Paula Kelly, 'Night Court' and 'Sweet Charity' Star, Dies at 77

Total Page:16

File Type:pdf, Size:1020Kb

Paula Kelly, 'Night Court' and 'Sweet Charity' Star, Dies at 77 2/21/2020 Paula Kelly, ‘Night Court’ and 'Sweet Charity' star, dead at 77 ENTERTAINMENT Paula Kelly, ‘Night Court’ and ‘Sweet Charity’ star, dies at 77 By Greg Evans, Deadline February 12, 2020 | 11:09am | Updated Paula Kelly performs on the "This Is Tom Jones" TV show circa 1970 in Los Angeles, Calif. Getty Images Paula Kelly, an actress who earned Emmy nominations for roles on NBC’s 1980s sitcom “Night Court” and ORIGINALLY PUBLISHED BY: the 1989 ABC miniseries “The Women of Brewster Place,” died Feb. 8 in Whittier, Calif., from chronic obstructive pulmonary disease. She was 77. Marsha Kramer Dies: ‘Modern Her death was announced by her family and Los Angeles’ Ebony Repertory Theatre. Family’ Actress Was 74 Kelly, who was also a dancer, choreographer and singer, had her breakthrough role of Helene in Bob Fosse’s Cathy Crawford LaLonde 1969 ¼lm “Sweet Charity,” sharing the screen with star Shirley MacLaine and Chita Rivera in such musical Dies: Daughter Of Joan numbers as “There’s Gotta Be Something Better Than This” and the showstopper “Hey, Big Spender.” She’d Crawford Was 72 already played the role in a West End stage production. John Witherspoon Dies: Other ¼lm credits include “The Andromeda Strain” (1971), “Uptown Saturday Night” (1974) and “Once Upon a ‘Friday’ & ‘Wayans Bros.’ Star Time When We Were Colored” (1995). https://nypost.com/2020/02/12/paula-kelly-night-court-and-sweet-charity-star-dead-77/ 1/3 2/21/2020 Paula Kelly, ‘Night Court’ and 'Sweet Charity' star, dead at 77 Was 77 Paula Kelly, Shirley MacLaine and Chita Rivera in 1969’s “Sweet Charity.” Getty Images Kelly appeared in numerous TV series from the 1970s through the ’90s, including “Sanford & Son,” “Medical Center,” “The Streets of San Francisco,” “Police Woman” and “The Richard Pryor Show.” In one memorable performance, she played an arrogant doctor called upon to treat the young Janet Jackson’s character in a 1979 episode of CBS’ “Good Times.” In 1984, she earned an Emmy nomination for Outstanding Supporting Actress in a Comedy Series for her performance as “Night Court‘s” public defender Liz Williams. Her second supporting actress Emmy nomination came in 1989, when she played the lesbian Theresa in the two-night miniseries “The Women of Brewster Place,” produced by Oprah Winfrey’s Harpo Productions. Other television credits include a mid-’80s run on daytime’s “Santa Barbara” and co-choreographing, with Michael Kidd, the BBC’s 1976 presentation of “Peter Pan.” On stage, Kelly appeared in “Don’t Bother Me, I Can’t Cope” at the Mark Taper Forum (for which she won a Los Angeles Drama Critics Circle best supporting actress award), the West Coast premiere of “Sophisticated Ladies” opposite Gregory Hines at the Shubert Theatre and “Stevie Wants to Play the Blues” directed by Simon Callow at L.A.T.C. Comedian Richard Pryor and actress Paula Kelly in a scene from the movie "Jo Jo Dancer, Your Life Is Calling" which was released on May 2, 1986. (Photo by Michael Ochs Archives/Getty Images) Comedian Richard Pryor and actress Paula Kelly in a scene from the 1986 movie “Jo Jo Dancer, Your Life Is Calling” Getty Images Kelly came out of retirement in 2009 to join the cast of Ebony Repertory Theatre’s production of “Crowns” by Regina Taylor at LA’s Nate Holden Performing Arts Center; the production later moved to Pasadena Playhouse. “Her unassuming leadership was marked by compassion, elegance and grace,” said Ebony Repertory Theatre producing artistic director Wren T. Brown. “She was a rare and gifted artist, whom we will cherish forever.” Kelly’s dance credits include solos for Martha Graham, Donald MacKayle and Alvin Ailey. Raised in New York City’s Harlem neighborhood, Kelly attended the Fiorello H. LaGuardia High School of Music & Art before graduating from the Juilliard School of Music, where she studied under Graham. https://nypost.com/2020/02/12/paula-kelly-night-court-and-sweet-charity-star-dead-77/ 2/3 2/21/2020 Paula Kelly, ‘Night Court’ and 'Sweet Charity' star, dead at 77 Kelly is survived by her aunt Pearl Mackey of Jacksonville, Florida; her longtime companion, George Parkington; her niece Dina McCarthy and nephew Lehman Brockett. A celebration of Kelly’s life will be