DOCSLIB.ORG

Storyville Films 60003

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Storyville Films 60003 Part 2 of a survey: Content of all Storyville Films DVD series Storyville Films 60003. “Harlem Roots, Vol. 1” - The Big Bands. Duke Ellington Orch. I Got It Bad And That Ain’t Good (2:54)/Bli Blip (2:50)/Flamingo (3:01)/Hot Chocolate (Cottontail) (3:06)/Jam Session (C Jam Blues) (2:50). Cab Calloway Orch.: Foo A Little Ballyhoo (2:48)/Walkin’ With My Honey (2:35)/Blow Top Blues (2:36)/I Was There When You Left Me (2:43)/We The Cats Shall Hep Ya (2:36)/Blues In The Night (3:12)/The Skunk Song (2:59)/Minnie The Moocher (3:01)/Virginia, Georgia And Caroline (2:57). Count Basie Orch.: Take Me Back Baby (2:39)/Air Mail Special (2:51). Lucky Millinder Orch.: Hello Bill (2:56)/I Want A Big Fat Mama (3:01)/Four Or Five Times (2:33)/Shout Sister, Shout 2:40). All are Soundies. DVD produced in 2004. TT: 0.57. Storyville Films 60013. “Harlem Roots, Vol. 2” - The Headliners. Fats Waller Rhythm: Honeysuckle Rose (2:52)/Your Feet’s Too Big /Ain’t Misbehavin’ (2:59)/The Joint Is Jumpin’ (2:46). Louis Armstrong Orch.: When It’s Sleepy Time Down South (3:07)/Shine (2:52)/I’ll Be Glad When You’re Dead You Rascal You (2:45)/Swinging On Nothing (2:53). Louis Jordan Tympany Five: Five Guys Named Mo (2:44)/Honey Chile (2:41)/GI Jive (2:36)/If You Can‘t Smile And Say Yes (2:45)/Fuzzy Wuzzy (2:49)/Tillie (2:26)/Caldonia (2:50)/Buzz Me (2:48)/Down, Down, Down (3:01)/Jumpin’ At The Jubilee (2:34). All are Soundies. DVD produced in 2004. TT: 0.50. Storyville Films 60023. “Harlem Roots, Vol. 3” - Rhythm In Harmony. The Mills Brothers. John, Don, Harry, Herbert (vo), 1942: Caravan (2:41)/Rockin’ Chair (3:01). Similar. John, Don, Herbert, Gene Smith (vo), Cliff White (g). 1944: Lazy River (2:32)/Till Then (2:42)/Cielito Lindo (2:52)/You Always Hurt The One You Love (3:03). Similar. John, Don, Herbert (vo), Dorothy Dandridge (dance). 1942: Paper Doll (2:35). The Delta Rhythm Boys. Carl Jones, Traverse Crawford, Kelsey Pharr, Lee Gaines (vo), (dancers). 1941 & 1945: Dry Bones (2:45)/I Dreamt I Dwelt In Harlem (2:15)/ Jack, You Are Playing The Game (2:50)/Just A-Sittin’ And A-Rockin’ (2:45)/Rigoletto Blues (2:40)/Snoqualomie Jo Jo (2:51)/Take The “A” Train (2:38). The Deep River Boys. Vernon Gardner, George Lawson, Harry Douglas, Edward “Mumbles” Ware (vo) acc. by Claude Garreau Orch. 1941: Shadrack (2:18). Omit Douglas. acc. by Jack Shilkret Orch., 1941: Toot That Trumpet (2:38). The Chariotteers. 1941: Darktown Struters Ball (2:39). The Jubalaires. Caleb N. Giniyard Jr., John Jennings, Theodore Brooks, George McFadden (vo), unknown (g). 1941: Preacher And The Bear (2:59)/Noah (2:41)/Brother Bill (2:41). All are Soundies. DVD produced in 2005. TT: 0.54. Storyville Films 60033. “Harlem Roots, Vol. 4” - Jivin’ Time. Nat ”King” Cole Trio. Cole (p,vo), Oscar Moore (g), Johnny Miller (b). 1946: Got A Penny, Benny? (2:50)/Come To Baby, Do (2:51)/I’m An Errand Boy For Rhythm (2:44). Henry “Red” Allen Orch.: Allen (tp,vo), J.C. Higginbotham (tb), Don Stovall (as), Bill Thompson (p), Clarence Moten (b), Edward Bourne or Alvin Burroughs (d). 1946: Drink Hearty (2:57)/ House on 52nd Street (2:40)/Count Me Out. Bob Howard. Howard (vo) acc. by unknown Orch. 1944: Shine (2:29)/She’s Too Hot To Handle (2:28). Skeets Tolbert Orch., Prob. Robert Hicks (tp), Campbell A. “Skeets” Tolbert (as,vo), unknown (p,b,d), 1945: No, No, Baby (2:44). The Musical Madcaps. Nick Aldrich (p), unknown (g), Ebenezer Paul (b), Willie Jones (d), Al Cowens (wbd), Joe Carroll (vo). 1943: The Rhythm Of The Rhythm Band (3:20). Dallas Bartley Orch. Walter Fuller (tp,vo), Porter Gilbert (as), unknown (ts), Bob Mosley (p), Dallas Bartley (b), Jack Parker (d). 