Liste Des Films Classes Par Realisateurs
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2016/ Austrian Films Coming Soon /2016/ Austrian Films Coming Soon Austrian Films 2016 – Coming Soon
/2016/ Austrian Films Coming Soon /2016/ Austrian Films Coming Soon Austrian Films 2016 – Coming Soon Published/Copyright by: Austrian Film Commission Stiftgasse 6 1070 Vienna – Austria tel +43 1 526 33 23 [email protected] www.AustrianFilms.Com www.afc.at Publisher: Martin Schweighofer Editors: Charlotte Rühm, Karin Schiefer, Brigitte Weich Graphic design: Perndl+Co Printed by: REMAprint Litteradruck, Vienna Introduction A new year is upon us and the award season is Seventeen. Or Ulrich Seidl’s Auf Safari – when in full swing. For Austrian films the results are the notorious Mr. Seidl explores the world of as encouraging as the outlook promising. Martin hard core Safaristas then it certainly is not go- Gschlacht was honored by the European Film ing to be a cozy affair. Or: Virgil Widrich’s The Academy as Best Cinematographer of the year. Night Of A Thousand Hours is a mind bending Goodnight Mommy, Veronika Franz’ and Severin trip through time and buried family secrets. Fiala’s creepy psycho drama, which broke the Tizza Covi and Rainer Frimmel are back with the one million dollar US box office barrier, col- mysterious Mr. Universo. A nine-year-old girl lected a bundle of rave reviews and made it onto finds her way through the dust and debris of the several international year’s best lists. And two aftermath of WWII Vienna in Mirjam films are shortlisted for an Oscar nomination: for Unger’s Maikäfer Flieg. Marie Kreutzer’s dram- Hubert Sauper’s African neocolonial essay We edy Was hat uns bloss so ruiniert follows three Come As Friends it could be the Academy’s Best thirty-something couples who admirably fail Documentary Award and for Patrick Vollrath’s trying so hard not to become bourgeois. -
Hommage Für Ulrich Seidl
ÉDITO Ecrire l’édito de cette 9e édition d’Augenblick nous procure une grande joie. Il concrétise à lui seul l’arrivée du Festival car en cette période de crise et de contraintes budgétaires, pouvoir fêter un nouvel anniversaire est déjà une bonne nouvelle en soi. Mais ces quelques lignes nous procurent également une excitation doublée d’impatience. En feuilletant ce programme, vous allez découvrir les films du Festival. Choisis parmi de nombreuses propositions, ils sont nos coups de cœur et nous avons $ dû négocier dur pour obtenir leur droit de diffusion dans nos salles. Portés par une conviction, celle que le goût du public est le même ici ou là-bas, nous avons fait le choix de la diversité des thèmes et des genres pour démontrer l’étendue de la gamme de la production cinématographique germanophone. Des documentaires, des comédies, des chroniques familiales, 0 des films historiques, d’aventures, d’animation… la sélection propose tout ce que le 7e Art offre. Nous profitons de la Présidence de l’Autriche au Comité des ministres du Conseil de l’Europe pour mettre en lumière les "# **/0%'#'0 réalisateurs autrichiens. Et pourtant, vous ne verrez pas de film de Michael Haneke. A l’instar de l’arbre qui cache la forêt, un grand nombre d’auteurs de qualité disparait bien malgré lui derrière les larges épaules de cet Autrichien doublement 0 palmé. Nous avons fait le choix de la découverte, sans pour autant être dénicheur de talent : Ulrich Seidl, Barbara Albert, Rainer Frimmel sont des cinéastes reconnus dans leur pays. Cerise sur le gâteau, Ulrich Seidl nous fait l’honneur de sa présence et rencontrera le public à Colmar, Strasbourg, et Mulhouse. -
Le Rôle Du Gouvernement De Vichy Dans La Rafle Du Vel' D'hiv' Et Sa Mémoire Aux Yeux De La
