DOCSLIB.ORG

Place and Culture in Identity Construction and Negotiation: the Case of Hong Kong

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Place and Culture in Identity Construction and Negotiation: the Case of Hong Kong Place and Culture in Identity Construction and Negotiation: The Case of Hong Kong by Carmut Me B.Sc. University of California at Davis, 2010 A THESIS SUBMITTED IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DUAL DEGREE OF MASTER OF ARTS IN ASIA PACIFIC POLICY STUDIES AND MASTER OF ARTS IN PLANNING in The Faculty of Graduate and Postdoctoral Studies The University of British Columbia (Vancouver) December, 2017 ©Carmut Me, 2017 Abstract Identity, a contested subject in postcolonial and global cities, is discussed in this thesis as a construct that is represented in the processes of cultural production and consumption of “places”. The postcolonial global city is where identities and cultures blend and contradict, and also where new identities and cultures arise. Portrayed as a space of “in-between” - not entirely “Western” nor exclusively Chinese, Hong Kong demonstrates the complexities of multiple global cultural flows mixing with local and national aspirations of identity. Exactly at a time when the new government and citizens are grasping the identity and culture that is unique to Hong Kong, it threatens to “disappear” in a political and cultural sense (Abbas, 1997). The struggles to define Hong Kong’s identity are exemplified in the outcomes and negotiations of the city’s spatial processes – urban development, renewal, and heritage preservation. Two cases in the cultural production of space are investigated. As studies in contrast: the grand development of the to-be international arts destination West Kowloon Cultural District that symbolizes Hong Kong’s global aspiration, and the local residents’ struggle for the preservation of Wing Lee Street representing the values of Hong Kong’s working class. The narratives of identity projected by those in power (elites, states, markets) are found to contradict with how Hong Kong people identify themselves and their city, and these contradictions are demonstrated in the place negotiations in the city. ii Lay Summary The identity of Hong Kong is shown in its unique places and culture, but this identity is mixed and complex. Hong Kong is going through a time of change that is sparked by the city’s reunion with China. While the Government of Hong Kong tries to keep Hong Kong’s status in the world by creating world-class arts facilities, local people want to protect familiar places that they connect with. The two cases in this study are the development of West Kowloon Cultural District and the protection of Wing Lee Street. By exploring these two contrasting cases, I show how the creation of new places and the protection of old places can disrupt or strengthen the identity of a city and its residents. iii Preface This thesis is an original work by Carmut Me. No part of this thesis has been previously published. iv Table of Contents Abstract ....................................................................................................................................... ii Lay Summary ............................................................................................................................ iii Preface ........................................................................................................................................ iv Table of Contents ..................................................................................................................... v List of Figures .......................................................................................................................... vii List of Abbreviations .......................................................................................................... viii Acknowledgements ................................................................................................................ ix Chapter 1 .................................................................................................................................... 1 1.1 Introduction ................................................................................................................................. 1 1.2 Scope and Research Questions .............................................................................................. 6 1.3 Method ........................................................................................................................................... 7 1.4 Limitations ................................................................................................................................ 13 1.5 Organization of This Thesis ................................................................................................. 14 Chapter 2 Understanding Identity, Culture and Place ............................................. 17 2.1 The Reflexive Relationship Between Place and Identity ........................................... 17 2.2 Reading the City ....................................................................................................................... 19 2.2.1 Spatial forms, symbolism and cultural identity ................................................................... 19 2.2.2 Memory, heritage and symbolism in the everyday spaces .............................................. 21 2.3 Multiplicity, Tensions and Contestations ........................................................................ 23 2.3.1 Place and power; counter-hegemonic place-making ......................................................... 24 v Chapter 3 Globalization and Cultural Cities ................................................................ 