The Cord Weekly (May 30, 1991)
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Hitmakers-1990-08-03
1-1 J ISSUE 649 fi(lG(1ST 3, 1990 55.00 an exclusive interview with L _ FOGELa President/CBS SHOW Industries I': 7d -. ~me co C+J 1M s-.0 1111, .. ^^-. f r 1 1 s rl Ji _ imp ii _U1115'11S The first hit single from the forthcoming album ALWAYS. Produced by L.A. Reid and Babyface for Laface, Inc. Management: Guilin Morey Associates .MCA RECORDS t 7990 MCA R,ords. S CUTTING EDGE LEADERSHIP FOR TODAY'S MUSIC RADIO Mainstream Top40 - Crossover Top40 - Rock - Alternative - Clubs/Imports - Retail ALDEN TO HEAD ELEKTRA PROMOTION Rick Alden has been National Marketing Manager, he was named Vice extremely good to me over the years, and I'm excited promoted to Senior Vice President of Top40 Promotion in November of 1987. about channeling my energies into this expanded President of Promotion Before joining ELEKTRA, Alden held positions at position. I'm working with the greatest staff, and we for ELEKTRA Entertain- ATLANTIC Records and RCA Records. are all looking forward to the future." ment, it was announced "After seeing the extraordinary results Rick has Also announced at ELEKTRA, by Vice President of this week by ELEKTRA achieved with Top40 Promotion, it became Urban Marketing and Promotion Doug Daniel, was Senior Vice Presi- increasingly clear that he was the man to head the appointment of Keir Worthy as National Director dent/General Manager Promotion overall," commented Hunt. "Rick's of Rap Promotion and Marketing. Brad Hunt. Alden was approach combines the analytic and the imaginative - Worthy previously served as Southwest/Midwest i previously Senior Vice he sees the big picture and never loses sight of the (See ALDEN page 40) RICK ALDEN President of Top40 details." Promotion, a post he Alden called his promotion "an honor and a was appointed to earlier this year. -
Led Zeppelin Iii & Iv
Guitar Lead LED ZEPPELIN III & IV Drums Bass (including solos) Guitar Rhythm Guitar 3 Keys Vocals Backup Vocals Percussion/Extra 1 IMMIGRANT SONG (SD) Aidan RJ Dahlia Ben & Isabelle Kelly Acoustic (main part with high Low acoustic 2 FRIENDS (ENC) (CGCGCE) Mack notes) - Giulietta chords - Turner Strings - Ian Eryn Congas - James Synth (riffy chords) - (strummy chords) - (transitions from 3 CELEBRATION DAY (ENC) James Mack Jimmy Turner Slide - Aspen Friends) - ??? Giulietta Eryn SINCE I'VE BEEN LOVING YOU (Both Rhythm guitar 4 schools) Jaden RJ under solo - ??? Organ - ??? Kelly 5 OUT ON THE TILES (SD) Ethan Ben Dahlia Ryan Kelly Acoustic (starts at Electric solo beginning) - Aspen, (starts at 3:30) - Acoustic (starts at 6 GALLOWS POLE (ENC) Jimmy Mack James 1:05) - Turner Mandolin - Ian Eryn Banjo - Giulietta Electric guitar (including solo Acoustic and wahwah Acoustic main - Rhythm - 7 TANGERINE (SD) (First chord is Am) Ethan Aidan parts) - Isabelle Ben Dahlia Kelly Ryan g Electric slide - Acoustic - Aspen, Mandolin - 8 THAT'S THE WAY (ENC) (DGDGBD) RJ Turner Acoustic #2 - Ian Jimmy Giulietta Eryn Tambo - James Claps - Jaden, Acoustic - Shaker -Ethan, 9 BRON-YR-AUR STOMP (SD) (CFCFAC) Aidan Jaden Dahlia Acoustic - Ben Ryan Kelly Castanets - Kelly HATS OF TO YOU (ROY) HARPER Acoustic slide - 10 (CGCEGC) ??? 11 BLACK DOG (ENC) Jimmy Mack Giulietta James Aspen Eryn Giulietta Piano (starts after solo) - 12 ROCK AND ROLL (SD) Ethan Aidan Dahlia Isabelle Rebecca Ryan Tambo - Aidan Acoustic - Mandolin - The Sandy Jimmy, Acoustic Giulietta, Mandolin -
