DOCSLIB.ORG

25DLTDC COL 04R1.Qxd

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
25DLTDC COL 04R1.Qxd DLD‰‰†‰KDLD‰‰†‰DLD‰‰†‰MDLD‰‰†‰C DELHI TIMES, THE TIMES OF INDIA, SATURDAY 25 OCTOBER 2003 DAILY CROSSWORD DENNIS THE MENACE HEALTH CAPSULE GRAFFITI BELIEVE IT OR NOT TELEVISION tvguide.indiatimes.com CINEMA DD I 2300 Star Ek Gaane Anek Games-03 - LIVE from BOL TARA BOL AXN Hyderabad 0800 Subah Savere 1800 V’ball Andria FIVB Shelly von Strunckel 0830 Nat. Prog. on Music 0800 Guinness World World Grand Prix - 03: Records: Primetime 0900 Mukhya Samachar ITA vs Kor followed by (Season II) ARIES (March 21 - April 19) Over the next couple of 0902 Shaktimaan CHN vs. RUS 0900 Pacific Blues (Season days you’re going to do a lot of listening. This won’t 1000 News in Sanskrit 2100 Sports Talk V) - A Thousand Words be easy. What others say won’t be the problem. It’s 1005 Hello DD 2130 1s Afro Asian Games- just that once everything’s been discussed, you’ll 1000 Seven Days (Season 1100 Mukhya Samachar 03 - H/lts of Previous want to take action. But you’ll also need to pay attention to, and III) - The Dunwych 1102 Baaje Payal Day’s Events consider, various plans before you make a move. Madness 1130 Nandu Apna 2300 F’ball hour TAURUS (April 20 - May 20) The time has come to 1100 Alias: Trust Me 1200 News Headlines STAR SPORTS clear the air. You’ve been avoiding certain provoca- 1202 Janam Samjha Karo 1800 Now See This Watch ‘Kabhi Kabhi,’ at tive issues simply because there seemed no reason 1230 Junior-G Ep 3 & Ep 4 0855 England Tour of 2000 Hrs. on Zee TV to cause anybody unnecessary upset. Now that 1900 Alias: Trust Me B’desh: B’desh vs. 1300 Mukhya Samachar 2000 News at 8 they’re turning ordinary matters into dramas, there is no longer England, 1st Test, Day 1302 Take Care ZEE TV any reason not to insist that what’s been on your mind is dis- 5, Session 1, LIVE 2030 Metro News 1400 Samachar 0930 Jai Ganesh cussed as well. 1100 Ckt. Awards Show: The 2100 News at 9 1415 The News GEMINI (May 21 - June 20) It’s not that you’re pre- 1000 Yeh Hai Zindagi Electrolux Wisden Int’l 2130 Spl. Correspondent Tune into the love story of madly-in-love guy and modern girl, ‘Mujhe tending your perfect. It’s just that certain individuals 1430 Feature Film in Hindi: 1030 Professor Pyarelal Awards 2003 2200 Din Bhar RAJA HINDUSTANI 1100 Sa Re Ga Ma Pa Kucch Kehna Hai,’ at 1700 Hrs. on Zee Cinema STAR NEWS spend so much time discussing your flaws that you 1130 England Tour of leave them feeling depressed. Yet you can’t eliminate (Aamir Khan, Karisma 1200 Sansui Antakshri Faith MOVIES STAR PLUS B’desh: B’desh vs. 0600-1000 STAR Savera them from your life.What you can do is plan your time with them, & Johnny Lever) 1230 Shree 420 1500 Family: The Flint- 1500 Imtihaan England, 1st Test, Day 1000-1030 Kuan Banega creating occasions that give them minimum opportunity to com- 1700 Mukhya Samachar 1255 Jhalak MAX stones in Viva Rock 5, Session 2 & 3, LIVE Mukyamantri plain. 