Ranking Semanal Acumulado 2018
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Columbia Filmcolumbia Is Grateful to the Following Sponsors for Their Generous Support
O C T O B E R 1 8 – 2 7 , 2 0 1 9 20 TH ANNIVERSARY FILM COLUMBIA FILMCOLUMBIA IS GRATEFUL TO THE FOLLOWING SPONSORS FOR THEIR GENEROUS SUPPORT BENEFACTOR EXECUTIVE PRODUCERS 20 TH PRODUCERS FILM COLUMBIA FESTIVAL SPONSORS MEDIA PARTNERS OCTOBER 18–27, 2019 | CHATHAM, NEW YORK Programs of the Crandell Theatre are made possible by the New York State Council on the Arts with the support of Gov. Andrew Cuomo and the New York filmcolumbia.org State Legislature. 5 VENUES AND SCHEDULE 9 CRANDELL THEATRE VENUES AND SCHEDULE 11 20th FILMCOLUMBIA CRANDELL THEATRE 48 Main Street, Chatham 13 THE FILMS á Friday, October 18 56 PERSONNEL 1:00pm ADAM (page 15) 56 DONORS 4:00pm THE ICE STORM (page 15) á Saturday, October 19 74 ORDER TICKETS 12:00 noon DRIVEWAYS (page 16) 2:30pm CROUCHING TIGER, HIDDEN DRAGON (page 17) á Sunday, October 20 11:00am QUEEN OF HEARTS: AUDREY FLACK (page 18) 1:00pm GIVE ME LIBERTY (page 18 3:30pm THE VAST OF NIGHT (page 19) 5:30pm ZOMBI CHILD (page 19) 7:30pm FRANKIE + DESIGN IN MIND: ON LOCATION WITH JAMES IVORY (short) (page 20) á Monday, October 21 11:30am THE TROUBLE WITH YOU (page 21) 1:30pm SYNONYMS (page 21) 4:00pm VARDA BY AGNÈS (page 22) 6:30pm SORRY WE MISSED YOU (page 22) 8:30pm PARASITE (page 23) á Tuesday, October 22 12:00 noon ICE ON FIRE (page 24) 2:00pm SOUTH MOUNTAIN (page 24) 4:00pm CUNNINGHAM (page 25) 6:00pm THE CHAMBERMAID (page 26) 8:15pm THE SONG OF NAMES (page 27) á Wednesday, October 23 11:30am SEW THE WINTER TO MY SKIN (page 28) 2:00pm MICKEY AND THE BEAR (page 28) 3:45pm CLEMENCY (page 29) 6:00pm -
Der Seuchenfilm: Epidemien Und Virale Infektionen Im Film. Teil II
Repositorium für die Medienwissenschaft Hans Jürgen Wulff Der Seuchenfilm: Epidemien und virale Infektionen im Film. Teil II: Filmographien 1930–2020 2020-07-26 https://doi.org/10.25969/mediarep/14138 Veröffentlichungsversion / published version Buch / book Empfohlene Zitierung / Suggested Citation: Wulff, Hans Jürgen: Der Seuchenfilm: Epidemien und virale Infektionen im Film. Teil II: Filmographien 1930–2020. Westerkappeln: DerWulff.de 2020-07-26 (Medienwissenschaft: Berichte und Papiere 194). DOI: https://doi.org/10.25969/mediarep/14138. Erstmalig hier erschienen / Initial publication here: http://berichte.derwulff.de/0194_20.pdf Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer Creative Commons - This document is made available under a creative commons - Namensnennung - Nicht kommerziell - Keine Bearbeitungen 4.0/ Attribution - Non Commercial - No Derivatives 4.0/ License. For Lizenz zur Verfügung gestellt. Nähere Auskünfte zu dieser Lizenz more information see: finden Sie hier: https://creativecommons.org/licenses/by-nc-nd/4.0/ https://creativecommons.org/licenses/by-nc-nd/4.0/ Medienwissenschaft: Berichte und Papiere 194, 2020: Epidemiefilm II. Redaktion und Copyright dieser Ausgabe: Hans J. Wulff u. Ludger Kaczmarek. ISSN 2366-6404. URL: http://berichte.derwulff.de/0194_20.pdf. CC BY-NC-ND 4.0. Letzte Änderung: Rev. 1, 26.07.2020. Der Seuchenfilm: Epidemien und virale Infektionen im Film Teil II: Filmographien 1930 !0!0 Kompiliert und eingeleitet von Hans J. Wulff Inhalt: 1. Einleitung: Das Drama der Epidemie. Ein kurzer Blick auf die Filmgeschichte [2] 2. Der Seuchenfilm. Kleine Filmographie der Epidemien im Spielfilm, 1$%&'2&2& [(] %. Film"graphie der Z"m*ies und anderer virus-infizierter Wesenswandler [/$] 0. V"n Viren, F"rschern und Ärzten, a*er auch v"n Ü*erle*enden und Z"mbies: Kleine Seri"graphie der Seuchenthematik im Fernsehen [1&0] 4. -
