DOCSLIB.ORG

VENTE DU 29/06/2018 - 1 40-42, Rue Gioffredo 06000NICE Edité Le : 04/06/2018 09:55-E

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
VENTE DU 29/06/2018 - 1 40-42, Rue Gioffredo 06000NICE Edité Le : 04/06/2018 09:55-E BOISGIRARD ANTONINI VENTE DU 29/06/2018 - 1 40-42, rue Gioffredo 06000NICE Edité le : 04/06/2018 09:55-E N° Description Estimations 1000 BRACELET JONC AU DRAGON EN ARGENT SERTI DE QUATRE CABOCHONS D'AMBRE 80 / 150 Chine ou Vietnam / Indochine, Fin de la dynastie Qing, Vers 1900 Remarquable travail d'orfèvre sensible dans tant dans le serti que dans le filigrane. Le dragon aux yeux courroucés semble saisir la perle de longévité, que forme un cabochon, de sa patte aux quatre griffes. (charnière détachée). D (approximatif): 7 cm Poids approximatif: 39 grammes A SILVER 'DRAGON' BANGLE SET WITH FOUR AMBER CABOCHONS China or Vietnam / Indochine, Late Qing Dynasty, Circa 1900 1001 SUJET / PENDENTIF EN JADE BLANC SCULPTE A L’EFFIGIE D’UN ECUREUIL PARMI 600 / 800 RAISINS 松鼠葡萄 Chine, Dynastie Qing Sculpté dans une pierre désirable, d’un blanc laiteux, aux rares inclusions rouille. Remarquable travail du lapidaire tout en rondeurs, jeux sur les ajours et doux poli. Pendentif sculpté toutes faces donnant à voir un écureuil à la queue en panache dressé sur une grappe de raisins. Feuilles et fruits sont également rendus au dos. Offert à la vente avec son socle en bois. H : 5,5 cm – l : 3,3 cm – Ep. : 1,3 cm Poids approximatif : 38 grammes Note : L’association des écureuils et du raisin formule, par homonymie, le voeu « Songshu pútao » /松鼠葡萄, ce qui peut être traduit par « Puissiez-vous être riche et avoir une descendance multiple ». Il est offert à la vente avec un socle en bois facilitant son exposition. A ‘SQUIRREL AND GRAPE’ WHITE JADE PLAQUE / PENDANT 松鼠葡萄 China, Qing Dynasty 1002 CACHET / SCEAU EN RACINE DE BAMBOU 150 / 300 Chine, Fin de la Dynastie Qing, Vers 1900 A matrice ovalisée et prise difforme aux multiples anfractuosités / aspérités. Sculpté dans un bambou caramel et brun. Matrice sculptée de trois caractères archaïsants de type pictogrammes flanqués de deux poissons. H: 10,5 cm - l: 8,3 cm - P: 6 cm Poids approximatif: 151 grammes A BAMBOO-ROOT RHINO-HORN IMITATION SEAL China, Late Qing Dynasty, Circa 1900 1003 « L’APPRECIATION DES ANTIQUITES » / WENWAN 文玩 - POT A PINCEAUX EN BAMBOU SCULPTE, 2000 / 4000 BITONG Chine, Dynastie Qing, Epoque XIXe siècle Haut, circulaire (irrégulier, plus large au col qu'à la base) et tubulaire, sculpté dans un bambou dans les tons buns / orangés. Il est orné d’un décor sculpté en une multiplicité de reliefs sur son pourtour. Ce dernier donne à voir des lettrés, parmi pins, rochers et pavillons, s’adonnant à leurs arts, parmi lesquels : l’appréciation des antiquités (文玩 / Wén wán), l’art de la calligraphie, la pratique du luth (二胡 / Èrhú) et la contemplation de la lune. H : 17,5 cm – l : 13,8 cm – P : 14,5 cm Poids approximatif : 517 grammes Note : Travail remarquable du sculpteur sensible dans la multiplicité des plans démontrant une utilisation intelligente de l’épaisseur du bambou. AN ‘APPRECIATION OF THE ANTIQUES’ CARVED BAMBOO BRUSHPOT, BITONG, WENWAN 文玩 China, Qing Dynasty, 19th century 1 BOISGIRARD ANTONINI VENTE DU 29/06/2018 - 1 40-42, rue Gioffredo 06000NICE Edité le : 04/06/2018 09:55-E N° Description Estimations 