28 3.1 Globalization: Effects on Urban Spaces and Identity ................................................... 29 3.2 Cultural Cities in the Context of Globalization .............................................................. 33 3.3 Contradictions in the Cultural City .................................................................................... 35 Chapter 4 Hong Kong: Identity, Culture and Space ................................................... 40 4.1 The “Hong Kong Success Story” and Dominant Narratives ....................................... 40 4.2 Dismantling Dominant Narratives .................................................................................... 45 4.3 A Search for Identity Amidst Transformation ............................................................... 48 Chapter 5 Crafting 21st Century Hong Kong as “Asia’s World City” ...................... 52 5.1 A New Identity .......................................................................................................................... 52 5.2 West Kowloon Cultural District .......................................................................................... 55 Chapter 6 Contesting Identities, Nostalgia and Making Heritage ......................... 61 6.1 Post-97 Heritage Preservation Movement ..................................................................... 61 6.2 Wing Lee Street ........................................................................................................................ 63 Chapter 7 ................................................................................................................................. 73 7.1 Conclusions and Implications ............................................................................................. 73 7.2 Challenges and Recommendations for Policy and Planning Practice ................... 75 7.3 Recommendations for Further Research ........................................................................ 79 7.4 Final Remarks ........................................................................................................................... 81 Bibliography ........................................................................................................................... 83 vi List of Figures Figure 1. Aerial view of WCKD project under construction, on 40 hectares of prime waterfront land ....................................................................................................................... 56 Figure 2. Architectural rendering of M+ modern art museum ..................................... 58 Figure 3. Map of Wing Lee Street (URA) ................................................................................ 66 Figure 4. Scene in “Echoes of the Rainbow” depicting 1960s working class lifestyle and the outdoor terrace of Wing Lee Street. .............................................................. 68 Figure 5. The original tong-lau structures before restoration ..................................... 68 Figure 6. Restored tong-lau buildings in 2011 .................................................................... 72 vii List of Abbreviations DEVB Development Bureau Government, the The Government of Hong Kong HAB Home Affairs Bureau HKSAR Hong Kong Special Administrative Region PRC People’s Republic of China URA Urban Renewal Authority WKCD West Kowloon Cultural District viii Acknowledgements I would like to express my deepest gratitude to Dr. Thomas Hutton, my insightful and encouraging supervisor whose thoughtful and constructive criticism furthered my intellectual pursuit; without his guidance, it would have been impossible to complete this endeavour. His enthusiasm, patience and kindness, from start to finish, through the many iterations of this paper and sessions with cappuccinos and doughnuts are tremendously appreciated. I would like to extend warmest thanks to Dr. Leonora Angeles, who provided me with unwavering support and invaluable
Load more

Recommended publications
  • Proposed Road Improvement Works in West Kowloon Reclamation Development Phase I
    Proposed Road Improvement Works in West Kowloon Reclamation Development Phase I Project Profile (Report No. 276799/11.01/B) August 2011 Highways Department, HKSAR Government Proposed Road Improvement Works in West Kowloon276799 ReclamationTNI Development BRI 096/03 B P:\Hong Kong\ENL\PROJECTS\276799(BRI) West Kowloon Road Phase I Impr\reports\PP\Project Profile RevA doc 01 December 2009 Schemes H, I, J, Q (Interim Option) and Improvement Works at the Junction of Canton Road/ Ferry Street/ Jordan Road Project Profile August 2011 Highways Department 6/F., Homantin Government Offices, 88 Chung Hau Street, Homantin, Kowloon Mott MacDonald, 20/F, Two Landmark East, 100 How Ming Street, Kwun Tong, Kowloon, Hong Kong T +852 2828 5757 F +852 2827 1823 W www.mottmac.com.hk Phase I Project Profile Issue and revision record Revision Date Originator Checker Approver Description A June 2011 Various Eric Ching H. T. Cheng First Issue B August 2011 Various Eric Ching H. T. Cheng Second Issue This document is issued for the party which commissioned it We accept no responsibility for the consequences of this and for specific purposes connected with the above-captioned document being relied upon by any other party, or being used project only. It should not be relied upon by any other party or for any other purpose, or containing any error or omission used for any other purpose. which is due to an error or omission in data supplied to us by other parties This document contains confidential information and proprietary intellectual property. It should not be shown to other parties without consent from us and from the party which commissioned it.