Carol Raskin
Carol Raskin Artistic Images Make-Up and Hair Artists, Inc. Miami – Office: (305) 216-4985 Miami - Cell: (305) 216-4985 Los Angeles - Office: (310) 597-1801 FILMS DATE FILM DIRECTOR PRODUCTION ROLE 2019 Fear of Rain Castille Landon Pinstripe Productions Department Head Hair (Kathrine Heigl, Madison Iseman, Israel Broussard, Harry Connick Jr.) 2018 Critical Thinking John Leguizamo Critical Thinking LLC Department Head Hair (John Leguizamo, Michael Williams, Corwin Tuggles, Zora Casebere, Ramses Jimenez, William Hochman) The Last Thing He Wanted Dee Rees Elena McMahon Productions Additional Hair (Miami) (Anne Hathaway, Ben Affleck, Willem Dafoe, Toby Jones, Rosie Perez) Waves Trey Edward Shults Ultralight Beam LLC Key Hair (Sterling K. Brown, Kevin Harrison, Jr., Alexa Demie, Renee Goldsberry) The One and Only Ivan Thea Sharrock Big Time Mall Productions/Headliner Additional Hair (Bryan Cranston, Ariana Greenblatt, Ramon Rodriguez) (U. S. unit) 2017 The Florida Project Sean Baker The Florida Project, Inc. Department Head Hair (Willem Dafoe, Bria Vinaite, Mela Murder, Brooklynn Prince) Untitled Detroit City Yann Demange Detroit City Productions, LLC Additional Hair (Miami) (Richie Merritt Jr., Matthew McConaughey, Taylour Paige, Eddie Marsan, Alan Bomar Jones) 2016 Baywatch Seth Gordon Paramount Worldwide Additional Hair (Florida) (Dwayne Johnson, Zac Efron, Alexandra Daddario, David Hasselhoff) Production, Inc. 2015 The Infiltrator Brad Furman Good Films Production Department Head Hair (Bryan Cranston, John Leguizamo, Benjamin Bratt, Olympia -
Spring COLLEGES & UNIVERSITIES RELEASES
2020 NEW Spring COLLEGES & UNIVERSITIES RELEASES © 2019 CTMG, Inc. All Rights Reserved. © Focus Features LLC. © 2019 Disney Enterprises Inc. © Lions Gate Entertainment, Inc. © 2019 Paramount Pictures © 2019 WBEI TM & © DC Comics COLLEGES & Spring2020 UNIVERSITIES Create an Movie ExperienceExceptional Access the latest planning and promotional resources for your event at swank.com. • Customer Tips for Generate Movie Event Success BUZZ Suggested Effectively getting the word out is key to your program’s success. Students Resources: are routinely bombarded with advertisements and event opportunities, so it’s important to think outside the box with your promotions. Movies • that deploy unconventional methods of promotion are not only the most Customizable Schedules SWANK ACCOUNT popular, but also the most memorable. EXECUTIVE Free Promo Toolkit: • Social Media Tips EVENT AND To make things easier, we put PROMO GUIDE together a free, customizable promotional toolkit you can STICKERS download on our website under • Pre-Show Slides INSPIRE the “Promotions Resources” tab. SCHEDULES U It features: Whether you have a 4, 6, 8, 12 or 16 FALL 2019 Movies title schedule, just click on the one you LOCATION & SCREENING DETAILS Movie Name Movie Name Time Time need and start filling it out! Date Date d. e v r e s e r s . t c h n g i I r , l t n Al . t n nme E i . a t os r er t B n r E e n e r t a a G W Remember to download each template, s 9 n 1 o 0 i 2 L © save as, and open in Adobe Acrobat! © Movie Name Movie Name STICKERS Time Time Date Date d. -
Program Guide