1945: Cryin’ And Singin’ The Blues (2:33)/Sandin’ Joe (2:35). Dorothe Dandridge. Dandridge, Paul White (vo,dance) acc. by Ted Fiorito Orch. 1942: A Zoot Suit (2:55). Dandridge (vo) acc. by unknown Orch. 1941: A Jig In The Jungle (2:40). Sister Rosetta Tharpe with Lucky Millinder Orch. Archie Johnson, William Scott, Nelson Bryant (tp), Floyd Brady, George Stevenson, Edward Morant (tb), George James, Ernest Purce, Pazzuza, Ted Barnett (reeds), Bill Doggett (p), Trevor Bacon (g), Abe Bolar (b), Panama Francis (d), Tharpe (vo). 1941: Lonesome Road. Mabel Lee. Lee (vo) acc. by unknown (p,g,b,d). 1943: Chicken Shack Shuffle (2:39). Lee (vo,dance) acc. by Deryck Sampson Orch. Sampson (p), unknown (g,b,d). 1945: The Cat Can’t Dance (2:44). Bill “Bojangles” Robinson. Robinson (vo,dance) acc. by unknown Studio Orch.. 1941: Let’s Scuffle (2:54). June Richmond with Roy Milton Band. Hosea Sapp (tp), Earl Smith (as), Lorenzo “Buddy” Floyd (ts), Camille Howard (p), Roy Milton (d), Richmond (vo,dance). 1944: Hey, Lawdy Mama (2:37). Same. 1945: Mr. Jackson From Jacksonville (2:24). Vanita Smythe. Smythe (vo) poss. acc. by Dan Burley (p), unknown (g,b).1946: They Raided The Joint (2:40). Edna Mae Harris. Harris acc. by unknown Orch. 1942: T’aint No Good (2:55). All are Soundies. DVD produced in 2005. TT: 1.00. Storyville Films 60043. “The Big Bands, Vol. 1”. Duke Ellington Orch. Cat Anderson, Clark Terry, Willie Cook (tp), Ray Nance (tp,v), Quentin Jackson, Britt Woodman, Juan Tizol (tb), Paul Gonsalves, Russell Procope, Willie Smith, Jimmy Hamilton, Harry Carney (reeds), Ellington (p,dir), Wendell Marshall (b), Luis Bellson (d). 1952: Sophisticated Lady (2:58)/Caravan (2:58)/The Mooche (4:59)/VIP’s Boogie (4:25)/Solitude (3:45)/Mood Indigo (4:24)/ The Hawk Talks (3:40. Lionel Hampton Orch. Ed Mullens, Leo Shepherd, Duke Garrette, Walter Williams, Benny Bailey (tp), Paul Higaki, Al Grey, Benny Powell, Jimmy Warwick (tb), Bobby Plater, Jerome Richardson, Johnny Board, Curtis Lowe, Ben Kynard (reeds), Hampton (vib,dr), Milt Buckner (p), Billy Mackel (g), Roy Johnson (b), Ellis Bartee (d). N.Y., 1950: Midnight Sun (3:25)/Beulah’s Boogie (3:29)/Cobb’s Idea (3:17)/T.V. Special (2:52). Quincy Jones (tp) replaces Garrette, Jimmy Cleveland (tb) for Warwick and Gil Bernard (reeds) for Lowe. 1951: Love You Like Mad (2:28)/Ding Dong Baby (2:33)/Vibe Boogie (2:26)/Bongo Interlude (3:15)/Air Mail Special (5:33)/Slide Hamp Slide (2:27)/Cares (3:22). All are Snader Telescriptions. DVD produced in 2004. TT: 1.03. Storyville Films 60053. “The Big Bands, Vol. 2”. Charlie Barnet Orchestra: Skyliner (3:02)/My Old Flame (3:13)/Andy’s Boogie (3:20)/Caravan (3:15)/Cherokee (3:26). Les Brown And His Band Of Renown: I’ve Got The World On A String (3:32)/Time Will Take Care Of Everything (3:09)/Dance Of Renown (2:31)/Billboard March (2:41). Ralph Flanagan Orchestra: Stars And Stripes Forever (2:46)/Joshua (2:47)/Giannina Mia (2:44)/Dixie Jump (2:35). Tony Pastor Orchestra: Your Red Wagon (2:44)/Margie (2:32)/Come On-A My House (2:26)/Life Is So Peculiar (2:31)/Brother Bill (2:24). All are Snader Telescriptions, 1950-52. DVD produced in 2004. TT: 0.47. Storyville Films 60063. “The Small Jazz Groups”. Count Basie Orch. Clark Terry (tp), Buddy DeFranco (cl), Wardell Gray (ts), Basie (p), Freddie Green (g), Jimmy Lewis (b), Gus Johnson (d), Helen Humes (vo). 1950: Basie Boogie (3:10)/If I Could Be With You (3:31)/Basie’s Conversation (3:12)/I Cried For You (3:12)/One O’Clock Jump (3:05). Cab Calloway. Jonah Jones (tp,vo), Dave Rivera (p), Milt Hinton (b), Panama Francis (d), Calloway (vo). 1950: Minnie The Moocher (3:28)/One For My Baby (3:21)/I Can’t Give You Anything But Love (3:19)/St. James Infirmary (3:14)/Calloway Boogie (3:08). George Shearing Quintet. Shearing (p), Joe Roland (vib), Chuck Wayne (g), John Levy (b), Denzil Best (d). 