1005 CAGE A OISEAUX EN BOIS ET BAMBOU LAQUE 600 / 800 Chine, Fin de la Dynastie Qing, Vers 1900 Circulaire, à âme de bois et multiples tiges en bambou laqué. Elle repose sur quatre pieds à gradins et est sommée d'une plaque en cuivre aux quatre dragons à quatre griffes de laquelle émanent quatre tiges, lesquelles se rejoignent pour former crochet de suspension. Petite ouverture circulaire au devant permettant l'introduction de l'oiseau ou le passage d'un doigt. A l'opposé, une porte coulissante se soulève, ménageant ainsi une grande ouverture quadrangulaire. Deux mangeoires en porcelaine présentes en son sein (toutes deux accidentées). H : 35 cm - D : 31,5 cm Comparaison : Pour une cage à oiseaux d'époque Qing, voir Leclere Paris, 18/05/2016, lot 64. A LACQUERED BAMBOO AND WOOD BIRDCAGE China, Late Qing Dynasty, Circa 1900 1006 THEIERE COUVERTE EN GRES DE YIXING GAINE D’ETAIN D’APRES YANG PENGNIAN, 楊彭年製 400 / 600 Chine, Dynastie Qing, Epoque XIXe siècle Formant dôme à six pans coupés, l’anse mouvementée en bois pour éviter la conduction de la chaleur, le bec verseur en esse. Le couvercle sommé d’un frétel cubique semblant être en jade. L’étain gainant la théière de grès à décor incisé, court colophon et bambouseraie sur l’avers (XX先生 et X山), long colophon sur l’envers (侍臣每有 / 相如渴俸 / 使迁徵邺 / 下才 / 主洽). Cachet étampé dans le grès au fond de la théière : 楊彭年製 (retranscription des caractères non garantie). H : 10 cm – l : 15,3 cm – P : 15,8 cm A ‘BAMBOO’ PEWTER-ENCASED YIXING TEAPOT INSCRIBED WITH A POETRY, AFTER YANG PENGNIAN, 楊彭年製 China, Qing Dynasty, 19th century 1007 COUPE EN EMAUX CLOISONNES CENTREE DU SYMBOLE DU KALACAKRA EN 300 / 400 ECRITURE LANTSA Chine, Epoque XIXe ou XXe siècle Circulaire et creuse, elle repose sur un pied annulaire fin. A âme de cuivre et à décor cloisonné à fond bleu ciel. Sur l'aile, les astamangala ou babao ("Huit Trésors du Bouddhisme"); dans le cavetto le symbole du kalacakra en écriture lantsa. Au dessous, la marque apocryphe de l'Empereur Qianlong à quatre caractères en kaishu est incisée dans un double carré. H: 3,5 cm - D: 16,5 cm Poids approximatif: 740 grammes A QIANLONG-MARKED 'KALACHAKRA MANTRA' CIRCULAR CLOISONNE CUP China, 19th or 20th century 1008 BASSIN CIRCULAIRE TRIPODE EN EMAUX CLOISONNES SUR BRONZE, GUI 800 / 1500 Chine, Epoque XIXe ou XXe siècle, Semblant pouvoir être Jiaqing Circulaire, il repose sur des pieds formant champignons de longévité (ruyi), présente une panse campaniforme et une large lèvre. Décor en émaux cloisonnés sur bronze de rinceaux feuillagés et fleuris de lotus, en ce qu'il s'agit de la panse, avec médaillons en réserve inscrits d'objets auspicieux. Décor au champlevé sur la lèvre et sur les pieds (quelques sautes d'émaux, pieds peut être rapportés). H: 6,5 cm - D: 25 cm Poids approximatif: 1560 grammes Note : La différence des tonalités des bleus entre la panse, la lèvre et les pieds, laisse à penser que les pieds, notamment, pourraient avoir été rapportés. Toutefois, on notera la continuité des émaux bleus entre le corps - cloisonné - et les pieds - champlevés - dans les zones de jonction. A 'LOTUS AND AUSPICOUS VESSELS' CLOISONNE ENAMEL BRONZE BASIN China, 19th or 20th century, Maybe Jiaqing 2 BOISGIRARD ANTONINI VENTE DU 29/06/2018 - 1 40-42, rue Gioffredo 06000NICE Edité le : 04/06/2018 09:55-E N° Description Estimations 