Koeln, Museum Ludwig, ML; Krasner, Lee, Vernal Yellow, 1980, Inv.-Nr. ML 01342; Photo: © Rheinisches Bildarchiv, rba_c002897 PROGRAM GUIDE October 10–14, 2019 October 10–14, 2019-film-guide-cover-NEW-LOGO.pdf 1 9/5/19 2:34 PM PROUD TO SUPPORT 2019 Hamptons International Film Festival And the many HIFF programs and educational initiatives throughout the year. elliman.com/hamptons © 2019 DOUGLAS ELLIMAN REAL ESTATE. EQUAL HOUSING OPPORTUNITY. 2488 MAIN ST, P.O. BOX 1251, BRIDGEHAMPTON, NY 11932. 631.537.5900 PREMIEREPREMIERE SPONSOR SPONSOR LEADLEAD SPONSORS SPONSORS SIGNATURESIGNATURE SPONSORS SPONSORS OFFICIALOFFICIAL MEDIA MEDIA SPONSORS SPONSORS OFFICIALOFFICIAL TRANSPORTATIONTRANSPORTATION CONTRIBUTINGCONTRIBUTING SPONSORS SPONSORS LOCALLOCAL CONTRIBUTING CONTRIBUTING SPONSORS SPONSORS GUILD HALL GUILD HALL FOUNDATIONFOUNDATION SUPPORT SUPPORT FOUNDINGFOUNDING MEDIA MEDIA GaryGary Winick Winick Memorial Memorial Fund Fund 20192019 COMPETITION COMPETITION FILM FILM AWARDS AWARDS CONTRIBUTORS CONTRIBUTORS ArensonArenson PropsProps NETFLIX IS PROUD TO SUPPORT THE AND CONGRATULATES OUR SELECTIONS BIKRAM HAMPTONS INTERNATIONAL FILM FESTIVAL CATALOG AD NETFLIX: CONGRATS FULL PAGE NONBLEED AD: 7.5” X 9.75” WHAT’S 3 INSIDE VIRTUAL REALITY SPONSORS 1 IMMERSIVE stORYTELLING 18 WELCOME 4 WINICK talKS 19 FROM THE FESTIVAL 5 awaRDS & JURY 20 TICKET INFORmatiON 7 FeatURE FILMS 23 MAPS AND JITNEY SCHEDULE 8 SHORT FILMS 61 LIFETIME achievement awaRD 11 IN REMEMBRANCE 90 DICK CAVETT AWARD 12 POsteR ARtist 91 OPENING NIGht 13 THANK YOU 92 CENTERPIECE -
BENOIT JACQUOT | Président Du Jury 2015 | President of the 2015 Jury PARTENAIRE OFFICIEL Dessange.Com
« Le cinéma est une Amérique qu’on découvre à chaque film, le rêve à chaque fois d’un moment inoubliable. À Deauville, je rêve de découvrir et de faire découvrir un film inoubliable.» “Cinema is an America that one discovers with each movie, on each occasion the dream of an unforgettable moment. At Deauville I dream of discovering and helping others to discover an unforgettable film.” BENOIT JACQUOT | Président du Jury 2015 | President of the 2015 Jury PARTENAIRE OFFICIEL dessange.com Pub JD Fest Deauville 2015.indd 1 22/07/15 12:06 SOMMAIRE | CONTENTS ÉDITORIAUX | EDITORIALS 5 LA COMPÉTITION 15 LE JURY 16 LE JURY RÉVÉLATION | REVELATION JURY 26 LES PRIX | AWARDS 30 LES FILMS 32 LES JURYS & LES PALMARÈS PRÉCÉDENTS | PAST JURYS & AWARD WINNERS 46 LES PREMIÈRES 49 LE FILM D’OUVERTURE | OPENING FILM 53 LE FILM DE CLÔTURE | CLOSING FILM 65 LE NOUVEL HOLLYWOOD | HOLLYWOOD RISING STARS 67 ELIZABETH OLSEN 68 ROBERT PATTINSON 72 LES HOMMAGES | TRIBUTES 77 MICHAEL BAY 78 LAWRENCE BENDER 84 ORLANDO BLOOM 88 PATRICIA CLARKSON 94 TERRENCE MALICK 100 IAN McKELLEN 114 KEANU REEVES 120 ORSON WELLES 126 LES DOCS DE L’ONCLE SAM | UNCLE SAM DOCUMENTARIES 135 DEAUVILLE SAISON 6 | DEAUVILLE SEASON 6 146 LE RENDEZ-VOUS DES PRODUCTEURS | PRODUCERS MEETING 153 LE PRIX D’ORNANO-VALENTI 155 LE PRIX LITTÉRAIRE LUCIEN BARRIÈRE 159 L’ÉQUIPE DU FESTIVAL | FESTIVAL TEAM 163 REMERCIEMENTS | AKNOWLEDGEMENTS 165 INDEX DES RÉALISATEURS | DIRECTORS 167 INDEX DES FILMS 168 © SHERYO - HAAS & HAHN © SHERYO 76, RUE EUGÈNE COLAS DEAUVILLE - 01 55 90 59 69 1506023_LGCH_FR_CATA FESTIVAL CINE DAUVILLE_JULY1_FW15_LPH_210x260.indd 1 08/06/15 11:50 PHILIPPE AUGIER Maire de Deauville Mayor of Deauville © Béatrice Augier Le Festival du Cinéma Américain a été le premier grand événement The Deauville American Film Festival was the first major cultural culturel créé par la Ville de Deauville. -
Copyright by Alexander Joseph Brannan 2021
