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Heritage Newsletter Jan-Feb 2009
HERITAGE NEWSLETTER OF THE BLUE MOUNTAINS ASSOCIATION OF CULTURAL HERITAGE ORGANISATIONS INC. MAY - JUNE 2013 ISSUE No. 27 GOVERNOR CONTINUES HER SUPPORT FOR BLUE MOUNTAINS HERITAGE HER EXCELLENCY, Professor Marie Bashir, AC CVO earlier this month continued her close support of Australia heritage with yet another visit to the Blue Mountains, when she officially launched Hazelbrook historian and author, Ken Goodlet’s latest book Blue Mountains Journey. Professor Bashir said it was a privilege to have been invited to be the bicentenary patron and praised Blue Mountains Journeys as a “glorious book” and ”a gift to Australia”. She said she was pleased that Australians were embracing their history. NSW Governor, Professor Marie Bashir congratulating author Ken Goodlet. Photograph: David Hill BMLOT Three years of Crossing events gets underway THREE GRANITE boulders in the which includes Blaxland, Wentworth re-enactment walk by descendants Hartley Valley have been placed in and Lawson’s journey through the of the three explorers along the a new position in symbolic area in 1813. route taken by Blaxland, Wentworth preparation for the bicentenary of and Lawson, to a mass flyover the the first European crossing of the The NSW Governor, Professor region by civilian and military Blue Mountains into Hartley Marie Bashir will “inaugurate the aircraft, fireworks displays and the rocks on June 1, the date when it is presentation of holey dollars to The boulders were taken from the thought the explorers passed close school children. property of Hartley -
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Dorrit Black the Bridge
Dorrit Black The Bridge Interpretive Resource Australian modernist Dorrit Black The Bridge, 1930 was Australia’s first Image (below) and image detail (cover) (1891–1951) was a painter and printmaker cubist landscape, and demonstrated a Dorrit Black, Australia, who completed her formal studies at the new approach to the painting of Sydney 1891–1951, The Bridge, 1930, Sydney, oil on South Australian School of Arts and Crafts Harbour. As the eye moves across the canvas on board, 60.0 x around 1914 and like many of her peers, picture plane, Black cleverly combines 81.0 cm; Bequest of the artist 1951, Art Gallery of travelled to Europe in 1927 to study the the passage of time in a single painting. South Australia, Adelaide. contemporary art scene. During her two The delicately fragmented composition years away her painting style matured as and sensitive colour reveals her French she absorbed ideas of the French cubist cubist teachings including Lhote’s dynamic painters André Lhote and Albert Gleizes. compositional methods and Gleizes’s vivid Black returned to Australia as a passionate colour palette. Having previously learnt to supporter of Cubism and made significant simplify form through her linocut studies contribution to the art community by in London with pioneer printmaker, Claude teaching, promoting and practising Flight, all of Black’s European influences modernism, initially in Sydney, and then in were combined in this modern response to Adelaide in the 1940s. the Australian landscape. Dorrit Black – The Bridge, 1930 Interpretive Resource agsa.sa.gov.au/education 2 Early Years Primary Responding Responding What shapes can you see in this painting? What new buildings have you seen built Which ones are repeated? in recent times? How was the process documented? Did any artists capture The Sydney Harbour Bridge is considered a this process? Consider buildings you see national icon – something we recognise as regularly, which buildings do you think Australian. -
Nsw.Au Page 1 Kangaroo Valley Voice