1009 GRANDE JARDINIERE EN EMAUX CLOISONNES SUR BRONZE ORNEE DE QUATRE 500 / 700 PHOENIX 凤 凰 Chine, Dynastie Qing, Epoque XIXe siècle Grande et ovoïde, à fond bleu rythmé de cloisons en grecques, ornée sur son pourtour de quatre phénix parmi chrysanthèmes perchés sur des bases rocheuses. Beau travail des cloisons et couleurs fraîches (choc sur un côté). H : 32 cm – D : 47,5 cm A LARGE ‘FOUR PHOENIX’ BRONZE CLOISONNE EGG-SHAPED JARDINIERE 凤 凰 China, Qing Dynasty, 19th century 1010 GRAND BRULE-PARFUM EN BRONZE A PATINE BRUNE, LU 1000 / 2000 Chine, Fin de la Dynastie Qing, Epoque XIXe siècle Repose sur trois pieds fuselés, à panse globulaire compressée, épaule carénée et épaisse lèvre dont se détachent deux anses en arc de cercle. Large cachet en creux au dessous donnant à voir deux dragons (ou un phénix et un dragon) centré de la marque apocryphe de l'Empereur Ming Xuande à six caractères en kaishu. Patine intérieure aux nuances de cuprite et de malachite (patine extérieure pour partie estompée). H: 17 cm - l: 30 cm - P: 28 cm Poids approximatif total: 3410 grammes. A XUANDE-MARKED BROWN-PATINA CAST-BRONZE INCENSE-BURNER, LU China, Late Qing Dynasty, 19th century 1011 BRULE-PARFUM TRIPODE EN BRONZE A PATINE BRUNE, GUI, SHI GU ZUO 式古作 2000 / 4000 Chine, De style Ming Tripode, à panse compressée, à anses aux léonines, à bord légèrement recourbé. Patine marron aux belles variations. Grande finesse dans l’exécution des crinières de lions. Marque archaïsante fondue au dessous se lisant : 式古作 / Shì gǔ zuò (littéralement, « fait dans le style ancien » / griffures). H: 5 cm - l: 13 cm - P: 10,5 cm Poids approximatif: 452 grammes A MARKED BROWN-PATINA CAST BRONZE THREE-LEGGED INCENSE-BURNER, GUI, SHI GU ZUO 式古作 China, Ming style 1012 VAISSELLE ARCHAISANTE EN BRONZE, GUI 150 / 300 Chine, Dand le style des Zhou de l'Ouest Repose sur un piètement élevé creux, à panse compressée, anses que crachent des dragons dotées de clefs pendantes, lèvre ourlée. A décor en bas-relief de grecques dessinant des masques de taotié et des dragons. Traces de combustion en son sein avec variations de tonalités vertes et grises. Fond grillagé. Il semble que nous puissions identifier une marque à trois caractères archaïsants en son sein (zuo bao yi ?). H : 10,5 cm - l : 17 cm - P : 11,5 cm Poids approximatif : 858 grammes Comparaison : Christie's, The Art of China: New York, Spring Edition, 20-27/03/2018, lot 2. AN ARCHAISTIC BRONZE VESSEL, GUI China, In the style of the Western Zhou 1013 SERVICE A THE EN ARGENT CHINOIS D'EXPORTATION PAR KPG 同 800 / 1500 Chine, Epoque XIXe ou XXe siècle A décor repoussé à l'imitation de bambous, de fleurs et d'oiseaux. Les anses et les becs bambousiformes. L'intérieur du plateau incisé d'un dragon volant à quatre griffes. Marques inscuptées aux dessous : caractère chinois 同 (Tóng) et lettres " KPG ". Il comprend: 1 théière couverte, 1 sucrier couvert, 1 crémier. L : 52 cm - l : 33 cm Poids approximatif : 1935 grammes A CHINESE EXPORT SILVER 'DRAGON' TEASET AND TRAY BY KPG 同 China, 19th or 20th century 3 BOISGIRARD ANTONINI VENTE DU 29/06/2018 - 1 40-42, rue Gioffredo 06000NICE Edité le : 04/06/2018 09:55-E N° Description Estimations 1015 PLAQUE EN ARGENT / SOUVENIR DU PALAIS D'ETE 150 / 300 Chine, Epoque XXe siècle Quadrangulaire, elle est incisée d'un décor donnant à voir le Palais d'été.