held in Los Angeles at the Nate Holden Performing Arts Center. Details will be announced at a later date. FILED UNDER EMMY AWARDS, EMMYS, OBITS SPONSORED STORIES How To Properly Empty Your Bowels Every Before you renew Amazon Prime, read this The Cost to Rent a Private Jet Might Morning - Top Surgeon Explains How Sponsored: Wikibuy Surprise You Sponsored: gutcleanseprotocol.com Sponsored: Private Jets | Sponsored Listings New York Post New York Post New York Post Billie Eilish cries, confesses she feels ‘very ‘FBI’ star Jeremy Sisto loves kick scooting Disney World’s Cinderella Castle is getting a hated’ at BRIT Awards around the city major facelift https://nypost.com/2020/02/12/paula-kelly-night-court-and-sweet-charity-star-dead-77/ 3/3.
Recommended publications
  • A Critical Analysis of the Black President in Film and Television
    “WELL, IT IS BECAUSE HE’S BLACK”: A CRITICAL ANALYSIS OF THE BLACK PRESIDENT IN FILM AND TELEVISION Phillip Lamarr Cunningham A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY August 2011 Committee: Dr. Angela M. Nelson, Advisor Dr. Ashutosh Sohoni Graduate Faculty Representative Dr. Michael Butterworth Dr. Susana Peña Dr. Maisha Wester © 2011 Phillip Lamarr Cunningham All Rights Reserved iii ABSTRACT Angela Nelson, Ph.D., Advisor With the election of the United States’ first black president Barack Obama, scholars have begun to examine the myriad of ways Obama has been represented in popular culture. However, before Obama’s election, a black American president had already appeared in popular culture, especially in comedic and sci-fi/disaster films and television series. Thus far, scholars have tread lightly on fictional black presidents in popular culture; however, those who have tend to suggest that these presidents—and the apparent unimportance of their race in these films—are evidence of the post-racial nature of these texts. However, this dissertation argues the contrary. This study’s contention is that, though the black president appears in films and televisions series in which his presidency is presented as evidence of a post-racial America, he actually fails to transcend race. Instead, these black cinematic presidents reaffirm race’s primacy in American culture through consistent portrayals and continued involvement in comedies and disasters. In order to support these assertions, this study first constructs a critical history of the fears of a black presidency, tracing those fears from this nation’s formative years to the present.
    [Show full text]
  • George Bush Library - Staff and Office Files) NLGB Control # White House Office White House Staff Member Document Type Subject Pages Restriction(S)
    P-2/P-5 Document Report (George Bush Library - Staff and Office Files) NLGB Control # White House Office White House Staff Member Document Type Subject Pages Restriction(s) 2815 Cabinet Affairs, Office of Adair, Doug Letter Ash Hayes, Executive Director of The President's 1 P-5 Council on Physical Fitness and Sports, to Sharon re: relocation of President's Council on Physical Fitness and Sports 2822 Cabinet Affairs, Office of Casse, Daniel Memo From Ede Holiday to Secretary Kemp 1 P-2 RE: Salary Increase Request 2823 Cabinet Affairs, Office of Casse, Daniel List Recommendations for National Medal of the Arts 1 P-2, P-5 2828 Cabinet Affairs, Office of Casse, Daniel Letter From Stuart M. Gerson (DOJ) to John E. Frohnmayer 3 P-5 RE: Karen Finley et al. v. National Endowment for the Arts 2830 Cabinet Affairs, Office of Casse, Daniel Letter From Stuart M. Gerson (DOJ) to John E. Frohnmayer 4 P-5 RE: Karen Finley et al. v. National Endowment for the Arts 2832 Cabinet Affairs, Office of Casse, Daniel Letter From Stuart M. Gerson (DOJ) to John E. Frohnmayer 4 P-5 RE: Karen Finley et al. v. National Endowment for the Arts Page 1 of 266 P-2/P-5 Document Report (George Bush Library - Staff and Office Files) NLGB Control # White House Office White House Staff Member Document Type Subject Pages Restriction(s) 2834 Cabinet Affairs, Office of Casse, Daniel Letter From Stuart M. Gerson (DOJ) to John E. Frohnmayer 3 P-5 RE: Karen Finley et al. v. National Endowment for the Arts 2836 Cabinet Affairs, Office of Casse, Daniel Draft Memo with From Amy Sabrin to the NEA Chairman 8 P-5 Attachment RE: Movement Research Journal #3 2837 Cabinet Affairs, Office of Casse, Daniel Letter From Leslie H.