Copyright by Alexander Joseph Brannan 2021 The Thesis Committee for Alexander Joseph Brannan Certifies that this is the approved version of the following Thesis: Artful Scares: A24 and the Elevated Horror Cycle APPROVED BY SUPERVISING COMMITTEE: Thomas Schatz, Supervisor Alisa Perren Artful Scares: A24 and the Elevated Horror Cycle by Alexander Joseph Brannan Thesis Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Master of Arts The University of Texas at Austin May 2021 Acknowledgements This project would not have been completed were it not for the aid and support of a number of fine folks. First and foremost, my committee members Thomas Schatz and Alisa Perren, who with incisive notes have molded my disparate web of ideas into a legible, linear thesis. My fellow graduate students, who have kept me sane during the COVID-19 pandemic with virtual happy hours and (socially distant) meetups in the park serving as brief respites from the most trying of academic years. In addition, I am grateful to the University of Texas at Austin and the department of Radio-Television-Film in the Moody College of Communications for all of the resources and opportunities they have provided to me. Finally, my parents, who have enough pride on my behalf to trump my doubts. Here’s hoping they don’t find these chapters too mind-numbingly dull. Onward and upward! iv Abstract Artful Scares: A24 and the Elevated Horror Cycle Alexander Joseph Brannan, M.A. The University of Texas at Austin, 2021 Supervisor: Thomas Schatz One notable cycle of production in horror cinema in the 2010s was so-called “elevated horror.” The independent company A24 has contributed heavily to this cycle. -
Here Are a Lot of Things We Accomplished Over Our First Decade
20TH ANNIVERSARY YEAR 20TH ANNIVERSARY YEAR Fearless & Fearless & Fabulous 4 WOMEN OF Fabulous STYLE YOU NEED 4 WOMEN OF TO KNOW! STYLE YOU NEED TO KNOW! Day & Day & 20TH ANNIVERSARY YEAR Night Night GLAM FALL Fearless & FASHION HAS GLAM FALL YOU COVERED FASHION HAS Fabulous YOU COVERED 4 WOMEN OF STYLE YOU NEED 2 TO KNOW! Day & Night GLAM FALL FASHION HAS YOU COVERED THE INCOMPARABLE THE INCOMPARABLE LAURA DERN LAURA DERN Brighter Than Ever Brighter Than Ever Plus Lagerfeld’s Last Plus Collection for Lagerfeld’s Last Fendi, Inside the Collection for THE INCOMPARABLE New Four Seasons Fendi, Inside the Hotel Philadelphia New Four Seasons Spa & Beth Buccini Hotel Philadelphia on 20 Years of Spa & Beth Buccini LAURA DERN Kirna Zabête @PHILLYSTYLEZINE on 20 Years of PHILLYSTYLEMAG.COM Kirna Zabête Brighter Than Ever @PHILLYSTYLEZINE PHILLYSTYLEMAG.COM Plus Lagerfeld’s Last Collection for Fendi, Inside the New Four Seasons Hotel Philadelphia Spa & Beth Buccini on 20TH Years of 20Kirna Zabête ANNIVERSARY YEAR @PHILLYSTYLEZINE PHILLYSTYLEMAG.COM 20TH ANNIVERSARY YEAR 20TH ANNIVERSARY YEAR Fearless & Fearless & Fearless & Fabulous Fabulous 4 WOMEN OF Fabulous 4 STYLE YOU NEED 4 WOMEN OF WOMEN OF TO KNOW! STYLE YOU NEED STYLE YOU NEED TO KNOW! TO KNOW! Day & Day & 20TH ANNIVERSARY YEAR Night Night GLAM FALL Day & Fearless & FASHION HAS GLAM FALL YOU COVERED FASHION HAS Fabulous YOU COVERED Night 4 WOMEN OF STYLE YOU NEED TO KNOW! GLAM FALL FASHION HAS Day & YOU COVERED Night GLAM FALL FASHION HAS YOU COVERED THE INCOMPARABLE THE INCOMPARABLE LAURA -
University of California Riverside
