DOCSLIB.ORG

Femminiello Pride by Danielle Oteri

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Femminiello Pride by Danielle Oteri ROADS & KINGDOMS FEMMINIELLO PRIDE BY DANIELLE OTERI rpinia contradicts everything you expect about Southern Italy. The rainy climate and green I mountains have more in common with the Pacific Northwest than the Amalfi Coast, just 40 miles away. Instead of Roman ruins like those at Pompeii, stones remain from the Osci, the native Campanian tribe known for their salacious festivals. The spiritual center of the region is the famously hard-to-reach church at Montevergine. Pilgrims arrive after long bus rides over highways that span seemingly bottomless gorges. Irpinia’s landscape is foreboding, which is why the Montevergine pilgrimage has always required strong and focused devotion. The thin air is hard to breathe. The damp stone from the mountain’s peaks perfume the air with ancient minerals. In the cleared piazza, old women sell candles and chestnuts, but the attention belongs to the crowds of dancing men and women beating tambourines and clapping out ancient rhythms with castanets. If you took away the down coats and wool hats, the scene would look like it inspired one of the ancient mosaics on display at the archaeological museum in nearby Naples. Energy builds among the devotees who pray and sing as the faithful have done here since the thirteenth century. But on February 2nd devotees wear lipstick and stubble and feather boas. By the time night descends, over two thousand gay, lesbian, bisexual and transgender pilgrims will have passed through this Catholic shrine to worship the icon they call the ‘Madonna of Transformation.’ The sanctuary at Montevergine. Photo: Westmere32nm/Commons. Saint William of Vercelli established the first monastery at Montevergine in the twelfth century and is said to have gotten here with the help of a wolf rather than the traditional donkey. In the 1950s, when the current basilica was under construction, work crews brought live animals with them that they would slaughter, butcher and eat because they were so far from fresh food. Folk songs recount how pilgrims from Naples would pack their donkeys and travel in caravans through mountains that were filled with wolves’ caves and eagles’ nests. Inside the darkened church, a procession of now-reverent revelers shuffle shoulder-to-shoulder toward the icon they call Mamma Schiavona, ‘serving mother,’ passing flames to each other on thin white tapers. A male voice calls out in Neapolitan dialect: “O Maronna, quanno si bella.” The crowd responds in unison, praising her beauty and generosity. They look up toward the Virgin who stares back from a golden background, with the Christ child on her lap. Historically, women would lead this type of chanting, but gender is mutable at Montevergine and has been so for millennia. Mamma Schiavona is one of Italy’s famous black Madonnas. Her adherents describe her as the one who ‘gives everything, forgives everything.’ Her presence on this site has a long lineage rooted in the ancient mother-earth goddess Cybele, with dark skin symbolic of fertile soil. Centuries ago, the foundations beneath the church supported a temple of Cybele. Brought to Southern Italy from Anatolia, her cult was absorbed into the Greco-Roman world. Rites of Cybele included long, orgiastic rituals of dancing and drumming that today are recognized in the tammurriata, a dance performed between men and men, women and women, and men and women. Mamma Schiavona. Photo: Wikipedia/Commons “Dancing and drumming could go on for days. As people who worked the earth, they would have had the physical strength and stamina to keep up with the rituals,” says Allison Scola, an expert on Southern Italian folk dance and music. The tammurriata is built around a few simple steps that charge and release sensual energy. Partners can mix movements and react to each other in the moment. Like the whirling dervishes of Sufism, the tammurriata puts people in a trance and prepares the body for spiritual ecstasy and transformation. The undercurrent of these rituals has always been fertility. In order to be transformed by mother earth, the priests of Cybele, Galli, would castrate themselves, literally sacrificing their own sex. Galli priests were notorious for their long hair, yellow and pink clothing and sexually provocative dances and ceremonies. It is because of Mamma Schiavona’s ancient ancestry that transgender people consider her a protector. The words sung by pilgrims in front of the icon at Montevergine explain that she is the ugly sister of seven beauties who hid herself so far away from the rest of the world. Then the drums beat louder as the story flips and Mamma Schiavona becomes the most beautiful of all. Pilgrims