DOCSLIB.ORG

New Music from Miguel, Michael Kiwanuka and Nas from the Get Down: Official Soundtrack to the Netflix Series Available Today Via Apple Music

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
New Music from Miguel, Michael Kiwanuka and Nas from the Get Down: Official Soundtrack to the Netflix Series Available Today Via Apple Music NEW MUSIC FROM MIGUEL, MICHAEL KIWANUKA AND NAS FROM THE GET DOWN: OFFICIAL SOUNDTRACK TO THE NETFLIX SERIES AVAILABLE TODAY VIA APPLE MUSIC SOUNDTRACK TO HIGHLY ANTICIPATED SERIES BY BAZ LUHRMANN ALSO FEATURES ZAYN, CHRISTINA AGUILERA, NILE RODGERS, JANELLE MONÁE, GRACE AND MORE SOUNDTRACK AVAILABLE EVERYWHERE AUGUST 12th VIA APPLE MUSIC ON HOUSE OF IONA/RCA RECORDS [August 5, 2016] Two new tracks from The Get Down: Original Soundtrack From The Netflix Original Series (House of Iona/RCA) are available today - “Cadillac” by Miguel and a new version of Michael Kiwanuka’s “Black Man In A White World (Ghetto Gettysburg Address)” featuring Nasir Jones, performed as The Get Down character “Mr. Books.” The tracks are available for streaming and instant download with pre-purchase of the soundtrack on Apple Music. Standard and deluxe versions of the soundtrack will be available on August 12th, the same day Part One of the series begins streaming on Netflix around the world. Janelle Monáe, Grace, and more have joined the previously announced list of amazing artists, collaborators and producers on the soundtrack. Executive produced by Luhrmann and Nas, The Get Down: Original Soundtrack From The Netflix Original Series will feature original songs and classics reimagined for the series. The Get Down: Original Soundtrack From The Netflix Original Series Standard Version Track List 01. Rule The World (I Came From The City) - Michael Kiwanuka feat. Nasir Jones as Mr. Books 02. Losing Your Mind - Raury & Jaden Smith 03. Shaolin’s Theme/Pray - Malay/6LACK 04. Black Man In A White World (Ghetto Gettysburg Address) - Michael Kiwanuka feat. Nasir Jones as Mr. Books 05. Ball Of Confusion - Leon Bridges 06. Cadillac - Miguel 07. You Can’t Hide/You Can’t Hide From Yourself (Touch Of Class GMF Remix) – ZAYN/Teddy Pendergrass & Grandmaster Flash 08. Hum Along And Dance (Gotta Get Down) - Janelle Monáe 09. Are You Ready? (Do The Bus Stop)/Suga - Fatback Band/With You feat. Sarah Ruba 10. Telepathy - Christina Aguilera feat. Nile Rodgers 11. Set Me Free - Herizen Guardiola as Mylene Cruz feat. Nile Rodgers 12. Just You, Not Now (Love Theme) - Grace 13. Zeke’s Poem (I Am The One) - Justice Smith as Ezekiel Figuero The Get Down: Original Soundtrack From The Netflix Original Series Deluxe Version Track List 01. Welcome To The Get Down - Jaden Smith 02. Rule The World (I Came From The City) - Michael Kiwanuka feat. Nasir Jones as Mr. Books 03. Cadillac - Miguel 04. Losing Your Mind - Raury & Jaden Smith 05. You Can’t Hide/You Can’t Hide From Yourself (Touch of Class GMF Remix) – ZAYN/Teddy Pendergrass & Grandmaster Flash 06. Black Man In A White World (Ghetto Gettysburg Address) - Michael Kiwanuka feat. Nasir Jones as Mr. Books 07. Shaolin’s Theme/Pray – Malay/6LACK 08. Ball Of Confusion - Leon Bridges 09. Think (About It) - Lyn Collins 10. Are You Ready? (Do The Bus Stop)/Suga - Fatback Band/With You feat. Sarah Ruba 11. Telepathy - Christina Aguilera feat. Nile Rodgers 12. Bad Girls - Donna Summer 13. Hum Along And Dance (Gotta Get Down) - Janelle Monáe 14. Devil’s Gun - CJ & Co. 15. Wild In The Streets - Garland Jeffreys 16. Que Lio - Hector Lavoe 17. Just You, Not Now (Love Theme) - Grace 18. This Ain’t No Fairy Tale - Justice Smith as Ezekiel Figuero 19. Be That As It May - Herizen Guardiola as Mylene Cruz 20. Get Down Brother vs. Notorious 3 - The Get Down Brothers (Skylan Brooks, Tremaine Brown, Jr., Jaden Smith, Justice Smith, & Shameik Moore) 21. Kipling Theme - Kamasi Washington 22. Set Me Free - Herizen Guardiola as Mylene Cruz feat. Nile Rodgers 23. Up The Ladder - Herizen Guardiola as Mylene Cruz & Justine Smith as Ezekiel Figuero 24. Zeke’s Poem (I Am The One) - Justice Smith as Ezekiel Figuero Click here to pre-order The Get Down: Original Soundtrack From The Netflix Original Series – Standard Version. Click here to pre-order The Get Down: Original Soundtrack From The Netflix Original Series – Deluxe Version. “This album is an introduction to