UNIVERSITY OF CALIFORNIA RIVERSIDE Omega Men The Masculinist Discourse of Apocalyptic Manhood in Postwar American Cinema A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in English by Ezekiel Crago June 2019 Dissertation Committee: Dr. Sherryl Vint, Co-Chairperson Dr. Derek Burrill, Co-Chairperson Dr. Carole-Anne Tyler Copyright by Ezekiel Crago 2019 The Dissertation of Ezekiel Crago is approved: __________________________________________ __________________________________________ Committee Co-Chairperson __________________________________________ Committee Co-Chairperson University of California, Riverside Acknowledgments I wish to thank my committee chairs, Sherryl Vint and Derek Burrill, for their constant help and encouragement. Carole-Anne Tyler helped me greatly by discussing gender and queer theory with me. Josh Pearson read drafts of chapters and gave me invaluable advice. I was able to work out chapters by presenting them at the annual conference of the Science Fiction Research Association, and I am grateful to the members of the organization for being so welcoming. I owe Erika Anderson undying gratitude for meticulously aiding me in research and proofreading the entire project. iv ABSTRACT OF THE DISSERTATION Omega Men The Masculinist Discourse of Apocalyptic Manhood in Postwar American Cinema by Ezekiel Crago Doctor of Philosophy, Graduate Program in English University of California, Riverside, June 2019 Dr. Sherryl Vint, Co-Chairperson Dr. Derek Burrill, Co-Chairperson This study investigates anxieties over the role of white masculinity in American society after World War Two articulated in speculative films of the post-apocalypse. It treats the nascent genre of films as attempts to recenter white masculinity in the national imagination while navigating the increased visibility of this subject position, one that maintains dominance in society through its invisibility as superordinate standard of manhood. -
Film and Video Labelling Body (Home Media) August 2016
Film and Video Labelling Body (Home Media) August 2016 10,000 Days Eric Small 87.22 25/08/2016 M Violence DVD 100 Years Of Air Combat A Century Of Epic Air Battles Roger Ulanoff 983.56 25/08/2016 PG War footage DVD 100 Years Of British Transport (100 Years of: British Not Stated 231.41 30/08/2016 G DVD Ships, British Buses, British Trains, British Trams) 11.22.63 James Strong, John David Coles, 418.32 3/08/2016 R16 Violence, sexual references & DVD James Franco offensive language 11.22.63 James Strong, John David Coles, 436.2 3/08/2016 R16 Violence, sexual references & Bluray James Franco offensive language 11.22.63 (Disc 1) Kevin MacDonald, Frederick E.O. 225.11 1/08/2016 R16 Violence, sexual references & DVD Toye, James Strong offensive language 11.22.63 (Disc 2) James Franco, John David Coles 193.17 1/08/2016 R16 Violence, sexual references & DVD et al. offensive language 21 Jump Street/22 Jump Street Phil Lord/Christopher Miller 443.06 15/08/2016 R16 Violence, offensive language, drug Bluray (2 use, sex scenes & sexual material Disc)/UV 30 Minutes or Less Ruben Fleischer 79.34 1/08/2016 R16 Violence,sex scenes and content that DVD may disturb 5 Days of War Renny Harlin 108.25 5/08/2016 R16 Violence and offensive language DVD 5 Days of War Renny Harlin 113.02 16/08/2016 R16 Violence and offensive language Bluray 5th Dimension - Secrets of the Supernatural Christian Frey/Thomas Zintl et al 300.41 30/08/2016 M DVD (3 Disc) Aaahh!!! Real Monsters Collector's Edition Jim Duffy 1227 9/08/2016 G DVD Abraham Lincoln Vampire Hunter/Night Watch/Day -
WILDLIFE Production Notes