The College of Wooster Libraries Open Works Senior Independent Study Theses 2016 La Trahison et la honte : Le rôle du gouvernement de Vichy dans la rafle du elV ’ d’Hiv’ et sa mémoire aux yeux de la société française Olivia Bolek College of Wooster, [email protected] Follow this and additional works at: https://openworks.wooster.edu/independentstudy Part of the Other French and Francophone Language and Literature Commons Recommended Citation Bolek, Olivia, "La Trahison et la honte : Le rôle du gouvernement de Vichy dans la rafle du eV l’ d’Hiv’ et sa mémoire aux yeux de la société française" (2016). Senior Independent Study Theses. Paper 6979. https://openworks.wooster.edu/independentstudy/6979 This Senior Independent Study Thesis Exemplar is brought to you by Open Works, a service of The oC llege of Wooster Libraries. It has been accepted for inclusion in Senior Independent Study Theses by an authorized administrator of Open Works. For more information, please contact [email protected]. © Copyright 2016 Olivia Bolek Abstract While many people know that World War II France was occupied by the Germans, retaining little sovereignty in the de facto Vichy government, many may not realize the extent to which the French collaborated with their Nazi occupiers and how many anti-Semitic measures were in fact created by the Vichy government. After the war, the crimes committed by the French against the Jews became a taboo which slowly transformed over the years into what is today considered to be an obsession with the topic. These events are best demonstrated through the 1942 Vel’ d’Hiv’ roundup in which Parisian authorities gathered over 13,000 Jews, detaining over half of them in the Vélodrome d’Hiver, an indoor cycling arena in Paris, for almost a week without food, water, or sanitation. -
Sight & Sound Films of 2007
Sight & Sound Films of 2007 Each year we ask a selection of our contributors - reviewers and critics from around the world - for their five films of the year. It's a very loosely policed subjective selection, based on films the writer has seen and enjoyed that year, and we don't deny them the choice of films that haven't yet reached the UK. And we don't give them much time to ponder, either - just about a week. So below you'll find the familiar and the obscure, the new and the old. From this we put together the top ten you see here. What distinguishes this particular list is that it's been drawn up from one of the best years for all-round quality I can remember. 2007 has seen some extraordinary films. So all of the films in the ten are must-sees and so are many more. Enjoy. - Nick James, Editor. 1 4 Months, 3 Weeks and 2 Days (Cristian Mungiu) 2 Inland Empire (David Lynch) 3 Zodiac (David Fincher) = 4 I’m Not There (Todd Haynes) The Lives of Others (Florian Henckel von Donnersmarck) 6 Silent Light (Carlos Reygadas) = 7 The Assassination of Jesse James by the Coward Robert Ford (Andrew Dominik) Syndromes and a Century (Apichatpong Weerasethakul) No Country for Old Men (Ethan and Joel Coen) Eastern Promises (David Cronenberg) 1 Table of Contents – alphabetical by critic Gilbert Adair (Critic and author, UK)............................................................................................4 Kaleem Aftab (Critic, The Independent, UK)...............................................................................4 Geoff Andrew (Critic -
Liste Dvd Consult
titre réalisateur année durée cote Amour est à réinventer (L') * 2003 1 h 46 C 52 Animated soviet propaganda . 1 , Les impérialistes américains * 1933-2006 1 h 46 C 58 Animated soviet propaganda . 2 , Les barbares facistes * 1941-2006 2 h 16 C 56 Animated soviet propaganda . 3 , Les requins capitalistes * 1925-2006 1 h 54 C 59 Animated soviet propaganda . 4 , Vers un avenir brillant, le communisme * 1924-2006 1 h 54 C 57 Animatix : une sélection des meilleurs courts-métrages d'animation française. * 2004 57 min. C 60 Animatrix * 2003 1 h 29 C 62 Anime story * 1990-2002 3 h C 61 Au cœur de la nuit = Dead of night * 1945 1 h 44 C 499 Autour du père : 3 courts métrages * 2003-2004 1 h 40 C 99 Avant-garde 1927-1937, surréalisme et expérimentation dans le cinéma belge * 1927-1937 1 h 30 C 100 (dvd 1&2) Best of 2002 * 2002 1 h 12 C 208 Caméra stylo. Vol. 1 * 2001-2005 2 h 25 C 322 Cinéma différent = Different cinema . 1 * 2005 1 h 30 C 461 Cinéma documentaire (Le) * 2003 2 h 58 C 462 Documentaire animé (Le). 1, C'est la politique qui fait l'histoire : 9 films * 2003-2012 1 h 26 C 2982 Du court au long. Vol. 1 * 1973-1986 1 h 52 C 693 Fellini au travail * 1960-1975 3 h 20 C 786 (dvd 1&2) Filmer le monde : les prix du Festival Jean Rouch. 01 * 1947-1984 2 h 40 C 3176 Filmer le monde : les prix du Festival Jean Rouch. -