    [Show full text]
  • (WKCD) Development M+ in West Kowloon Cultural District
    WKCD-546 Legislative Council Subcommittee on West Kowloon Cultural District (WKCD) Development M+ in West Kowloon Cultural District Purpose This paper seeks to give a full account of the proposal to develop a forward-looking cultural institution with museum functions - M+ as a core arts and cultural facility in the West Kowloon Cultural District (“WKCD”). Background 2. In September 2003, the Government launched the “Invitation for Proposals” (“IFP”) for developing WKCD as a world-class arts, cultural, entertainment and commercial district. The IFP had specified a cluster of four museums with four themes (moving image, modern art, ink and design) commanding a total Net Operating Floor Area (“NOFA”) of at least 75 000 m², and an art exhibition centre as Mandatory Requirements of the project. 3. After the IFP for WKCD was discontinued, the Government appointed the Museums Advisory Group (“MAG”) under the Consultative Committee on Core Arts and Cultural Facilities of WKCD in April 2006 to advise on the need for the four museums previously proposed and their preferred themes, the need to include museums with other themes, the scale and major requirements of each museum and the need for and major specifications of the Art Exhibition Centre. MAG’s deliberations process 4. The MAG conducted a public consultation exercise from mid-May to mid-June 2006 to solicit views on the proposed museum in WKCD. During the period, two open public forums, one focus group meeting and three presentation hearings were held apart from wide publicity arranged through advertisements, radio announcements, press release and invitation letters. 28 written submissions and 30 views were received during the consultation period.
    [Show full text]
  • The Globalization of Chinese Food ANTHROPOLOGY of ASIA SERIES Series Editor: Grant Evans, University Ofhong Kong
    The Globalization of Chinese Food ANTHROPOLOGY OF ASIA SERIES Series Editor: Grant Evans, University ofHong Kong Asia today is one ofthe most dynamic regions ofthe world. The previously predominant image of 'timeless peasants' has given way to the image of fast-paced business people, mass consumerism and high-rise urban conglomerations. Yet much discourse remains entrenched in the polarities of 'East vs. West', 'Tradition vs. Change'. This series hopes to provide a forum for anthropological studies which break with such polarities. It will publish titles dealing with cosmopolitanism, cultural identity, representa­ tions, arts and performance. The complexities of urban Asia, its elites, its political rituals, and its families will also be explored. Dangerous Blood, Refined Souls Death Rituals among the Chinese in Singapore Tong Chee Kiong Folk Art Potters ofJapan Beyond an Anthropology of Aesthetics Brian Moeran Hong Kong The Anthropology of a Chinese Metropolis Edited by Grant Evans and Maria Tam Anthropology and Colonialism in Asia and Oceania Jan van Bremen and Akitoshi Shimizu Japanese Bosses, Chinese Workers Power and Control in a Hong Kong Megastore WOng Heung wah The Legend ofthe Golden Boat Regulation, Trade and Traders in the Borderlands of Laos, Thailand, China and Burma Andrew walker Cultural Crisis and Social Memory Politics of the Past in the Thai World Edited by Shigeharu Tanabe and Charles R Keyes The Globalization of Chinese Food Edited by David Y. H. Wu and Sidney C. H. Cheung The Globalization of Chinese Food Edited by David Y. H. Wu and Sidney C. H. Cheung UNIVERSITY OF HAWAI'I PRESS HONOLULU Editorial Matter © 2002 David Y.