    [Show full text]
  • Downloaded More Than 212,000 Times Since the Ipad's April 3Rd Launch,” the Futon Critic, 14 Apr
    Distribution Agreement In presenting this thesis or dissertation as a partial fulfillment of the requirements for an advanced degree from Emory University, I hereby grant to Emory University and its agents the non-exclusive license to archive, make accessible, and display my thesis or dissertation in whole or in part in all forms of media, now or hereafter known, including display on the world wide web. I understand that I may select some access restrictions as part of the online submission of this thesis or dissertation. I retain all ownership rights to the copyright of the thesis or dissertation. I also retain the right to use in future works (such as articles or books) all or part of this thesis or dissertation. Signature _____________________________ ______________ Nicholas Bestor Date TV to Talk About: The CW and Post-Network Television By Nicholas Bestor Master of Arts Film Studies Michele Schreiber, Ph.D. Advisor Eddy Von Mueller, Ph.D. Committee Member Karla Oeler, Ph.D. Committee Member Accepted: Lisa A. Tedesco, Ph.D. Dean of the James T. Laney School of Graduate Studies ___________________ Date TV to Talk About: The CW and Post-Network Television By Nicholas Bestor B.A., Middlebury College, 2005 Advisor: Michele Schreiber, Ph.D. An abstract of A thesis submitted to the Faculty of the James T. Laney School of Graduate Studies of Emory University in partial fulfillment of the requirements for the degree of Master of Arts in Film Studies 2012 Abstract TV to Talk About: The CW and Post-Network Television By Nicholas Bestor The CW is the smallest of the American broadcast networks, but it has made the most of its marginal position by committing itself wholly to servicing a niche demographic.
    [Show full text]
  • Beyond Ideals: Proslavery Reforms on a Nineteenth-Century Cotton Plantation Kevin R
    University of South Carolina Scholar Commons Theses and Dissertations 12-14-2015 Beyond Ideals: Proslavery Reforms on a Nineteenth-Century Cotton Plantation Kevin R. Fogle University of South Carolina - Columbia Follow this and additional works at: https://scholarcommons.sc.edu/etd Part of the Anthropology Commons Recommended Citation Fogle, K. R.(2015). Beyond Ideals: Proslavery Reforms on a Nineteenth-Century Cotton Plantation. (Doctoral dissertation). Retrieved from https://scholarcommons.sc.edu/etd/3293 This Open Access Dissertation is brought to you by Scholar Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. BEYOND IDEALS: PROSLAVERY REFORMS ON A NINETEENTH-CENTURY COTTON PLANTATION by Kevin R. Fogle Bachelor of Science James Madison University, 2002 Master of Arts University of South Carolina, 2008 Submitted in Partial Fulfillment of the Requirements For the Degree of Doctor of Philosophy in Anthropology College of Arts and Sciences University of South Carolina 2015 Accepted by: Kenneth G. Kelly, Major Professor Charles R. Cobb, Committee Member Kimberly E. Simmons, Committee Member S. Melinda Spencer, Committee Member Lacy Ford, Senior Vice Provost and Dean of Graduate Studies © Copyright by Kevin R. Fogle, 2015 All Rights Reserved. ii ACKNOWLEDGEMENTS Every phase of the Witherspoon Island Project from site survey and excavation to analysis and writing was made possible with the support of my committee, my colleagues, numerous volunteers, my students, my friends, and my loving family. The advice and constant availability of my chair, Ken Kelly, helped make this dissertation a reality.