1950: Move (3:17)/I’ll Be Around (3:11)/Conception (3:12)/I’ll Never Smile Again (3:14)/Swedish Pastry (2:48). All are Snader Telescriptions. DVD produced in 2005. TT: 0.49. Storyville Films 60073. “The Vocalists”. Peggy Lee acc. byDave Barbour (g), Hal Schaefer (keyb). 1950-51: Why Don’t You Do Right (3:19)/I Cover The Waterfront (3:44)/I May Be Wrong (3:13)/I Only Have Eyes For You (3:28)/What More Can A Woman Do? (3:29)/I Don’t Know Enough Of You (3:15). Sarah Vaughan acc. by an (offscreen) bigband incl. Jimmy Jones (p) and Jimmy Cobb (d). 1950-51: You’re Mine (3:34)/The Nearness Of You (3:37)/You’re Not The Kind (2:17)/ These Things I Offer You (2:35)/Perdido (2:27). June Christy acc. by Claude Williamsson (p) and the Ernie Felice Quartet incl. unknown (cl), (acc), (g), (b). 1950-51: He’s Funny That Way (3:10)/Taking A Chance On Love (3:04)/Imagination 3:21)/All God’s Children Got Rhythm (2:56). Mel Tormé acc. by a band led by Al Pellegrini (p). 1950-51: Blue Room (3:13)/April Showers (3:03)/You’re Driving Me Crazy (3:17)/You Ought To Be In Pictures (3:10). All are Snader Telescriptions.
Load more

Recommended publications
  • Seeing (For) Miles: Jazz, Race, and Objects of Performance
    W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 2014 Seeing (for) Miles: Jazz, Race, and Objects of Performance Benjamin Park anderson College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the African American Studies Commons, and the American Studies Commons Recommended Citation anderson, Benjamin Park, "Seeing (for) Miles: Jazz, Race, and Objects of Performance" (2014). Dissertations, Theses, and Masters Projects. Paper 1539623644. https://dx.doi.org/doi:10.21220/s2-t267-zy28 This Dissertation is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. Seeing (for) Miles: Jazz, Race, and Objects of Performance Benjamin Park Anderson Richmond, Virginia Master of Arts, College of William and Mary, 2005 Bachelor of Arts, Virginia Commonwealth University, 2001 A Dissertation presented to the Graduate Faculty of the College of William and Mary in Candidacy for the Degree of Doctor of Philosophy American Studies Program College of William and Mary May 2014 APPROVAL PAGE This Dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy Benjamin Park Anderson Approved by T7 Associate Professor ur Knight, American Studies Program The College
    [Show full text]
  • Five Guys Named Moe Sassy Tributesassy to Louis Jordan,Singer, Songwriter, Bandleader and Rhythm and Blues Pioneer
    AUDIENCE GUIDE 2018 - 2019 | Our 59th Season | Issue 3 Issue | Season 59th Our 2019 | A musical by Clarke Peters Featuring Louis Jordan’s greatest hits Five Guys Named Moe is a jazzy, Ch’ Boogie, Let the Good Times Roll sassy tribute to Louis Jordan, singer, and Is You Is or Is You Ain’t My Baby?. songwriter, bandleader and rhythm and “Audiences love Five Guys because Season Sponsors blues pioneer. Jordan was in his Jordan’s music is joyful and human, heyday in the 1940s and 50s and his and takes you on an emotional new slant on jazz paved the way for rollercoaster from laughter to rock and roll. heartbreak,” said Skylight Stage Five Guys Named Moe was originally Director Malkia Stampley. produced in London's West End, “Five Guys is, of course, all about guys. winning the Laurence Olivier Award for But it is also a true ensemble piece and Best Entertainment; when it moved to the Skylight is proud to support our Broadway in 1992, it was nominated for talented performers with a strong two Tony Awards. creative team of women rocking the The party begins when we meet our show from behind the scenes.” Research/Writing by hero Nomax. He's broke, his girlfriend, Justine Leonard for ENLIGHTEN, The Los Angeles Times called Five Skylight Music Theatre’s Lorraine, has left him and he is Guys Named Moe “A big party with… Education Program listening to the radio at five o'clock in enough high spirits to send a small Edited by Ray Jivoff the morning, drinking away his sorrows.