Load more

Recommended publications
  • 16 Brightwells,Clancarty Rcad,London S0W.6. (O 1-736 6838)
    Wmil THE TO—KEN SOCIETY OF GREAT BRITAIN for theStudy and Preservation of Japanese Swords and Fittings Hon.President B.W.Robinson, M0A. ,B,Litt. Secretary: 16 Brightwells,Clancarty Rcad,London S0W.6. 1- 736 6838) xnc2ResIoENTzuna0xomoovLxnun. (o PROGRAMME NEXT MEETING Monday, OOtober 7th 1968 at The Masons Arms 9 Maddox Street 9 London 1-1.1. at 7.30 p.m. SUBJECT Annual meeting in which nominations for the new Committee will be taken, general business and fortunes of the Society discussed. Members please turn up to this important meeting 9 the evening otherwise will be a free for all, so bring along swords, tsuba, etc. for discussion, swopping or quiet corner trading. LAST. MEETING I was unable to attend this and have only reports from other members. I understand that Sidney Divers showed examples of Kesho and Sashi-kome polishes on sword blades, and also the result of a "home polish" on a blade, using correcb polishing stones obtained from Japan, I believe in sixteen different grades0 Peter Cottis gave his talk on Bows and Arrows0 I hope it may be possible to obtain notes from Peter on his talk0 Sid Diverse written remarks can his part in the meeting are as follows "As promised at our last meeting, I have brought examples of good (Sashi-Komi) and cheap (Kesho) • polishes. There are incidentally whole ranges of prices for both types of polish0 The Sashi-Komi polish makes the colour of the Yakiba almost the same as the Jihada. This does bring out all the smallest details of Nie and Nioi which would not show by the Kesho polish.
    [Show full text]
  • The Modernization of Three Korean Villages, 1951-1981: an Illustrated Study of a People and Their Material Culture
    f /Z at\ The Modernization of Three Korean Villages, 1951-1981: An Illustrated Study of a People and Their Material Culture EUGENE I. KNEZ SMITHSONIAN CONTRIBUTIONS TO ANTHROPOLOGY • NUMBER 39 SERIES PUBLICATIONS OF THE SMITHSONIAN INSTITUTION Emphasis upon publication as a means of "diffusing knowledge" was expressed by the first Secretary of the Smithsonian. In his formal plan for the institution, Joseph Henry outlined a program that included the following statement: "It is proposed to publish a series of reports, giving an account of the new discoveries in science, and of the changes made from year to year in all branches of knowledge." This theme of basic research has been adhered to through the years by thousands of titles issued in series publications under the Smithsonian imprint, commencing with Smithsonian Contributions to Knowledge in 1848 and continuing with the following active series: Smithsonian Contributions to Anthropology Smithsonian Contributions to Botany Smithsonian Contributions to the Earth Sciences Smithsonian Contributions to the Marine Sciences Smithsonian Contributions to Paleobiology Smithsonian Contributions to Zoology Smithsonian Folklife Studies Smithsonian Studies in Air and Space Smithsonian Studies in History and Technology In these series, the Institution publishes small papers and full-scale monographs that report the research and collections of its various museums and bureaux or of professional colleagues in the world of science and scholarship. The publications are distributed by mailing lists to libraries, universities, and similar institutions throughout the world. Papers or monographs submitted for series publication are received by the Smithsonian Institution Press, subject to its own review for format and style, only through departments of the various Smithsonian museums or bureaux, where the manuscripts are given substantive review.