leave the sanctuary, still singing, drumming and dancing in the snow, long into the candle-lit night. In 2002, a group of LGBT pilgrims were thrown out of Montevergine by a priest who became enraged by the sound of their tambourines and castanets. Two weeks later, for the February 2nd Candelora feast, hundreds of LGBT pilgrims and activists returned with Vladimir Luxuria, a former member of parliament and Italy’s most famous transgender person. Candelora at Montevergine was officially established as a day of Femminiello Pride. Femminiello Pride has an entirely local resonance. Femminielli have been important members of Neapolitan culture since the 1500s, serving as entertainers and prostitutes, but with high social standing. The closest parallel today might be the Thai Kathoei or ‘lady boys,’ – biological men who identify as women. Preserving the femmeniello’s place in Neapolitan society is part of a larger reaction in Southern Italy against globalization, which many fear is diluting the culture. Dancing the Tammurriata. Photo by: Ciro de Luca Activists used the 2002 protest to affirm their Christianity and their devotion to an icon which has been distinctly linked to the LGBT community since the Middle Ages. In 1256, Mamma Schiavona rescued a homosexual couple from death. Local folklore says that two men en route to worship her were seen kissing and holding hands. The crowd turned angry, stripped them of their clothes, and tied them to a barren tree where they would either be eaten by wolves or die of frostbite. Mamma Schiavona, moved by the couple’s love for each other, rescued them from their chains and allowed them to live together openly in front of the community as proof of her miracle. Devotion to Mamma Schiavona is not limited to the LGBT community. Before car travel was common, thousands of pilgrims would travel together on foot. Today, Montevergine receives a steady stream of pilgrims year round. Though the Catholic Church officially recognizes Candelora as the presentation of Christ in the temple and the purification of the Virgin Mary, it can also be seen as a celebration of spring’s miracles lying just beneath the frozen winter ground. Many Italian-Americans have their roots in Irpinia, and churches in central New Jersey and Brooklyn have copies of the icon, which are considered powerful mediums of intercession. Following the devastating Irpinia earthquake of 1980, new highways have been built and restaurants, vineyards and golf resorts now dot the mountainous landscape. But the region remains a world away. This may be the saving grace of Femminiello Pride at Montevergine. The reason for Mamma Schiavona’s endurance might lie right inside Irpinia’s foundational myth: While the Bay of Naples was formed from the tears of a lovesick siren, Irpinia was founded by a fierce female wolf. Cover image by Ciro de Luca Danielle Oteri (http://roadsandkingdoms.com/author/doteri/) is a New York-based writer and art historian. Her work has appeared in Gothamist, Grove Dictionary of Art, Metropolitan Museum of Art’s blog and NPR. Follow her on Twitter @feastonhistory (https://twitter.com/feastonhistory)..
Load more

Recommended publications
  • (Dis)Figuring White Template Vision Through Passione Stefania Capogreco
    (Dis)figuring white template vision through Passione Stefania Capogreco To cite this version: Stefania Capogreco. (Dis)figuring white template vision through Passione. Muiraquitã, Nepan Edi- tora, 2017, South-Verting Italian Studies, 5 (2). hprints-03049743 HAL Id: hprints-03049743 https://hal-hprints.archives-ouvertes.fr/hprints-03049743 Submitted on 10 Dec 2020 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. (DIS)FIGURING WHITE TEMPLATE VISION THROUGH PASSIONE: UN’AVVENTURA MUSICALE Stefania Capogreco Macquarie University Introduction This paper suggests that north-normative thought in Italian Studies must be disrupted by recovering the various Souths haunting and inhabiting white template vision. I propose to usefully disrupt north-normative colonial cartographies of vision by disclosing the “fleshy folds” of John Turturro’s complex audio-visual work Passione: Un’Avventura Musicale (2010). Passione is a documentary film which draws on, as it narrates the story of, a broad assemblage of Neapolitan music and theatricalities. Neapolitan music is often conflated with Italian traditional song or confined to the realm of regional music, in both popular interpretations and scholarly analyses (PLASTINO, 2007). This widespread conflation of Neapolitan and Italian traditional song, resulted in the porous Neapolitan voice (always allowing itself to be interpenetrated by an indeterminate other; PLASTINO, 2007) and its embodied performance manifestations (PLASTINO & SCIORRA, 2016) being largely overlooked.