the many musical genres and styles that can be heard in The Get Down, which is really a story of New York in the late 70’s, an incredibly fertile time of creativity amid chaos,” says Luhrmann. “While our production is a musical that embodies many classic hits, we also use contemporary sounds and techniques connecting the dots between then and now. My great privilege is to have associated with such a diverse musical community.” He continues, “There will also be a deluxe version and while it carries many of the tracks from the original soundtrack, it also includes many of the cast performances and a sampling of the crucial classics that we’ve called upon in the making of the production." From Baz Luhrmann and a team of collaborators including four-time Oscar® winner and fellow executive producer Catherine Martin, legendary MC and executive producer Nas, associate producer Grandmaster Flash, Pulitzer Prize winning playwright, co-creator and executive producer Stephen Adly Guirgis; and expert collaborators, including hip-hop historian and supervising producer Nelson George and Rahiem from the Furious Five, The Get Down is a mythic saga of how New York at the brink of bankruptcy gave birth to a new art form. Set in New York in 1977, this music-driven drama series chronicles the rise of hip-hop and the last days of disco – told through the lives, music, art and dance of the South Bronx kids who would change the world forever. The cast of The Get Down includes Justice Smith (“Ezekiel ‘Books’ Figuero”), Shameik Moore (“Shaolin Fantastic”), Herizen Guardiola (“Mylene Cruz”), Skylan Brooks (“Ra Ra Kipling”), Tremaine Brown Jr. (“Boo Boo Kiping”), Yahya Abdul-Mateen II (“Cadillac”) and Jimmy Smits (“Francisco ‘Papa Fuerte’ Cruz”); and guest stars Jaden Smith (“Dizzee Kipling”), Mamoudou Athie (“Grandmaster Flash”), and Giancarlo Esposito (“Ramon Cruz”). The Get Down is produced by Sony Pictures Television for Netflix. The series is executive produced by Baz Luhrmann, Catherine Martin, Paul Watters, Stephen Adly Guirgis, Thomas Kelly, and Nas. Seth Zvi Rosenfeld and Aaron Rahsaan Thomas are co-executive producers. ### https://www.facebook.com/thegetdownnetflix/ https://twitter.com/TheGetDown https://www.instagram.com/thegetdownnetflix/ .
Load more

Recommended publications
  • States of Incarceration and Subordination in the Learning and Lived Experiences of Youth in a Juvenile Detention Facility
    ARE THE[SE] KIDS ALRIGHT?: STATES OF INCARCERATION AND SUBORDINATION IN THE LEARNING AND LIVED EXPERIENCES OF YOUTH IN A JUVENILE DETENTION FACILITY by Jonathan Patrick Arendt A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Graduate Department of Curriculum, Teaching, and Learning Ontario Institute for Studies in Education University of Toronto © Copyright by Jonathan Patrick Arendt 2012 ARE THE[SE] KIDS ALRIGHT?: STATES OF INCARCERATION AND SUBORDINATION IN THE LEARNING AND LIVED EXPERIENCES OF YOUTH IN A JUVENILE DETENTION FACILITY Doctor of Philosophy 2012 Jonathan Patrick Arendt Department of Curriculum, Teaching, and Learning University of Toronto ABSTRACT This study examines the dynamics and implications of trans-spatial subordination in/across the lived experiences of six incarcerated participant youths in a secure custody facility for juveniles in Louisiana. Five male teenagers (four African American, one White) and one female teenager (African American) discuss the limitations, harassment, and confinement in various aspects of their lives and speak about the impact on their expectations for the future. The author employs several methodologies in order to develop a multimedia, multifaceted representation of their lives. The narratives elicited through interviews provide the bulk of the data as the participants describe this perpetual subordination. The photographs, resulting from the implementation of a visual ethnographic methodology, provide images that serve as catalysts for introspection and analysis of significance in the mundane and routine, particularly as they apply to the carceral facilities, structures, and policies themselves. Film viewing and discussion offer an array of depictions of youth and criminality to which the youths responded, granting a simultaneous peek at how these marginalized youths viewed themselves and how mainstream media productions depict them.