    [Show full text]
  • Ho Li Day Se Asons and Va Ca Tions Fei Er Tag Und Be Triebs Fe Rien BEAR FAMILY Will Be on Christmas Ho Li Days from Vom 23
    Ho li day se asons and va ca tions Fei er tag und Be triebs fe rien BEAR FAMILY will be on Christmas ho li days from Vom 23. De zem ber bis zum 12. Ja nuar macht De cem ber 23rd to Ja nuary 12th. During that peri od BEAR FAMILY Weihnach tsfe rien. Bestel len Sie in die ser plea se send written orders only. The staff will be back Zeit bitte nur schriftlich. Ab dem 12. Janu ar 2004 sind ser ving you du ring our re gu lar bu si ness hours on Mon- wir wie der für Sie da. Bei die ser Ge le gen heit be dan ken day 12th, 2004. We would like to thank all our custo - wir uns für die gute Zusam menar beit im ver gange nen mers for their co-opera ti on in 2003. It has been a Jahr. plea su re wor king with you. BEAR FAMILY is wis hing you a Wir wünschen Ihnen ein fro hes Weih nachts- Merry Christmas and a Happy New Year. fest und ein glüc kliches neu es Jahr. COUNTRY...............................2 BEAT, 60s/70s.........................66 AMERICANA/ROOTS/ALT. ........................19 SURF ........................................73 OUTLAWS/SINGER-SONGWRITER ..................22 REVIVAL/NEO ROCKABILLY .......................75 WESTERN .....................................27 BRITISH R&R ...................................80 C&W SOUNDTRACKS............................28 INSTRUMENTAL R&R/BEAT ........................80 C&W SPECIAL COLLECTIONS ......................28 COUNTRY AUSTRALIA/NEW ZEALAND ...............29 POP ......................................82 COUNTRY DEUTSCHLAND/EUROPE .................30 POP INSTRUMENTAL ............................90
    [Show full text]
  • CATALOGUE WELCOME to NAXOS JAZZ LEGENDS and NAXOS NOSTALGIA, Twin Compendiums Presenting the Best in Vintage Popular Music
    NAXOS JAZZ LEGENDS/NOSTALGIA CATALOGUE WELCOME TO NAXOS JAZZ LEGENDS AND NAXOS NOSTALGIA, twin compendiums presenting the best in vintage popular music. Following in the footsteps of Naxos Historical, with its wealth of classical recordings from the golden age of the gramophone, these two upbeat labels put the stars of yesteryear back into the spotlight through glorious new restorations that capture their true essence as never before. NAXOS JAZZ LEGENDS documents the most vibrant period in the history of jazz, from the swinging ’20s to the innovative ’40s. Boasting a formidable roster of artists who forever changed the face of jazz, Naxos Jazz Legends focuses on the true giants of jazz, from the fathers of the early styles, to the queens of jazz vocalists and the great innovators of the 1940s and 1950s. NAXOS NOSTALGIA presents a similarly stunning line-up of all-time greats from the golden age of popular entertainment. Featuring the biggest stars of stage and screen performing some of the best- loved hits from the first half of the 20th century, this is a real treasure trove for fans to explore. RESTORING THE STARS OF THE PAST TO THEIR FORMER GLORY, by transforming old 78 rpm recordings into bright-sounding CDs, is an intricate task performed for Naxos by leading specialist producer-engineers using state-of-the-art-equipment. With vast personal collections at their disposal, as well as access to private and institutional libraries, they ensure that only the best available resources are used. The records are first cleaned using special equipment, carefully centred on a heavy-duty turntable, checked for the correct playing speed (often not 78 rpm), then played with the appropriate size of precision stylus.