May 2012 Kangaroo Valley Voice www.kangaroovalley.nsw.au Page 1 Kangaroo Valley Voice Volume 17 Issue 11 ISSN 1833-8402 Circulation 850 May 2012 $2-50 Good roll up at the Valley’s “One day of the year”! The wonderful supporters are Ben Stapleton who has been flag monitor for 10 years, Mike Hammond, bugler, Lance Brown and Nigel Anderson, audio masters, Nell Britton, vocalist, Gayle and Allan Harvey, programmes and wreaths, the Raffle Organizer, Eileen Rebbeck and her able assistants, Leon and Abbey, the staff at KV Primary, Jacqui Lenz, Anne Dynon,John Anderson, the Ambulance, Police and Rural Fire Brigade, our respected Ministers, Andrew Patterson and Fr Ronan, the ever willing and reliable Lions Club, the Nowra Bowling Club and the ladies with the rosemary and programmes, Marjorie Wilkie and Mary Mc Intryre. Thank you all for what you do so well. Special recognition to our generous sponsors and service providers: The Valley Voice, The Friendly Inn, KV Golf and Country Resort, Nostalgia Factory. KV Estate, KV Olives, Shoalhaven Council, RTA, South Coast Register and Radio 2ST. A stirring sight as the parade approaches All who attended the ceremony were captivated Windy but thankfully no rain to spoil by the heartfelt Commemorative Address from ANZAC Day in the Valley, where a Rear Admiral [retired], Simon Harrington AM. crowd of more than 400 assembled at He had thoroughly researched the stories behind the Cenotaph. the names on the Memorial and gave to each war Many members of the community hero an identity, to be respected and treasured by contribute to the success of this moving this community. -
Making Modernism Student Resource
STUDENT RESOURCE INTRODUCTION The time of Georgia O’Keeffe, Margaret Preston and Grace Cossington Smith was characterised by scientific discovery, war, rapid urbanisation, engineering and industrialisation. Rather than working toward tonal modelling and ‘imitative drawing’ techniques, these women artists were driven toward abstraction by theories about colour and distortion initiated by the Fauvists in Europe, as well as by their own fascination with the depiction of light. Arthur Wesley Dow’s design exercises — influenced by Japanese aesthetics (Orientalism) that aimed to achieve harmony using notan, or ‘dark and light’ — were being taught around the world, including to O’Keeffe at a Georgia O’Keeffe / Ram’s Head, Blue Morning Glory (detail) 1938 / Gift of The Burnett Foundation 2007 / University of Virginia summer school; here in Australia, Collection: Georgia O’Keeffe Museum, Santa Fe / © Georgia O’Keeffe Museum Preston was reading about them. 1, 2 BEFORE VISIT ‘ Do not go where the path may RESEARCH – What is Modernism? Write a definition lead, go instead where there that considers the following terms: rapid change, is no path and leave a trail.’ world view, transportation, industrialisation, innovation, experimentation, rejecting tradition, realism, abstraction. Ralph Waldo Emerson (1803–82), North American essayist and poet Locate on maps the cities, regions and other places significant to O’Keeffe, Preston and Cossington Smith, including New Mexico, Sydney Harbour and England. DEVELOP – Use Google Earth to find and take screen ‘ Lasting art is endlessly interesting shots of these locations and the vehicles in use at the time. because its meaning is constantly remade by each generation, by each REFLECT – Consider the impact of travel on artists, individual viewer.’ seeing new countries and landscapes for the first time. -
Crossing the Blue Mountains
Crossing the Blue Mountains Due to the rough terrain and lack of resources, the Blue Mountains were seen as an impassible barrier for future exploration from the time of Captain Cook’s landing in 1770 through to 1813. In 1813, Gregory Blaxland, William Charles Wentworth, and Lieutenant Lawson, along with four servants, four pack horses and five dogs, set off on an exploration which was to create history. On the 11th May 1813 the explorers departed from Emu Plains reaching the foothills of the Blue Mountains, or Glenbrook as it is known today. For Blaxland, Wentworth and Lawson, the trip across the Blue Mountains was a tremendous struggle. Having insufficient food for their journey, they recorded the trek required constant hacking through thick scrub and treading through "damp dew-laden undergrowth". They were also in fear of attack by Aboriginals. These factors, in combination with sickness, nearly saw the men defeated by the rugged terrain. Eighteen days later, on the 29th May 1813, the Blue Mountains was no longer considered an impassible barrier following the discovery of the gently sloping mountains to the west. Today, just west of Katoomba you can see the remains of a Eucalyptus tree marked by the famous explorers Blaxland, Wentworth and Lawson. The Marked Tree, along with Caley’s Repulse at Lawson, are the only remaining marks of the early explorers. A cairn of stones was also placed at Linden, however, we cannot be certain if the existing cairn at Linden is the original. Blue Mountains crossing 1813: Blaxland, Lawson and Wentworth cross the Blue Mountains Victoria Pass, Blue Mountains by Eliza Thurston In 1813 Gregory Blaxland, William Charles Wentworth and William Lawson became the first European settlers to successfully navigate a path across the Blue Mountains. -