    [Show full text]
  • 1. Nossem, Eva. Queer, Frocia, Femminiellə, Ricchione
    http://www.gendersexualityitaly.com g/s/i is an annual peer-reviewed journal which publishes research on gendered identities and the ways they intersect with and produce Italian politics, culture, and society by way of a variety of cultural productions, discourses, and practices spanning historical, social, and geopolitical boundaries. Title: Queer, Frocia, Femminiellə, Ricchione et al. – Localizing “Queer” in the Italian Context Journal Issue: gender/sexuality/italy, 6 (2019) Author: Eva Nossem, Saarland University Publication date: August 2019 Publication info: gender/sexuality/italy, “Themed Section” Permalink: http://www.gendersexualityitaly.com/?p=2865 Author Bio: Eva is the scientific coordinator of the Interreg VA Project “UniGR-Center for Border Studies” at Saarland University, Germany. She is a graduate translator for German, English, and Italian and a lecturer in English linguistics. She is currently working on her Ph.D project in Italian linguistics with the title “Un dizionario Queer – il lessico italiano della non-eteronormatività.” Her research interests include Gender and Queer Studies, Border Studies, Italian and English linguistics, and translation studies. Selected publications: Queer, Migration, and Belonging: Intersections and Assemblages, ed. together with Fellner [forthcoming 2019]; “The Politics of (Dis-)location: Queer Migration, Activism, and Coalitional Possibilities.” Gramma/Γράμμα Journal of Theory and Criticism, together with Fellner, 2018; “Queering Lexicography” In: Queering translation – translating the queer, ed. by Baer and Kaindl, Routledge, 2017; “Hetties, queens, and fag hags - ironic name giving in LGBTIQ+ discourse” degenere: Journal of Literary, Postcolonial and Gender Studies, 2016; “Potere e autorità nei dizionari” Gender/Sexuality/Italy 2, 2015. Abstract: This paper aims at examining the reception, (g)localization, and also (re)creation of different forms of “queer” in the Italian context.
    [Show full text]
  • Giuseppe Bonito, Il Femminiello, 1740/1760
    Giuseppe Bonito, Il Femminiello, 1740/1760 Giuseppe Bonito (Italian, 1707–1789) Il Femminiello, 1740/1760 Oil on canvas 30 3/8 x 24 7/8 inches Gift of the Ross Family Fund of Equity Foundation 2014.107.1 Owing to widespread social prejudice, cross-dressing was rarely depicted Discussion and Activities in European art until the modern era. This recently discovered painting 1. Partner with another person and position yourselves as the figures in from the mid-eighteenth century is a testament to the exceptional and Bonito’s painting. How do you think each figure feels at this moment? long-standing acceptance of cross-dressers known as femminielli in the What would each of these figures say? What happened right before great Italian city of Naples. The term, which might be translated “little this moment and what happens after this moment? Write a dialogue or female-men,” is not derogatory, but rather an expression of endearment. a scene from a story or play. Femminielli come from impoverished neighborhoods, as is evidenced by this individual’s missing tooth and goiter, a common condition among the poor 2. Many eighteenth-century paintings include one figure who invites the in the Neapolitan region. Although femminielli cross-dress from an early viewer into the scene. How does Bonito’s composition achieve this? As age, they do not try to conceal their birth sex completely. Rather than being a contemporary viewer examining a historic work, what do you think of stigmatized, they are deemed special and are accepted as a “third sex” that this approach? Does it feel authentic or staged? combines the strengths of both males and females.
    [Show full text]
  • Seeing Gender Classroom Guide
    CLASSROOM GUIDE Seeing Gender An Illustrated Guide to Identity and Expression Written and Illustrated by Iris Gottlieb Foreword by Meredith Talusan 978-1-4521-7661-1 • $39.95 HC 8.3 in x 10.3 in, 208 pages About Seeing Gender: Seeing Gender is an of-the-moment investigation into how we express and understand the complexities of gender today. Illustrating a different concept on each spread, queer author and artist Iris Gottlieb touches on history, science, sociology, and her own experience. It’s an essential tool for understanding and contributing to a necessary cultural conversation about gender and sexuality in the 21st century. In the classroom, Seeing Gender can be used as: • An entry point to understanding the vast complexities and histories of gender expression. • A self-education tool that will allow for nonjudgmental exploration of your own gender, increased empathy and understanding of others’ experiences, and an invitation to consider the intricacies of intersectionality. • A look into how coexisting identities (race, class, gender, sexuality, mental health) relate to gender within larger social systems. This guide contains extensive excerpts along with thought-provoking questions, quizzes, and writing prompts. To learn more about Seeing Gender, visit chroniclebooks.com/seeinggender. SEEING GENDER CLASSROOM GUIDE Table of Contents Introduction ........................................................................... 3 Discussion Questions ........................................................ 34 Terminology .........................................................................