1730 Ghoomta Aaina 1300 Mano Ya Na Mano Vegas SAHARA 0900 Duplicate 1600 Rugby World Cup: 1745 Mera Gaon Mera CANCER (June 21 - July 22) After nearly five months 1800 News Headlines 1700 Action: Driven MANORANJAN 1330 Ankahee 1300 Kasam 2003 France vs. Desh with the planet of focus and achievement, Saturn, in 1802 Series 1915 Family: Madeline 1400 Khana Khazana 1700 India’s Road to Fnls: 1400 Dil Bhi Tera Scotland LIVE 1845 Aaj Ki Baat your sign you’re beginning to recognise some of the Delhi & Relay 2100 Action/Adventure: 1730 Ek Nazar India vs. NZ Hum Bhi Tere 1800 NBA Inside Stuff 1900 Desh Videsh benefits of its presence. Now, as it begins its retro- Transmitters The Replacements 1800 Cartoon Network 2100 Karan Arjun 1930 Banarasi Babu 1830 SBK Superbike 2000 Nat. Reporter grade cycle, it’s time to review what you’ve faced, confronted and 1830 Music on Zee 2315 Spl.: Sex and the City 1900 Gillette World Sports dealt with. Then, based on those achievements, you can consid- 1900 Regional News AXN 04 - Valley of the SONY 2030 Kuan Banega 1900 Ek Nazar Special Mukyamantri er the future. 1915 Health Show Twenty Something 1930 Tide Khel Khel Mein 1200 The Mask of Zorro 0730 Astitva 1925 English Premier F’ball 2100 STAR Report LEO (July 23 - August 22) Nobody is more affec- 1930 Off the Beaten Path Guys 2000 Kabhi Kabhi 1500 Vertical Limit 2100 Bichhoo League 2003/04 LIVE 2200 City 60 Weekend tionate and caring than a Leo. In fact, you become National Network 2000 Double Jeopardy 2345 Action: Dungeons and 2030 Sat. Night Spl. ZEE MGM 2130 English Premier F’ball 2300 Massand Ki Pasand so absorbed in your obligations that you forget 2000 The News 2245 Bridge of Dragon Dragons ZEE ENGLISH League 2003/04 BBC WORLD about others’ feelings. Now events give you an op- 2030 Samachar 1100 Gray Eagle portunity to make up for lost time. Here’s your chance to make 0830 Police Academy HALLMARK STAR MOVIES 2330 England Tour of 2100 Shakti 1330 When Harry Met Sally B’desh: B’desh vs. 0830-2230 BBC News- sure that those who matter know just how much you care. 0930 Tarzan 0640 Remember the 2130 Aap Beeti: Serial 0830 Out of Ashes 1600 Fever England , 1st Test, Every Hour VIRGO (August 23 - September 22) You had good Titans 2230 Feature Film in Hindi: 1000 Full House: The 1030 The Great Outdoors 1830 Monkey Shines Day 5, H/Ls 0900 Asia Today reason to believe that you were right. What’s more, 1230 Rebus: Mortal Causes 1025 American Deal 2100 The Cider House you convinced a number of other people that your 1430 Breaking Through 1230 The Lost World: Rules thinking was correct. Now that you’ve found it that it 1630 Blind Terror Jurassic Park 2300 Miami Blues wasn’t, you’re wondering what to say. The answer is, set the 1830 The Maldonado 1500 Rambo 2 ZEE TV record straight, apologise, than say no more. Everybody makes Miracle 1700 Coffee Time Movie: mistakes - even you. 2030 The Abduction Bend it Like 1430 Andha Kanoon LIBRA (September 23 - October 22) The truth isn’t al- Beckham 2215 The Maldonado ZEE CINEMA ways easy to face. It’s not that you’ve been avoiding Miracle 1910 Family Favourite: CONTACTS it, as much as you’ve been expecting the best of oth- HBO Spy Kids 0700 Khel Khel Mein ers. Now that you’ve realised they aren’t going to live 2100 Must See Sat.: 1000 I Love You Home Delivery Service: Jadoogar — 9632 999 up to what you’d hoped, the more swiftly you can deal with both 0800 Action: Landspeed Jurassic Park III 1300 Diwali Spl.: Humraaz 999 Delivery in 3 Hrs. in NCR for Vishal C’plex, various commitments and your feelings of disappointment. 