Louis Jordan & the Tympany Five

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Louis Jordan & The Tympany Five Good Times mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz / Funk / Soul Album: Good Times Country: UK Released: 1980 Style: Rhythm & Blues, Swing MP3 version RAR size: 1191 mb FLAC version RAR size: 1702 mb WMA version RAR size: 1885 mb Rating: 4.5 Votes: 648 Other Formats: MP2 VOX MMF MOD AU DMF AHX Tracklist Hide Credits A1 Fat Like That 3:55 Sometimes I'm Happy A2 2:43 Vocals – Peggy Thomas A3 If You Can't Smile And Say Yes, Please Don't Cry And Say No 3:48 A4 Five Guys Named Moe 3:10 A5 Let Your Hair Down 2:57 A6 Jumping At The Jubilee 2:09 B1 Texas And The Pacific (The T.P. Special) 3:05 B2 That's Why We Can't Agree 2:47 B3 Indiana 2:37 B4 Let The Good Times Roll 2:44 B5 Baby, That's Alright For You (Married Woman Blues) 2:45 B6 The Drippy Drippers 4:20 Credits Producer – Christopher A. Pirie Notes "This album is number . in a limited edition of 3,000 copies and is already a collector's item." Other versions Category Artist Title (Format) Label Category Country Year BSTCD 9103 Louis Jordan Good Times (CD, Album) Best BSTCD 9103 Unknown Related Music albums to Good Times by Louis Jordan & The Tympany Five Louis Jordan And His Tympany Five - 1941-1943 Louis Jordan And His Tympany Five - Junco Partner/Azure-Te Louis Jordan - Remember... Louis Jordan Louis Jordan And His Tympany Five - Greatest Hits Louis Jordan And His Tympany Five - G.I. Jive 1940-47 Delbert McClinton - Let The Good Times Roll Louis Jordan - One Guy Named Louis: The Complete Aladdin Sessions Louis Jordan & His Tympany Five - Prime Cuts.

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Five Guys Named Moe Sassy Tributesassy to Louis Jordan,Singer, Songwriter, Bandleader and Rhythm and Blues Pioneer
AUDIENCE GUIDE 2018 - 2019 | Our 59th Season | Issue 3 Issue | Season 59th Our 2019 | A musical by Clarke Peters Featuring Louis Jordan’s greatest hits Five Guys Named Moe is a jazzy, Ch’ Boogie, Let the Good Times Roll sassy tribute to Louis Jordan, singer, and Is You Is or Is You Ain’t My Baby?. songwriter, bandleader and rhythm and “Audiences love Five Guys because Season Sponsors blues pioneer. Jordan was in his Jordan’s music is joyful and human, heyday in the 1940s and 50s and his and takes you on an emotional new slant on jazz paved the way for rollercoaster from laughter to rock and roll. heartbreak,” said Skylight Stage Five Guys Named Moe was originally Director Malkia Stampley. produced in London's West End, “Five Guys is, of course, all about guys. winning the Laurence Olivier Award for But it is also a true ensemble piece and Best Entertainment; when it moved to the Skylight is proud to support our Broadway in 1992, it was nominated for talented performers with a strong two Tony Awards. creative team of women rocking the The party begins when we meet our show from behind the scenes.” Research/Writing by hero Nomax. He's broke, his girlfriend, Justine Leonard for ENLIGHTEN, The Los Angeles Times called Five Skylight Music Theatre’s Lorraine, has left him and he is Guys Named Moe “A big party with… Education Program listening to the radio at five o'clock in enough high spirits to send a small Edited by Ray Jivoff the morning, drinking away his sorrows.