    [Show full text]
  • A Day in Hollywood, a Night on Broadway Musicals and the Moving
    A Day in Hollywood, A Night on Broadway Musicals and the Moving Image by Erica Gold A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts Moving Image Archiving and Preservation Program Department of Cinema Studies New York University May 2016 2 Table of Contents Acknowledgements......................................................................................................................... 3 Chapter 1: Introduction ............................................................................................................... 4 Chapter 2: A Brief History of Musicals...................................................................................... 7 Chapter 3: From Stage to Screen: Technical Differences ......................................................... 17 Chapter 4: From Broadway to Hollywood: Case Studies......................................................... 26 Chapter 5: From Hollywood to Broadway: Case Studies......................................................... 36 Chapter 6: The Revolving Door: Transitioning from Broadway to Hollywood and Back Again ................................................................................................................................................... 45 Chapter 7: FRBR and Ferber .................................................................................................... 64 Chapter 8: Conclusion............................................................................................................... 80 Glossary
    [Show full text]
  • Belknap Collection for the Performing Arts - the AFRICAN-AMERICAN CINEMA COLLECTION
    AFRICAN-AMERICAN CINEMA CINEMA AFRICAN-AMERICAN CINEMA The history of the African-American Cinema is a harsh timeline of racism, repression and struggle contrasted with film scenes of boundless joy, hope and artistic spirit. Until recently, the study of the "separate cinema" (a phrase used by historians John Kisch and Edward Mapp to describe the segregation of the mainstream, Hollywood film community) was limited, if not totally ignored, by writers and researchers. The uphill battle by black filmmakers and performers, to achieve acceptance and respect, was an ugly blot on the pages of film history. Upon winning his Best Actor Oscar for LILLIES OF THE FIELD (1963), Sidney Poitier accepted, on behalf of the countless unsung African-American artists, by acknowledging the "long journey to this moment." This emotional, heartbreaking and inspiring journey is vividly illustrated by the latest acquisition to the Belknap Collection for the Performing Arts - THE AFRICAN-AMERICAN CINEMA COLLECTION. The valuable research material, housed in this collection, includes over 300 pressbooks (illustrated campaign and advertising catalogs sent to theatre owners), press kits (media packages including biographies, promotional essays and illustrations), programs and over 1000 photographs and slides. The journey begins with the blatant racism of D.W. Griffith's THE BIRTH OF A NATION (1915), a film respected as an epic milestone, but reviled as the blueprint for black film stereotypes that would appear throughout the 20th century. Researchers will follow African-American films through an extended period of stereotypical casting (SONG OF THE SOUTH, 1946) and will be dazzled by the glorious "All-Negro" musicals such as STORMY WEATHER (1943), ST.LOUIS BLUES (1958) and PORGY AND BESS (1959).
    [Show full text]
  • Kike a Look 6.9% Soviets Shift Fighter
    M - MANCHESTER HERALD. Friday. June 13. 1986 U.S./W ORLD SPORTS CLASSIFiED ADVERTISING 643-2711 Reagan to NASA: Cheney Is ousted Woman detective Implement report KIT‘tr CARLYLE ®by Larry Wright In semifinal game APARTMENTS details her beat FOR RENT FURNITURE ... p age 8 ... page 13 ... magazine inside Manchester-Two bed­ BUSINESS & SERVICE DIREHORY m ve 'ioM've room. heat, hot water and MW06 appliances. $490. Referen­ ces, lease and security. King - Sized bed. Firm PAINTING/ iiM eio6ipF«R No Pets. 647-9876, mattress. Two twin box |PP| PAPERING evenings. springs. Frome. Excellent I CHILD CARE condition. Will be sold Bolton-Mature person tor with 2 complete sets of Name your own price — Odd lobs.lobt. Trucking. o very nice 4 room apart­ sheets, 1 bedspread. All Father and son. Fast, Home repairs. You name ment. 1Vi baths, patio and for $220, or best offer. dependable service. It, we do It. Free esti­ Painting, Paperhanglng brook. Immediate occu­ 643-8082, evenings 8< wee­ Will do babysitting in my mates. Insured. 643-0}04. Double A Fence Co. Ex­ pancy $425 with heat. Call 8i Rem oval. Call 646-5761. kends. Keep trying!. Licensed Manchester pert stockade and roll M r. Lindsey at 647-0200. _ J ^ J] home. (Verplanck School Hawkes Tree Service — fencing, repair or Installa­ Bucket Truck & Chipper. f Dining room table-Solld Area). Call 646-3793. tion. Call Tony Albert. Commercial Painting Stump Removal. Free Es­ iUanrbrfitrr Hm lb Maple, 2 leaves, 4 choirs, 649-9906. Manchester — A City of Village Charm Contractors-Interlor and timates.