    [Show full text]
  • Audience Affect, Interactivity, and Genre in the Age of Streaming TV
    . Volume 16, Issue 2 November 2019 Navigating the Nebula: Audience affect, interactivity, and genre in the age of streaming TV James M. Elrod, University of Michigan, USA Abstract: Streaming technologies continue to shift audience viewing practices. However, aside from addressing how these developments allow for more complex serialized streaming television, not much work has approached concerns of specific genres that fall under the field of digital streaming. How do emergent and encouraged modes of viewing across various SVOD platforms re-shape how audiences affectively experience and interact with genre and generic texts? What happens to collective audience discourses as the majority of viewers’ situated consumption of new serial content becomes increasingly accelerated, adaptable, and individualized? Given the range and diversity of genres and fandoms, which often intersect and overlap despite their current fragmentation across geographies, platforms, and lines of access, why might it be pertinent to reconfigure genre itself as a site or node of affective experience and interactive, collective production? Finally, as studies of streaming television advance within the industry and academia, how might we ponder on a genre-by- genre basis, fandoms’ potential need for time and space to collectively process and interact affectively with generic serial texts – in other words, to consider genres and generic texts themselves as key mediative sites between the contexts of production and those of fans’ interactivity and communal, affective pleasure? This article draws together threads of commentary from the industry, scholars, and culture writers about SVOD platforms, emergent viewing practices, speculative genres, and fandoms to argue for the centrality of genre in interventions into audience studies.
    [Show full text]
  • As Writers of Film and Television and Members of the Writers Guild Of
    July 20, 2021 As writers of film and television and members of the Writers Guild of America, East and Writers Guild of America West, we understand the critical importance of a union contract. We are proud to stand in support of the editorial staff at MSNBC who have chosen to organize with the Writers Guild of America, East. We welcome you to the Guild and the labor movement. We encourage everyone to vote YES in the upcoming election so you can get to the bargaining table to have a say in your future. We work in scripted television and film, including many projects produced by NBC Universal. Through our union membership we have been able to negotiate fair compensation, excellent benefits, and basic fairness at work—all of which are enshrined in our union contract. We are ready to support you in your effort to do the same. We’re all in this together. Vote Union YES! In solidarity and support, Megan Abbott (THE DEUCE) John Aboud (HOME ECONOMICS) Daniel Abraham (THE EXPANSE) David Abramowitz (CAGNEY AND LACEY; HIGHLANDER; DAUGHTER OF THE STREETS) Jay Abramowitz (FULL HOUSE; MR. BELVEDERE; THE PARKERS) Gayle Abrams (FASIER; GILMORE GIRLS; 8 SIMPLE RULES) Kristen Acimovic (THE OPPOSITION WITH JORDAN KLEEPER) Peter Ackerman (THINGS YOU SHOULDN'T SAY PAST MIDNIGHT; ICE AGE; THE AMERICANS) Joan Ackermann (ARLISS) 1 Ilunga Adell (SANFORD & SON; WATCH YOUR MOUTH; MY BROTHER & ME) Dayo Adesokan (SUPERSTORE; YOUNG & HUNGRY; DOWNWARD DOG) Jonathan Adler (THE TONIGHT SHOW STARRING JIMMY FALLON) Erik Agard (THE CHASE) Zaike Airey (SWEET TOOTH) Rory Albanese (THE DAILY SHOW WITH JON STEWART; THE NIGHTLY SHOW WITH LARRY WILMORE) Chris Albers (LATE NIGHT WITH CONAN O'BRIEN; BORGIA) Lisa Albert (MAD MEN; HALT AND CATCH FIRE; UNREAL) Jerome Albrecht (THE LOVE BOAT) Georgianna Aldaco (MIRACLE WORKERS) Robert Alden (STREETWALKIN') Richard Alfieri (SIX DANCE LESSONS IN SIX WEEKS) Stephanie Allain (DEAR WHITE PEOPLE) A.C.