    [Show full text]
  • Finding Aid for the Sheldon Harris Collection (MUM00682)
    University of Mississippi eGrove Archives & Special Collections: Finding Aids Library November 2020 Finding Aid for the Sheldon Harris Collection (MUM00682) Follow this and additional works at: https://egrove.olemiss.edu/finding_aids Recommended Citation Sheldon Harris Collection, Archives and Special Collections, J.D. Williams Library, The University of Mississippi This Finding Aid is brought to you for free and open access by the Library at eGrove. It has been accepted for inclusion in Archives & Special Collections: Finding Aids by an authorized administrator of eGrove. For more information, please contact [email protected]. University of Mississippi Libraries Finding aid for the Sheldon Harris Collection MUM00682 TABLE OF CONTENTS SUMMARY INFORMATION Summary Information Repository University of Mississippi Libraries Biographical Note Creator Scope and Content Note Harris, Sheldon Arrangement Title Administrative Information Sheldon Harris Collection Related Materials Date [inclusive] Controlled Access Headings circa 1834-1998 Collection Inventory Extent Series I. 78s 49.21 Linear feet Series II. Sheet Music General Physical Description note Series III. Photographs 71 boxes (49.21 linear feet) Series IV. Research Files Location: Blues Mixed materials [Boxes] 1-71 Abstract: Collection of recordings, sheet music, photographs and research materials gathered through Sheldon Harris' person collecting and research. Prefered Citation Sheldon Harris Collection, Archives and Special Collections, J.D. Williams Library, The University of Mississippi Return to Table of Contents » BIOGRAPHICAL NOTE Born in Cleveland, Ohio, Sheldon Harris was raised and educated in New York City. His interest in jazz and blues began as a record collector in the 1930s. As an after-hours interest, he attended extended jazz and blues history and appreciation classes during the late 1940s at New York University and the New School for Social Research, New York, under the direction of the late Dr.
    [Show full text]
  • Selected Observations from the Harlem Jazz Scene By
    SELECTED OBSERVATIONS FROM THE HARLEM JAZZ SCENE BY JONAH JONATHAN A dissertation submitted to the Graduate School-Newark Rutgers, the State University of New Jersey in partial fulfillment of the requirements for the degree of Master of Arts Graduate Program in Jazz History and Research Written under the direction of Dr. Lewis Porter and approved by ______________________ ______________________ Newark, NJ May 2015 2 Table of Contents Acknowledgements Page 3 Abstract Page 4 Preface Page 5 Chapter 1. A Brief History and Overview of Jazz in Harlem Page 6 Chapter 2. The Harlem Race Riots of 1935 and 1943 and their relationship to Jazz Page 11 Chapter 3. The Harlem Scene with Radam Schwartz Page 30 Chapter 4. Alex Layne's Life as a Harlem Jazz Musician Page 34 Chapter 5. Some Music from Harlem, 1941 Page 50 Chapter 6. The Decline of Jazz in Harlem Page 54 Appendix A historic list of Harlem night clubs Page 56 Works Cited Page 89 Bibliography Page 91 Discography Page 98 3 Acknowledgements This thesis is dedicated to all of my teachers and mentors throughout my life who helped me learn and grow in the world of jazz and jazz history. I'd like to thank these special people from before my enrollment at Rutgers: Andy Jaffe, Dave Demsey, Mulgrew Miller, Ron Carter, and Phil Schaap. I am grateful to Alex Layne and Radam Schwartz for their friendship and their willingness to share their interviews in this thesis. I would like to thank my family and loved ones including Victoria Holmberg, my son Lucas Jonathan, my parents Darius Jonathan and Carrie Bail, and my sisters Geneva Jonathan and Orelia Jonathan.