    [Show full text]
  • Kowloon Area - West Kowloon
    REPS Kowloon Area - West Kowloon West Kowloon West Kowloon Lai Chi Kok Tsing Yi Tsing Yi Lai Chi Kok Kai Tak Tai Kok Tsui Tseung Kwan O West Kowloon Olympic City Hung Hom Lohas Park Tsim Sha Tsui West Kowloon Kowloon Station West Kowloon Austin 개요: 1. Kowloon Station 2. Austin 3. Olympic 4. Lai Chi Kok 5. Tsing Yi 2 www. repshk.com Tel: 2997 4866 [email protected] Copyright © REPS HK All rights reserved REPS Kowloon 지역 – West Kowloon 1. Kowloon Station a. The Waterfront Transaction Records Address 가격 Saleable Area Reg. Date B Lower Floor TOWER 6 PHASE 2 (Lease)$41,000 1076s.f. 21/05/2020 B Upper Floor TOWER 3 PHASE 1 (Lease)$31,000 794s.f. 20/05/2020 D Middle Floor TOWER 7 PHASE 2 (Lease)$50,000 1127s.f. 15/05/2020 F Lower Floor TOWER 2 PHASE 1 (Lease)$32,500 794s.f. 15/05/2020 D Middle Floor TOWER 2 PHASE 1 (Lease)$33,000 934s.f. 1/5/2020 E Upper Floor TOWER 1 PHASE 1 (Lease)$35,000 948s.f. 1/5/2020 F Lower Floor TOWER 6 PHASE 2 (Lease)$34,000 943s.f. 8/4/2020 A Upper Floor TOWER 7 PHASE 2 (Lease)$37,000 936s.f. 1/4/2020 준공 년도: 2000 최고 층수: 43/F Unit Plan 크기 가격 범위 세대 수: 1,288 units 방 2, 화장실 2 630 35,000 렌트 가격대: 35k-180k 유닛 크기: 630-2,011 방3, 화장실 1-3 794-1127 38,000-65,000 방4- 5, 화장실 2-3 1,987-2,011 120,000-180,000 b.
    [Show full text]
  • TFK/02/2017 on 14 February 2017
    Task Force on Harbourfront Developments in Kowloon, Tsuen Wan and Kwai Tsing For discussion TFK/02/2017 on 14 February 2017 The Development of Hong Kong Palace Museum in the West Kowloon Cultural District PURPOSE This paper contains information on the proposed Hong Kong Palace Museum (“HKPM”). BACKGROUND 2. The proposed development of HKPM in the West Kowloon Cultural District (“WKCD”) will be a unique collaborative arrangement between the West Kowloon Cultural District Authority (“WKCDA”) and the Palace Museum under which the exquisite collection of the Palace Museum will be loaned to HKPM for display on a long-term basis and in a more in-depth and comprehensive manner. The building of a new world-class museum dedicated to the display and interpretation of artefacts from the renowned Palace Museum is a significant addition to the cultural fabric of WKCD. Being the second major museum in WKCD, HKPM will enhance the cultural offering and greatly increase WKCD’s attractiveness as a cultural destination. Focusing on traditional Chinese culture, HKPM will add to WKCD’s diverse mix of programmes and activities, thereby enabling it to attract visitors of all ages and backgrounds, both locally and from outside Hong Kong. 3. Sitting across the Art Park from M+, HKPM will complement M+ as a museum of 20th and 21st century visual culture, allowing visitors to explore in close proximity arts and culture of both the contemporary and the ancient. It will also reinforce WKCD’s cultural offering of traditional Chinese art, with the Xiqu Centre located at the eastern end of WKCD focusing on performing art (Chinese opera) and HKPM at the western end Task Force on Harbourfront Developments in Kowloon, Tsuen Wan and Kwai Tsing TFK/02/2017 showcasing precious artefacts and artworks of the Palace Museum.