    [Show full text]
  • Freelance Costume Designer, Wardrobe Stylist, Costumer, Etc
    Freelance Costume Designer, Wardrobe Stylist, Costumer, etc. 646-641-3336 or 310-564-6384 [email protected] TWU Local 764 & USA Local 829 www.edenmiller.com www.cabiriastyle.com www.store.cabiriastyle.com Multidisciplinary freelance fashion & costume designer since 1989 FEATURE / TV WARDROBE SUPERVISOR SELECT ASSISTANT COSTUME DESIGN THE LOOMING TOWER Hulu Season 1 KISS ME KATE 2000 Tony Award ALPHA HOUSE Amazon TV Season 1 THOROUGHLY MODERN MILLIE 2002 Tony Award THE BOOK OF HENRY Focus Features DEADBEAT Hulu/ Lionsgate AGER / DISTRESSER / FABRIC PAINTER EVERY SECRET THING Hyde Park/ Likely Story BIG DADDY feature film THE HEBREW HAMMER Content Film BRYAN KOLLMAN Phantom/ Bway & tours THIS IS US NBC TV S1 LITTLE NICKY feature film UMPIRE (UNCLE DREW) NY Unit- Lionsgate STITCHER, FITTER, TAILOR, & REFURB FILM SET COSTUMER THE AGE OF INNOCENCE feature film THE BEAUTIFUL COUNTRY NY unit - feature film AMERICA’S GOT TALENT NBC TV Season 7 THE CHAPERONE key costumer - feature BARBARA MATERA’S LTD shop IF BEALE STREET COULD TALK key costumer-feature BULLETS OVER BROADWAY feature film MUDBOUND NY unit – feature film CARELLI COSTUMES shop OKJA NY unit- Netflix feature DOUBLE DARE Nickelodeon TV EYE CANDY MTV series Season 1 TV SET COSTUMER FIDDLER ON THE ROOF Broadway BLACKLIST: REDEMPTION NBC TV Season 1 LAST WEEK TONIGHT HBO series Season 3 THE BREAKS VH1 TV Season I MADONNA/ REBEL HEART tour BULL CBS TV S1 MARIAH CAREY XMAS TOUR tour THE CARRIE DIARIES (BG Supervisor) WB Pilot THE MARVELOUS MRS. MAISEL Amazon TV Season 1 CIVIL TNT Originals Pilot MIGHTY APHRODITE feature film CRASHING HBO TV S1 RADIO CITY ROCKETTES XMAS SHOW DAREDEVIL Netflix/ ABC TV S1 UNBREAKABLE KIMMY SCHMIDT Universal TV S1 THE DEFENDERS Netflix Original SI YOUNGER TV Land Season 3 THE DEUCE HBO TV THE GET DOWN Netflix Original SI EMBROIDERY, EMBELLISHMENT, ETC.
    [Show full text]
  • So Sad So Sexy out TODAY, JUNE 8TH VIA RCA RECORDS
    LYKKE LI RELEASES FOURTH STUDIO ALBUM so sad so sexy OUT TODAY, JUNE 8TH VIA RCA RECORDS ANNOUNCES “SO SAD SO SEXY” FALL NORTH AMERICAN AND EUROPEAN TOUR WATCH LAST NIGHT’S PERFORMANCE ON LATE SHOW WITH STEPHEN COLBERT HERE COVER ART + PRESS PHOTO HERE (New York -- June 8, 2018) Today, Los Angeles based, Swedish vocalist, producer, and songwriter Lykke Li releases her critically acclaimed fourth studio album so sad so sexy via RCA Records. so sad so sexy is available now across all digital service providers: http://smarturl.it/sosadsosexy The release of the album will be celebrated with the “so sad so sexy” fall tour, presented by YOLA Mezcal, that will run throughout major cities in North America and Europe including New York, Los Angeles, Toronto, London, Paris, and more. The tour will kick off on October 5th in Washington, D.C. with general on-sale tickets becoming available in the UK on Wednesday, June 13 at 9am UK/10am CET and on Friday, June 15 at 10am local time here. In anticipation for her tour, Lykke Li has performed on several festivals outside of the US, including last month’s BBC’s Biggest Weekend Festival in Belfast, All Points East in London, and will be performing at Lollapalooza, and more. See full tour dates below or visit lykkeli.com for complete schedule. Prior to release, Lykke revealed multiple tracks including the album’s lead single “deep end,” followed by “hard rain,” “utopia,” “two nights feat Aminé,” and “sex money feelings die.” Lykke Li released two highly seductive videos, one for single “deep end” shot entirely on an iPhone, and released part two of that love story with the cinematic video for album track “hard rain” directed by Anton Tammi.