A Tribute to Led Zeppelin from Hell's Kitchen Liner Notes
Led Blimpie: A Tribute to Led Zeppelin from Hell’s Kitchen Liner Notes Originally begun as a 3 song demo, this project evolved into a full-on research project to discover the recording styles used to capture Zeppelin's original tracks. Sifting through over 3 decades of interviews, finding the gems where Page revealed his approach, the band enrolled in “Zeppelin University” and received their doctorate in “Jimmy Page's Recording Techniques”. The result is their thesis, an album entitled: A Tribute to Led Zeppelin from Hell's Kitchen. The physical CD and digipack are adorned with original Led Blimpie artwork that parodies the iconic Zeppelin imagery. "This was one of the most challenging projects I've ever had as a producer/engineer...think of it; to create an accurate reproduction of Jimmy Page's late 60's/early 70's analog productions using modern recording gear in my small project studio. Hats off to the boys in the band and to everyone involved.. Enjoy!" -Freddie Katz Co-Producer/Engineer Following is a track-by-track telling of how it all came together by Co-Producer and Led Blimpie guitarist, Thor Fields. Black Dog -originally from Led Zeppelin IV The guitar tone on this particular track has a very distinct sound. The left guitar was played live with the band through a Marshall JCM 800 half stack with 4X12's, while the right and middle (overdubbed) guitars went straight into the mic channel of the mixing board and then into two compressors in series. For the Leslie sounds on the solo, we used the Neo Instruments “Ventilator" in stereo (outputting to two amps). -
David Menconi
David Menconi “But tonight, we’re experiencing something much more demented. Something much more American. And something much more crazy. I put it to you, Bob: Goddammit, what’s goin’ on?” —Dexter Romweber, “2 Headed Cow” (1986) (Or as William Carlos Williams put it 63 years earlier: “The Pure Products of America/Go crazy.”) To the larger world outside the Southeastern college towns of Chapel Hill and Athens, Flat Duo Jets’ biggest brush up against the mainstream came with the self-titled first album comprising the heart of this collection. That was 1990’s “Flat Duo Jets,” a gonzo blast of interstellar rockabilly firepower that turned Jack White, X’s Exene Cervenka and oth- er latterday American underground-rock stars into fans and acolytes. In its wake, the Jets toured America with The Cramps and played “Late Night with David Letterman,” astounding audiences with rock ’n’ roll as pure and uncut as anybody was making in the days B.N. (Before Nirvana). But that kind of passionate devotion was nothing new for the Jets. For years, they’d been turning heads and blowing minds in their Chapel Hill home- town as a veritable rite of passage for music-scene denizens of a certain age. Just about everyone in town from that era has a story about happening across the Jets in their mid-’80s salad days, often performing in some terri- bly unlikely place – record store, coffeeshop, hallway, even the middle of the street – channeling some far-off mojo that seemed to open portals to the past and future at the same time. -
2019 Wdve Memorial Day 500