    [Show full text]
  • West Kowloon Cultural District Authority E-Newsletter
    West Kowloon Cultural District Authority ­ Stage 3 Public Engagement Exercise Sunday Monday Tuesday Wednesday Thursday Friday Saturday Launch of Stage 3 PE September Week 1 Exhibition & Guided Tours for public 2011 WKCD Site Hong Kong Heritage Discovery Hong Kong Heritage Discovery Centre (Tsim Sha Tsui) Centre (Tsim Sha Tsui) 25 26 27 28 29 30 1 Art & Culture Seminar (Theatre) Art & Culture Seminar (Dance) WKCD Development Plan Art & Culture Seminar (Xiqu) Art & Culture Seminar (Music & Town Hall Meeting for Yau Tsim at WKCDA Office at WKCDA Office Presentation (1) at WKCDA Office Popular Music) Mong Community Leaders & at Lecture Hall, Hong Kong Heritage at WKCDA Office Residents Discovery Centre at Hall, Mong Kok Community Hall (Sign language interpretation Week 2 WKCD Development Plan Presentation (2) at Lecture Hall, Hong Kong Heritage Exhibition & Guided Tours for public Exhibition & Guided Tours for public Hong Kong Heritage Discovery Hong Kong Heritage Discovery Hong Kong Heritage Discovery Hong Kong Heritage Discovery Hong Kong Heritage Discovery Hong Kong Heritage Discovery Centre (Tsim Sha Tsui) Centre (Tsim Sha Tsui) Centre (Tsim Sha Tsui) Centre (Tsim Sha Tsui) Centre (Tsim Sha Tsui) Centre (Tsim Sha Tsui) 2 345 678 Art & Culture Seminar (Arts M+ Stakeholders Roundtable M+ Stakeholders Roundtable Education) Discussion (1) Discussion (2) at WKCDA Office at WKCDA Office at WKCDA Office Week 3 Exhibition & Guided Tours for public Exhibition & Guided Tours for public October Hong Kong Heritage Discovery Hong Kong Heritage Discovery
    [Show full text]
  • Paper on the Development of Hong Kong Palace Museum
    立法會 Legislative Council LC Paper No. CB(1)668/19-20(05) Ref : CB1/PS/2/16 Joint Subcommittee to Monitor the Implementation of the West Kowloon Cultural District Project Meeting on 1 June 2020 Updated background brief on the development of Hong Kong Palace Museum Purpose 1. This paper provides background information on the Hong Kong Palace Museum ("HKPM") project in the West Kowloon Cultural District ("WKCD"). It also summarizes the views and concerns expressed by Members on the subject at meetings of the Joint Subcommittee to Monitor the Implementation of the West Kowloon Cultural District Project ("the Joint Subcommittee") and relevant committees of the Legislative Council ("LegCo") since January 2017. Background 2. On 23 December 2016, the West Kowloon Cultural District Authority ("WKCDA") announced the signing of a Memorandum of Understanding of Cooperation ("MOU") between WKCDA and the Palace Museum in Beijing to launch a new museum in WKCD with long-term loans from the Palace Museum.1 Under this special arrangement, HKPM will be established by WKCDA as a new focal point of WKCD for displaying the visual culture of historical Chinese art from the imperial courts. The Hong Kong Jockey Club Charities Trust has agreed to donate $3.5 billion to fund the capital cost of the project, covering design, construction and exhibition development cost. HKPM will occupy part of the site originally reserved for the co-located Mega 1 A copy of the MOU (Chinese version only) is given at Annex B to LC Paper No. CB(2)544/16-17(01). - 2 - Performance Venue ("MPV") and Exhibition Centre ("EC").2 Its location is shown on the schematic plan of WKCD facilities in Appendix I.
