LEN DEIGHTON Only When I Larf
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February March 2016
Tawas Bay Players Newsletter February/March 2016 TBP Tradition of Perchville Royalty Continues Congratulations Mike and Judy Merluzzi, the latest in a long line of Tawas Bay Players members to serve as Perchville King and Queen. This year was very special since last year’s king and queen TBP members Tim Haskin and Jolene Grusecki crowned Mike and Judy. Other TBP members to receive this honor were Carol Klenow, June Hudgins, Tara and Bill Western, Sharon Miller, Pat Ruster, Jo Ann Lutz, Brenda Chadwick, Deb DeBois, Judy Quarters, Lyle Groff and Keith Frank. Twelve Angry Jurors Our winter show, the fast paced courtroom drama, Twelve Angry Jurors opens this weekend. The show is directed by Deb DeBois assisted by Sharon Langley and is produced by June Hudgins. In addition to some of TBP’s finest actors this classic features many new faces. The cast includes Buck Weaver as the Judge, Terry Popielarz as the Guard and Sue Duncan, Beth Borowski, Chris Mundy, Eric Perrot, Wade Sydenstricker, Andre' De Wilde, Curtis Davenport, Michal Jacot, Le Roy Wenzel, Rodger McElveen, Waverley Monroe, and Sheilah Monroe as Jurors #1 through #12. We would like to welcome first time TBP performers Eric, Wade, Curtis, Waverley, and Sheliah to our stage and let Terry and Andre' know how happy we are to have them back. We finally get to see Sue Duncan on stage with a speaking part. Make sure you get a chance to see this thought provoking play. Performance dates are February 12, 13, 14, 18, 19, 20, & 21. Really Groovy Dinner Interrupted By Murder. -
George Morlan Plumbing Supply
Selling Soul’d Out YOUR ONLINE LOCAL Onward, upward Organizers make festival more Winterhawks enter next musically eclectic DAILY NEWS series happy with game — See LIFE, B1 www.portlandtribune.com — See SPORTS, B8 Portlandthursday, april 4, 2013 • twice chosen the nation’s best nondaily paperTribune • www.portlandtribune.com • published thursday PCC lands SUN(n)Y East side squeaky wheel catch for top post gets city’s funding grease Candidate Jeremy Brown rises to the top of president search By JENNIFER ANDERSON The Tribune Portland Community Col- lege began negotiations this week with one of the three candidates vying to replace President Preston Pulliams, who will retire in June. The candidate, Jeremy Brown, hasn’t been waiting by the phone. Two weeks ago, he accept- ed an offer to serve as acting president of SUNY (State University of BROWN New York) Canton, a two- and four-year college in North- ern New York for about 6,000 students studying technology, health, management and public service. “We were aware of this,” says Deanna Palm, co-chair- Jose Estrada smooths pavement for a new woman of the PCC board and sidewalk in front of storefronts being president of the search commit- remodeled on Southeast 92nd Avenue in tee. “Obviously, (SUNY) wasn’t Lents. East Portland is getting a healthy sum his first choice, and he made us of city urban renewal funds, including the aware of that during the entire current project to make the commercial interview process.” heart of Lents more walkable. Brown was named as acting president of SUNY when its president left to take a job in Washington state. -
Goddess of 1967 Tail Credits
director Clara Law script Eddie L. C. Fong Clara Law producers Peter Sainsbury Eddie L. C. Fong executive producers Wouter Barendrecht Helen Loveridge Michael J. Werner Akiko Funatsu director of photography Dion Beebe A.S.C. production designer Nicholas McCallum editor Kate Williams music composer Jen Anderson costume designer Anni Marshall Helen Mather line producer Dennis Kiely first assistant director Chris Webb casting australia Anousha Zarkesh Anna Lennon-Smith mullinars consultants casting japan Yoko Narahashi united performers studio the goddess of 1967 Rose Byrne Rikiya Kurokawa Nicholas Hope Elise McCredie CAST BG Rose Byrne JM Rikiya Kurokawa Grandpa Nicholas Hope Marie Elise McCredie Drummerboy Tim Richards BG aged 9 Bree Beadman Marie aged 9 Satya Gumbert JM's