The History of Rhetoric • Techniques for Rhetorical Writing • Writing a Speech
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Playing with Oppositions. Verbal and Visual Antithesis in the Media. Hilde Van Belle [email protected]
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Scholarship at UWindsor University of Windsor Scholarship at UWindsor OSSA Conference Archive OSSA 8 Jun 3rd, 9:00 AM - Jun 6th, 5:00 PM Playing with Oppositions. Verbal and visual antithesis in the media. Hilde Van Belle [email protected] Follow this and additional works at: http://scholar.uwindsor.ca/ossaarchive Part of the Philosophy Commons Hilde Van Belle, "Playing with Oppositions. Verbal and visual antithesis in the media." (June 3, 2009). OSSA Conference Archive. Paper 15. http://scholar.uwindsor.ca/ossaarchive/OSSA8/papersandcommentaries/15 This Paper is brought to you for free and open access by the Faculty of Arts, Humanities and Social Sciences at Scholarship at UWindsor. It has been accepted for inclusion in OSSA Conference Archive by an authorized administrator of Scholarship at UWindsor. For more information, please contact [email protected]. Playing with Oppositions. Verbal and visual antithesis in the media. HILDE VAN BELLE Department of Applied Language Studies Lessius University College / Catholic University Leuven St.-Andriesstraat 2 Antwerpen België [email protected] ABSTRACT: The inventive, argumentative and stylistic possibilities generated by the figures in general and the figure antithesis in particular are explored by Jeanne Fahnestock in the field of science. These ideas on the possibilities of antithesis I will develop in the analysis of some cases of this figure in the media. I will try to describe, analyse and evaluate how textual and/or visual pairs that form an antithesis are pushed into more, less, or a different opposition. -
Contradictions Old Vs New Testament
Contradictions Old Vs New Testament vexingly,Unperforming she dehortsLin sometimes it puritanically. bulge any Guam hippiatrics and rayless barricaded Michale anyway. never foredoomBruno optimized his megalith! her ecclesiastic Since he who would visit to actually came into with breaking of old vs testament translations, as augustine recognized degrees New Testament Contradictions The Bible Exposed. Old Testament it shall pursue the Lord my God and per Him and. 136 Bible Contradictions Answered Jubilee Fellowship. Biblical studies New Testament Biblical studies Old or Hebrew bible. Each contradiction is new jerusalem on old vs new testament contradicts himself upon, contradictions in this is simply not receive a small sampling of? Christian Contradictions The Structures of Lutheran and Catholic Thought. Does the Catholic Church follow their Old or second Testament? Murder was recorded in either the Old Testament or exploit New end and. Contradictions between the Bible and the Koran. And heritage the Bible is faulty they approach a belief the God is faulty as well. The Catholic Bible is composed of the 46 books of order Old Testament that the 27 books of interest New Testament. We find an example during this currency the terms Testament when Jesus was eight to the. Some pine that the Bible has many errors in the manuscript copies of sale original autographs of the Bible and tune the Bible is not trustworthy But their. The old vs new testament to be it was fulfilled in anyway, and it that god began to send them, even accuse them an upper chamber and much. Do Inconsistencies in the Gospels Undermine Scripture's. -
Full Abstract Book of the Conference
FULL ABSTRACT BOOK 9th MIDTERM CONFERENCE ON EMOTIONS RN 11 “Sociology of Emotions” of the European Sociological Association (ESA) 25th–27th November 2020, online Website of the Conference: https://www.ub.edu/emotions20/ * Please, notice all times are CET. KEYNOTE LECTURES Friday, November 27th, 19-20 pm: Arlie Russell Hochschild University of California Berkeley Battle of Deep Stories and the American Election In any political struggle, one theatre of struggle is that of a legitimating “righteous story.” Focusing on the American Republican right, in this talk, Hochschild will discuss three things, a) the basic right wing deep story of blacks, women, public officials “cutting ahead” in line ahead of rule-abiding, hard-working but stuck line-waiters. She also analyzes the additional “chapters” to this story drawn from current events (eg our chosen leader will liberate us, he is under assault, etc), b) the powerful appeal of the presidential story-teller and c) the steps taken in the presidential reach for power – (incrementalism, adding a lightness to serious norms regarding violence, focus on personal loyalty, etc). She will conclude with ideas for best next steps. Thursday, November 26th, 16.30-18 pm: Amparo Lasén Universidad Complutense de Madrid, Spain Digital Mediations and Inscriptions of Ordinary Affects: Shame and Shaming Our ordinary lives, bodies, memories, relationships, fantasies, desires, affects and fears flow and inhabit different spaces, media and digital platforms, giving rise to narratives, self-(re)presentations and interactions shaped by a networked shared agency of heterogeneous participants. A networked collective of people, devices, corporations, and institutions take part in the production and archiving of digital inscriptions, which materialise our emotions and contribute to the configuration and inscription of our bodies, habits, and abilities. -