2019 WDVE MEMORIAL DAY 500 1 ANOTHER BRICK IN THE WALL PINK FLOYD 2 STAIRWAY TO HEAVEN LED ZEPPELIN 3 SWEET CHILD OF MINE GUNS 'N' ROSES 4 FREEBIRD LYNYRD SKYNYRD 5 BOHEMIAN RHAPSODY QUEEN 6 BLACK DOG LED ZEPPELIN 7 SYMPATHY FOR THE DEVIL THE ROLLING STONES 8 HOTEL CALIFORNIA THE EAGLES 9 WON'T GET FOOLED AGAIN THE WHO 10 WELCOME TO THE JUNGLE GUNS 'N' ROSES 11 WE WILL ROCK YOU/WE ARE THE CHAMPIONS QUEEN 12 YOU SHOOK ME ALL NIGHT LONG AC/DC 13 YOU CAN'T ALWAYS GET WHAT YOU WANT THE ROLLING STONES 14 SWEET EMOTION AEROSMITH 15 PARANOID BLACK SABBATH 16 MONEY PINK FLOYD 17 IMMIGRANT SONG LED ZEPPELIN 18 BABA O' REILLY THE WHO 19 TNT AC/DC 20 CRAZY TRAIN OZZY OSBOURNE 21 WHOLE LOTTA LOVE LED ZEPPELIN 22 ANOTHER ONE BITES THE DUST QUEEN 23 WHO ARE YOU THE WHO 24 BACK IN BLACK AC/DC 25 GIMME SHELTER THE ROLLING STONES 26 LAYLA DEREK & THE DOMINOS 27 PAINT IT BLACK THE ROLLING STONES 28 IMAGINE JOHN LENNON 29 ERUPTION/YOU REALLY GOT ME VAN HALEN 30 COMFORTABLY NUMB PINK FLOYD 31 TURN THE PAGE BOB SEGER 32 ROCK N ROLL LED ZEPPELIN 33 YOU GIVE LOVE A BAD NAME BON JOVI 34 RUNNING DOWN A DREAM TOM PETTY & THE HEARTBREAKERS 35 ENTER SANDMAN METALLICA 36 RUNNIN' WITH THE DEVIL VAN HALEN 37 SWEET HOME ALABAMA LYNYRD SKYNYRD 38 I WON'T BACK DOWN TOM PETTY & THE HEARTBREAKERS 39 SATISFACTION THE ROLLING STONES 40 HONKY TONK WOMEN THE ROLLING STONES 41 WISH YOU WERE HERE PINK FLOYD 42 DREAM ON AEROSMITH 43 BROWN SUGAR THE ROLLING STONES 44 RENEGADE STYX 45 PIANO MAN BILLY JOEL 46 D'YER MAKER LED ZEPPELIN 47 SHATTERED THE ROLLING STONES 48 L.A. -
When the Levee Breaks Chords
Music resources from www.traditionalmusic.co.uk When The Levee Breaks chords (for acoustic guitar an oxymoron?) Led Zeppelin 1970 (Kansas Joe McCoy & Memphis Minnie 1929) Arguably, one of the finest recordings ever mixing the blues with heavy metal rock. About the great Mississippi flood of 1927. Very hard to accurately duplicate because of the heavy amount of studio recording, echo harmonica & special effects. E7* = G string 1st fret + A string 2nd fret (2 finger E7 chord) E7** = E chord + B string 3rd fret (4 finger E7 chord) E chord Repeatedly strum E7*/E/E7**/E7* Play around with different combinations for the best effect, deemphasizing the high E string and emphasizing the low E string Capo I E7*/E/E7**/E7* 18x C D E7*/E 4x C D E7*/E 4x E7* E E7** E If it keeps on raining, levee's goin' to break, 2x E7* E E7** E When the levee breaks I'll have no place to stay. E7*/E/E7**/E7* 2x E7* E E7** E Mean old levee taught me to weep and moan, 2x E7* E E7** E Got what it takes to make a mountain man leave his home, E7* E E7* E E7* E Oh, well, oh, well, oh, well. C D E7*/E 4x C D E7*/E 4x E7*/E E7*/B E7* A D E E7* E Don't it make you feel bad B When you're trying to find your way home, A D E You don't know which way to go? E7* E If you're goin' down South B They got no work to do, A D E If you don't know about Chicago. -
Rethinking the Law on Corporate Manslaughter to Better Reflect the Artificial Legal Existence of Corporations
Plymouth Law and Criminal Justice Review (2019) ARE CORPORATIONS FREE TO KILL? RETHINKING THE LAW ON CORPORATE MANSLAUGHTER TO BETTER REFLECT THE ARTIFICIAL LEGAL EXISTENCE OF CORPORATIONS 1 Lucy Hooper Abstract This year, 2018, marks the 10 year anniversary of the implementation of the Corporate Manslaughter and Corporate Homicide Act 2007. It is, therefore, an appropriate time to review its effectiveness and consider whether the Act has achieved what it set out to. Its introduction was a parliamentary attempt to address the key defects’2 under the previous identification doctrine, where a company’s liability was dependant on gross negligent manslaughter being sought in the relevant directing mind