    [Show full text]
  • Latest Japanese Sword Catalogue
    ! Antique Japanese Swords For Sale As of December 23, 2012 Tokyo, Japan The following pages contain descriptions of genuine antique Japanese swords currently available for ownership. Each sword can be legally owned and exported outside of Japan. Descriptions and availability are subject to change without notice. Please enquire for additional images and information on swords of interest to [email protected]. We look forward to assisting you. Pablo Kuntz Founder, unique japan Unique Japan, Fine Art Dealer Antiques license issued by Meguro City Tokyo, Japan (No.303291102398) Feel the history.™ uniquejapan.com ! Upcoming Sword Shows & Sales Events Full details: http://new.uniquejapan.com/events/ 2013 YOKOSUKA NEX SPRING BAZAAR April 13th & 14th, 2013 kitchen knives for sale YOKOTA YOSC SPRING BAZAAR April 20th & 21st, 2013 Japanese swords & kitchen knives for sale OKINAWA SWORD SHOW V April 27th & 28th, 2013 THE MAJOR SWORD SHOW IN OKINAWA KAMAKURA “GOLDEN WEEKEND” SWORD SHOW VII May 4th & 5th, 2013 THE MAJOR SWORD SHOW IN KAMAKURA NEW EVENTS ARE BEING ADDED FREQUENTLY. PLEASE CHECK OUR EVENTS PAGE FOR UPDATES. WE LOOK FORWARD TO SERVING YOU. Feel the history.™ uniquejapan.com ! Index of Japanese Swords for Sale # SWORDSMITH & TYPE CM CERTIFICATE ERA / PERIOD PRICE 1 A SADAHIDE GUNTO 68.0 NTHK Kanteisho 12th Showa (1937) ¥510,000 2 A KANETSUGU KATANA 73.0 NTHK Kanteisho Gendaito (~1940) ¥495,000 3 A KOREKAZU KATANA 68.7 Tokubetsu Hozon Shoho (1644~1648) ¥3,200,000 4 A SUKESADA KATANA 63.3 Tokubetsu Kicho x 2 17th Eisho (1520) ¥2,400,000
    [Show full text]
  • PRODUCT GUIDE Spyderco Contents
    2008 PRODUCT GUIDE Spyderco Contents 2 CLIP-IT FOLDING KNIVES 32 SALT SERIES KNIVES 40 FIXED BLADE KNIVES 47 KITCHEN KNIVES 49 SHARPENERS 56 ACCESSORIES 60 WARRANTY INFORMATION 78 GLOSSARY 84 STEEL ELEMENTS 87 PATENTS AND TRADEMARKS 86 INDEX 88 STEEL CHART Byrd Contents 62 FOLDING KNIVES & TOOLS 77 ACCESSORIES 77 WARRANTY INFORMATION 86 INDEX 1 There’s a Lot Riding on the Clip… CLIPIT is both a name and a verb. The name, personifies Spyderco’s line of folding knives with clips. The verb refers to the physical action of being able to clip the knife to your clothing. We’re human and creatures of convenience. Minute by minute we create, adjust and are predisposed to gravitate to the tool that performs best and is easily applied to the task in front of us. Illustrating that instinctive quest for the best, explains the success of the CLIPIT knife. Almost all Spyderco knives are CLIPITs. The idea surfaced in the 1980s when Sal Glesser (Spyderco’s founder) imagined, then designed, a folding pocketknife with three revolutionary features: A clothing clip, a way to open the knife with one-hand (The Spyderco Round Hole) and serrations on a folding knife blade. These concepts lifted pocketknife function to a higher level. Clips shifted the knife’s weight from the bottom of a pocket to the top, attaching the knife inside so it sat/rode flat regardless of size and wasn’t as likely to be dropped or lost. The Spyderco Round Hole enabled the folder’s blade to open with one hand, leaving your other hand free.
    [Show full text]
  • Knives 2019 Amoureux—Armour
    custom knifemakers ABEGG—AMOS Uses stainless, salvage wrought iron, brass and copper for fi ttings. Handle materials A include stabilized and natural domestic and exotic fi gured woods, durable synthetics, ABEGG, ARNIE stacked leather. Makes own sheaths. Prices: $300 and up. Remarks: Part-time maker. 5992 Kenwick Cr, Huntington Beach, CA 92648, Phone: 714-848-5697 First knife sold in 2013. Doing business as Aldrich Knife & Tool. Emphasis put on clean ABERNATHY, LANCE lines, fi t and fi nish and performance. Mark: An arched ALDRICH. Sniper Bladeworks, 1924 Linn Ave., North Kansas City, MO 64116, Phone: 816-585- ALEXANDER, EUGENE 1595, [email protected]; Web: www.sniperbladeworks.com Box 540, Ganado, TX 77962-0540, Phone: 512-771-3727 Specialties: Tactical frame-lock and locking-liner folding knives. Alexander,, Oleg, and Cossack Blades ACCAWI, FUAD 15460 Stapleton Way, Wellington, FL 33414, Phone: 443-676-6111, Web: www. 130 Timbercrest Dr., Oak Ridge, TN 37830, Phone: 865-414-4836, gaccawi@ cossackblades.com comcast.net; Web: www.acremetalworks.com Technical: All knives are made from hand-forged Damascus (3-4 types of steel are used to Specialties: I create one of a kind pieces from small working knives to performance create the Damascus) and have a HRC of 60-62. Handle materials are all natural, including blades and swords. Patterns: Styles include, and not limited to hunters, Bowies, daggers, various types of wood, horn, bone and leather. Embellishments include the use of precious swords, folders and camp knives. Technical: I forge primarily 5160, produces own metals and stones, including gold, silver, diamonds, rubies, sapphires and other unique Damascus and does own heat treating.