Friend Masato Sakai JM's Girlfriend Yoshiko Tatsumi Esther Tina Bursill Mr. Hughes Dominic Condon Mrs. Hughes Katie Kermond Little Girl Lauren Clark Detective Tim McGarry Barman Johnny Boxer Woman In Bar Judith Knapp Old Man In Bar Harry Lawrence Noodle Man Masao Ishiguro School Teacher Louise Lohse Road Rage Driver Sean Read Road Rage Passenger Craig Murray Woman in Street Makiko Saito Truck Driver Koji Miyashita Stunt Performers Warrick Young Tove Petterson Nigel Harbach Voice of Radio Announcer Stephanie Daniel Voice of Boxing Spruiker Fred Brophy Voice Over DS Segment Jean-Pierre Mignon CREW Production Co-ordinators Aubs Tredget Katie Gordon Production Accountant Lucy Vorst 2nd Assistant Director Tanya Jackson-Vaughan 3rd Assistant Directors Scott Lovelock Geoff Wilman -
2020 Sundance Film Festival: 118 Feature Films Announced
FOR IMMEDIATE RELEASE Media Contact: December 4, 2019 Spencer Alcorn 310.360.1981 [email protected] 2020 SUNDANCE FILM FESTIVAL: 118 FEATURE FILMS ANNOUNCED Drawn From a Record High of 15,100 Submissions Across The Program, Including 3,853 Features, Selected Films Represent 27 Countries Once Upon A Time in Venezuela, photo by John Marquez; The Mountains Are a Dream That Call to Me, photo by Jake Magee; Bloody Nose, Empty Pockets, courtesy of Sundance Institute; Beast Beast, photo by Kristian Zuniga; I Carry You With Me, photo by Alejandro López; Ema, courtesy of Sundance Institute. Park City, UT — The nonprofit Sundance Institute announced today the showcase of new independent feature films selected across all categories for the 2020 Sundance Film Festival. The Festival hosts screenings in Park City, Salt Lake City and at Sundance Mountain Resort, from January 23–February 2, 2020. The Sundance Film Festival is Sundance Institute’s flagship public program, widely regarded as the largest American independent film festival and attended by more than 120,000 people and 1,300 accredited press, and powered by more than 2,000 volunteers last year. Sundance Institute also presents public programs throughout the year and around the world, including Festivals in Hong Kong and London, an international short film tour, an indigenous shorts program, a free summer screening series in Utah, and more. Alongside these public programs, the majority of the nonprofit Institute's resources support independent artists around the world as they make and develop new work, via Labs, direct grants, fellowships, residencies and other strategic and tactical interventions. -
FRI FRAKT!* Uppge Erbjudandekod Fram- 20B136A Knäppt Vid Din Bh! Beställning! A
FRI FRAKT!* Uppge erbjudandekod Fram- 20B136A knäppt vid din bh! beställning! A. * Max 1 gång/kund när du handlar för 300,-. Gäller t.om 2020.12.12. Kan ej kombineras med 299,- andra erbjudanden eller rabatter. 0,- Värde 399,- 3-PACK B. Från Max 1/order - så långt lagret räcker! 199,- C. Från 179,- Bra och prisvärda underkläder på www.ashild.se A. Framknäppt bh. Formsydd framnknäppt bh som sitter Plånbok och fantastiskt skönt och bekvämt. Brett ryggparti med korslagda sjal. band för bättre support. Fin spets fram. 90% polyamid, 20-0002 0,- 10% elastan. Tvätt 40°. 26-0474 vit B, C, D, E-kupa 75 - 115 cm 299,- B. Stretchtrosa. Spetsinfällning. Välsittande med mjuk resår i midja och benslut. 95% bomull, 5% elastan. Tvätt 60°. 26-0620 vit Stl. 38/40, 42/44 199,-/3-pack Stl. 46/48, 50/52 209,-/3-pack Stl. 54/56, 58/60 219,-/3-pack C Bh-topp. Skålad som en lättare bh. Mjuk micro-fiber utan sömmar ger utmärkt passform. Mycket behaglig. Snabbtorkande. 97% polyamid, 3% elastan. Fintvätt 40°. 26-0124 svart 26-0126 skin 26-0695 vit Stl. 38/40, 42/44 179,- Stl. 46/48, 50/52 189,- Stl. 54/56, 58/60 199,- Uppge kod 20B136A när du beställer! 033 - 41 80 00 www.ashild.se För att betala mot faktura, uppge personnummer. Aviavgift tillkommer med 19,-. I annat fall sänds ditt paket mot postförskott, f.n. 182,-. Lägsta ordervärde: 200,-. Frakt- och expeditionsavgift: 65,-. # 14 dagars returrätt. Fullständiga köpvillkor på www.ashild.se ART. NR STORL. ANTAL VARUSLAG FÄRG PRIS Namn: Frankeras ej Jag har handlat för 300,- och vill utnyttja mitt erbjudande Mottagaren betalar om FRI FRAKT på min order. -