    [Show full text]
  • 121920 Majah Hype Press Release
    The Caribbean King of Comedy Majah Hype Featuring D.J. P.L.O at the Florida Theatre on Saturday, December 19, 2020 Tickets Are On Sale Now at FloridaTheatre.com or by Calling the Florida Theatre Box Office at (904) 355-2787. Jacksonville, Fla. (November 9, 2020) – The Florida Theatre is pleased to announce the Caribbean King of Comedy Majah Hype featuring D.J. P.L.O. on Saturday, December 19 at 8:00 p.m. Tickets are on sale now, and range in price from $35.00 to $45.00. This will be a half-capacity event with public health measures in place. Patrons can visit floridatheatre.com/home/breaking-news for the most up to date information on The Florida Theatre’s safety protocols and general updates, Additionally, ticket purchasers will be notified by email of specific safety requirements prior to the event. Passions for building communities and creating strong representations of Caribbean descendants in mainstream culture are what give comedian Majah Hype his secret sauce. Beginning in 2012, the raspy-voiced funnyman known to his adoring fans as “the Caribbean King of Comedy” took social media by storm with his brand of humor he calls “reality comedy:” producing and starring in sketches online featuring impersonations of characters that poke fun at various stereotypes associated with Caribbean, Latin and African-American cultures. As a stand-up comedian, Majah improvises his routines: delivering unscripted punchlines around every day experiences that connect Afro-Caribbean people. Majah was always destined to entertain crowds and bring joy to diverse audiences. Born Nigel Joseph in the Caribbean, Majah grew up the oldest of three children with his mother in Brooklyn, N.Y.
    [Show full text]
  • History of Williamsburg Church, and Is a Most Treasured Volume in Many Public and Private Libra Ries
    HISTORY OF WILLIAMSBURG Something A hout the People oi William sburg County, ^ til Carolina, from the First Settle ment bu Europeans About 1705 until 1923. BY WILLIAM W ILLIS BODDIE COLUMBIA, S . C. THE STATE COMPANY 1923 COPYRIGHT, 1 823. BY WILLIAM WILLIS DODDIE ^£?S I NTRODUCTION Preparing w hat I have called the History of Williams burg has given me great pleasure. It was designed to give statements of fact to one who cares simply for such, as well as to lure the student who wants to learn something of Williamsburg's place in the world. Prac tically everything herein contained is based on ancient documents or official records. mI a very grateful to Mr. A. S. Salley, Jr., Secretary of the Historical Commission of South Carolina, for his sympathetic patience with me while gathering material from his office and for much aid given me; and, likewise, to the authorities in the office of the Secretary of State and the Charleston Library. Miss Mabel L. Webber, Secretary of the South Carolina Historical Society, gave me many helpful suggestions. Judge of Probate W. E. Snowden and Clerk of the Court John D. Britton, of Williamsburg, Judge of Probate Frank M. Bryan, of Charleston, and Judge of Probate Thomas E. Richardson, of Sumter, were always very kind and helpful when I worked in their offices. .Mr. B E. Clarkson allowed me the use of the Confed erate War Diary of his late father, William J. Clarkson; Mr. E. C. Epps furnished me a copy of the Retaliation War Prison Diary of his father, the venerable William Epps; and Mrs.