and will. This article will highlight the inadequacies of the former regime and review to what extent the 2007 Act has resolved them. Importantly, it references the recent Grenfell Tower disaster, which, if corporate manslaughter charges are pursued, will be the Act’s biggest and most public challenge to date. Keywords: corporate manslaughter, Corporate Manslaughter and Corporate Homicide Act 2007, gross negligent manslaughter Introduction Companies, as a result of Salomon3, are ‘distinct and independent’4 entities separate from their members. However, in reality, ‘corporations have no consciences, no beliefs, no feelings, no thoughts, no desires’ and merely ‘help structure and facilitate the activities of human beings’. 5 Consequently, under the original common law models, corporate criminal liability had to be found in individuals and then ‘attributed’ to the company. Attribution in the UK, commonly takes two forms. The first, vicarious liability, imposes liability on corporations ‘for the criminal acts of employees…acting within the scope of their employment’.6 It is, ‘wholly derivative’.7 While the principle is easily applied, ‘a corporation is not…so abstract, impalpable 1 Lucy graduated with a first class LLB honours and was awarded the Womble Bond Dickinson prize for the best student undertaking commercial law. -
Sensationelle Reihe Der Re-Issues Wird Fortgeführt! Led Zeppelin IV & Houses of the Holy Ab 24
im Auftrag: medienAgentur Stefan Michel T 040-5149 1467 F 040-5149 1465 [email protected] Sensationelle Reihe der Re-Issues wird fortgeführt! Led Zeppelin IV & Houses Of The Holy ab 24. Oktober erhältlich Produziert und Remastert von Jimmy Page Companion-Discs mit unveröffentlichten Aufnahmen Mehrere CD-, Vinyl-, und Digital-Formate sowie ein „Limited Edition Super Deluxe Box-Set“ Der Auftakt der großen LED ZEPPELIN-Wiederveröffentlichungsreihe im Juni war weltweit eine Sensation: In Deutschland katapultierten sich alle drei Re-Issues, Led Zeppelin, Led Zeppelin II und Led Zeppelin III, in die Top- 15 der Charts, in den USA erreichten sie die Top-20 der Billboard-Charts und ähnlich sah es in Kanada, Frankreich, Japan, England und weiteren Ländern aus. Im Oktober kommen die nächsten beiden Kultalben, die Jimmy Page wieder persönlich überarbeitet und zeitgemäß aufgefrischt hat: Das grandiose Led Zeppelin IV (das drittmeistverkaufte Album überhaupt in den USA) und das fantastische Houses Of The Holy! Wie die bisher erschienenen Re-Issues wurden auch Led Zeppelin IV und Houses Of The Holy von Gitarrist und Produzent Jimmy Page persönlich neu gemastert, der sich mit Leidenschaft und großem Können den originalen Analogbändern gewidmet hat. Zudem enthalten die Alben jeweils eine zweite CD mit bisher unveröffentlichten Mixen und Alternate Takes, die einen überraschenden Einblick in die Arbeit am jeweiligen Album präsentieren. Auch diesmal bedienen mehrere Konfigurationen jeden Wunsch der Fans: Led Zeppelin IV und Houses Of The Holy erscheinen am 24. Oktober über Atlantic/Swan Song in folgenden Formaten: Single CD – Remastertes Album im Klappcover. Deluxe Edition (2CD) – Remastertes Album mit zusätzlicher Companion Audio Disc. -
The Led Zeppelin Anthology : 1968-1980