Staging Poetic Justice
臺大文史哲學報 第六十五期 2006年11月 頁223~250 臺灣大學文學院 Staging Poetic Justice: Public Spectacle of Private Grief in the Musical Parade Wang, Pao-hsiang∗ Abstract This paper makes inquiries into the 1998 musical Parade by playwright Alfred Uhry and composer Jason Robert Brown, based on the historic case of Leo Frank, a Jewish industrialist from New York running a pencil factory in Atlanta and accused of murdering the 13-year-old girl Mary Phagan in 1913. How can the thorny case be represented with any fidelity on stage when all the facts have not come to light? What can a theatre researcher contribute to or comment on a controversial production of a reproduction of a historical incident that has never ceased to produce great furors over the past 90 years? In the absence of irrefutable legal evidence that could close the case and in the face of contending camps that claim justice on each side, the author will stay above the litigation fray and distance himself from any attempt to pass judgment on the innocence or guilt of people involved in the historic case. Rather, the paper first probes the context surrounding the case, including war, class, race, and to a lesser extent, sexuality by examining it from the perspective of historical legacy, such as the post-bellum South reeling from the repercussions of the Civil War defeat, the regional animosity between the highly industrialized North and New Industrial South, the class antagonism of management and labor in the pencil factory, the ethnic strife between blacks, whites, and Jews, and the conventional bias against the perceived sexual perversion of Jews and blacks. -
Emotions As Objects of Argumentative Constructions
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by RERO DOC Digital Library Argumentation (2010) 24:1–17 DOI 10.1007/s10503-008-9120-0 Emotions as Objects of Argumentative Constructions Raphae¨l Micheli Published online: 18 October 2008 Ó Springer Science+Business Media B.V. 2008 Abstract This paper takes part in the ongoing debate on how emotions can be dealt with by argumentation theory. Its main goal is to formulate a relationship between emotion and argumentation which differs from that usually found in most of the literature on the subject. In the ‘‘standard’’ conception, emotions are seen as the objects of appeals which function as adjuvants to argumentation: speakers appeal to pity, fear, shame and the like in order to enhance the cogency of an argument which bears on something else—whether it be the validity of a disputable opinion or the opportunity of a course of action. According to the ‘‘alternative’’ conception which I propose to consider, emotions themselves may be viewed, in some cases, as the very objects of argumentation. This conception lays emphasis on the arguability of emotions. Drawing on insights from current psychological and philosophical theories, it involves a reassessment of the Aristotelian concept of pathos, as well as an in-depth critical discussion of normative and descriptive approaches to emotional appeals. Keywords Argumentation Á Cognition Á Emotion Á Pathos Á Rationality While it has long been adequate to label emotion as the ‘‘poor relation’’ of argumentation studies, an overall view of the current state of the field suggests that the situation is undergoing rapid change. -
Cicero's Style
MNS-245-albrecht.qxd 03/04/2003 12:13 Page i CICERO’S STYLE MNS-245-albrecht.qxd 03/04/2003 12:13 Page ii MNEMOSYNE BIBLIOTHECA CLASSICA BATAVA COLLEGERUNT H. PINKSTER • H. S. VERSNEL D.M. SCHENKEVELD • P. H. SCHRIJVERS S.R. SLINGS BIBLIOTHECAE FASCICULOS EDENDOS CURAVIT H. PINKSTER, KLASSIEK SEMINARIUM, OUDE TURFMARKT 129, AMSTERDAM SUPPLEMENTUM DUCENTESIMUM QUADRAGESIMUM QUINTUM MICHAEL VON ALBRECHT CICERO’S STYLE MNS-245-albrecht.qxd 03/04/2003 12:13 Page iii CICERO’S STYLE A SYNOPSIS FOLLOWED BY SELECTED ANALYTIC STUDIES BY MICHAEL VON ALBRECHT BRILL LEIDEN • BOSTON 2003 MNS-245-albrecht.qxd 03/04/2003 12:13 Page iv This book is printed on acid-free paper. Library of Congress Cataloging-in-Publication Data Albrecht, Michael von. Cicero’s Style: a synopsis / by Michael von Albrecht. p. cm. – (Mnemosyne, bibliotheca classica Batava. Supplementum ; 245) Includes bibliographical references (p. ) and index. ISBN 90-04-12961-8 1. Cicero, Marcus Tullius–Literary style. 2. Speeches, addresses, etc., Latin–History and criticism. 3. Latin language–Style. 4. Rhetoric, Ancient. 5. Oratory, Ancient. I. Title. II. Series. PA6357.A54 2003 875’.01–dc21 2003045375 ISSN 0169-8958 ISBN 90 04 12961 8 © Copyright 2003 by Koninklijke Brill NV, Leiden, The Netherlands All rights reserved. No part of this publication may be reproduced, translated, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without prior written permission from the publisher. Authorization to photocopy items for internal or personal use is granted by Brill provided that the appropriate fees are paid directly to The Copyright Clearance Center, 222 Rosewood Drive, Suite 910 Danvers, MA 01923, USA. -