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Louis Jordan Let the Good Times Roll
08 Somebody Done Changed The Lock On My Door 23 Don’t Worry ‘Bout That Mule (Wild Bill Davis, 02 Saturday Night Fish Fry (Louis Jordan, Ellis Walsh) 5:24 LOUIS JORDAN (Casey Bill Weldon) 3:13 Duke Groaner, Fleecy Moore, Charlie Stewart) 2:06 09 Hungry Man (Bobby Troup) 3:05 11 What’s The Use Of Gettin’ Sober (Busby Meyers) 2:46 New York, 18 luglio 1945 New York, 9 agosto 1949 LET THE GOOD TIMES ROLL 12 I’m Gonna Leave You On The Outskirts Of Town Aaron Izenhall (tr.), Louis Jordan (alto, voc.), Josh Jackson (ten.), Aaron Izenhall, Bob Mitchell, Harold Mitchell (tr.), Louis Jordan (alto, (Louis Jordan) 2:53 Wild Bill Davis (p., arr.), Carl Hogan (chit.), Jesse «Po» Simpkins voc.), Josh Jackson (ten.), Bill Doggett (p.), James «Ham» Jackson 13 Five Guys Named Moe (Jerry Bresler, Larry Wynn) 2:56 (cb.), Eddie Byrd (batt.). (chit.), Billy Hadnott (cb.), Christopher Columbus (batt.). 21 It’s A Low-Down Dirty Shame (Ollie Shepard) 2:46 Chicago, 21 luglio 1942 16 Ain’t That Just Like A Woman (Claude Demetrius, 17 Fat Sam From Birmingham (Robert E. Dade, Eddie Roane (tr., voc.), Louis Jordan (alto, ten. voc.), Arnold Thomas Fleecy Moore) 2:50 George Williams) 2:58 (p.), Dallas Bartley (cb.), Walter Martin (batt.). 25 Beware (Dick Adams, Morry Lasco, Fleecy Moore) 2.49 New York, 5 giugno 1951 26 Choo Choo Ch’Boogie (Denver Darling, Milt Gabler, Aaron Izenhall, Emmett Perry, Bob Mitchell (tr.), Leon Comegys, Bob 01 Deacon Jones (Hy Heath, Johnny Lange, Richard Loring) 2:55 Vaughn Horton) 2:42 Burgess (trne), Louis Jordan (alto, voc.), Oliver Nelson (alto), Josh 03 Is You Is Or Is You Ain’t My Baby? (Bill Austin, New York, 23 gennaio 1946 Jackson, Reuben Phillips (ten.), Marty Flax (bar.), Jimmy Peterson Louis Jordan) 2:45 Aaron Izenhall (tr.), Louis Jordan (alto, voc.), Josh Jackson (ten.), (p.), Bill Jennings (chit.), Wild Bill Davis (org.), Bob Bushnell (cb.), Los Angeles, 4 ottobre 1943 Wild Bill Davis (p., arr.), Carl Hogan (chit.), Jesse «Po» Simpkins Christopher Columbus (batt.).
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Storyville Films 60003
Part 2 of a survey: Content of all Storyville Films DVD series Storyville Films 60003. “Harlem Roots, Vol. 1” - The Big Bands. Duke Ellington Orch. I Got It Bad And That Ain’t Good (2:54)/Bli Blip (2:50)/Flamingo (3:01)/Hot Chocolate (Cottontail) (3:06)/Jam Session (C Jam Blues) (2:50). Cab Calloway Orch.: Foo A Little Ballyhoo (2:48)/Walkin’ With My Honey (2:35)/Blow Top Blues (2:36)/I Was There When You Left Me (2:43)/We The Cats Shall Hep Ya (2:36)/Blues In The Night (3:12)/The Skunk Song (2:59)/Minnie The Moocher (3:01)/Virginia, Georgia And Caroline (2:57). Count Basie Orch.: Take Me Back Baby (2:39)/Air Mail Special (2:51). Lucky Millinder Orch.: Hello Bill (2:56)/I Want A Big Fat Mama (3:01)/Four Or Five Times (2:33)/Shout Sister, Shout 2:40). All are Soundies. DVD produced in 2004. TT: 0.57. Storyville Films 60013. “Harlem Roots, Vol. 2” - The Headliners. Fats Waller Rhythm: Honeysuckle Rose (2:52)/Your Feet’s Too Big /Ain’t Misbehavin’ (2:59)/The Joint Is Jumpin’ (2:46). Louis Armstrong Orch.: When It’s Sleepy Time Down South (3:07)/Shine (2:52)/I’ll Be Glad When You’re Dead You Rascal You (2:45)/Swinging On Nothing (2:53). Louis Jordan Tympany Five: Five Guys Named Mo (2:44)/Honey Chile (2:41)/GI Jive (2:36)/If You Can‘t Smile And Say Yes (2:45)/Fuzzy Wuzzy (2:49)/Tillie (2:26)/Caldonia (2:50)/Buzz Me (2:48)/Down, Down, Down (3:01)/Jumpin’ At The Jubilee (2:34).
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Caldonia”—Louis Jordan (1945) Added to the National Registry: 2013 Essay by Stephen Koch (Guest Post)*
“Caldonia”—Louis Jordan (1945) Added to the National Registry: 2013 Essay by Stephen Koch (guest post)* Louis Jordan Original label “Caldonia” film poster, 1945 “Caldonia” (originally titled “Caldonia Boogie”) became one of Louis Jordan and his Tympany Five’s most enduring hits. The song, with its lyrical catchphrase “Caldon-YAH! Caldon-YAH! What makes your big head so hard!?” set America on its ear and spawned endless cover versions, two of which competed directly with Jordan’s version in 1945. The song had been in Jordan’s repertoire since at least the summer of 1944, when he recorded it for use on a December airing of “Jubilee!,” an Armed Forces Radio Service show for African- American servicemen. In January, 1945 he recorded it for Decca, but the label first released a pairing of Jordan’s “Mop! Mop!” and “You Can’t Get That No More” that became a major hit that winter, and perhaps delayed the release of “Caldonia.” In February, Jordan filmed a performance of it for a short film of the same name, which hit theaters in March. In late Feburary, white bandleader Woody Herman recorded a modern jazz-tinged arrangement by Ralph Burns, who’d heard Jordan perform it live. Herman’s version hit the stores at about the time that African-American bandleader Erskine Hawkins recorded a version for RCA-Victor at the end of March. Decca, perhaps feeling the pressure, released Jordan’s definitive small group version at almost the same time that Hawkins’ disc came out in mid-April. Surprisingly, all three versions of the tunes were hits.