1000 Drama: Les 2255 Steven Spielberg 1700 Mujhe Kucch PVR Vikaspuri, Delite, Satyam C’plexes, Milan, SCORPIO (October 23 - November 21) While there’s Miserables presents- Kehna Hai Liberty, Golcha & Filmistan; PVR Cinemas: no way you can avoid dwelling on certain poignant Enjoy the charisma of aamchi Mumbai, with Asha 1245 Comedy: Leap of `Taken’ Ep 2 2100 Aashiq Awara (Home Delivery - 2615111); DT Cinemas: (Home issues, analysing them is likely to achieve only so in ‘Six Degrees: Mumbai,’ at 2200 on Discovery Watch ‘Bichhoo,’ at 2100 Hrs. on Sony Delivery - 26140000) much. These are really emotional in nature. Conse- JIGAR (Ajay Devgan, 1330 Action Man ESPN 0915 World Business Rpt. Amba: 23916000; Alpna: 27413104; Batra quently, focusing on whether you trust others and on what your Karisma & Gulshan Week That Was MUSIC 1000 Holiday (M’nagar): 27654202; 3 C’s: 26927846; instincts tell you is likely to prove far more illuminating than 1400 Robocop 0800 NBA Action Grover) 1230 TVC / Music Cafe 1100 Simpson’s World Chanakya: 24670423; Delite: 23272903; Eros: seeking hard facts. 1430 X-Men MTV 0830 Hitz DD METRO 1300 Candid Camera 1200 Click Online 24311784; Filmistan: 23673120; Golcha: SAGITTARIUS (November 22 - December 21) You are 1500 Kumars at 42 0830 Merit List 0900 English Premier 1330 TV Skyshop \ 1300 Extra Time 23265192; Janak C’plex: 25551115; Liberty: indiatimes 8888 extraordinarily generous by nature, and will do 0900 KHABAR: Telefilm Music Cafe 1600 Cops 0900 & 1000 Non-Stop Hits League Preview 1340 Correspondent 25728800; M2K (Rohini): 27942944; M4U anything for a friend or loved one. Consequently, 1030 Better Halves 1400 Promised Land 1630 World’s Wildest 1100 Cut 2 Cut 0930 EPL Big Red Replay • Go to write msg 1440 Horizon: Miracle (S’bad): 95120-2639977; Milan: 25101014; the manipulative approach that one particular indi- 1100 MUSAFIR: Telefilm Police Videos 1130 IRB Rugby World Cup • Type Movie del 1500 Homicide Life on 1200 Bolti Bund in Orbit Movie Palace: 95120-2625502; Odeon: vidual has taken is very strange indeed. It’s as if they actually 1200 Mind Watch the Street 1700 Knight Rider 03 Aus. vs. Message: and name & 1230 House Full 1600 Sports Today 51517899; Paras: 26432842; Rachna: prefer that you act out of guilt than offer to help, as would 1230 She 1600 Trazan 1800 The Crow - Stairway Namibia LIVE Mov del press ok 1300 Most Wanted 1700 Extra Time 25713586; Regal: 23362245; Samrat: ordinarily be the case. 1300 Tribal of Arunachal 1630 Over the Edge 1900 Xena: Warrior Princess 1330 Rugby World Cup: 27183544; Sangam: 26183355; Sapna: Khel • Send to 8888 1400 Chill Out: Swaraj 1740 Correspondent CAPRICORN (December 22 - January 19) Nobody Pradesh 1700 ER 2000 TNA Wrestling Rugby Hq Asia LIVE 26431787; Shakuntalam Theatre: 23371849; Ok_ • U receive list of would blame you for thinking that others are over- 1430 Making of Video - 1940 Capitalism 1330 Parihas 1830 Over the Edge 2100 Mutant X Beyond 1400 IRB Rugby World Cup Shiela: 23528299; Vishal C’plex: 25440204; dramatising their problems.