Goddess Pf 1967 Music Credits
music composer Jen Anderson Music Supervisor Christine Woodruff Music engineers Ross Cockle Jen Anderson Music Mixer Ross Cockle Keyboard Programming Jen Anderson All Instruments Played by Jen Anderson except: Marianella Percussion Alex Pertout Shakuhachi & Ocarina Ann Norman Cello Helen Mountford Piano Accordion Mark Wallis Nylon String Guitar & Dan Tranh Michael Livett MUSIC Junk City Written by Rick Brewster/Bob Spencer/Bernard "Doc" Neeson © 1989 Frilanded Pty Ltd/Rondor Music (Used by Permission of Rondor Music (Aust) Pty Ltd)/ Universal Music Publishing Pty Ltd/Empire Music Pty Ltd. (All rights administered by EMI Songs Australia Pty Ltd.) Performed by The Angels Courtesy of Shock Records Piano Sonata in C Minor KV 457 Written by W. A. Mozart Performed by Jeno Jando Courtesy of Naxos Dogs Are Talking Written by Rick Brewster/Bernard "Doc" Neeson/Jim Hilburn/ Brent Eccles/Bob Spencer © 1990 Frilanded Pty Ltd/Rondor Music. (Used by Permission of Rondor Music (Aust) Pty Ltd.)/ Empire Music Pty Ltd (All Rights Administered by EMI Songs Australia Pty Ltd) & EMI Music Publishing Australia Pty Ltd/Universal Music Publishing Pty Ltd/ Rough Cut Music Pty Ltd Performed by The Angels Courtesy of Shock Records Der Fliegende Hollander (The Flying Dutchman) Written by Richard Wagner Performed by Muff/Haubold/Knodt/Seiffert/ Budapest Radio Chorus/ORF Symphony/Steinberg Courtesy of Naxos Walk Don't Run Written by John Smith peermusic Pty Ltd Performed by The Ventures (P) 1960 Liberty Records, a division of EMI Records USA Licensed courtesy of EMI -
THE Austin Chronicle Into Them
FREE APRIL 3, 2020 VOL. 39 • NO. 31 BUT NOT CHEAP paint the town A Guide to Some of Austin’s Most Notable New Murals That You May Have Missed BY ROBERT FAIRES • P.22 Feeding Austin’s Homeless Regenerative Farming: Ackles and Padalecki on Andy Bianculli’s Star Parks During COVID-19 A Love Story 15 years of Supernatural During Dark Days P.16 P.28 P.32 P.37 APRIL 3, 2020 Austin Media Getting the Job Done VOL. 39, NO. 31 I’m not exactly one to grouse about nity relief efforts in Central Texas. Wherever “coastal elites” but it’s New York and Los you get your local news on Friday, you’re like- PUBLISHER Nick Barbaro Angeles papers writing these “the death ly to see a call for donations. If you can spare ASSOCIATE PUBLISHER Cassidy Frazier of local news is nigh” stories, and I for one some change, please consider donating. FREE 22 BUT NOT CHEAP EDITORIAL Cover Story APRIL 3, 2020 VOL. 39 • NO. 31 am pretty ticked off they keep roping The EDITOR Kimberley Jones MANAGING EDITOR James Renovitch CAN’T STOP THE Austin Chronicle into them. We’ve inten- Just a reminder: We’ve gone to a biweek- NEWS EDITOR Mike Clark-Madison MURALS A guide to tionally been transparent with our readers ly printing schedule during this stretch of ASSISTANT NEWS & QMMUNITY EDITOR Beth Sullivan some of Austin’s most ARTS Robert Faires notable new murals that about how we’re doing and what our strat- intense hunkering down at home. -
Programme Notes
Programme Notes Monday 7th June 7.30pm And Then We Danced (15) This vibrant and intense love story set in the world of traditional Georgian dance comes from Swedish filmmaker of Georgian descent, Levan Akin, whose rose-tinted perspective of his family’s homeland was challenged by a disturbing 2013 event in the nation’s capital, Tbilisi. Around 50 LGBTQ+ activists had congregated for a Pride event, and were met with violence as thousands of far-right counter-protesters swarmed to throw stones and beat them up. Horrified, and inspired to present a counter-narrative to the conservative nation’s widely accepted homophobic attitudes, he visited Georgia in 2016 with a camera to interview anyone he could about Georgian society and the experiences of queer youth in the country. The idea for And Then We Danced grew from those meetings, and blossomed into this fictional story of Georgian folk dancer Merab (Levan Gelbakhiani), who has been training since an early