Emotionally Appealing Ads May Not Always Help Consumer Memory 7 January 2021, by Phil Ciciora
Emotionally appealing ads may not always help consumer memory 7 January 2021, by Phil Ciciora appeals on consumers' memory has always been a bit unclear," Noel said. "So we examined the impact of different aspects of emotionally arousing ads on memory. Why did we focus on emotion? Well, in the majority of business-to-consumer ads that are crafted to drive sales, eliciting emotional activation, or arousal, plays a critical role." In three experiments using print and video ads from different English-speaking countries, Noel and co- author Hila Riemer of Ben Gurion University of the Negev tested the moderating roles of retention time and the fit between the emotional arousal communicated in the ad and the ad claim. All experiments used combinations of low- and high- Emotional appeals in advertisements may not always emotionally arousing ads. help improve consumers’ immediate recall of a product, says a new paper co-written by Hayden Noel, a clinical The researchers found that when the level of associate professor of business administration at the emotional activation elicited by the ad doesn't fit the Gies College of Business at Illinois. Credit: Gies College ad's claim, then the message conveyed ultimately of Business doesn't stick in the consumer's mind. "It's an examination of boundary conditions under which you can maximize the use of emotional In almost all successful advertising campaigns, an appeals," Noel said. "And the role of retention time appeal to emotion sparks a call-to-action that shows that low-arousal stimuli are better motivates viewers to become consumers. -
Logos Ethos and Pathos
Logos, Ethos, and Pathos Whenever you read an argument, you must ask yourself, “Is this persuasive? And if so, to whom?” There are several ways to appeal to an audience. Among them are appealing to logos, ethos, and pathos. These appeals are prevalent in almost all argument. Definitions Logos The Greek word “logos” is the basis for the English word “logic.” Logos is a broader idea than formal logic—the highly symbolic and mathematical logic that you might study in a philosophy course. Logos refers to any attempt to appeal to the intellect, the general meaning of “logical argument.” Everyday arguments rely heavily on ethos and pathos, but academic arguments rely more on logos. Yes, these arguments will call upon the writers’ credibility and try to touch the audiences’ emotions, but there will more often that not be logical chains of reasoning supporting all claims. Ethos Ethos is related to the English word “ethics” and refers to the trustworthiness of the speaker/writer. Ethos is an effective, persuasive strategy because when we believe that the speaker does not intend to do us harm, we are more willing to listen to what he/she has to say. For example, when a trusted doctor gives you advice, you may not understand all of the medical reasoning behind the advice, but you nonetheless follow the directions because you believe that the doctor knows what he/she is talking about. Likewise, when a judge comments on legal precedent, audiences tend to listen because it is the job of a judge to know the nature of past legal cases. -
Commentary on Style
Cicero Philippics II Commentary on Style The following notes on Cicero’s use of rhetorical techniques cannot be complete or uncontentious, but if they provide the reader with a leg-up will serve their purpose. Asterisked terms are explained in the final sections of ‘Introduction – Oratory’. Two abbreviations might be unfamiliar: ‘sc.’ (scilicet, ‘supply this missing word or words’) and ‘cf.’ (confer, ‘compare with’). ‘[NLG…]’ designates a paragraph in Bennett’s New Latin Grammar (by Charles E. Bennett, 1895), available online at several web addresses. 44 Visne igitur… concedo: This series of *rhetorical questions and answers, given either by Cicero or by the imagined Antony, as if heckling or in cross- examination, animates the argument (a technique known as *anthypophora) – the brevity of the sentences, the *variatio between Cicero and then Antony answering, the petulant tone of patris… ista culpa est, provide the run-up to Cicero’s first catalogue of Antony’s misdemeanours. pietatis plena – note the ‘p’ *alliteration, picking up pseudo-Antony’s ‘patris…’. pietas, a particularly Roman virtue which could be described as a sense of obligation towards gods, family and friends that manifests itself in action, is conspicuously absent from Antony’s supposed interjection. cum esset… decoxisset: Cicero, who has accepted Antony was put in the position of a bankrupt by his father (Concedo, earlier), still harps on this memorable word for bankruptcy through *polyptoton: decoxisse… decoctoribus… decoxisset… The whole sentence ends with a *clausula, allowing the hearer to dwell on that last occurrence. Cicero wants to portray Antony as always spendthrift, always grasping (e.g. -