Load more

Recommended publications
  • Bollywood in Australia: Transnationalism and Cultural Production
    University of Wollongong Research Online Faculty of Arts - Papers (Archive) Faculty of Arts, Social Sciences & Humanities 1-1-2010 Bollywood in Australia: Transnationalism and Cultural Production Andrew Hassam University of Wollongong, [email protected] Makand Maranjape Follow this and additional works at: https://ro.uow.edu.au/artspapers Part of the Arts and Humanities Commons, and the Social and Behavioral Sciences Commons Recommended Citation Hassam, Andrew and Maranjape, Makand, Bollywood in Australia: Transnationalism and Cultural Production 2010. https://ro.uow.edu.au/artspapers/258 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] Introduction Bollywood in Australia Andrew Hassam and Makand Paranjape The global context of Bollywood in Australia Makarand Paranjape The transcultural character and reach of Bollywood cinema has been gradually more visible and obvious over the last two decades. What is less understood and explored is its escalating integration with audiences, markets and entertainment industries beyond the Indian subcontinent. This book explores the relationship of Bollywood to Australia. We believe that this increasingly important relationship is an outcome of the convergence between two remarkably dynamic entities—globalising Bollywood, on the one hand and Asianising Australia, on the other. If there is a third element in this relationship, which is equally important, it is the mediating power of the vibrant diasporic community of South Asians in Australia. Hence, at its most basic, this book explores the conjunctures and ruptures between these three forces: Bollywood, Australia and their interface, the diaspora. 1 Bollywood in Australia It would be useful to see, at the outset, how Bollywood here refers not only to the Bombay film industry, but is symbolic of the Indian and even the South Asian film industry.
    [Show full text]
  • Magazine1-4 Final.Qxd (Page 3)
    SUNDAY, MARCH 19, 2017 (PAGE 4) MOVIE-REVIEW HERITAGE Royals and Ruins Not much about Machine Aruditya Jasrotia Eberhard Fischer have written a book “Nainsukh of A concerted effort to preserve our heritage is a Guler: A Great Indian Painter from a Small Hill-State”. MACHINE is essentially a love story (written which mars the film in a big way. The film’s screenplay This book glorifies the importance and magnificence of by Sanjeev Kaul) which happens amidst the does not offer anything new and lands up following the vital link to our cultural legacies and it literally the Nainsukh painting style. same path which had been adopted by many films till date. At this time hardly anyone goes to see the beautiful greed for money and mysterious circum- makes us who we are. People tend to believe The weak script also lands up making the film all style and that to be modern you have to disengage from fort which is holding a number of beautiful artworks on stances. The film starts off in picturesque no substance. There’s no denying the fact that the film’s its walls. The condition of the fort is pitiful and brings the North India, with the introduction of the writing could have been notches higher. The film’s dia- your heritage, but it’s not true. feeling of hollowness to the visitors. The walls are falling logues besides being devoid of one liners, are very average one by one, roofs have collapsed, vegetation has taken extremely helpful Saira Thapar (Kiara One of the important heritages of Jammu which is and fail to leave an impression.
    [Show full text]
  • Woman Becomes Goddess in Bollywood: Justice, Violence, and the Feminine in Popular Hindi Film Kathleen M
    Journal of Religion & Film Volume 17 Article 1 Issue 2 October 2013 10-2-2013 Woman Becomes Goddess in Bollywood: Justice, Violence, and the Feminine in Popular Hindi Film Kathleen M. Erndl Florida State University, [email protected] Recommended Citation Erndl, Kathleen M. (2013) "Woman Becomes Goddess in Bollywood: Justice, Violence, and the Feminine in Popular Hindi Film," Journal of Religion & Film: Vol. 17 : Iss. 2 , Article 1. Available at: https://digitalcommons.unomaha.edu/jrf/vol17/iss2/1 This Article is brought to you for free and open access by DigitalCommons@UNO. It has been accepted for inclusion in Journal of Religion & Film by an authorized editor of DigitalCommons@UNO. For more information, please contact [email protected]. Woman Becomes Goddess in Bollywood: Justice, Violence, and the Feminine in Popular Hindi Film Abstract What happens “when a woman becomes Chandika?” This essay contributes to an on-going discussion of the theme of “avenging women” in popular Indian cinema, with particular focus on the transformation of a woman into a fierce Goddess who avenges oppression and re-establishes justice. Analysis of the story line and selected song sequences from the Hindi language film Anjaam (“Outcome,” 1994) in light of themes from the Hindu Sanskrit text, the Devi-Mahatmya (“Greatness of the Goddess,” 5thc. C.E.) shows how traditional religious images and values are adapted and transformed in a modern context. Keywords Goddess, Bollywood, Indian cinema, Devi-Mahatmya, Hinduism, Madhuri Dixit, Shahrukh Khan Author Notes Kathleen M. Erndl is Associate Professor of Religion at the Florida State University, where she teaches in the field of South Asian religions.