    [Show full text]
  • Romano Final
    HEC 2020 /01 Department of History and Civilization Talking about Silence Gabriella Romano European University Institute Department of History and Civilization Talking about Silence Gabriella Romano EUI Working Paper HEC 2020/01 Terms of access and reuse for this work are governed by the Creative Commons Attribution 4.0 (CC- BY 4.0) International license. If cited or quoted, reference should be made to the full name of the author(s), editor(s), the title, the working paper series and number, the year and the publisher. ISSN 1725-6720 © Gabriella Romano, 2020. This work is licensed under a Creative Commons Attribution 4.0 (CC-BY 4.0) International license. https://creativecommons.org/licenses/by/4.0/ Published in March 2020 by the European University Institute. Badia Fiesolana, via dei Roccettini 9 I – 50014 San Domenico di Fiesole (FI) Italy Views expressed in this publication reflect the opinion of individual author(s) and not those of the European University Institute. This publication is available in Open Access in Cadmus, the EUI Research Repository: https://cadmus.eui.eu Abstract : The paper focusses on an oral history project on homosexuality during Fascism in Italy that I worked on. The project transformed itself as the research progressed and I encountered unforeseen difficulties, in that participants refused to collaborate or denied having been persecuted during the dictatorship because of their homosexuality. This article explains how I dealt with the obstacles and the moral dilemmas that arose and how I interpreted silence, omissions and denials. Keywords : homosexuality, Fascism, repression, silence. From the mid-1990s onwards, my interest in oral history projects on homosexuality during Fascism in Italy was spurred by the deep silence that surrounded the subject.
    [Show full text]
  • Nonbinary Gender Identities
    Nonbinary Gender Identities Nonbinary Gender Identities History, Culture, Resources CHARLIE Mc NABB ROWMAN & LITTLEFIELD Lanham • Boulder • New York • London Published by Rowman & Littlefield A wholly owned subsidiary of The Rowman & Littlefield Publishing Group, Inc. 4501 Forbes Boulevard, Suite 200, Lanham, Maryland 20706 www.rowman.com Unit A, Whitacre Mews, 26-34 Stannary Street, London SE11 4AB Copyright © 2018 by Rowman & Littlefield All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means, including information storage and retrieval systems, without written permission from the publisher, except by a reviewer who may quote passages in a review. British Library Cataloguing in Publication Information Available Library of Congress Cataloging-in-Publication Data Names: McNabb, Charlie, 1983- author. Title: Nonbinary gender identities : history, culture, resources / Charlie McNabb. Description: Lanham : Rowman & Littlefield, [2018] | Includes bibliographical references and index. Identifiers: LCCN 2017028732 (print) | LCCN 2017040955 (ebook) | ISBN 9781442275522 (electronic) | ISBN 9781442275515 (cloth : alk. paper) Subjects: LCSH: Gender identity—United States. | Gender nonconformity—United States. | Sexual minorities—Identity. | Sexual minorities—United States—History. Classification: LCC HQ73 (ebook) | LCC HQ73 .M36 2018 (print) | DDC 305.30973—dc23 LC record available at https://lccn.loc.gov/2017028732 The paper used in this publication meets the minimum requirements of American
    [Show full text]
  • Genderqueer and Non-Binary Genders
    Critical and Applied Approaches in Sexuality, Gender and Identity Series Editor: Christina Richards GENDERQUEER AND NON-BINARY GENDERS Edited by Christina Richards Walter Pierre Bouman Meg-John Barker Critical and Applied Approaches in Sexuality, Gender and Identity Behavioral Science and Psychology Series editor Christina Richards London, United Kingdom This series brings together scholars from a range of disciplines who have produced work which both informs the academy and, crucially, has real-world applied implications for a variety of different professions, including psychologists; psychiatrists; psychotherapists; counsellors; medical doctors; nurses; social workers; researchers and lecturers; gov- ernmental policy advisors; non-governmental policy advisors; and peer support workers, among others. The series critically considers intersec- tions between sexuality and gender; practice