    [Show full text]
  • Adreon Patterson [email protected] Adreonpatterson.Net 678.681.4069
    Adreon Patterson [email protected] adreonpatterson.net 678.681.4069 Adreon Patterson LLC Atlanta, GA Writer/Designer/Animator Nov. 2010 – present • Blog writing • Logo for Jack and Jill of All Trades (software: Photoshop, Illustrator) • Banner for Clayton Family Reunion (software: Photoshop) • Character and background designs for YouTube series (Black Wolf Entertainment) • Character design for a graphic novel CBR Toronto, ON, CAN Contributor July 2019 – present Medium Atlanta, GA Contributor Jan. 2019 – present • Screenwriting While Black blog series • What about Me?!: Animation and Diversity The Blast Los Angeles, CA Contributor Feb. – April. 2020 • Megan Thee Stallion Speaks on Hip-Hop's Double Standards • A Lesson From 50 Cent: Never Question Your Partner's Cooking During Quarantine • Liam Hemsworth Speaks On 'Rebuilding' After Divorcing Miley Cyrus • 'Fleabag' Takes to the Stage for Charity, Will Be Streamed on Amazon Prime • My Chemical Romance's Gerard Way Releases Four Solo Songs • Elton John Sets Up Relief Fund for HIV Patients During Coronavirus Pandemic • What Leads to Channing Tatum and Jessie J's Latest Break-Up? • Ryan Reynolds Talks About Late Father's Pneumonia Death • Leonardo DiCaprio Launches $12M Coronavirus Relief Food Fund • Tekashi 6ix9ine Gets Early Prison Release Due to Coronavirus • Stephen Colbert Auditioned to Play 'Saved By The Bell's Screech?! • Oprah Winfrey Donates $10M To Help US Families Affected by Coronavirus • 'Criminal Minds' Star Jeff Davis Developing Animated Drama for Fox • Stream These Concert
    [Show full text]
  • White Famous
    “Pilot” Written by Tom Kapinos Directed by Tim Story 1st REV. BLUE PAGES – 9/22/16 (1, 2, 4, 5, 5A, 6, 6A, 31, 33, 33A, 34, 36, 37) PRODUCTION DRAFT – 9/16/16 Copyright © 2016 Lions Gate Television, Inc. and Showtime Pictures Development Company. All rights reserved. No portion of this script may be performed, published, sold or distributed by any means, or quoted or published in any medium, including on any website, without prior written consent. Disposal of this script copy does not alter any of the restrictions set forth above. WHITE FAMOUS “Pilot” PRODUCTION DRAFT CAST LIST FLOYD MOONEY......................................JAY PHAROAH RON BALLS....................................JACOB MING-TRENT MALCOLM......................................UTKARSH AMBUDKAR CHRIS............................................CHRIS POWELL ALISON..........................................EDI PATTERSON JASON GOLD.......................................STEVE ZISSIS TREVOR..........................................LONNIE CHAVIS SADIE.....................................MEGALYN ECHIKUNWOKE WAITER..............................................JOE BURCH JADE.........................................LAUREN MCCARROLL STU BEGGS..................................STEPHEN TOBOLOWSKY JAMIE FOXX.........................................JAMIE FOXX DRIVER.......................................JOHN WITHERSPOON JESS.............................................DEVYN FUSARO WHITE FAMOUS “Pilot” PRODUCTION DRAFT SET LIST INTERIORS COMEDY CLUB BALLS’ PLACE UTK CRAFT SADDLE RANCH FOXX’S
    [Show full text]
  • A Negotiated Reading of Encoding Strategies in the Boondocks Animated Series, 2005-2011 Wesley Tyler French University of Southern Mississippi
    The University of Southern Mississippi The Aquila Digital Community Dissertations Spring 5-2015 Running Contradiction: A Negotiated Reading of Encoding Strategies in the Boondocks Animated Series, 2005-2011 Wesley Tyler French University of Southern Mississippi Follow this and additional works at: https://aquila.usm.edu/dissertations Part of the Film and Media Studies Commons Recommended Citation French, Wesley Tyler, "Running Contradiction: A Negotiated Reading of Encoding Strategies in the Boondocks Animated Series, 2005-2011" (2015). Dissertations. 104. https://aquila.usm.edu/dissertations/104 This Dissertation is brought to you for free and open access by The Aquila Digital Community. It has been accepted for inclusion in Dissertations by an authorized administrator of The Aquila Digital Community. For more information, please contact [email protected]. The University of Southern Mississippi RUNNING CONTRADICTION: A NEGOTIATED READING OF ENCODING STRATEGIES IN THE BOONDOCKS ANIMATED SERIES, 2005-2011 by Wesley Tyler French Abstract of a Dissertation Submitted to the Graduate School of The University of Southern Mississippi in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy May 2015 ABSTRACT RUNNING CONTRADICTION: A NEGOTIATED READING OF ENCODING STRATEGIES IN THE BOONDOCKS ANIMATED SERIES, 2005-2011 by Wesley Tyler French May 2015 This study is comprised of a five-point qualitative critical analysis of denotation strategies employed in the first three seasons of The Boondocks Animated Series, which aired on United States cable television between 2005 and 2011. The five encoding strategies discussed in this study were selectively employed into each episode by the cast and crew of The Boondocks Animated Series.
    [Show full text]