    [Show full text]
  • Sahara India Pariwar
    SANSCO SERVICES - Annual Reports Library Services - www.sansco.net SAHARA INDIA PARIWAR www.reportjunction.com SANSCO SERVICES - Annual Reports Library Services - www.sansco.net Sahara India Mass Communication Limited (Formerly Sahara India Media Communication Limited) CONTENTS S. No. , Particulars Page No 1. Board of Directors, Statutory Auditors and Internal Auditors 1 2. Bankers, Registered Office, Share Transfer Agent, Branches... 2 3. Board's Report 3 4. Management Discussion and Analysis Report 16 5. Corporate Governance Report 18 6. General Shareholders Information 26 7. Auditors' Report 28 8. Balance Sheet 34 9. Profit & Loss Account 3 5 10. Schedules 36 11. Balance Sheet Abstract 51 12. Cash Flow Statement 52 www.reportjunction.com SANSCO SERVICES - Annual Reports Library Services -. Sahara India Mass Communication nsco.net (Formerly Sahara India Media Communication Limited) BOARD OF DIRECTORS SHRI SUBRATA ROY SAHARA Chairman SMT. SWAPNA ROY SHRI AMAR SINGH SMT. JAYA BACHCHAN SHRI O: P. SRIVASTAVA SHRI J. B. ROY SHRI V. B. CHANDRA SHRI MAHESH PRASAD (Whole Time Director) STATUTORY AUDITORS M/S D. S. SHUKLA & CO. Chartered Accountants INTERNAL AUDITORS M/S CHATURVEDI & CO. Chartered Accountants COMPANY SECRETARY SHRI BIMAL KISHORE NANDA www.reportjunction.com SANSCO SERVICES - Annual Reports Library Services - \\ww^sansco.net Sahara India Mass Communication Limited (Formerly Sahara India Media Communication Limited) BANKERS THE BANK OF RAJASTHAN LIMITED REGISTERED OFFICE SAHARA INDIA POINT, CTS 40 - 44, S. V. ROAD, GOREGAON (WEST)
    [Show full text]
  • Hindi DVD Database 2014-2015 Full-Ready
    Malayalam Entertainment Portal Presents Hindi DVD Database 2014-2015 2014 Full (Fourth Edition) • Details of more than 290 Hindi Movie DVD Titles Compiled by Rajiv Nedungadi Disclaimer All contents provided in this file, available through any media or source, or online through any website or groups or forums, are only the details or information collected or compiled to provide information about music and movies to general public. These reports or information are compiled or collected from the inlay cards accompanied with the copyrighted CDs or from information on websites and we do not guarantee any accuracy of any information and is not responsible for missing information or for results obtained from the use of this information and especially states that it has no financial liability whatsoever to the users of this report. The prices of items and copyright holders mentioned may vary from time to time. The database is only for reference and does not include songs or videos. Titles can be purchased from the respective copyright owners or leading music stores. This database has been compiled by Rajiv Nedungadi, who owns a copy of the original Audio or Video CD or DVD or Blu Ray of the titles mentioned in the database. The synopsis of movies mentioned in the database are from the inlay card of the disc or from the free encyclopedia www.wikipedia.org . Media Arranged By: https://www.facebook.com/pages/Lifeline/762365430471414 © 2010-2013 Kiran Data Services | 2013-2015 Malayalam Entertainment Portal MALAYALAM ENTERTAINMENT PORTAL For Exclusive
    [Show full text]
  • Govinda (Actor) ­ Wikipedia, the Free Encyclopedia Govinda (Actor) from Wikipedia, the Free Encyclopedia
    7/10/2015 Govinda (actor) ­ Wikipedia, the free encyclopedia Govinda (actor) From Wikipedia, the free encyclopedia Govinda (born Govind Arun Ahuja ) (Born: December 21, 1963)[3] is an Indian film actor, former politician, and Govinda comedian. Govinda is best know for his work in Bollywood. Govinda has received twelve Filmfare Awards nominations, won a Filmfare Special Award, won a Filmfare Award for Best Comedian, and received four Zee Cine Awards. His debut was in Ilzaam in 1986 and has since appeared in over 165 Hindi films.[4] In June 1999, Govinda was voted the tenth greatest star of stage or screen of the last thousand years by BBC News Online users.