    [Show full text]
  • Whicl-I Band-Probably Sam; Cf
    A VERY "KID" HOWARD SUMMARY Reel I--refcyped December 22, 1958 Interviewer: William Russell Also present: Howard's mother, Howard's daughter, parakeets Howard was born April 22, 1908, on Bourbon Street, now renamed Pauger Street. His motTier, Mary Eliza Howard, named him Avery, after his father w'ho di^d in 1944* She sang in church choir/ but not professionally. She says Kid used to beat drum on a box with sticks, when he was about twelve years old. When he was sixteen/ he was a drummer. They lived at 922 St. Philip Street When Kid was young. He has lived around tliere all of his life . Kid's father didn't play a regular instrument, but he used to play on^ a comb, "make-like a. trombone," and he used to dance. Howard's parents went to dances and Tiis mother remembers hearing Sam Morgan's band when she was young, and Manuel Perez and [John] Robichaux . The earliest band Kid remembers is Sam Morgan's. After Sam died, he joined the Morgan band/ witli Isaiah Morgan. He played second trumpet. Then he had his own band » The first instrument he.started on was drums . Before his first marriage, when he got his first drums/ he didn't know how to put them up. He had boughtfhem at Werlein's. He and his first wife had a time trying to put them together * Story about }iis first attempt at the drums (see S . B» Charters): Sam Morgan had the original Sam Morgan Band; Isaiah Morgan had l:J^^i', the Young Morgan Band.
    [Show full text]
  • Cool Trombone Lover
    NOVEMBER 2013 - ISSUE 139 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM ROSWELL RUDD COOL TROMBONE LOVER MICHEL • DAVE • GEORGE • RELATIVE • EVENT CAMILO KING FREEMAN PITCH CALENDAR “BEST JAZZ CLUBS OF THE YEAR 2012” SMOKE JAZZ & SUPPER CLUB • HARLEM, NEW YORK CITY FEATURED ARTISTS / 7:00, 9:00 & 10:30pm ONE NIGHT ONLY / 7:00, 9:00 & 10:30pm RESIDENCIES / 7:00, 9:00 & 10:30pm Fri & Sat, Nov 1 & 2 Wed, Nov 6 Sundays, Nov 3 & 17 GARY BARTZ QUARTET PLUS MICHAEL RODRIGUEZ QUINTET Michael Rodriguez (tp) ● Chris Cheek (ts) SaRon Crenshaw Band SPECIAL GUEST VINCENT HERRING Jeb Patton (p) ● Kiyoshi Kitagawa (b) Sundays, Nov 10 & 24 Gary Bartz (as) ● Vincent Herring (as) Obed Calvaire (d) Vivian Sessoms Sullivan Fortner (p) ● James King (b) ● Greg Bandy (d) Wed, Nov 13 Mondays, Nov 4 & 18 Fri & Sat, Nov 8 & 9 JACK WALRATH QUINTET Jason Marshall Big Band BILL STEWART QUARTET Jack Walrath (tp) ● Alex Foster (ts) Mondays, Nov 11 & 25 Chris Cheek (ts) ● Kevin Hays (p) George Burton (p) ● tba (b) ● Donald Edwards (d) Captain Black Big Band Doug Weiss (b) ● Bill Stewart (d) Wed, Nov 20 Tuesdays, Nov 5, 12, 19, & 26 Fri & Sat, Nov 15 & 16 BOB SANDS QUARTET Mike LeDonne’s Groover Quartet “OUT AND ABOUT” CD RELEASE LOUIS HAYES Bob Sands (ts) ● Joel Weiskopf (p) Thursdays, Nov 7, 14, 21 & 28 & THE JAZZ COMMUNICATORS Gregg August (b) ● Donald Edwards (d) Gregory Generet Abraham Burton (ts) ● Steve Nelson (vibes) Kris Bowers (p) ● Dezron Douglas (b) ● Louis Hayes (d) Wed, Nov 27 RAY MARCHICA QUARTET LATE NIGHT RESIDENCIES / 11:30 - Fri & Sat, Nov 22 & 23 FEATURING RODNEY JONES Mon The Smoke Jam Session Chase Baird (ts) ● Rodney Jones (guitar) CYRUS CHESTNUT TRIO Tue Cyrus Chestnut (p) ● Curtis Lundy (b) ● Victor Lewis (d) Mike LeDonne (organ) ● Ray Marchica (d) Milton Suggs Quartet Wed Brianna Thomas Quartet Fri & Sat, Nov 29 & 30 STEVE DAVIS SEXTET JAZZ BRUNCH / 11:30am, 1:00 & 2:30pm Thu Nickel and Dime OPS “THE MUSIC OF J.J.