    [Show full text]
  • DIGITAL ORIGINAL SERIES Global Demand Report
    DIGITAL ORIGINAL SERIES Global Demand Report Trends in 2016 Copyright © 2017 Parrot Analytics. All rights reserved. Digital Original Series — Global Demand Report | Trends in 2016 Executive Summary } This year saw the release of several new, popular digital } The release of popular titles such as The Grand Tour originals. Three first-season titles — Stranger Things, and The Man in the High Castle caused demand Marvel’s Luke Cage, and Gilmore Girls: A Year in the for Amazon Video to grow by over six times in some Life — had the highest peak demand in 2016 in seven markets, such as the UK, Sweden, and Japan, in Q4 of out of the ten markets. All three ranked within the 2016, illustrating the importance of hit titles for SVOD top ten titles by peak demand in nine out of the ten platforms. markets. } Drama series had the most total demand over the } As a percentage of all demand for digital original series year in these markets, indicating both the number and this year, Netflix had the highest share in Brazil and popularity of titles in this genre. third-highest share in Mexico, suggesting that the other platforms have yet to appeal to Latin American } However, some markets had preferences for other markets. genres. Science fiction was especially popular in Brazil, while France, Mexico, and Sweden had strong } Non-Netflix platforms had the highest share in Japan, demand for comedy-dramas. where Hulu and Amazon Video (as well as Netflix) have been available since 2015. Digital Original Series with Highest Peak Demand in 2016 Orange Is Marvels Stranger Things Gilmore Girls Club De Cuervos The New Black Luke Cage United Kingdom France United States Germany Mexico Brazil Sweden Russia Australia Japan 2 Copyright © 2017 Parrot Analytics.
    [Show full text]
  • Q3 2016 Netflix Inc Earnings Call on October 17, 2016 / 9:00PM
    Client Id: 77 THOMSON REUTERS STREETEVENTS EDITED TRANSCRIPT NFLX - Q3 2016 Netflix Inc Earnings Call EVENT DATE/TIME: OCTOBER 17, 2016 / 9:00PM GMT THOMSON REUTERS STREETEVENTS | www.streetevents.com | Contact Us ©2016 Thomson Reuters. All rights reserved. Republication or redistribution of Thomson Reuters content, including by framing or similar means, is prohibited without the prior written consent of Thomson Reuters. 'Thomson Reuters' and the Thomson Reuters logo are registered trademarks of Thomson Reuters and its affiliated companies. Client Id: 77 OCTOBER 17, 2016 / 9:00PM, NFLX - Q3 2016 Netflix Inc Earnings Call CORPORATE PARTICIPANTS David Wells Netflix, Inc. - CFO Reed Hastings Netflix, Inc. - CEO Ted Sarandos Netflix, Inc. - Chief Content Officer CONFERENCE CALL PARTICIPANTS Ben Swinburne Morgan Stanley - Analyst Scott Devitt Stifel Nicolaus - Analyst PRESENTATION QUESTIONS AND ANSWERS David Wells - Netflix, Inc. - CFO Welcome to the Netflix Q3 2016 earnings call. I'm David Wells, CFO, and joining me on the Company side today is Reed Hastings, our CEO; and Ted Sarandos, our Chief Content Officer. Interviewing us will be Scott Devitt from Stifel, sorry, Scott Devitt from Stifel and Ben Swinburne from Morgan Stanley. Ben in his fourth interview before he passes the baton. Before we get started, we will be making forward-looking statements. Actual results may vary. Ben, I think you have the first question. Over to you. Ben Swinburne - Morgan Stanley - Analyst Thank you very much. Reed, maybe we could start by focusing in on the international strength this quarter. Typically, I think you and your colleagues have downplayed the impact of originals, but in the letter you really called out the benefit of -- on acquisitions from your original content.
