border
    LAS MUJERES DEL OTRO LADO: A CRITIQUE OF THE REPRESENTATIONS OF MEXICAN WOMEN AT THE U.S.-MEXICO BORDER By Adriana Martinez-Fernandez A DISSERTATION Submitted to Michigan State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY Hispanic Cultural Studies 2011 ABSTRACT LAS MUJERES DEL OTRO LADO: A CRITIQUE OF THE REPRESENTATIONS OF MEXICAN WOMEN AT THE U.S.-MEXICO BORDER By Adriana Martinez-Fernandez This dissertation analyzes cultural representations of Mexican border women and their interactions with their political and social environment. Short stories, novels, documentaries, plays, testimonial literature and films on the Mexican women at the U.S.-Mexico border are crucial to the understanding of gendered constructions at la frontera, as they formulate a metacommentary to a variety of complex issues ‘on the ground.’ That is to say, the portrayals of border women unquestionably attest to often-clashing perspectives on culture, nation, sexuality and class. This dissertation focuses on the following texts: Chapter 1 centers on Ciudad Juárez, examining Alicia Gaspar de Alba’s novel Desert Blood: The Juárez Murders (2005) and the documentary film La Batalla de las Cruces (2005), directed by Rafael Bonilla. These texts have been chosen because their portrayals of juarense women address the discourse of victimization from different perspectives within the context of the hundreds of murders of women that have afflicted this city with impunity since 1993. These texts reflect the paradoxes that emerge either from underlining the helpless condition of the victims or from creating a public persona for the activists campaigning against the murders.
    [Show full text]
  • Mexico Culture Facts
    MEXICO CULTURE FACTS Mexican culture is the fusion of European, African, and Indigenous cultures. Today, Mexican culture is a product of centuries of mixing between Indigenous, African, and Spanish populations during the Colonial period. The mixing, known commonly as mestizaje, produced a unique cultural identity that makes up the basis for modern-day Mexico. This is prevalent in every aspect of Mexican life, which includes food, clothing, art, music, and even language. Mexican Independence Day is not Cinco de Mayo. Mexican Independence Day is celebrated on September 16th. Celebrations begin on the eve of the holiday with the Grito, a ceremony commemorating the Shout of Dolores in 1810 which gave way to the War of Independence. This is followed by fireworks, music and dancing. The next day, parades take place in most major cities. Popular foods include Pozole, a hearty corn soup, and Chiles en Nogada, which is stuffed chillis drenched in a nut-based sauce and topped with pomegranate. Mexico has a successful and highly influential film industry. Since the dawn of the film industry, there have been Mexican filmmakers creating and innovating in the medium. Post-Revolutionary stability and the advent of sound in films ushered in a golden age for Mexican cinema. By the 1940s, Mexico became the largest exporter of Spanish language films in the world. More recently, Mexican film continues to show success around the world, giving rise to award-winning talents such as Guillermo Del Toro, Alfonso Cuarón, and Alejandro González Iñarritu. Mexican cuisine is among the best in the world. Mexican cuisine is renowned worldwide for its rich flavors, wide variety, and fresh ingredients.
    [Show full text]
  • Blindness, Pilgrimage, Motherhood and Miracles in Twentieth Century Mexican Literature
    Collective Bodies and Collective Change: Blindness, Pilgrimage, Motherhood and Miracles in Twentieth Century Mexican Literature by Rebecca Claire Suzanne Janzen A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Department of Spanish and Portuguese University of Toronto © Copyright by Rebecca Claire Suzanne Janzen 2013 Collective Bodies and Collective Change: Blindness, Pilgrimage, Motherhood and Miracles in Twentieth Century Mexican Literature Rebecca Claire Suzanne Janzen Doctor of Philosophy Department of Spanish and Portuguese University of Toronto 2013 Abstract “Collective Bodies and Collective Change: Blindness, Pilgrimage, Motherhood and Miracles in Twentieth Century Mexican Literature” examines Mexican literature from 1940 to 1980. It analyzes representations of collective bodies and suggests that these bodies illustrate oppression and resistance in their historical context, which coincides with the beginning of a period of massive modernization in Mexico. I aim to develop a reading that interprets this imagery of collectives, unusual bodies, and blindness as more than symbols of oppression. By examining this imagery alongside representations of pilgrimage, alternative modes of motherhood, and experiences such as miracles that figuratively connect bodies, I propose that these images challenge their historical context, and can be read as a gesture towards resistance. Novels and short stories by José Revueltas, Juan Rulfo, Rosario Castellanos and Vicente Leñero present collectives, blindness and unusual bodies. My reading of their works connects these textual bodies to oppression within their historical context, in particular, by the government, intellectuals, the medical system, the Catholic Church, family structure, the landholding system, and the land’s heat, wind and drought. These representations de- individualize characters, and, as such, destroy the ideal of the modern subject who would effect ii change through individual agency.