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'Vintage Black Cinema' Movie Poster Stamps
FOR IMMEDIATE RELEASE Media Contacts: Darlene Reid-Demeo July 15, 2008 (O) 732-819-4370 (C) 732-319-9779 [email protected] Mark Saunders (O) 202-268-6524 (C) 202-320-0782 [email protected] usps.com/news Release No. 08-074 ‘Vintage Black Cinema’ Movie Poster Stamps Highlight African- American Cultural Experience Stamps Depict Posters From the 1920s Through 1950s WASHINGTON, DC — Vintage movie posters highlighting various facets of the African-American cultural experience as represented in early film return on postage when the U.S. Postal Service issues the Vintage Black Cinema stamps. The 42-cent commemorative First-Class stamps will be dedicated July 16 at the Newark, NJ, Museum during the Black Film Festival and will go on sale nationwide that day. Explained U.S. Postal Service Vice President and Consumer Advocate Delores Killette: “Whether spotlighting the talents of entertainment icons Josephine Baker, Duke Ellington, Paul Laurence Dunbar, Fredi Washington, Louis Jordan, Daniel L. Haynes, Victoria Spivey or King Vidor, or documenting changing social attitudes and expectations—these posters now serve a greater purpose than publicity and promotion. They are invaluable pieces of history, preserving memories of cultural phenomena that otherwise might have been forgotten.” Scheduled to join Killette at the 10 a.m. dedication ceremony Wednesday are Emmy-Award winning Actress Lynn Whitfield who played the leading role in The Josephine Baker Story; Josephine Baker’s son Jean-Claude Baker and his brother, Jarry; Louis Jordan’s widow, Martha Jordan; Paul Ellington, grandson of Duke Ellington; Newark Mayor Cory A. Booker, and Gloria Hopkins Buck, chairwoman of the film festival.
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Louis Jordan Let the Good Times Roll (The Anthology 1938 - 1953) Mp3, Flac, Wma
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Five Guys Names Moe Song List
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Wilson Pickett, New York City, 1981; Swamp Dogg; Aretha Franklin, New York City, 1982; Fred Wesley, 2011; Dr
HYTHM AND LUES From left top and clockwise: Wilson Pickett, New York City, 1981; Swamp Dogg; Aretha Franklin, New York City, 1982; Fred Wesley, 2011; Dr. Mable John. Photos: © Fredrich Cantor; Courtesy of Swamp Dogg; © Fredrich Cantor; Mark Puryear, Smithsonian Institution; Courtesy of Stax Museum of American Soul Music Right side: The Dixie Cups® began performing rhythm and blues music in 1963; the group now includes original members Barbara A. Hawkins (right) and Rosa L. Hawkins (left), joined by Athelgra Neville. Photo by Richard Strauss, Smithsonian Institution Rhythm and Blues 53 Tell It Like It Is by Mark Puryear In 1964 The Dixie Cups®, a female vocal trio from New Orleans, crooned out a cheerful version of “Chapel of Love” and knocked the Beatles from their number one spot on the pop charts. A year later, the trio released “Iko Iko,” a song first released in 1954 by James “Sugar Boy” Crawford as “Jock-A-Mo,” whose lyrics recount the meeting of two groups of Mardi Gras Indians. Since then, this song has been cov- ered by artists from the Grateful Dead to Cyndi Lauper, and continues to move new generations with its infectious New Orleans rhythms. The career of The Dixie Cups, and their direct and indirect roles in carrying rhythm and blues (R&B) into mainstream consciousness, speaks to the enduring pow- er of this music to transcend region and musical category and become a representative sound of the country. Musical Crossroads by Dwandalyn Reece The National Museum of African American History of musical genres, highlighting musical innovations, and Culture (NMAAHC) was established by an act of significant time periods and events along with Congress in 2003 making it the nineteenth museum historic performances to capture the music’s impact of the Smithsonian Institution.
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Roots and Branches Handout SESSIONS Revnov20
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Griffith Family
Griffith Family Finding Aid to the Griffith Family Papers, 1907-1950, Anacostia Community Museum Archives by Kim L. Dixon January 2010 Contact Information Anacostia Community Museum Archives Smithsonian Institution 1901 Fort Place, SE Washington. D.C. 20020 202.633.4853 (phone) 202.287.2422 (fax) www.ACMarchives.si.edu Table of Contents Collection Overview .............................................................................................. 1 Administrative Information .................................................................................... 1 Biographical Note .................................................................................................. 2 Scope and Content Note ....................................................................................... 2 Subjects ................................................................................................................ 2 Series Description/Container List .......................................................................... 3 Series I: Biographical Files 1907—1950 (0.50 linear ft.) ................................... 3 Sub series 1.1: Correspondence ................................................................... 3 Sub series 1.2: Financial Records ................................................................. 4 Sub series 1.3: General ................................................................................. 4 Sub series 1.4: Miscellaneous ....................................................................... 4 Series II: Music
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