    [Show full text]
  • Musical Soundies Soundies Were Made for Movie Juke Boxes in the 1940S and Feature Major Recording Stars of the Era
    Musical Soundies Soundies were made for movie juke boxes in the 1940s and feature major recording stars of the era. Each runs about 3 minutes. Each Soundie was registered in the year it was made, but none were renewed with the Library of Congress 28 years later. Artist!Musical Number!Date Del Casino!Surrender!1946 Three Suns with Artie Dunn!Beyond the Blue Horizon!1944 Emil Coleman with June Barton!Gotta Be This or That!1945 Six Hits and a Miss!Sweet Sue, Just You!1941 Harry Cool!Stardust!1945 Yvonne De Carlo w. Spike Jones!Lamp of Memory!1942 Ray Bloch with Carolyn Marsh!I Can’t Give You Anything but Love!1941 Seven Sarongs!Heaven Help a Sailor!1941 Zarek and Zarina!Male Order!1941 3 Car Hops!At Your Service!1941 Juvenile Jubilee w. Merle Pitt!I Don’t Want to Walk Without You!1942 Thelma White!Hollywood Boogie!1946 Andy Iona Orchestra!Tropical Swingaroo!1941 Johnny Long and Orchestra!Maria Elena!1943 Johnny Long!In a Shanty in Old Shanty Town!1943 Johnny Long!Boogie Man!1943 Johnny Long!It Must Be Jelly!1946 Varios and Vida (dancers)!Begin the Beguine!1943 Larry Clinton!Semper Fidelis!1943 Billy MacDonald & Highlanders!Playmates!1944 Jimmy Dorsey!Bar Babble!1943 Jimmy Dorsey w. Helen O’Connell!Man That’s Groovy!1943 Jimmy Dorsey!La Rosita!1943 Gene Krupa w. Anita O’Day!Let Me Off Uptown!1942 Gene Krupa w. Anita O’Day!Thanks for the Boogie Ride!1942 Al Donahue w. Ellen Connor!Jumpin’ at the Juke Box!1943 Al Donahue!Anvil Chorus!1943 Will Bradley!Boardwalk Boogie!1941 Will Bradley!Barnyard Bounce!1941 Charlie Spivak!Hop, Skip and Jump!1942 Nat King Cole!Frim Fram Sauce!1945 Nat King Cole!Calypso Girl! Nat King Cole w.
    [Show full text]
  • Louis Jordan Let the Good Times Roll
    08 Somebody Done Changed The Lock On My Door 23 Don’t Worry ‘Bout That Mule (Wild Bill Davis, 02 Saturday Night Fish Fry (Louis Jordan, Ellis Walsh) 5:24 LOUIS JORDAN (Casey Bill Weldon) 3:13 Duke Groaner, Fleecy Moore, Charlie Stewart) 2:06 09 Hungry Man (Bobby Troup) 3:05 11 What’s The Use Of Gettin’ Sober (Busby Meyers) 2:46 New York, 18 luglio 1945 New York, 9 agosto 1949 LET THE GOOD TIMES ROLL 12 I’m Gonna Leave You On The Outskirts Of Town Aaron Izenhall (tr.), Louis Jordan (alto, voc.), Josh Jackson (ten.), Aaron Izenhall, Bob Mitchell, Harold Mitchell (tr.), Louis Jordan (alto, (Louis Jordan) 2:53 Wild Bill Davis (p., arr.), Carl Hogan (chit.), Jesse «Po» Simpkins voc.), Josh Jackson (ten.), Bill Doggett (p.), James «Ham» Jackson 13 Five Guys Named Moe (Jerry Bresler, Larry Wynn) 2:56 (cb.), Eddie Byrd (batt.). (chit.), Billy Hadnott (cb.), Christopher Columbus (batt.). 21 It’s A Low-Down Dirty Shame (Ollie Shepard) 2:46 Chicago, 21 luglio 1942 16 Ain’t That Just Like A Woman (Claude Demetrius, 17 Fat Sam From Birmingham (Robert E. Dade, Eddie Roane (tr., voc.), Louis Jordan (alto, ten. voc.), Arnold Thomas Fleecy Moore) 2:50 George Williams) 2:58 (p.), Dallas Bartley (cb.), Walter Martin (batt.). 25 Beware (Dick Adams, Morry Lasco, Fleecy Moore) 2.49 New York, 5 giugno 1951 26 Choo Choo Ch’Boogie (Denver Darling, Milt Gabler, Aaron Izenhall, Emmett Perry, Bob Mitchell (tr.), Leon Comegys, Bob 01 Deacon Jones (Hy Heath, Johnny Lange, Richard Loring) 2:55 Vaughn Horton) 2:42 Burgess (trne), Louis Jordan (alto, voc.), Oliver Nelson (alto), Josh 03 Is You Is Or Is You Ain’t My Baby? (Bill Austin, New York, 23 gennaio 1946 Jackson, Reuben Phillips (ten.), Marty Flax (bar.), Jimmy Peterson Louis Jordan) 2:45 Aaron Izenhall (tr.), Louis Jordan (alto, voc.), Josh Jackson (ten.), (p.), Bill Jennings (chit.), Wild Bill Davis (org.), Bob Bushnell (cb.), Los Angeles, 4 ottobre 1943 Wild Bill Davis (p., arr.), Carl Hogan (chit.), Jesse «Po» Simpkins Christopher Columbus (batt.).