¥PDF Programa De Ma 06.Fh9
Disseny: IMF DESCOMPTE DEL25%PERALS CLIENTSDECAIXACATALUNYA (El nombred’entradesambdescompte éslimitat) PROGRAMACIÓ * Les sessions que porten un asterisc compten amb la presència de part de l’equip artístic i/o tècnic. DIVENDRES 6 9.15h. Casino Prado. The Last Circus (curt) + Blood Tea and Red Strings (Anima’t) 11h. Casino Prado. Black Moon (Europa Imaginària) 11.15h. El Retiro. Seance (Orient Express – Casa Asia) 13h. El Retiro. Eye of the Spider (Orient Express – Kurosawa) 13.15h. Casino Prado. La Sabina (Europa Imaginària) 13.45h. Auditori. Ils (Secció Oficial Fantàstic) 15h. El Retiro. Taxidermia (Secció Oficial Fantàstic) 15h. Casino Prado. Ulisse (Europa Imaginària) 15.15h. Auditori. Broken (S.O.Méliès) 17h. El Retiro. Duelist (Orient Express – Casa Asia) * 17h. Casino Prado. Blue Velvet (Sitges Clàssics – Lynch) 18h. Auditori. Gala Inauguració Sitges 2006: For(r)est in the Des(s)ert (curt) + El Laberinto del Fauno * 19.15h. El Retiro. La Hora Fría (Secció Oficial Fantàstic) 19.15h. Casino Prado. Fantastic Voyage (Sitges Clàssics - Fleischer) 20.50h. Auditori. El Laberinto del Fauno (Passi privat Tel-Entrada Caixa Catalunya) 21.15h. El Retiro. Avida (S.O. Noves Visions) 21.15h. Casino Prado. The Last Circus (curt) + Blood Tea and Red Strings (Anima’t) 23h. Auditori. Ils (Secció Oficial Fantàstic) * 23h. El Retiro. The Pulse (Secció Oficial Première) 23h. Casino Prado. Soylent Green (Sitges Clàssics - Fleischer) 00.45h. Auditori. Broken (S.O. Méliès) 1h. El Retiro. Masters of Horror (I) (Midnight X-Treme) 1h. Casino Prado. Mondo Macabro (I): The Warrior + Devil’s Sword (Midnight X-Treme) DISSABTE 7 9h. El Retiro. Edmond (S.O. -
Of Gods and Men
Mongrel Media Presents OF GODS AND MEN A Film by Xavier Beauvois (120 min., France, 2010) Distribution Publicity Bonne Smith 1028 Queen Street West Star PR Toronto, Ontario, Canada, M6J 1H6 Tel: 416-488-4436 Tel: 416-516-9775 Fax: 416-516-0651 Fax: 416-488-8438 E-mail: [email protected] E-mail: [email protected] www.mongrelmedia.com High res stills may be downloaded from http://www.mongrelmedia.com/press.html SYNOPSIS Eight French Christian monks live in harmony with their Muslim brothers in a monastery perched in the mountains of North Africa in the 1990s. When a crew of foreign workers is massacred by an Islamic fundamentalist group, fear sweeps though the region. The army offers them protection, but the monks refuse. Should they leave? Despite the growing menace in their midst, they slowly realize that they have no choice but to stay… come what may. This film is loosely based on the life of the Cistercian monks of Tibhirine in Algeria, from 1993 until their kidnapping in 1996. PREAMBLE In 1996 the kidnapping and murder of the seven French monks of Tibhirine was one of the culminating points of the violence and atrocities in Algeria resulting from the confrontation between the government and extremist terrorist groups that wanted to overthrow it. The disappearance of the monks – caught in a vice between both sides- had a great and long-lasting effect on the governments, religious communities and international public opinion. The identity of the murderers and the exact circumstances of the monks‟ deaths remain a mystery to this day. -
L'oeuvre NARRATIVE DE JACQUES FERRON VUE DANS UNE PERSPECTIVE JUNGIENNE Par Christl Verduyn
L'OEUVRE NARRATIVE DE JACQUES FERRON VUE DANS UNE PERSPECTIVE JUNGIENNE par Christl Verduyn Thèse présentée à l'Ecole des études supérieures en vue de l'obtention de la maîtrise es arts en littérature française OtLAc tu Ottawa LlBKArtltS ,» rSity o* Université d'Ottawa Ottawa, Canada, 1976 Q\ C. Verduyn, Ottawa, Canada, 1976 UMI Number: EC55230 INFORMATION TO USERS The quality of this reproduction is dépendent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleed-through, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send a complète manuscript and there are missing pages, thèse will be noted. AIso, if unauthorized copyright material had to be removed, a