    [Show full text]
  • OKCA 29Th Annual • April 17-18
    KNIFEOKCA 29th Annual SHOW • April 17-18 Lane County Fairgrounds & Convention Center • Eugene, Oregon April 2004 Ourinternational membership is happily involved with “Anything that goes ‘cut’!” YOU ARE INVITEDTO THE OKCA 29th ANNUAL KNIFE SHOW & SALE In the freshly refurbished EXHIBIT HALL. Now 470 Tables! You Could Win... a new Brand Name knife or other valuable prize, just for filling out a door prize coupon. Do it now so you don't forget! You can also... buy tickets in our Saturday (only) RAFFLE for chances to WIN even more fabulous knife prizes. Stop at the OKCA table before 5:00 p.m Saturday. Tickets are only $1 each, or 6 for $5. Free Identification & Appraisal Ask for Bernard Levine, author of Levine's Guide to Knives and Their Values, at table N-01. ELCOME to the Oregon Knife At the Show, don't miss the special live your name to be posted near the prize showcases Collectors Association Special Show demonstrations Saturday and Sunday. This (if you miss the posting, we will MAIL your WKnewslettter. On Saturday, April 17 year we have Martial Arts, Scrimshaw, prize). and Sunday, April 18, we want to welcome you Engraving, Knife Sharpening, Blade Grinding and your friends and family to the famous and Competition, Knife Performance Testing and Along the side walls, we will have more than a spectacular OREGON KNIFE SHOW & SALE. Flint Knapping. New this year: big screen live score of MUSEUM QUALITY KNIFE AND Now the Largest Knife Show in the World! TV close-ups of the craftsmen at work. And SWORD COLLECTIONS ON DISPLAY for don't miss the FREE knife identification and your enjoyment, in addition to our hundreds of The OREGON KNIFE SHOW happens just appraisal by renowned knife author tables of hand-made, factory, and antique knives once a year, at the Lane County Fairgrounds & BERNARD LEVINE (Table N-01).
    [Show full text]
  • Uechi-Ryu History
    Welcome to Rooke School of Karate! Congratulations on your decision to take the challenge towards personal growth and development! Sensei Steven Rooke and the fellow students at the Rooke School of Karate take great pleasure in welcoming you to our school. By becoming a member of our karate school, you will join an organization that takes great pride in our students and the martial arts that we learn. Since the Rooke School of Karate opened in 2006, we have been committed to building and developing our students into the best that they can be. As a student works and trains towards becoming a Black Belt, they will experience challenges, growth, progress and change within our school, as in many other aspects of their lives. We hope that you will find our karate school to be a positive experience that will influence your life and/or that of your child. Our objective here at the Rooke School of Karate is to provide you with a well structured martial arts program in a safe, positive and non-intimidating learning environment that promotes a positive attitude where students will develop their mental strength and physical endurance that will lead to greater confidence and self discipline. We offer a positive approach to a student’s success, creating attainable goals for the students in an environment that makes learning fun. In the beginning, it is always best to focus on developing a strong foundation of skill and understanding of the basic maneuvers and techniques we practice. In addition to getting your body in better shape, you should notice an increase in strength and flexibility along with greater energy and endurance within the first few months.
    [Show full text]
  • Why Are Foreign Chefs Captivated by Japanese Kitchen Knives?