    [Show full text]
  • Louis Jordan & the Tympany Five
    Louis Jordan & The Tympany Five Good Times mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz / Funk / Soul Album: Good Times Country: UK Released: 1980 Style: Rhythm & Blues, Swing MP3 version RAR size: 1191 mb FLAC version RAR size: 1702 mb WMA version RAR size: 1885 mb Rating: 4.5 Votes: 648 Other Formats: MP2 VOX MMF MOD AU DMF AHX Tracklist Hide Credits A1 Fat Like That 3:55 Sometimes I'm Happy A2 2:43 Vocals – Peggy Thomas A3 If You Can't Smile And Say Yes, Please Don't Cry And Say No 3:48 A4 Five Guys Named Moe 3:10 A5 Let Your Hair Down 2:57 A6 Jumping At The Jubilee 2:09 B1 Texas And The Pacific (The T.P. Special) 3:05 B2 That's Why We Can't Agree 2:47 B3 Indiana 2:37 B4 Let The Good Times Roll 2:44 B5 Baby, That's Alright For You (Married Woman Blues) 2:45 B6 The Drippy Drippers 4:20 Credits Producer – Christopher A. Pirie Notes "This album is number . in a limited edition of 3,000 copies and is already a collector's item." Other versions Category Artist Title (Format) Label Category Country Year BSTCD 9103 Louis Jordan Good Times (CD, Album) Best BSTCD 9103 Unknown Related Music albums to Good Times by Louis Jordan & The Tympany Five Louis Jordan And His Tympany Five - 1941-1943 Louis Jordan And His Tympany Five - Junco Partner/Azure-Te Louis Jordan - Remember... Louis Jordan Louis Jordan And His Tympany Five - Greatest Hits Louis Jordan And His Tympany Five - G.I.
    [Show full text]
  • Soundies Research
    Soundies Disc 1 Golden Oldies Opening & © notice Listed in the order they appear on the disc: Del Casino Surrender 1946 Three Suns with Artie Dunn Beyond the Blue Horizon 1944 Emil Coleman with June Barton Gotta Be This or That 1945 Six Hits and a Miss Sweet Sue, Just You 1941 Harry Cool Stardust 1945 Yvonne De Carlo with Spike Jones band Lamp of Memory 1942 Ray Bloch with Carolyn Marsh I Can’t Give You Anything But Love Baby 1941 Seven Sarongs Heaven Help a Sailor 1941 Zarek and Zarina Male Order 1941 3 Car Hops At Your Service 1941 Juvenile Jubilee with Merle Pitt I Don’t Want to Walk W/out You 1942 Thelma White Hollywood Boogie 1946 Andy Iona Orchestra Tropical Swingaroo 1941 Johnny Long and Orchestra Maria Elena 1943 Varios and Vida (dancers) Begin the Beguine 1943 Larry Clinton Semper Fidelis 1943 Johnny Long In a Shanty In Old Shanty Town 1943 Billy MacDonald & His Highlanders Playmates 1944 Jimmy Dorsey Bar Babble 1943 Jimmy Dorsey with Helen O’Connell Man That’s Groovy 1943 Jimmy Dorsey La Rosita 1943 Gene Krupa with Anita O’Day Let Me Off Uptown 1942 Gene Krupa with Anita O’Day Thanks for the Boogie Ride 1942 Al Donahue with Ellen Connor Java Jive 1943 Al Donahue with Phil Brito Lonesome Road 1943 Victor Young Hold That Tiger 1940 Al Donahue Anvil Chorus 1943 Al Donahue with Ellen Connor Jumpin’ at the Juke Box 1943 Will Bradley Boardwalk Boogie 1941 Will Bradley Barnyard Bounce 1941 Johnny Long Boogie Man 1943 Charlie Spivak Hop, Skip and Jump 1942 Johnny Long It Must Be Jelly 1946 Nat King Cole Frim Fram Sauce 1945 Nat King Cole Calypso Girl (?) Mills Brothers Cielito Lindo 1944 Cab Calloway Minnie the Moocher 1942 Soundies Disc 2 All of these are Soundies except the Artie Shaw number from Second Chorus.
    [Show full text]