WILDLIFE Production Notes Directed by Paul Dano Running Time: 104 minutes International Press Contact: Selena Saldana Email: [email protected] Screenplay by Paul Dano and Zoe Kazan Executive Produced by Zoe Kazan, Ted Deiker, Eddie Vaisman Produced by Alex Saks, Paul Dano, Oren Moverman, Ann Ruark, Jake Gyllenhaal, Riva Maker Starring Carey Mulligan, Ed Oxenbould, Bill Camp, and Jake Gyllenhaal SYNOPSIS: 14-year-old Joe is the only child of Jeanette and Jerry—a housewife and a golf pro—in a small town in 1960s Montana. Nearby, an uncontrolled forest fire rages close to the Canadian border, and when Jerry loses his job—and his sense of purpose—he decides to join the cause of fighting the fire, leaving his wife and son to fend for themselves. Suddenly forced into the role of an adult, Joe witnesses his mother’s struggle as she tries to keep her head above water. Actor Paul Dano makes an impressive debut as a filmmaker and—along with co-writer Zoe Kazan— elegantly adapts Richard Ford’s novel of the same name. Carey Mulligan delivers one of her finest performances as a complex woman whose self-determination and self-involvement disrupts the values and expectations of the 1960s nuclear family. With precise details and textures of its specific time and place, Wildlife commits to the viewpoint of a teenage boy observing the gradual dissolution of his parents’ marriage. PAUL DANO, DIRECTOR STATEMENT For as long as I have wanted to make films, I have known I would make films about family. In my home growing up, there was an extraordinary amount of love. -
192 It Comes at Night, Dir. by Trey Edward Shults
The Irish Journal of Gothic and Horror Studies 16 (Autumn 2017) It Comes at Night, dir. by Trey Edward Shults (A24, 2017) The proliferation of apocalyptic and post-apocalyptic narratives in American literature and film in the years following the 9/11 terrorist attacks remains one of the day’s most striking, if predictable, cultural consequences, and sixteen years on, the trend shows no signs of abating. Both the 2008 economic collapse, and, more recently, the surprise election of Donald J. Trump to the White House in November 2016, have inspired new waves of dystopian and apocalyptic texts in film and fiction. Alongside eco-catastrophe, one of the most frequently deployed means of bringing about the rapid collapse of ‘Civilisation as We Know It’ is also one of the most historically resonant: the outbreak of a rapidly spreading and uncontainable contagious disease. The frequency with which plague epidemics depopulate the United States in film and fiction surely owes much to the fact that the continent has already seen one civilisation (that of the Native Americans) seriously destabilised by infectious disease. In these narratives, however, it is invariably white characters and communities that find themselves devastated by contagion, and the survivors and their descendants often find themselves ‘regressing’ to a much more primitive, and even ‘Indian-like’ hunter-gatherer state, thereby transforming those who have benefitted most from the consequences of European colonisation into de facto victims themselves. Early twentieth-century examples include Jack London’s ‘The Scarlet Plague’ (1912), George Stewart’s Earth Abides (1949), and Stephen King’s The Stand (1978), while more recently, Carriers (2009), Dawn of the Planet of the Apes (2014), Emily St John Mandel’s Station Eleven (2014), and Alexandra Olivia’s The Last One (2016) all deal with broadly similar themes.