    [Show full text]
  • Missing the Trend. Hong Kong As a Latecomer in Creativity-Led Urban Development
    Corso di Laurea magistrale Lingue e Istituzioni Economiche e Giuridiche dell'Asia e dell'Africa Mediterranea Tesi di Laurea Missing the trend. Hong Kong as a latecomer in creativity-led urban development. Cultural and Creative Industries (CCI) in Hong Kong. Relatore Prof. Fabrizio Panozzo Laureando Benedetta Tavecchia Matricola 987023 Anno Accademico 2013 / 2014 1 To Maria Giulia 2 I am enormously grateful to my Family for supporting me, to my thesis supervisor Fabrizio Panozzo for the great opportunity which was offered to me and to a number of people who supported my research in Shenzhen, China. I am particularly thankful to Xiaodu Liu, Yan Meng, Tat Lam, Travis Bunt, Jason, Camilla Costa, Anna Laura Govoni for inspiring me during many discussion in the office. My work has greatly benefited from the collaboration with all Urban Research Bureau staff that I would like to thank for their encouragement, this thesis would not have happened without your help in translations, interviews, graphics and materials. A special thanks goes to my family and friends, thank you for being able to stay close despite many years spent travelling: Gianluca, Silvana, Giulia, Federica, Maria Luisa, Stefania, Claudia, Roberto, Paolo, Kikki and Fiammetta. Thank you very much Judith for the great life lesson you gave me and also for giving me children's classrooms to study during summer nights spent at Caef. Finally, a special thank to my sister Maria Giulia for being an incomparable sister and also best friend and mother. A better sister I could not have deserve. I dedicate this degree to my family, from this moment I start my own life.
    [Show full text]
  • 慈善及社區項目，捐款總額達76億港元。 Now Deepening Its Role
    Charities 慈善 © C h a r le s T a n dy The Hong Kong Jockey Club contributes to the betterment of The Club donates 94% of its annual society both directly and through The Hong Kong Jockey Club operating surplus after tax to the Charities Charities Trust. In 2015/16, the Trust was one of the world’s top Trust. Its support covers ten areas of need: ten charity donors. arts, culture and heritage; education and training; elderly services; emergency and In 2016/17, the Trust approved HK$4.1 billion to support 215 poverty relief; environmental protection; charitable and community projects. To mark the 20th Anniversary family services; medical and health; of the Hong Kong Special Administrative Region it also made a rehabilitation services; sports and recreation; special donation of HK$3.5 billion towards the construction of the and youth development. Full details of Hong Kong Palace Museum. In all, total Trust donations in 2016/17 Charities Trust donations this year can were HK$7.6 billion to 216 charitable and community projects. be found on pages 109-124 of the Financial Report. 馬會直接及透過香港賽馬會慈善信託基金，一直為建設更美好社會作出 貢獻。2015/16年度，馬會位列全球十大慈善捐助機構。 Creating Impact 2016/17年度，慈善信託基金已審批41億港元捐款，支持215個慈善及 Alongside the growth in its charitable giving, and in response to new and emerging 社區項目。基金亦以35億港元的特別捐款支持成立「香港故宮文化博物 needs, both within the community and 館」，紀念香港特別行政區成立20週年。因此，基金於2016/17年度共 amongst its partner agencies, the Trust is 支持216個慈善及社區項目，捐款總額達76億港元。 now deepening its role. In particular, while continuing to serve the broad range of community needs, the Trust is focusing on four areas – youth; the elderly; sports; and arts, culture and heritage.
    [Show full text]
  • Representations of Hong Kong's West Kowloon Cultural District by Local
    Southeast Asia: A Multidisciplinary Journal, Vol 18, 2018, pp 44–54 © FASS, UBD Representations of Hong Kong’s West Kowloon Cultural District by Local English Newspapers Benny Lim The Chinese University of Hong Kong Abstract To enhance cultural development in Hong Kong, the idea of West Kowloon Cultural District (WKCD) was mooted in 1998. WKCD is the biggest and most important arts and culture project by the Hong Kong government to date. This paper seeks to examine how Hong Kong newspapers have reported on WKCD since the inception of the Authority in 2008. The purpose of this research is to identify the common issues on WKCD as reported by the newspapers, in order to deduce the possible effects of news reporting on the public perceptions of the district. This study employs the concept of agenda-setting theory in its theoretical approach on how newspapers direct attitudes towards a particular issue. A total of 744 news reports from three local English newspapers bearing the keywords West Kowloon Cultural District and WKCD were subjected to content analysis, of which 576 relevant articles are further classified into seven categories. To better achieve the research objective, semi-structured interviews were carried out with two specialists. Research revealed that the majority of the news coverage of WKCD focuses on political issues, rather than the arts and culture. Further analysis uncovered two major reasons for this focus. First, political issues are generally more newsworthy than arts and culture, and politics-oriented coverage gives WKCD more editorial space in the news media. Second, centering politics in the reporting of WKCD functions as a way to articulate to the public the power of the media to monitor the government.