    [Show full text]
  • Cast Biographies
    CAST BIOGRAPHIES MICHAEL SHANNON (Gary Noesner) Academy Award®, Golden Globe® and Tony Award® nominated actor Michael Shannon continues to make his mark in entertainment, working with the industry's most respected talent and treading the boards in notable theaters around the world. Shannon will next be seen in Guillermo del Toro's The Shape of Water, a love story set against the backdrop of Cold War-era America. The film co-stars Sally Hawkins, Richard Jenkins, Michael Stuhlbarg and Octavia Spencer. Fox Searchlight will release the film December 2017. In 2018, Shannon will return to Red Orchard Theatre for its 25th Anniversary to direct the world premiere of Traitor, Brett Neveu's adaption of Henrik Ibsen's Enemy of the People. Traitor will include ensemble members Dado, Larry Grimm, Danny McCarthy, Guy Van Swearingen and Natalie West and will run from January 5, 2018 through February 25, 2018. Back on the big screen, Shannon will then be seen in the Nicolai Fuglsig’s 12 Strong opposite Chris Hemsworth. The project follows a team of CIA agents and special forces who head into Afghanistan in the aftermath of the 9/11 attacks in an attempt to dismantle the Taliban. Warner Brothers is releaseing the film in January 2018. Later next year, Shannon will also be seen in writer-director Elizabeth Chomko’s drama, What They Had, opposite Hilary Swank. The story centers on a woman who must fly back to her hometown when her Alzheimer's-stricken mother wanders into a blizzard and the return home forces her to confront her past, which includes her brother (Shannon).
    [Show full text]
  • Derek Kompare, Southern Methodist University
    TV Genre, Political Allegory, and New Distribution Platforms “Streaming and the Function of Television Genre” Derek Kompare, Southern Methodist University Although it’s been less than four years since Netflix introduced House of Cards, such exclusive programming has become a standard expectation on streaming platforms, which now consistently premiere several such series throughout each year. Cable networks such as HBO, AMC, Showtime, and FX continue to roll out this sort of critic- and high-demo-friendly programming, but streamers have legitimately challenged their dominance. Given rapidly shifting metrics and secretive distributors, we’ll never know the scope of this challenge in real audience terms. That said, the impact of this programming in media coverage can still be assessed. There, programs’ forms and distribution models are still as much a matter of public discussion as character arcs or story events. The concept of a “cable series” came to represent a broadening of established television standards of form and genre in the 2000s; the concept of a “streaming series” is just beginning to represent a similar break from the now-normative expectations of cable. Streaming’s on-demand architecture has been its primary cultural impact (regardless of what viewers actually demand to watch), and this distribution model has affected how television series are now conceived, produced, promoted, and consumed. A brief look at three relatively prominent series, on each of the major streaming services, reveals a bit about how the perception of
    [Show full text]
  • Video on Demand Online Streaming Services in Canada
    Video on Demand Online Streaming Services in Canada The closure of Shomi, the survival of CraveTV, and what’s good for digital content in Canada. “Canadian television rests on a solid foundation. We have more than enough money and talent to tell our stories. But the system cannot remain frozen in time when the world around us is changing. [...] We know that it will not be easy for everyone to adapt to this shift. We are confident, however, that Canadian creators have the know-how and tools to succeed.” - Jean-Pierre Blais, Chairman of the CRTC Video on demand online streaming services are the next frontier of Netflix is a giant compared to the video on demand online streaming how Canadians watch movies and television. Though, calling it the next services in Canada. Shomi and CraveTV have attempted to follow in its frontier is dated because the digital revolution has arrived. wake. Shomi closed its doors in late 2016 while CraveTV is still active. The first thing that comes to mind when you think of streaming services in Canada is Netflix, but there are more than 50 ways for Canadians to view digital content. Most programming that airs on Canadian television channels is available to watch on that same channel’s website. There are a variety of ways broadcasters distribute content. Some post What happened to Shomi, why hasn’t the video on their website or on a streaming channel with pre- and mid-roll ads that appear throughout. Others offer a subscription service it happened to CraveTV, and what can where viewers pay a monthly fee to access commercial-free content.