    CULTURE Why are foreign chefs captivated by Japanese kitchen knives? A Yanagiba kitchen knife is used to cut fish into sashimi (slices of raw fish). Japanese-style kitchen knives come in about 200 types by usage. Professional chefs use different types of kitchen knives for different purposes to create the specifically intended taste. Higuchi Naoya, novelist and chef he decline in Japanese influence in the international community is often pointed out, but it is not always the case in the cooking industry. Japanese chefs T are in tremendous demand all over the world. There are an increasing number of people who come to Japan from abroad to learn how to cook. This situation was inconceivable years ago. Of course, because prices are different, one cannot make a simple comparison. Amid the pessimism over Japanese products not selling well, including home appliances, according to trade statistics compiled by the Japanese Ministry of Finance, Japanese kitchen knife exports have continued to grow steadily since 2004 (excluding 2008 when the Lehman Shock struck the world). A while ago, when chefs from a foreign star-restaurant came to Higuchi Naoya, Japan, they would often buy many Japanese kitchen knives and take novelist and chef them home. But today everyone buys Japanese kitchen knives as if it were quite natural. Discuss Japan—Japan Foreign Policy Forum No. 40 Manufacturers in Sakai, Osaka produce 90% of Japanese-style kitchen knives for professional use. Kitchen knife manufacture by division of labor among craftsmen Izumiriki Seisakusho (Izumi Sharp-Edged Tool Manufacturing Company) in Sakai, Osaka Prefecture Chefs all over the world admire Japanese kitchen knives in recognition of their sharpness.
    [Show full text]
  • Japanse Woordenlijst Nederlands Engels Kanji Hiragana Abumi
    Japanse Nederlands Engels Kanji Hiragana woordenlijst Abumi Stijgbeugels met een haakvorm Hook-shaped stirrups 鐙 あぶみ A-gyou Letterlijk: A-vorm, samen met un-gyou staat het Literally: A-shape, together with un-gyou is 阿形 あーぎょう symbool voor het begin en het einde van alles symbolises the beginning and ending of all things Boke Japanse kweepeer Japanese quince 木瓜 ぼけ Bonshou Boeddhistische tempelbel Buddhist temple bell 梵鐘 ぼんしょう Chasen Bamboe klopper, speciaal om matcha thee mee te Bamboo whisk used to prepare matcha tea 茶筅 ちゃせん bereiden Chawan Traditionele theekom Traditional tea bowl 茶碗 ちゃわん Daikon Rettich, Oost-Aziatische witte radijs East-Asian white radish 大根 だいこん Edamame Groene sojabonen Green soybeans 枝豆 えだまめ Edo Periode in de Japanse geschiedenis onder het Period in Japanese history when the Tokugawa 江戸 えど Tokugawa shogunaat, die regeerde vanuit Edo shogunate ruled the country from Edo (former name (voormalige naam van Tokio) (1603-1868) of Tokyo) (1603-1868) Ema Kleine houten gedenkplaat waarop een persoon Small wooden plaque on which a person can write its 絵馬 えま zijn gebeden of wensen kan schrijven prayers or wishes Fuchi Decoratieve rand tussen de tsuba en de seppa van Collar between the tsuba and the seppa of a 縁 ふち een Japans zwaard Japanese sword Fuchi kashira Set van een fuchi en een kashira Set of a fuchi and a kashira 縁頭 ふち かしら Go-shichi-no- Officiëel zegel van de Japanse premier Official seal of the Prime Minister of Japan 五七桐 ごーしちーのーきり kiri Guntou Militair zwaard dat gemaakt werd voor gebruik in Military sword produced for
    [Show full text]
  • Japonsie Vendredi 9 Février 2018 Paris • Hôtel Drouot • Salle 6
    ARTSART du D’ AJAPONSIE VENDREDI 9 FÉVRIER 2018 PARIS • HÔTEL DROUOT • SALLE 6 ARTSART du D’ AJAPONSIE VENDREDI 9 FÉVRIER 2018 PARIS • HÔTEL DROUOT • SALLE 6 Collection de tsuba de Monsieur J. P. B. (Lot 1 à 162) Collection d’ojime de son épouse, Madame C. B. (Lot 163 à 177) EXPERTSEXPERTS : Alice JOSSAUMEOSS Expert en Art d’Extrême Orient / Expert SFEP 26, boulevard Poissonnière - 75009 PARIS Tel : +33 (0)1 48 00 03 41 [email protected] www.portier-asianart.com Exposition publique : Jeudi 8 février de 11h à 21h Vente et le matin de la vente de 11h à 12h Téléphone pendant l’exposition et la vente : à 14h 01 48 00 20 06 Catalogue en ligne www.tessier-sarrou.com S.A.R.L. - Agrément 2001-014 - R.C.S. : TVA INTRA-FR9 440 305 183 00012 Tessier, Sarrou & Associés 8, rue Saint-Marc - 75002 Paris Tél. : +33 (0)1 40 13 07 79 [email protected] Collection de Monsieur J. P. B. (Lot 1 à 162) 1 JAPON - Epoque EDO (1603 - 1868), XVIIIe siècle 2 JAPON - Début Epoque EDO (1603 - 1868) Kawari gata en fer à décor ajouré en yo-sukashi de branches de cerisier Nagamaru gata en fer à décor ajouré en yo-sukashi de branches de et croissant de lune. FHULVLHUHQ͇HXUV Non signée. Non signée. Ecole Higo. H. 8 cm. H. 7,5 cm. 400/500 Euros 500/600 Euros 3 JAPON - Début Epoque EDO (1603 - 1868) 4 JAPON - Epoque EDO (1603 - 1868), XVIIIe siècle Nagamaru gata en fer à décor ajouré en yo-sukashi d’un couple d’oies Nagamaru gata en fer à décor ajouré en yo-sukashi de double dia- en vol parmi les roseaux.