note will indicate the deletion. UMI® UMI Microform EC55230 Copyright 2011 by ProQuest LLC Ail rights reserved. This microform édition is protected against unauthorized copying underTitle 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 AnnArbor, Ml 48106-1346 RECONNAISSANCE Cette thèse a été préparée sous la direction de monsieur Réjean Robidoux, professeur au département des Lettres françaises de l'Université d'Ottawa. CURRICULUM VITAE Née à Amsterdam, Hollande, élevée en Ontario, Christl Verduyn est titulaire d'un baccalauréat spécialisé es arts de l'Université de Trent à Peterborough. TABLE DES MATIERES CHAPITRES PAGES Introduction v I) Le symbole, le rêve et l'inconscient 10 II) L'ombre 17 III) Masques de l'ombre 26 IV) Les archétypes 42 V) Les mythes, les fables et les contes de fée 49 VI) L'animus et l'anima 57 VII) Le héros et son guide tutélaire 70 VIII) Le Soi 78 IX) Symbolique du cheminement 87 X) Au bout du chemin 10 3 CONCLUSION 111 Bibliographie 115 RESUME 120 INTRODUCTION La présente étude de l'oeuvre narrative de Jacques Ferron prend comme point de départ la définition du symbole proposée par Cari G. -
The Inventory of the Richard Roud Collection #1117
The Inventory of the Richard Roud Collection #1117 Howard Gotlieb Archival Research Center ROOD, RICHARD #1117 September 1989 - June 1997 Biography: Richard Roud ( 1929-1989), as director of both the New York and London Film Festivals, was responsible for both discovering and introducing to a wider audience many of the important directors of the latter half th of the 20 - century (many of whom he knew personally) including Bernardo Bertolucci, Robert Bresson, Luis Buiiuel, R.W. Fassbinder, Jean-Luc Godard, Werner Herzog, Terry Malick, Ermanno Ohni, Jacques Rivette and Martin Scorsese. He was an author of books on Jean-Marie Straub, Jean-Luc Godard, Max Ophuls, and Henri Langlois, as well as the editor of CINEMA: A CRITICAL DICTIONARY. In addition, Mr. Roud wrote extensive criticism on film, the theater and other visual arts for The Manchester Guardian and Sight and Sound and was an occasional contributor to many other publications. At his death he was working on an authorized biography of Fran9ois Truffaut and a book on New Wave film. Richard Roud was a Fulbright recipient and a Chevalier in the Legion of Honor. Scope and contents: The Roud Collection (9 Paige boxes, 2 Manuscript boxes and 3 Packages) consists primarily of book research, articles by RR and printed matter related to the New York Film Festival and prominent directors. Material on Jean-Luc Godard, Francois Truffaut and Henri Langlois is particularly extensive. Though considerably smaller, the Correspondence file contains personal letters from many important directors (see List ofNotable Correspondents). The Photographs file contains an eclectic group of movie stills. -
A Dangerous Method
A David Cronenberg Film A DANGEROUS METHOD Starring Keira Knightley Viggo Mortensen Michael Fassbender Sarah Gadon and Vincent Cassel Directed by David Cronenberg Screenplay by Christopher Hampton Based on the stage play “The Talking Cure” by Christopher Hampton Based on the book “A Most Dangerous Method” by John Kerr Official Selection 2011 Venice Film Festival 2011 Toronto International Film Festival, Gala Presentation 2011 New York Film Festival, Gala Presentation www.adangerousmethodfilm.com 99min | Rated R | Release Date (NY & LA): 11/23/11 East Coast Publicity West Coast Publicity Distributor Donna Daniels PR Block Korenbrot Sony Pictures Classics Donna Daniels Ziggy Kozlowski Carmelo Pirrone 77 Park Ave, #12A Jennifer Malone Lindsay Macik New York, NY 10016 Rebecca Fisher 550 Madison Ave 347-254-7054, ext 101 110 S. Fairfax Ave, #310 New York, NY 10022 Los Angeles, CA 90036 212-833-8833 tel 323-634-7001 tel 212-833-8844 fax 323-634-7030 fax A DANGEROUS METHOD Directed by David Cronenberg Produced by Jeremy Thomas Co-Produced by Marco Mehlitz Martin Katz Screenplay by Christopher Hampton Based on the stage play “The Talking Cure” by Christopher Hampton Based on the book “A Most Dangerous Method” by John Kerr Executive Producers Thomas Sterchi Matthias Zimmermann Karl Spoerri Stephan Mallmann Peter Watson Associate Producer Richard Mansell Tiana Alexandra-Silliphant Director of Photography Peter Suschitzky, ASC Edited by Ronald Sanders, CCE, ACE Production Designer James McAteer Costume Designer Denise Cronenberg Music Composed and Adapted by Howard Shore Supervising Sound Editors Wayne Griffin Michael O’Farrell Casting by Deirdre Bowen 2 CAST Sabina Spielrein Keira Knightley Sigmund Freud Viggo Mortensen Carl Jung Michael Fassbender Otto Gross Vincent Cassel Emma Jung Sarah Gadon Professor Eugen Bleuler André M. -