and identity; and theoreti- cal and applied arenas – as well as questioning, where appropriate, the nature or reality of the boundaries between them. In short, it aims to build castles in the sky we can live in – after all the view is nothing, without a place to stand. More information about this series at http://www.palgrave.com/series/15443 Christina Richards Walter Pierre Bouman Meg-John Barker Editors Genderqueer and Non-Binary Genders Editors Christina Richards Walter Pierre Bouman Nottingham Center for Transgender Health Nottingham Center for Transgender Health Nottingham, United Kingdom Nottingham, United Kingdom Meg-John Barker Psychology in the Social Sciences The Open University Psychology in the Social Sciences Milton Keynes, United Kingdom Critical and Applied Approaches in Sexuality, Gender and Identity ISBN 978-1-137-51052-5 ISBN 978-1-137-51053-2 (eBook) DOI 10.1057/978-1-137-51053-2 Library of Congress Control Number: 2017949533 © The Editor(s) (if applicable) and The Author(s) 2017 The author(s) has/have asserted their right(s) to be identified as the author(s) of this work in accordance with the Copyright, Designs and Patents Act 1988.
    [Show full text]
  • Called Femminielli, Or “Little Female-Male” Persons – in Naples Between the Seventeenth and the Twenty-First Century
    This paper will examine the reception of a most distinctive paradigm of gender identification – the so- called Femminielli, or “Little female-male” persons – in Naples between the seventeenth and the twenty-first century. At the center of many social scandals, the Femminielli – also known as Femminelle – have been represented according to a stunning variety of literary tropes, rhetorical practices and social functions. On the basis of the few remaining early modern visual sources, such as the etchings by Jacques Callot in the Seicento and the painting by Giuseppe Bonito in the eighteenth century, and the proliferation of literary accounts since the beginning of the twenty first century, under the forms of novels, memoirs, academic studies and medical publications, this paper will analyze the variable spectrum of responses associated with these intersectional models of gender construction and collective (dis)placement, exploring its connections with the myth of the Androgynous and the description of Venus Urania in the Platonic Symposium in order to verify how the depictions of Neapolitan Femminielli have been supported by an intricate set of rites, beliefs and superstitions, often in contrast with the doctrinal normativity of the Catholic Church. In the concluding part of the paper, it will be presented the preliminary results of an ongoing research process, focusing on the analysis of the literary tropes and the rhetorical strategies adopted, adapted and sometimes drastically reassessed by Tarantina – a very well-known Femminiello in Rome and Naples, well-acquainted with Goffredo Parise and Federico Fellini – who has recently finished writing a memoir filled with reminiscences from the years of La dolce vita and remarks on the sexual practices and ideological aspirations of Neapolitan transgenders, homosexuals and Femminielli.
    [Show full text]
  • Queer Apocalypses Lorenzo Bernini Queer Apocalypses
    Queer Apocalypses Lorenzo Bernini Queer Apocalypses Elements of Antisocial Theory Lorenzo Bernini Translation Julia Heim University of Verona Verona, Italy Translated by Julia Heim Translation from the Italian language edition: Apocalissi queer: Elementi di teoria antisociale by Lorenzo Bernini © Edizioni ETS, 2013. TRANSLATION BY JULIA HEIM. All Rights Reserved ISBN 978-3-319-43360-8 ISBN 978-3-319-43361-5 (eBook) DOI 10.1007/978-3-319-43361-5 Library of Congress Control Number: 2016957343 © The Editor(s) (if applicable) and The Author(s) 2017 This work is subject to copyright. All rights are solely and exclusively licensed by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specific statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use. The publisher, the authors and the editors are safe to assume that the advice and information in this book are believed to be true and accurate at the date of publication. Neither the publisher nor the authors or the editors give a warranty, express or implied, with respect to the material contained herein or for any errors or omissions that may have been made.