    [Show full text]
  • Il Samurai. Da Guerriero a Icona
    Il fiume di parole e d’immagini sul Giappone che si riversò a icona Da guerriero Il samurai. in Occidente dopo il 1860 lo configurò per sempre come l’idillica terra del Monte Fuji, coi laghi sereni punteggiati di vele, le geisha in pose seminude e gli indomabili samurai dalle misteriose armature. Il fascino che i guerrieri giapponesi e la loro filosofia di vita esercitarono sulla cultura del Novecento fu pari soltanto al desiderio di conoscere meglio la loro storia e i loro costumi, per svelare i segreti di una casta che prima Il samurai. di sconfiggere il nemico in battaglia aveva deciso, senza rinunciare ai piaceri della vita, di educare il corpo e la mente Da guerriero a icona a sconfiggere i propri limiti e le proprie paure, per raggiungere l’impalpabile essenza delle cose. a cura di Moira Luraschi 10 10 Antropunti Collana diretta da Francesco Paolo Campione Christian Kaufmann Antropunti € 32,00 Collana diretta da Francesco Paolo Campione Il samurai. Christian Kaufmann Da guerriero a icona La Collezione Morigi e altre recenti acquisizioni del MUSEC a cura di Antropunti Moira Luraschi 10 Sommario Note di trascrizione Prefazione 6 e altre avvertenze per la lettura Roberto Badaracco La trascrizione delle parole giapponesi Per la lettura delle parole trascritte ci si ba- segue il Sistema Hepburn modificato, fa- serà sulla fonologia italiana per le vocali, su Saggi I samurai. Guerrieri, politici, intellettuali 11 cendo eccezione per quei pochi casi in cui quella inglese per le consonanti. Si tenga Moira Luraschi un nome è entrato nell’uso corrente in una dunque presente che: ch è la c semiocclu- forma diversa (es.
    [Show full text]
  • 101 Knife Designs: Practical Knives for Daily
    101 KNIFE DESIGNS PRACTICAL KNIVES FOR DAILY USE MURRAY CARTER TABLE OF CONTENTS Cover Title Page Disclaimer Terms and Definitions Introduction Part 1: Design Theory, Practical Designs For Daily Use Culinary Blades • Paring Knives • Slicing knives • Chopping Knives AKA Cleavers Knives for Work, Hobbies and Outdoors • Utility Knives, blades 4 inches and less • Combat Knives, 7 to 9 inch blades • Camp Knives, 10-12 inch blades • Machetes, 16-20 inch blades • Swords, blades over 20 inches Classic Knife Designs Part 2: How To Create And Preserve New Designs How to Grow Your Pattern Collection How to Modify a Pattern to Improve it Specific Features Of Blades • Point location and sharpness • Straight vs curved vs recurve edges • Blade spine/ handle junction • Handle shape, contour, and angle relative to the blade • Low drag, easily maintained profile • Sharp pommels • The 89 degree subtlety In Conclusion How To Use The Patterns Knife Patterns/Templates • Kitchen Knives • Daggers • Neck Knives • Other Knives Bibliography About the Author Acknowledgements Copyright DISCLAIMER This book is all about practical knife designs. It is written for the reader who desires first and foremost to make or own a knife that will be held and used for extended periods of time to cut things. This doesn’t mean to imply that other types of blades and knives, such as Fantasy or Art knives, have no merit in the cutlery world. Definitely not! Fantasy and Art knives offer richness and variety to the cutlery market, for everyone’s benefit. As these knives are limited only by the artist’s imagination and skills, it is exciting to see what will come along next in this exciting arena of knife design.
    [Show full text]