audio-tape.ps, version 1.27, 1994 Jamie Zawinski <[email protected]> If you aren't printing this on the back of a used sheet of paper, you should be feeling very guilty about killing trees right now. Tape 1/8 Tape The Led Zeppelin Anthology : 1968-1980 : Anthology Zeppelin Led The elin pp ze Anthology - Tape 1/8 Tape - Anthology led SIDE 1/16 - LED ZEPPELIN SIDE 2/16 - LED ZEPPELIN II ^ 1 6:46 - Babe I'm Gonna Leave You (Take 8) = 1 3:07 - Sunshine Woman ^ 2 6:21 - Babe I'm Gonna Leave You (Take 9) - 2 0:24 - Moby Dick ^ 3 7:59 - You Shook Me (Take 1) ^ 3 8:49 - Moby Dick ^ 4 1:27 - Baby Come On Home (Instrumental - Take 1) " 4 3:01 - The Girl I Love ^ 5 1:26 - Baby Come On Home (Instrumental - Take 2) " 5 2:08 - Something Else ^ 6 0:14 - Baby Come On Home (Instrumental - Take 3) = 6 3:12 - Suga Mama ^ 7 5:30 - Baby Come On Home (Alternate Mix) & 7 16:47 - Jennings Farm Blues (Rehearsals) ^ 8 2:46 - Guitar/Organ Instrumental #1 & 8 6:24 - Jennings Farm Blues (Final Take) ^ 9 5:25 - Guitar/Organ Instrumental #2 -10 3:03 - Guitar/Organ Instrumental #3 43:52 - TOTAL 40:57 - TOTAL 1968-1969 SIDE 1/16 - LED ZEPPELIN SIDE 2/16 - LED ZEPPELIN II 1--7 - September 27, 1968 - Olympic Studios, London 1 - April 14, 1969 - BBC Maida Vale Studio, London 8-10 - October, 1968 - Olympic Studios, London 2--3 - May, 1969 - Mirror Studios, Los Angeles, California 4--5 - June 16, 1969 - Aeolian Hall, Bond St, London Master dubbed on May 30, 1997 6 - June/July, 1969 - Morgan Studios, London 7--8 - November, 1969 - Olympic Studios, London Master dubbed on May 30, 1997 Extra notes: track 2 fades, but includes longer count in audio-tape.ps, version 1.27, 1994 Jamie Zawinski <[email protected]> If you aren't printing this on the back of a used sheet of paper, you should be feeling very guilty about killing trees right now. -
Psaudio Copper
Issue 107 MARCH 23RD, 2020 Cover: violinist Jascha Heifetz (1901 - 1987). Many consider him to be the greatest violinist ever. He was one of the most influential performing artists of all time and in his later years became a teacher and an advocate of causes he believed in, including clean air and the establishment of 911 as an emergency phone number. Stay safe. Be careful out there. Maintain social distancing. Wash your hands frequently. Familiar phrases in these tough times. To those I’d add: listen to music. Read a book or magazine. Watch a movie. Play your instrument. Surf the web. Don’t let the endless barrage of TV news make you crazy. Ignore (except to debunk) misinformation on Facebook and social media. Call or video chat with a family member, friend or loved one. Though we may be temporarily separated, we’re all in this together and we’ll help each other stay strong. In this issue: Anne E. Johnson gives us incisive looks into two of the modern era’s greatest artists: Frank Sinatra and the Kinks! John Seetoo contributes his CanJam NYC 2020 Part Two report. J.I. Agnew continues his series on linearity in audio, with clear explanations of this technical topic. Tom Gibbs gives unrestrained opinions on Brandy Clark, King Crimson, Charlie Parker and Tame Impala. Professor Larry Schenbeck enthuses about Sanctuary Road, a new oratorio. Dan Schwartz asks: why don’t musicians use audiophile speakers? Veteran broadcaster Bob Wood shakes his head over the state of today’s commercial radio. Wayne Robins provides a step by step operating manual for Miss Anthropocene by Grimes. -
Title Format Released Abyssinians, the Satta Dub CD 1998 Acklin