Post-Gazette 9-5-08.PMD
VOL. 112 - NO. 35 BOSTON, MASSACHUSETTS, SEPTEMBER 5, 2008 $.30 A COPY Back-to-School Jamboree Palin Gets the Call, and the Tide Turns at City Hall Plaza by David Karki Senator John McCain mentalist lobby. changed the entire dynamic She can also credibly of the presidential campaign speak to tax cutting, con- with his selection of Alaska trolling spending and perhaps Governor Sarah Palin as his most importantly, self-suffi- vice-presidential running ciency. To conservatives, mate. For the first time, President Bush’s “compas- there is an excitement about sionate conservative” spiel the Republican ticket. And has only cemented the lib- judging by the most telling eral principle of looking to big barometer — how much government first and only to Democrats hate the choice solve problems, if not to be — he could not have chosen taken care of outright. Palin, better. who along with her husband Tactically, Palin is the per- Todd, fed her family on the fect help for the three con- game they hunted and fished stituencies McCain needed and who fired the staff chef to reach out to the most — Alaska Governor upon becoming governor so women, conservatives and Sarah Palin her kids wouldn’t get used to rural blue-collar men. having meals cooked for Women. Many supporters That makes it doubly painful them, is the epitome of the of Senator Hillary Clinton for him. rugged individualism that are still very unhappy she Conservatives. McCain built and made America. And didn’t wind up on the Demo- had a very hard sell to pull which we need to get back to cratic ticket, and Palin made off with his own base, given in order to keep it, according a direct appeal to these folks how frequently he crossed to many conservatives — in her speech on Saturday, them over the last eight this one included. -
Collection Adultes Et Jeunesse
bibliothèque Marguerite Audoux collection DVD adultes et jeunesse [mise à jour avril 2015] FILMS Héritage / Hiam Abbass, réal. ABB L'iceberg / Bruno Romy, Fiona Gordon, Dominique Abel, réal., scénario ABE Garage / Lenny Abrahamson, réal ABR Jamais sans toi / Aluizio Abranches, réal. ABR Star Trek / J.J. Abrams, réal. ABR SUPER 8 / Jeffrey Jacob Abrams, réal. ABR Y a-t-il un pilote dans l'avion ? / Jim Abrahams, David Zucker, Jerry Zucker, réal., scénario ABR Omar / Hany Abu-Assad, réal. ABU Paradise now / Hany Abu-Assad, réal., scénario ABU Le dernier des fous / Laurent Achard, réal., scénario ACH Le hérisson / Mona Achache, réal., scénario ACH Everyone else / Maren Ade, réal., scénario ADE Bagdad café / Percy Adlon, réal., scénario ADL Bethléem / Yuval Adler, réal., scénario ADL New York Masala / Nikhil Advani, réal. ADV Argo / Ben Affleck, réal., act. AFF Gone baby gone / Ben Affleck, réal. AFF The town / Ben Affleck, réal. AFF L'âge heureux / Philippe Agostini, réal. AGO Le jardin des délices / Silvano Agosti, réal., scénario AGO La influencia / Pedro Aguilera, réal., scénario AGU Le Ciel de Suely / Karim Aïnouz, réal., scénario AIN Golden eighties / Chantal Akerman, réal., scénario AKE Hotel Monterey / Chantal Akerman, réal., scénario AKE Jeanne Dielman 23 quai du commerce, 1080 Bruxelles / Chantal Akerman, réal., scénario AKE La captive / Chantal Akerman, réal., scénario AKE Les rendez-vous d'Anna / Chantal Akerman, réal., scénario AKE News from home / Chantal Akerman, réal., scénario, voix AKE De l'autre côté / Fatih Akin, réal., scénario AKI Head-on / Fatih Akin, réal, scénario AKI Julie en juillet / Fatih Akin, réal., scénario AKI L'engrenage / Fatih Akin, réal., scénario AKI Solino / Fatih Akin, réal.