[5] His earlier films in the 1980s were in genres including family, drama, action, and romance. In the 1990s, he gained recognition as a comic actor after playing a mischievous young NCC cadet in the romantic movie Shola Aur Shabnam (1992) opposite the late Divya Bharti. He played leading roles in several commercially successful comedy films in the 1990s such as Aankhen (1993), Raja Babu (1994), Coolie No. 1 (1995), Hero No. 1 (1997) and Haseena Maan Jaayegi (1999). He received the Filmfare Best Comedian Award for Haseena Maan Jayegi and Filmfare Special Award for Saajan Chale Sasural. He has successfully played dual roles in several movies including Jaan Se Pyaara (1992), Aankhen (1993), Bade Miyan Chote Miyan (1998) and Anari No.1 (1999).[6] Apart from double roles, he has also successfully played six roles of his own family in Hadh Kar Di Aapne (2000), one being Raju and others being Raju's mom, Raju's dad, Raju's sister, Raju's grandmother and Raju's grandfather.[7] Govinda at Mother Teresa International Award in 2011 Govinda is nicknamed 'No.
    [Show full text]
  • Albert Fraind's Job in World War II Was to Find Land Mines. This Is His Awe
    YOUR PAGE, YOUR STAGE! Community invites you to send your contributions with contact details and complete description of the images to [email protected]. Select images will appear in both the print edition as well as Community Instagram page @communitygt. — PHOTO ESSAY, Page 10 Wednesday, November 13, 2019 Rabia I 16, 1441 AH Doha today: 220 - 290 99 not out Albert Fraind’s job in World War II was to find land mines. This is his awe-inspiring story. P4-5 COVER STORY 2 GULF TIMES Wednesday, November 13, 2019 COMMUNITY ROUND & ABOUT PRAYER TIME Fajr 4.29am Shorooq (sunrise) 5.51am Zuhr (noon) 11.19am Asr (afternoon) 2.26pm Maghreb (sunset) 4.48pm Isha (night) 6.18pm USEFUL NUMBERS Bala SYNOPSIS: It tells the story of a man who is balding DIRECTION: Amar Kaushik prematurely and how he copes up with the situation. CAST: Ayushmann Khurrana, Bhumi Pednekar, Yami Gautam THEATRES: Royal Plaza, Landmark, The Mall Emergency 999 Worldwide Emergency Number 112 Kahramaa – Electricity and Water 991 Local Directory 180 International Calls Enquires 150 Hamad International Airport 40106666 Labor Department 44508111, 44406537 Mowasalat Taxi 44588888 Qatar Airways 44496000 Hamad Medical Corporation 44392222, 44393333 Qatar General Electricity and Water Corporation 44845555, 44845464 Primary Health Care Corporation 44593333 44593363 Qatar Assistive Technology Centre 44594050 Qatar News Agency 44450205 44450333 Q-Post – General Postal Corporation 44464444 Humanitarian Services Offi ce (Single window facility for the repatriation of bodies) Ministry of Interior 40253371, 40253372, 40253369 Ministry of Health 40253370, 40253364 Hamad Medical Corporation 40253368, 40253365 Qatar Airways 40253374 Pranaya Meenukalude Kadal who come together to repair a large boat, falls in love with the DIRECTION: Kamal boat owner’s granddaughter, Jasmine.
    [Show full text]
  • 1St Filmfare Awards 1953
    FILMFARE NOMINEES AND WINNER FILMFARE NOMINEES AND WINNER................................................................................ 1 1st Filmfare Awards 1953.......................................................................................................... 3 2nd Filmfare Awards 1954......................................................................................................... 3 3rd Filmfare Awards 1955 ......................................................................................................... 4 4th Filmfare Awards 1956.......................................................................................................... 5 5th Filmfare Awards 1957.......................................................................................................... 6 6th Filmfare Awards 1958.......................................................................................................... 7 7th Filmfare Awards 1959.......................................................................................................... 9 8th Filmfare Awards 1960........................................................................................................ 11 9th Filmfare Awards 1961........................................................................................................ 13 10th Filmfare Awards 1962...................................................................................................... 15 11st Filmfare Awards 1963.....................................................................................................