Title Format Released Abyssinians, The Satta Dub CD 1998 Acklin, Barbara The Brunswick Anthology (Disc 2) CD 2002 The Brunswick Anthology (Disc 1) CD 2002 Adams Johnny Johnny Adams Sings Doc Pomus: The Real Me CD 1991 Adams, Johnny I Won't Cry CD 1991 Walking On A Tightrope - The Songs Of Percy Mayfield CD 1989 Good Morning Heartache CD 1993 Ade & His African Beats, King Sunny Juju Music CD 1982 Ade, King Sunny Odu CD 1998 Alabama Feels So Right CD 1981 Alexander, Arthur Lonely Just Like Me CD 1993 Allison, DeAnn Tumbleweed CD 2000 Allman Brothers Band, The Beginnings CD 1971 American Song-poem Anthology, The Do You Know The Difference Between Big Wood And Brush CD 2003 Animals, The Animals - Greatest Hits CD 1983 The E.P. Collection CD 1964 Aorta Aorta CD 1968 Astronauts, The Down The Line/ Travelin' Man CD 1997 Competition Coupe/Astronauts Orbit Kampus CD 1997 Rarities CD 1991 Go Go Go /For You From Us CD 1997 Surfin' With The Astronauts/Everything Is A-OK! CD 1997 Austin Lounge Lizards Paint Me on Velvet CD 1993 Average White Band Face To Face - Live CD 1997 Page 1 of 45 Title Format Released Badalamenti, Angelo Blue Velvet CD 1986 Twin Peaks - Fire Walk With Me CD 1992 Badfinger Day After Day [Live] CD 1990 The Very Best Of Badfinger CD 2000 Baker, Lavern Sings Bessie Smith CD 1988 Ball, Angela Strehli & Lou Ann Barton, Marcia Dreams Come True CD 1990 Ballard, Hank Sexy Ways: The Best of Hank Ballard & The Midnighters CD 1993 Band, The The Night They Drove Old Dixie Down: The Best Of The Band [Live] CD 1992 Rock Of Ages [Disc 1] CD 1990 Music From Big Pink CD 1968 The Band CD 1969 The Last Waltz [Disc 2] CD 1978 The Last Waltz [Disc 1] CD 1978 Rock Of Ages [Disc 2] CD 1990 Barker, Danny Save The Bones CD 1988 Barton, Lou Ann Read My Lips CD 1989 Baugh, Phil 64/65 Live Wire! CD 1965 Beach Boys, The Today! / Summer Days (And Summer Nights!!) CD 1990 Concert/Live In London [Bonus Track] [Live] CD 1990 Pet Sounds [Bonus Tracks] CD 1990 Merry Christmas From The Beach Boys CD 2000 Beatles, The Past Masters, Vol. -
Occupational Health Drops Faculty Alcohol Restrictions Superpowers
Yeah Mon! An Elvis impersonator sings Led Zeppelin covers in a reggae style? THE CHRONICLE See R&R. THURSDAY. OCTOBER 4, 1990 DUKE UNIVERSITY DURHAM. NORTH CAROLINA CIRCULATION: 15.000 VOL. 86, NO. 30 NAS debate reveals faculty divisions on curriculum, ideology By BETSY KAISER the association, Clark said. Few at the University of Texas-Aus in response to what he terms a Faculty members deny charges professors who signed up for the tin. disturbing national trend toward that an academic association association teach subjects which Individual faculty members restricting free speech. they have agreed to join is racist, would be directly affected by any listed a variety of campus issues Strandberg joined the Univer sexist, and homophobic. curriculum changes the associa that led them to join the Univer sity chapter in part out of con Instead, the charter members tion favors, she added. sity chapter. cern of a proposal he says is un of the University chapter of the She is also concerned some of Victor Strandberg, professor of constitutional. The proposal, an National Association of Scholars, the people asked to join were not English, joined the national NAS See NAS on page 4 • say the group is a mechanism to given adequate information openly discuss critical university about the association. issues. James Barber, James B. The national association is not Duke professor of political sci right-wing, said Stephen Balch, BSA meets to discuss ence, recruited 46 faculty mem national president of NAS. It is bers to found a University chap "mainstream," having no ideolog ter of the group.