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The Travelling Table
The Travelling Table A tale of ‘Prince Charlie’s table’ and its life with the MacDonald, Campbell, Innes and Boswell families in Scotland, Australia and England, 1746-2016 Carolyn Williams Published by Carolyn Williams Woodford, NSW 2778, Australia Email: [email protected] First published 2016, Second Edition 2017 Copyright © Carolyn Williams. All rights reserved. People Prince Charles Edward Stuart or ‘Bonnie Prince Charlie’ (1720-1788) Allan MacDonald (c1720-1792) and Flora MacDonald (1722-1790) John Campbell (1770-1827), Annabella Campbell (1774-1826) and family George Innes (1802-1839) and Lorn Innes (née Campbell) (1804-1877) Patrick Boswell (1815-1892) and Annabella Boswell (née Innes) (1826-1914) The Boswell sisters: Jane (1860-1939), Georgina (1862-1951), Margaret (1865-1962) Places Scotland Australia Kingsburgh House, Isle of Skye (c1746-1816) Lochend, Appin, Argyllshire (1816-1821) Hobart and Restdown, Tasmania (1821-1822) Windsor and Old Government House, New South Wales (1822-1823) Bungarribee, Prospect/Blacktown, New South Wales (1823-1828) Capertee Valley and Glen Alice, New South Wales (1828-1841) Parramatta, New South Wales (1841-1843) Port Macquarie and Lake Innes House, New South Wales (1843-1862) Newcastle, New South Wales (1862-1865) Garrallan, Cumnock, Ayrshire (1865-1920) Sandgate House I and II, Ayr (sometime after 1914 to ???) Auchinleck House, Auchinleck/Ochiltree, Ayrshire Cover photo: Antiques Roadshow Series 36 Episode 14 (2014), Exeter Cathedral 1. Image courtesy of John Moore Contents Introduction .……………………………………………………………………………….. 1 At Kingsburgh ……………………………………………………………………………… 4 Appin …………………………………………………………………………………………… 8 Emigration …………………………………………………………………………………… 9 The first long journey …………………………………………………………………… 10 A drawing room drama on the high seas ……………………………………… 16 Hobart Town ……………………………………………………………………………….. 19 A sojourn at Windsor …………………………………………………………………… 26 At Bungarribee ……………………………………………………………………………. -
Grace Cossington Smith
Grace Cossington Smith A RETROSPECTIVE EXHIBITION Proudly sponsored by This exhibition has been curated by Deborah Hart, Senior Curator, Australian Paintings and Sculpture at the National Gallery of Australia. Booking details Entry $12 Members and concessions $8 Entry for booked school groups and students under 16 is free Online teachers’ resources Visit nga.gov.au to download study sheets that can be used with on-line images – key works have been selected and are accompanied by additional text. Other resources available The catalogue to the exhibition: Grace Cossington Smith (a 10% discount is offered for schools’ purchases) Available from the NGA shop. Phone 1800 808 337 (free call) or 02 6240 6420, email [email protected], or shop online at ngashop.com.au Audio tour Free children’s trail Postcards, cards, bookmarks and posters Venues and dates National Gallery of Australia, Canberra 4 March – 13 June 2005 Art Gallery of South Australia, Adelaide 29 July – 9 October 2005 Art Gallery of New South Wales, Sydney 29 October 2005 – 15 January 2006 Queensland Art Gallery, Brisbane 11 February – 30 April 2006 nga.gov.au/CossingtonSmith The National Gallery of Australia is an Australian Government Agency GRACE COSSINGTON SMITH EDUCATION RESOURCE Teachers’ notes Grace Cossington Smith (1892–1984) is one of Australia’s most important artists; a brilliant colourist, she was one of this country’s first Post-Impressionsts. She is renowned for her iconic urban images and radiant interiors. Although Cossington Smith was keenly attentive to the modern urban environment, she also brought a deeply personal, intimate response to the subjects of her art. -
Consulting JMT Consulting Macquarie Shopping Centre Amended Stage 2 DA Transport Management and Accessibility Plan (TMAP)