    [Show full text]
  • The Karan Johar Playbook: the Open Secret, Male Same-Sex Sexuality, and the ‘Big-Brand’ in Bollywood
    South Asian Popular Culture ISSN: (Print) (Online) Journal homepage: https://www.tandfonline.com/loi/rsap20 The Karan Johar playbook: The open secret, male same-sex sexuality, and the ‘big-brand’ in Bollywood J. Daniel Luther To cite this article: J. Daniel Luther (2021): The Karan Johar playbook: The open secret, male same-sex sexuality, and the ‘big-brand’ in Bollywood, South Asian Popular Culture, DOI: 10.1080/14746689.2021.1940552 To link to this article: https://doi.org/10.1080/14746689.2021.1940552 © 2021 The Author(s). Published by Informa UK Limited, trading as Taylor & Francis Group. Published online: 05 Jul 2021. Submit your article to this journal View related articles View Crossmark data Full Terms & Conditions of access and use can be found at https://www.tandfonline.com/action/journalInformation?journalCode=rsap20 SOUTH ASIAN POPULAR CULTURE https://doi.org/10.1080/14746689.2021.1940552 The Karan Johar playbook: The open secret, male same-sex sexuality, and the ‘big-brand’ in Bollywood J. Daniel Luther Gender Film and Media, Department of Gender Studies, LSE, London, UK ABSTRACT KEYWORDS This paper critically contextualizes the open secret of Karan Johar’s Bollywood; Sexuality; sexuality as a key marketable commodity in the neoliberal frame­ Celebrity; Film; LGBTQ work of the ‘KJo’ brand. It examines the cultural legibility of the open secret of his sexuality. It argues that the juxtaposition between the ubiquity of his open secret and his maintained silence on identifying his sexuality serves as an incitement that enables a study of his role in incrementally making space for a depoliticized and individualized upper-class male same-sex sexuality.
    [Show full text]
  • Artist Index
    Artist Index A Asha Parekh (1950s, 1960s, 1970s) Bharati (1960s) A.K. Hangal (1970s, 1980s) Asha Potdar (1970s) Bharti (1970s) Aamir Khan (1970s, 1980s) Asha Sachdev (1970s) Bhola (1970s) Aarti (1970s) Ashish Vidyarthi (1990s) Bhudo Advani (1950s, 1960s, 1970s) Abhi Bhattacharya (1950s, 1960s, Ashok Kumar (1930s, 1940s, 1950s, Bhupinder Singh (1960s) 1970s) 1960s, 1970s) Bhushan Tiwari (1970s) Achala Sachdev (1950s, 1960s, Ashoo (1970s, 1980s) Bibbo (1940s) 1970s) Asit Sen (1950s, 1960s, 1970s) Bihari (1970s) Aditya Pancholi (1980s) Aspi Irani- director (1950s) Bikram Kapoor (1960s) Agha (1940s, 1950s, 1960s, 1970s) Asrani (1970s) Bina Rai (1950s, 1960s) Ahmed- dancer (1950s) Avtar Gill (1990s) Bindu (1960s, 1970s) Ajay Devgan (1990s) Azad (1960s) Bipin Gupta (1940s, 1960s, 1970s) Ajit (1950s, 1960s, 1970s, 1980s) Azim (1950s, 1960s) Bir Sakhuja (1950s, 1960s) Alan Figueiredo- musician, dancer Azra (1960s, 1970s) Birbal (1970s) (1960s) Bismillah (1930s) Alankar (Master) (1970s) B Bittoo (Master) (1970s) Alka (1970s) B.M. Vyas (1960s) Biswajeet (1960s) Amar (1940s, 1960s) B. Nandrekar (1930s) Bob Christo (1980s, 1990s) Amarnath (1950s, 1960s) Babita (1960s, 1970s) Brahm Bhardwaj (1960s, 1970s) Ameerbai Karnataki (1940s, 1960s) Baburao Pendharkar (1930s, 1940s) Ameeta (1950s, 1960s) Baby Farida (see Farida) C Amitabh Bachchan (1970s, 1980s, Baby Leela (see Leela) C.S. Dubey (1970s, 1980s) 1990s) Baby Madhuri (see Madhuri) Chaman Puri (1970s) Amjad Khan (1950s, 1980s) Baby Naaz (see Kumari Naaz) Chandramohan (1930s, 1940s) Amol Palekar (1970s)
    [Show full text]
  • Ajmeri's Global Entertainment Hosts Comedy & Mimicry