    [Show full text]
  • El​​Libro​​Del​​GÉNERO Antes​​De​​Empezar
    El Libro del GÉNERO por M​ e​ l Reiff Hill y​ J​ ay May​ s​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ esta es la versión en español traducida por Sara Ann Mason, Maju Planas, Alix Cadavid y ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ Álvaro Hernández ​ ​ la versión original completamente ilustrada está disponible en www.thegenderbook.com ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​​ Antes de empezar... Información i​ m​ port​an​ te ​ ​ Marshall House Press, 1301 Marshall St. Houston 2013 ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ creative commons 2013 por the GENDER book. algunos derechos reservados. ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ Todas las páginas del libro se pueden usar tal como están para fines educativos, con tal de que ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ no se usen para ganar dinero, y de que se presente también el origen de estos materiales. Si ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ tienes preguntas escribe a [email protected]. ​ ​ ​ ​ ​ ​ ​ ​​ ​ Diseño de la cubierta del libro por Rowdy Ferret Design ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ Para el personal de bibliotecas y editoriales ​ ​ ​ ​​ ​ ​ ​ ​ ​ ​ ​ ​ ISBN: 978-0-9913380-0-9 ​ ​ Library of Congress Control Number: 2013923520 ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ Palabras clave: género, transgénero, identidad de género, intersexual, intersexualidad, sexo, ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ transexual, sexualidad ​ ​ Clave “bla” o -nombre = esto denota una cita directa tomada de una encuesta ​ ​ 3 ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ datos ​
    [Show full text]
  • Queering Beyond Pronouns: the Necessity of Indigenizing Learning Communities
    The University of San Francisco USF Scholarship: a digital repository @ Gleeson Library | Geschke Center Master's Projects and Capstones Theses, Dissertations, Capstones and Projects Spring 5-2021 Queering beyond pronouns: The necessity of indigenizing learning communities Gillian Imazumi-Hegarty University of San Francisco, [email protected] Follow this and additional works at: https://repository.usfca.edu/capstone Part of the Bilingual, Multilingual, and Multicultural Education Commons, Curriculum and Instruction Commons, Educational Methods Commons, Humane Education Commons, Indigenous Education Commons, Other Education Commons, and the Outdoor Education Commons Recommended Citation Imazumi-Hegarty, Gillian, "Queering beyond pronouns: The necessity of indigenizing learning communities" (2021). Master's Projects and Capstones. 1142. https://repository.usfca.edu/capstone/1142 This Project/Capstone - Global access is brought to you for free and open access by the Theses, Dissertations, Capstones and Projects at USF Scholarship: a digital repository @ Gleeson Library | Geschke Center. It has been accepted for inclusion in Master's Projects and Capstones by an authorized administrator of USF Scholarship: a digital repository @ Gleeson Library | Geschke Center. For more information, please contact [email protected]. University of San Francisco Queering beyond pronouns: The necessity of indigenizing learning communities A Field Project Presented to The Faculty of the School of Education International and Multicultural Education
    [Show full text]
  • Copyright by Clare Colleen Donnelly 2017
    Copyright by Clare Colleen Donnelly 2017 The Thesis Committee for Clare Colleen Donnelly Certifies that this is the approved version of the following thesis: Art & Allyship: Fostering LGBT Inclusion at the Chrysler Museum of Art APPROVED BY SUPERVISING COMMITTEE: Supervisor: Paul E. Bolin Melinda M. Mayer Art & Allyship: Fostering LGBT Inclusion at the Chrysler Museum of Art by Clare Colleen Donnelly, BA Thesis Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Master of Arts The University of Texas at Austin May 2017 Dedication For Nan & Pa Acknowledgements This project would not have been possible without the generosity and support of a group of caring individuals. I would like to extend my immense gratitude to the following people: To Dr. Paul Bolin, whose constant patience, guidance, and wisdom proved essential to the completion of this project. To Dr. Melinda Mayer, whose critical perspective and insightful feedback pushed me toward a deeper interrogation of my thinking. To Anne Corso and Michael Berlucchi, whose inclusive work made this research possible and whose kindness and generosity made it a delight. To Danny, whose endless supply of love, encouragement, and humor brightened dark moments and instilled in me the confidence to persevere. To my parents, who raised me to be compassionate, to embrace difference, and to love others as myself. To my cohort, an inspiring group of women whose incredible support, positivity, and friendship carried me through this experience. Finally, to my LGBTQ friends and family, who inspire me, challenge me, and whose stories motivate this research.
    [Show full text]