    [Show full text]
  • Dan Dechellis Trio
    ada–music.com @ada_music NEW RELEASE GUIDE February 19 February 26 ORDERS DUE JANUARY 15 ORDERS DUE JANUARY 22 2021 ISSUE 5 February 19 ORDERS DUE JANUARY 15 OVERVIEW: NECTAR TRACKLIST: Japan-born singer and producer Joji is a multi-talented visionary, with a cult following from every corner of the inter- net. Joji is one of the most enthralling artists of the digital age. He has a total vision for his work, not just in the writ- 1. Ew ing and producing of his music, but artwork, videos, merch, and live performances as well. It’s a fully realized world 2. MODUS that his fans can inhabit and explore—and see themselves in. “My music is not biographical,” he says, but even still, 3. Tick Tock the deep, heavily shaded emotions in his songs are genuine and they speak to anyone who has ever felt stuck on 4. Daylight (w/ Diplo) the outside looking in, who knows what it means to not belong. In 2019, Joji sold-out his North America tour within 5. Upgrade minutes and performed at some of the most coveted festivals across the world, including Reading & Leeds in the UK 6. Gimme Love and Lollapalooza. As Joji surpasses 5 billion global streams, 2020 promises to be his biggest year to date. 7. Run 8. Sanctuary Joji’s sophomore studio album, Nectar, arrives September 25. With a star-studded cast of features across the 9. High Hopes (feat. Omar Apollo) 18- track album, Nectar is Joji’s most ambitious project to date. From the first 4 singles alon , Nectar has already 10.
    [Show full text]
  • 2020 DISNEY ENTERPRISES, INC. CAST Stargirl Caraway
    © 2020 DISNEY ENTERPRISES, INC. CAST Stargirl Caraway . GRACE VANDERWAAL Leo Borlock . GRAHAM VERCHERE DISNEY Archie . .GIANCARLO ESPOSITO presents Mr. Robineau . MAXIMILANO HERNANDEZ Kevin Singh . KARAN BRAR A Tess Reed . .ANNACHESKA BROWN GOTHAM GROUP Benny Burrito . COLLIN BLACKFORD Production Dori Dilson . ALLISON WENTWORTH Alan Ferko . JULIOCESAR CHAVEZ In Association with Mallory Franklin . ARTEMIS HAHNSCAPE ENTERTAINMENT Summer . JULIA FLORES Kim . GABRIELLA SURODJAWAN Hillary Kimble . .SHELBY SIMMONS Wayne Parnell. JOHN APOLINAR Zack James . .ALEX JAMES Gloria Borlock . .DARBY STANCHFIELD Leo Age 8 . ENZO CHARLES DE ANGELIS Cool Girl . CAYMAN GUAY Ana Caraway . .SARA ARRINGTON Principal Sutters . LUCINDA MARKER Band Leader . HANNAH KAUFFMANN Big Kid #1 . GAVIN WILLIAM WHITE Big Kid #2 . SEAN DENNIS Big Kid #3 . .DAVID TRUJILLO Ron Kovak . .TROY BROOKINS Mud Frog Fan . RYAN BEGAY Leo’s Dad . DAMIAN O’HARE Emcee . AUDRA CHARITY Kevin Age 8 . ATHARVA VERMA Teacher . JIMMY E. JONES Young Male Teacher . .ORION C. CARRINGTON Directed by . JULIA HART EMT . THOMAS SONS Screenplay by . KRISTIN HAHN Athletic Trainer . .ERIC ARCHULETA and JULIA HART WINTER DANCE BAND & JORDAN HOROWITZ Keyboard Player . REBECCA ANN ARSCOTT Based on the Novel by . .JERRY SPINELLI Lead Singer/Guitar . HERVE GASPARD Produced by . ELLEN GOLDSMITH-VEIN, p.g.a. Drummer . PAUL PALMER III LEE STOLLMAN, p.g.a. Bass . ARTHA MEADORS KRISTIN HAHN, p.g.a. Mudfrogs Marching Band Executive Producers . .JORDAN HOROWITZ ARMANDO ARELLANO VICTOR ARMIJO JIM POWERS ANDREW BLAIR VINCENT CONTE JERRY SPINELLI GISELLE CRUZ OSCAR GAMBOA EDDIE GAMARRA EDGAR HERNANDEZ GABE HICKS CATHERINE HARDWICKE CHRIS KINGSWADD SHANNON LATHAM JONATHAN LEVIN JULIO QUIROZ LOPEZ SPENSER LOTZ Director of Photography . BRYCE FORTNER GUS PEDROTTY ISIAH ROJAS Production Designer .
    [Show full text]