    6 NRI PULSE ........City News........ September 2009 Ajmeri’s Global Entertainment Hosts Comedy & Mimicry BY MAHADEV DESAI varsh no baabo’ in one of the longest running In a brief interview both Maheshbhai and Gopalbhai young generation is a cause for concern. Old taboos Gujarati play’ Preet, piyu ne panetar’. emphasized that their shows had high cultural and fam- are breaking down. We are witnessing a craze for Atlanta: A program of rib-tickling comedy, Gopalbhai Barot, who is from Saurashtra, is ily-values content devoid of any vulgarity. They ap- consumerism and permissiveness. “Sadly we are wit- organized by Atlanta’s performing arts icon on his second visit to the U.S. He is well versed in plauded the role played by Gujarati Samaj in preserv- nessing growing instances where a widowed father or Mustafa Ajmeri’s Global Entertainment, best Gujarati literature and folklore. He has performed in ing and promoting Indian culture, heritage and mother despite having several grown up children feels known for bringing choice plays, Gujarati language and expressed their apprecia- lonely and neglected because no one extends a helping dance and music programs by ac- tion of the warm hospitality extended to them hand.”. He advised the youth, “Your parents took claimed performers, literary events by the Indian community. care of you during your first ten years. So remember and shows of Bollywood celebrities The three comedians soon had the audience it is your duty to take care of them in the last ten years to Atlanta, was held at the Sardar Patel in stitches with their flurries of jokes in their of their lives”.
    [Show full text]
  • Switzerland As Seen Through the Lens of Over a Century of Foreign Cinema Fr Backdrop Switzerland Expo/Gstaad
    BACKDROP SWITZERLAND EXPO/GSTAAD SWITZERLAND AS SEEN THROUGH THE LENS OF OVER A CENTURY OF FOREIGN CINEMA FR BACKDROP SWITZERLAND EXPO/GSTAAD En venant dans l’Oberland Bernois, Backdrop Switzerland Expo est dans son élément naturel. En effet, la région a été le lieu de tournage de films mythiques commeSherlock Holmes (USA, 1922) d’Albert Parker, Secret Agent (UK, 1936) d’Alfred Hitchcock, La Symphonie pastorale (FR, 1946) de Jean Delannoy, White Cradle Inn (UK, 1947) de Harold French et bien sûr le mythique The Return of the Pink Panther (UK, 1975) de Blake Edwards, qui était également résident à Gstaad avec son épouse Julie Andrews. Evidemment il faut ajouter à cette liste les nombreuses productions Bollywoodiennes notamment Dilwale Dulhania Le Jayenge (India, 1995) d’Aditya Chopra, un des plus grand succès de l’histoire du cinéma indien qui a contribué à faire de la Suisse un des lieux de villégiature préféré des in- diens, mais aussi des cinéastes de Bollywood qui ont tourné de nombreux films dans la région. A la télévision, on notera les séries Archer (USA, 2011) et Chuck (USA, 2007), avec des épisodes se passant à Gstaad. Mais il faut tout de même mentionner The Bells Of Hell Go Ting-A-Ling (UK, 1966) de David Mil- ler avec Gregory Peck et Ian McKellen. Le tournage de ce film au budget ambitieux qui devait profiter de la vague deThe Sound of Music, sera finalement abandonné après 5 semaines de tournage en raison d’un été de pluie, et de neige… Le focus sur l’Oberland Bernois présenté au Gstaad Palace cet été fait partie d’une recherche sur toute la Suisse en tant que décor dans le cinéma étranger de 1900 à nos jours, qui a pris la forme de l’ouvrage Backdrop Switzerland (Age d’Homme, 2016).
    [Show full text]