Macquarie Shopping Centre Amended Stage 2 DA Transport Management and Accessibility Plan (TMAP) Prepared for: AMP Capital 14 September 2020 JMT Consulting JMT Consulting Macquarie Shopping Centre Amended Stage 2 DA Transport Management and Accessibility Plan (TMAP) PROJECT INFORMATION Project Name: Macquarie Shopping Centre Amended Stage 2 DA Client: AMP Capital Project Number: 2018 Prepared By: JMT Consulting DOCUMENT HISTORY Document Title Revision Date issued Author Macquarie Centre Stage 2 Draft 09.07.20 JM DA - TMAP Macquarie Centre Stage 2 Draft 2 02.09.20 JM DA - TMAP Macquarie Centre Stage 2 Issue 14.09.20 JM DA - TMAP Use of this document by a third party to inform decisions is the sole responsibility of that third party. J J Milston Transport Consulting Pty Ltd Milston Transport Consulting Pty Ltd assumes no liability with respect to any reliance placed upon this document. Reproduction of this document or any part thereof is not permitted without prior written ABN: 32635830054 permission of J Milston Transport Consulting Pty Ltd. ACN: 635830054 23 Leonard Avenue Kingsford NSW 2032 14 September 2020 Australia JMT Consulting Macquarie Shopping Centre Amended Stage 2 DA Transport Management and Accessibility Plan (TMAP) Table of Contents 1 Introduction 1 1.1 Background 1 1.2 Site description 1 1.3 Report purpose 2 2 Existing Conditions 8 2.1 Site context 8 2.2 Road network 9 2.3 Vehicle access arrangements 11 2.4 Parking 11 2.5 Public transport network 12 2.6 Taxis 14 2.7 Pedestrians 15 2.8 Cycling 16 3 Proposed Development 17 4 -
Conservation Management Plan Macquarie Ice Rink
CONSERVATION MANAGEMENT PLAN MACQUARIE ICE RINK 26 AUGUST 2020 PREPARED FOR AMP CAPITAL URBIS STAFF RESPONSIBLE FOR THIS REPORT WERE: Director, Heritage Stephen Davies, B Arts Dip Ed, Dip T&CP, Dip Cons Studies, M.ICOMOS Senior Heritage Consultant Alexandria Barnier, B Des (Architecture), Grad Cert Herit Cons, M.ICOMOS Heritage Consultant Cecelia Heazlewood, B Arts, M Museum & Heritage Studies Project Code P0023487 Report Number 1 – Draft issued 26.08.2020 © Urbis Pty Ltd ABN 50 105 256 228 All Rights Reserved. No material may be reproduced without prior permission. You must read the important disclaimer appearing within the body of this report. urbis.com.au CONTENTS TABLE OF CONTENTS Executive Summary ............................................................................................................................................. i 1. Introduction ........................................................................................................................................... 1 1.1. Brief .......................................................................................................................................... 1 1.2. Site Location ............................................................................................................................ 1 1.3. Methodology ............................................................................................................................. 2 1.4. Limitations & Exclusions ......................................................................................................... -
Journal of Gregory Blaxland.Pdf
conditions could be expected to make it. Tais is the sort of thing:— CROSSING THE BLUE “ Struck our Tent3 and Droceeded N by W 1-16. NW 1-16, NNW NW %, W 1-16, MOUNTAINS. ^ WSW 34. SSW V i, S by E 14, S by W H. ssw %. s %, w i mile, wsw u , ssw ♦ n w A NEGLECTED JOURNAL. That is part of the entry for May 24, giving the track they made from the lagoon near Wentworth Falls railway station to another (By ARTHUR JOSE.) swamp near Leura; and anyone who has fol lowed the old (Cox’s) road in that vicinity will A hundred and eight years ago to-day recognise the twists and turns of it. The dis Gregory Blaxland and his two friends stood tances, of course, are not exact—Lawson’s six on the clifl-edge at Mount York and saw the teenths of a mile are nearer SO yards than 110. good grass lands of Hartley Vale. No more But Blaxland gives the explanation; “The dis welcome or more important discovery was ever tance was computed by time, the rate being es made in Australia. And the discoverers knew timated at about two miles per hour," so that it—tut it appealed to each of them in a differ' a sixteenth meant about two minutes’ walk.', ent light. To Blaxland, the sheep-farmer, it Considering the rough method of computation, was a find of the approach to accuracy is remarkable. “forest or grass land sufficient in extent to A LOST M A P .