age, and comes from a family of dancers. When charismatic newcomer Irakli (Bachi Valishvili) joins his troupe, Merab’s initial concern at having extra competition for an elusive spot with the National Georgian Ensemble soon gives way to feelings of desire towards the other man. What follows is a beautifully handled coming-of-age tale that sets the stifling social values of Tbilisi against the energy and engaging physicality of the dancers, as Merab navigates the competitive world of dance, the demands of working class life, and his sexual awakening in a society that does not welcome it. Akin too navigated many difficulties - in getting the film made (and seen) - but can proudly stand tall for having succeeded in making art that challenges preconceptions of tradition, masculinity, and national identity. -
Index to Volume 29 January to December 2019 Compiled by Patricia Coward
THE INTERNATIONAL FILM MAGAZINE Index to Volume 29 January to December 2019 Compiled by Patricia Coward How to use this Index The first number after a title refers to the issue month, and the second and subsequent numbers are the page references. Eg: 8:9, 32 (August, page 9 and page 32). THIS IS A SUPPLEMENT TO SIGHT & SOUND SUBJECT INDEX Film review titles are also Akbari, Mania 6:18 Anchors Away 12:44, 46 Korean Film Archive, Seoul 3:8 archives of television material Spielberg’s campaign for four- included and are indicated by Akerman, Chantal 11:47, 92(b) Ancient Law, The 1/2:44, 45; 6:32 Stanley Kubrick 12:32 collected by 11:19 week theatrical release 5:5 (r) after the reference; Akhavan, Desiree 3:95; 6:15 Andersen, Thom 4:81 Library and Archives Richard Billingham 4:44 BAFTA 4:11, to Sue (b) after reference indicates Akin, Fatih 4:19 Anderson, Gillian 12:17 Canada, Ottawa 4:80 Jef Cornelis’s Bruce-Smith 3:5 a book review; Akin, Levan 7:29 Anderson, Laurie 4:13 Library of Congress, Washington documentaries 8:12-3 Awful Truth, The (1937) 9:42, 46 Akingbade, Ayo 8:31 Anderson, Lindsay 9:6 1/2:14; 4:80; 6:81 Josephine Deckers’s Madeline’s Axiom 7:11 A Akinnuoye-Agbaje, Adewale 8:42 Anderson, Paul Thomas Museum of Modern Art (MoMA), Madeline 6:8-9, 66(r) Ayeh, Jaygann 8:22 Abbas, Hiam 1/2:47; 12:35 Akinola, Segun 10:44 1/2:24, 38; 4:25; 11:31, 34 New York 1/2:45; 6:81 Flaherty Seminar 2019, Ayer, David 10:31 Abbasi, Ali Akrami, Jamsheed 11:83 Anderson, Wes 1/2:24, 36; 5:7; 11:6 National Library of Scotland Hamilton 10:14-5 Ayoade, Richard -
Loft-Film-Fest-2019-Program.Pdf
GET YOUR TICKETS LOFT FILM FEST SPONSORS FILM FESTIVAL BADGE TITLE SPONSORS General: $180 Loft Members: $150 FILMS General: $12 Loft Members: $10 OFFICIAL FEST SITE LoftFilmFest.org SCREENINGS TAKE PLACE AT The Loft Cinema 3233 E. Speedway Blvd. Tucson, AZ 85716 PRESENTING SPONSORS CONTACT [email protected] (520) 795-0844 FULL SCHEDULE ON PAGES 12-13 LOFT FILM FEST STAFF FESTIVAL EXECUTIVE DIRECTOR OFFICIAL HOTEL OF OFFICIAL BEER OF Peggy Johnson LOFT FILM FEST LOFT FILM FEST FESTIVAL DIRECTORS J.J. Giddings, Jeff Yanc MANAGING DIRECTOR Zach Breneman FESTIVAL PROGRAMMING CONSULTANTS Cassie Ramirez Breneman, Anthony Cutrone, Christine Hill, Debi Chess Mabie, Max McCauslin, SUPPORTING SPONSORS Mike Plante, Ernie Quiroz, Nikki Sanchez, VR Consultant Eric Carr FINANCE DIRECTOR Jonathan Kleefeld MARKETING/DESIGN Ben Mackey, Matt McCoy SPONSORSHIP DIRECTOR Amber Kleefeld PROGRAM SPONSORS DIRECTOR OF EDUCATION & ENGAGEMENT Shawna Dacosta GUEST RELATIONS Anthony Cutrone, Shawna Dacosta, Ben Mackey, Daniela Ontiveros, Emily Quinn DIRECTOR OF THEATRE OPERATIONS FILM SPONSORS Jason Denholm Anonymous, Max McCauslin, Hal Melfi, Patricia & John Whitehill, OPERATIONS MANAGER University of Arizona School of Theatre, Film & Television, Joe Tarver, Brenda Rodriguez Claire Scheuren ASSISTANT MANAGERS Marcel Jeanisse, Madeline McClure, Candace Ripley, IN-KIND DONATIONS Pedro Robles-Hill, A.J. Simon Old Pueblo Trolley , Proud Source H2O THE LOFTY ACHIEVEMENT AWARD The Loft Film Fest is awarding two Lofty Awards this year. The Lofty is presented each year at the Loft Film Fest to an individual whose career and body of work have significantly contributed to the world of cinema, and who continues to The Loft Film Fest was proud to receive a $20,000 Art inspire, entertain and enlighten audiences. -