Shaming Into Argumentation
ISSA Proceedings 2006 – Shaming Into Argumentation 1. Introduction I submit that appeals to shame, here defined as a concern for reputation, may be not only relevant to but make possible argumentation with reluctant addressees. Traditionally emotional appeals including shame appeals have been classified as fallacies because they are failures of relevance (Govier 2005, p. 198; van Eemeren and Grootendorst 1992, p. 134); we ought to believe or act based on the merits of a case rather than because we feel shame or some other emotion. However, Walton (1992, 2000) among others has argued that emotional appeals are not inherently fallacious, that they may also be strong or weak arguments, and that critics ought to evaluate them based on the inferential structure of the practical reasoning they involve as well as on the type of dialogue in which they occur. In what follows I aim to build on Walton’s insights that critics ought to attend to the practical reasoning involved in and the context of emotional appeals. Specifically, I argue, first, that to analyze and evaluate emotional appeals critics ought to attend to the discourse strategies that arguers actually use rather than relying on reconstructions alone. Second, I argue that to analyze and evaluate emotional appeals critics ought to consider context more broadly than the type of dialogue. Doing so enables critics to assess proportion in emotional appeals as well as the practical reasons they create, and to better understand complex argumentation such as political discourse. 2. Attending to actual discourse strategies When analyzing and evaluating emotional appeals, critics ought to attend to the discourse strategies arguers actually use rather than relying on reconstructions only for two main reasons. -
Change My Mind Teacher Guide
Teacher Guide http://www.pbs4549.org/changemymind Table of Contents Credits...................................................................................4 Using Persuasive Techniques ........... 39 Change.My.Mind:.Overview..............................................5 The.Hidden.Power.of.Connotations..................................41 Connotations............................................................... 45 Three.Considerations.When.Trying.to.Persuade...............6 Persuasive.Writing.Strategies.and.Techniques...................7 Slogans.and.Symbols.in.Commercials............................ 46 Slogans.and.Symbols:.Transfer................................. 48 Persuasion.Terminology.....................................................11 The.Power.of.Transfer................................................. 49 Celebrity.Power................................................................. 50 Learning Persuasive Techniques .......15 P..Diddy....................................................................... 52 Introduction.to.Rhetorical.Strategies.and.. Product.Comparison................................................... 53 Persuasive.Techniques........................................................17 Appeal.to.Authority.....................................................19 Rhetorical.Strategies.—.Appeals.to.Authority,.Emotions,. Appeal.to.Emotion...................................................... 20 Ethics.and.Logic................................................................. 54 Controversial.Topics.................................................. -
Emotion Appeals Made Me Buy It! but Which?
Emotion appeals made me buy it! But which? Author: Danissa van Hattem Department: MCB Course code: YSS-81812 Attendant 1: Ilona de Hooge Attendant 2: Erica van Herpen Date: 1 February 2015 Abstract Many studies have already examined the use of emotions in advertisements. However, these researches have only studied the influence of emotions in advertisements by investigating the valence and specific emotions, not which of these influences consumers the most. This study will research whether specific emotions influence people more than just random positive and negative emotions in advertisements. To answer the question: ‘With what framework can we predict emotion effects of advertisements on consumer behaviour?’ four emotions will be researched, namely; pride, happiness, fear, and guilt. The use of a specific framework, with advertisements with specific emotions in it, will be compared to the use of a valence framework, with advertisements with only positive and negative emotions in it, regardless of which emotions. The results of this research show that a specific framework predicts emotion effects the best. When an advertiser wants to use emotion appeals in his advertisement he should use an emotion, which appeals the most to his consumer segment. Further research should be done on the effects of different emotion appeals on consumer behaviour. If all emotion appeals that can possibly be used in advertisements are studied, it will become easier for marketers to use the most effective emotion appeals for their product in their advertisements.