    [Show full text]
  • Sara Anne Potter, Ph.D. Department of Languages and Linguistics The
    Sara Anne Potter, Ph.D. Department of Languages and Linguistics The University of Texas at El Paso 500 West University Avenue Liberal Arts Building 137 El Paso, TX 79968 915.747.7039 [email protected] EDUCATION • Ph.D., Washington University in St. Louis, Romance Languages and Literatures, 2013 o Graduate Certificate in Women, Gender, and Sexuality Studies. • M.A. Middlebury College, Spanish, 2000. • B.A. Central Michigan University, summa cum laude, Music, Spanish, 1999. TEACHING AND RESEARCH APPOINTMENTS • Assistant Professor of Spanish at The University of Texas in El Paso, September 2013-present. • Graduate Assistant at Washington University in St. Louis, 2006—2013. • Visiting Professor of Spanish at Grand Valley State University, 2004-2006. • Affiliate Professor of Spanish at Grand Valley State University, 2003-2004. • Adjunct Professor of Spanish at Aquinas College, 2002-2003. • Spanish Instructor at St. Stephen’s and St. Agnes’ Upper School, 2000-2002. TEACHING AND RESEARCH INTERESTS • Contemporary Mexican and Latin American literature, avant-garde movements, technology, gender studies, theories of the body, poetry, popular culture, urban space, graphic novels, and science fiction. AWARDS AND SCHOLARSHIPS • Latin American Studies Association Dissertation Award, Mexican Section, May 2014 • Washington University Dissertation Fellowship, 2013 • Travel Grant, Modern Languages Association Conference in Boston, MA, 2013. • Fulbright García Robles Grant, Mexico City, 2011-2012 • Helen Fe Jones Award for Teaching Spanish, Washington University in Saint Louis, 2011. • Travel Grant, Latin American Studies Association, 2010 LASA Conference in Toronto, Ontario. • Of Monsters and Malinches: Signifying Violence in Edgar Clément’s Operación Bolívar and Tony Sandoval’s El cadáver en el sofá, presently under review Washington University Graduate Teaching Assistantship and Fellowship, 2006-2012 • Centralis Scholarship (full scholarship), Central Michigan University, 1995-1999.
    [Show full text]
  • SPA 334 Contemporary Mexican Literature
    SPA 334 Contemporary Mexican Literature Prerequisite: Spanish 311 or its equivalent. Course Description In this course, you will critically read and discuss short stories by the most important contemporary Mexican authors, focusing particularly on the second half of the 20th and the first few years of the 21st century. Through readings, lectures, and class discussions you will develop knowledge regarding the distinctive traits of Mexican literature, significant authors, and important trends and developments in the contemporary period. You will become familiar with the different aesthetic and ideological movements that characterize contemporary Mexican literature as you learn about the historical, cultural, and literary contexts of this period and engage in textual analysis of each work you read. The course will be taught in Spanish and all class conversations will be conducted in Spanish. Please note: This course fulfills one of the literature requirements for the major and minor in Languages and Cross-Cultural Studies at Augsburg College. Contemporary Mexican Authors to be Studied Juan José Arreola Mónica Lavín Sergio Pitol Rosario Castellanos Elena Poniatowska José Emilio Pacheco Beatriz Escalante Juan Rulfo Carlos Fuentes José Revueltas Overarching Course Goals Through this course, we hope you will: Understand and appreciate contemporary Mexican literature. Deepen your understanding of the complexities of Mexican culture. Improve your Spanish vocabulary and writing and speaking skills. Increase your cognitive abilities to actively analyze the literary and historical context of literature Find pleasure in reading. Specific Learning Objectives By the end of this course, we hope you will be able to: Identify key characteristics of and trends in contemporary Mexican literature, as well as the distinctive and peculiar traits of Mexican literature.
    [Show full text]