The Coordinator's Report on the ELT Project in Los Angeles: Educational
EOCUMENT RESUME ED 045 641 24m TE 002 128 AUTHOR Stern, Hans Georg TITLE The Coordinatorls Report on the ELT Project in Ics Angeles; Educational Laboratory Theatre Project, 1966-70. Final Report. INSTITUTICN Central Midwestern Regional Educational Lab., St. Ann, Mo. SPONS AGENCY Office of Education (DHEW), Washington, D.C. Bureau of Research. BUREAU NO ER-7-0310 PUB DATE 70 CONTFACT CEC-3-7-07C310-1605 NOTE 183p.; Volume 3 AVAILABLE FECM Verna Smith, CEMPEL, Inc., 10646 St. Charles Rock Road, St.Ann, Mo. 63074 ($1.85) EDRS PRICE EDRS Price MF-$0.75 HC Not Available from EDPS. DESCRIPTORS *Attitudes, Cultural Activities, Dramatics, *Experimental Programs, Instructional Materials, Program Costs, Program Development, *Program Evaluation, Race Relations, *Secondary Education, Student Behavior, Student Reaction, Teacher Attitudes, *Theater Arts, Urban Schools IDENTIFIERS *Educaticnal Laboratory Theatre Project, Los Angeles ABSTRACT This third of fcur volumes of the final report cn the Educational Labcratory Theatre (ELT) Project provides an on-the-scene account of the Project1s history at its Los Angeles site, from the pcint of view of the school-system people involved. Useful to planners of future cultural programs in its presentation of the practical difficulties of operating such a program in the context of a large urban school system, this volume recounts the planning of the Project, discusses the financial and contractual aspects of the Project, reviews the curriculum and inservice education program, assesses student and teacher reaction to the plays and the Project, and provides a statistical summary, conclusion, and some recommendaticns for the future. Appendices include the 1967-68 and 19E8-69 ccntracts between the school district and the Inner City Cultural Center, a sample poster, and a summary of the September 22, 1969 ELT meeting.(See also TE 002 12E, TE 002 127, and TE 002 129.) (MF) /3/? 7 -b3,0 U.S. -
Experience Music, Discover Ideas
University of Pittsb U r g h Winter 2010–11 Volume 7, issue 3 Department of m u s i c : Experience Music, Discover Ideas “Music is the universal language of mankind.” Students interested in continuing their music education have Henry Wadsworth Longfellow been steadily increasing. Since 2004, the number of double majors has tripled, with 60 percent of all music undergraduates Or is it? According to ethnomusicologist John Blacking, a declaring a double or triple major. Students combine music former Andrew W. Mellon Professor of Music at Pitt, “Music with majors as diverse as business, mathematics, neuroscience, is not a universal language. … Musical systems are more physics, political science, computer engineering, and esoteric and culture-specific than any verbal language.” English literature. Around the world, a wide cross section of music emanates from The department encourages students to participate in a wide iPods, radios, and computers as people begin and end their day variety of performance activities, including private lessons, listening to music. Televisions are faithfully set to record the concerts, and ensembles. “The performance opportunities that the next episode of the smash musical drama series Glee or a variety Department of Music offers just do not exist at competing colleges of music and dance reality shows. Music plays in concert halls, and universities because those institutions have music schools churches, schools, grocery stores, department stores, offices, and that reserve ensemble enrollment for the core music majors,” elevators. Music is everywhere, woven into the very fabric of our explains Rosenblum. “The talent in our ensembles is some of the lives, but is it in fact a universal language transcending cultural, best I have ever encountered, intellectually and musically, from all religious, and political beliefs? departments.