    [Show full text]
  • Governance Models for Cultural Districts
    Governance Models for Cultural Districts A Report by James Doeser and Anna Marazuela Kim Commissioned by the Global Cultural Districts Network GOVERNANCE MODELS FOR CULTURAL DISTRICTS GCDN Contents 4 Foreword 7 Executive Summary 10 Introduction 13 Approaches to governance in cultural districts 20 Income, expenditure, representation and decision-making in cultural districts 24 Case Study: QUARTIER DES SPECTACLES MONTREAL 27 Case Study: WEST KOWLOON CULTURAL DISTRICT 30 Case Study: EXHIBITION ROAD CULTURAL GROUP 34 Case Study: 22@ BARCELONA 38 Case Study: DALLAS ARTS DISTRICT 42 Case Study: MUSEUMSQUARTIER WIEN 45 Putting the results in context 48 Best practice in district governance 51 Conclusion 54 Appendix 1: Methodology 62 Appendix 2: References 64 Appendix 3: Acknowledgements GOVERNANCE MODELS FOR CULTURAL DISTRICTS GCDN This report was commissioned by the Global Cultural Districts Network (GCDN). We are grateful for the input and advice from our members and other contributors. About the authors Dr James Doeser is a freelance researcher, writer and consultant based in London. He works with artists, cultural organisations and policymakers in the UK and overseas to apply rigorous research to the development of policy, strategy and programmes of activity. Until 2013 he was a senior researcher at Arts Council England. He is currently on the advisory board of the journal, Cultural Trends, an Honorary Research Associate at the UCL Institute of Archaeology and a Research Associate at King’s College London (with whom he has published major reports on the history of arts and young people and culture in the service of soft power at the United Nations). Dr Anna Marazuela Kim is an art and architectural historian, independent scholar and research fellow of the Thriving Cities Lab at the Institute for Advanced Studies in Culture at the University of Virginia, where she advances research on the role of art and aesthetics in civic thriving.
    [Show full text]
  • Copyright 2018 Department of Fine Arts, the Chinese University of Hong Kong
    公眾議題 • Public Issues g. on K g on f H o ity rs ve ni U se ne hi C e Th s, rt A e in f F t o en tm ar ep D 8 01 2 ht ig yr op C 316 West Kowloon Cultural District g. on K g on f H o ity rs ve ni U se ne hi West Kowloon Cultural District C e h On December 22, 2016, then Chief Secretary for Administration, Carrie Lam, told the press at the Hong Kong International T Airport before her trip to Beijing that “there will be a collaborative cultural project between Hong Kong SAR Government and , Palace Museum, Beijing.” ts be built in West Kowloon Cultural District. It will be operated and managed by West Kowloon Cultural District Authority (WKCDA/ r Authority). A exhibition planning expenses will be supported by a donation of HK$3.5 billion from the Hong Kong Jockey Club Charities T e The majority of Hong Kong2 people only learnt about HKPM project as it was announced. In the society there was mixed opinions HKPM will display artifacts from the imperial collection of the Palace Museum, Beijing. n on the fact that the collaboration decision had been made in the absence of public consultation. Controversy was thus stirred up in i 1 f F the Legislative Council, the political circle, among arts Then, practitioners, on the following and the day, public. she announced in Beijing that “Hong Kong Palace Museum” (HKPM) would o On June 29, 2017, a Collaborative Agreement was signed by the WKCDA and the Palace Museum, Beijing on the development of the HKPM, nt Information: 3 e scheduled to complete in 2022.
    [Show full text]