Guide to the Mircea Eliade Papers 1926-1998
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Romania's Cultural Wars: Intellectual Debates About the Recent Past
ROMANIA'S CULTURAL WARS : Intellectual Debates about the Recent Past Irina Livezeanu University of Pittsburgh The National Council for Eurasian and East European Researc h 910 17`" Street, N.W . Suite 300 Washington, D.C. 2000 6 TITLE VIII PROGRAM Project Information* Contractor : University of Pittsburgh Principal Investigator: Irina Livezeanu Council Contract Number : 816-08 Date : March 27, 2003 Copyright Informatio n Individual researchers retain the copyright on their work products derived from research funde d through a contract or grant from the National Council for Eurasian and East European Researc h (NCEEER). However, the NCEEER and the United States Government have the right to duplicat e and disseminate, in written and electronic form, reports submitted to NCEEER to fulfill Contract o r Grant Agreements either (a) for NCEEER's own internal use, or (b) for use by the United States Government, and as follows : (1) for further dissemination to domestic, international, and foreign governments, entities and/or individuals to serve official United States Government purposes or (2) for dissemination in accordance with the Freedom of Information Act or other law or policy of th e United States Government granting the public access to documents held by the United State s Government. Neither NCEEER nor the United States Government nor any recipient of this Report may use it for commercial sale . * The work leading to this report was supported in part by contract or grant funds provided by th e National Council for Eurasian and East European Research, funds which were made available b y the U.S. Department of State under Title VIII (The Soviet-East European Research and Trainin g Act of 1983, as amended) . -
Strategies of 'Aesopian Language' in Romanian Literary Criticism Under
SLOVO , VOL. 24, NO . 2 (A UTUMN 2012), 75-95. The Rhetoric of Subversion: Strategies of ‘Aesopian Language’ in Romanian Literary Criticism under Late Communism ANDREI TERIAN Lucian Blaga University of Sibiu, Romania This paper analyses the subversive strategies of ‘Aesopian language’ with reference to the discourse of the Romanian literary criticism written under late communism (1971-1989). The first two sections of the paper signal certain gaps and inconstancies in defining Aesopian language and in delineating its forms of manifestation; at the same time, they explain the spread of this subversive practice in the political and cultural context of Romanian communism. The following three sections analyse the manner in which Aesopian language materialized in the writings of some of the most important contemporary Romanian critics: Mircea Iorgulescu, Nicolae Manolescu and Mircea Martin. The final section of the study considers a revision of the current definitions of Aesopian language (through the concept of “triggers” theorized in this paper), a new classification of the rhetorical strategies acting globally in a subversive text, as well as a re-evaluation of the relevance of Aesopian language in the context of ‘resistance through culture’, which was the main form of opposition against the communist regime in Romania. INTRODUCTION In the Foreword to his famous pamphlet Imperialism: the Highest Stage of Capitalism (1917), V.I. Lenin cautioned his readers that the paper had been written ‘with an eye to the tsarist censorship’; therefore, he had found it essential to render his subversive doctrine ‘with extreme caution, by hints, in an allegorical language – in that accursed Aesopian language – to which tsarism compelled all revolutionaries to have recourse whenever they took up the pen to write a “legal” work’. -
Rhetoric and Resistance in Black Women's Autobiography
Rhetoric and Resistance in Black Women’s Autobiography Copyright 2003 by Johnnie M. Stover. This work is licensed under a modified Creative Commons Attribution-Noncommercial-No De- rivative Works 3.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-nd/3.0/. You are free to electronically copy, distribute, and transmit this work if you attribute authorship. However, all printing rights are reserved by the University Press of Florida (http://www.upf.com). Please con- tact UPF for information about how to obtain copies of the work for print distribution. You must attribute the work in the manner specified by the author or licensor (but not in any way that suggests that they endorse you or your use of the work). For any reuse or distribution, you must make clear to others the license terms of this work. Any of the above conditions can be waived if you get permis- sion from the University Press of Florida. Nothing in this license impairs or restricts the author’s moral rights. Florida A&M University, Tallahassee Florida Atlantic University, Boca Raton Florida Gulf Coast University, Ft. Myers Florida International University, Miami Florida State University, Tallahassee New College of Florida University of Central Florida, Orlando University of Florida, Gainesville University of North Florida, Jacksonville University of South Florida, Tampa University of West Florida, Pensacola Rhetoric and Resistance in Black Women’s Autobiography ° Johnnie M. Stover University Press of Florida Gainesville/Tallahassee/Tampa/Boca Raton Pensacola/Orlando/Miami/Jacksonville/Ft. Myers Copyright 2003 by Johnnie M. -
From Periphery to Centre.The Image of Europe at the Eastern Border of Europe
Munich Personal RePEc Archive From Periphery to Centre.The Image of Europe at the Eastern Border of Europe Şipoş, Sorin and Moisa, Gabriel and Cepraga, Dan Octavian and Brie, Mircea and Mateoc, Teodor University of Oradea, Romania, University of Padova, Italy 2014 Online at https://mpra.ub.uni-muenchen.de/59276/ MPRA Paper No. 59276, posted 15 Oct 2014 12:04 UTC Edited by: Sorin Şipoş, Gabriel Moisa, Dan Octavian Cepraga, Mircea Brie, Teodor Mateoc From Periphery to Centre. The Image of Europe at the Eastern Border of Europe Editorial committee: Delia-Maria Radu Roxana Ivaşca Alexandra Bere Ionuţ Ciorba CONTENTS Sorin ŞIPOŞ, Dan Octavian CEPRAGA, From Periphery to Centre. The Image of Europe at the Eastern Border of Europe ………..………..… 5 I. PERIPHERY VIEWED FROM THE CENTRE …………………..… 13 Lorenzo RENZI, «Terra Romena» ……………………………………..… 15 Ion Alexandru MIZGAN, The Crusades – Cause of Tension between Eastern and Western Europe ………………………………………...…..…21 Florin DOBREI, Transylvanian “Schismatics”, “Heretics” and “Infidels” in the Vision of 13th-16th Century Catholic Europe ……………………..… 47 Ioan-Aurel POP, 16th Century Venetian Bailiffs‟ Reports on Realities in the Ottoman Empire …………………………………………………..… 61 Ion EREMIA, A False Theory Still Persists at the Eastern Border of Latinity .. 76 Delia-Maria RADU, From Centre to the Periphery and the Other Way Round ………………………………………………………..……..… 88 Teodor MATEOC, Identity and Race. The Problem of Otherness in Contemporary Cultural Studies …………………………………...……..…96 II. SELF-IMAGES AT EUROPE’S EASTERN BORDERS -
Download a Pdf File of This Issue for Free
Issue 70: Dante's Guide to Heaven and Hell Dante and the Divine Comedy: Did You Know? What a famous painting suggests about Dante's life, legend, and legacy. Big Man in the Cosmos A giant in the world of which he wrote, laurel-crowned Dante stands holding his Divine Comedy open to the first lines: "Midway this way of life we're bound upon, / I woke to find myself in a dark wood, / Where the right road was wholly lost and gone." Of course, his copy reads in Italian. Dante was the first major writer in Christendom to pen lofty literature in everyday language rather than in formal Latin. Coming 'Round the Mountain Behind Dante sits multi-tiered Mount Purgatory. An angel guards the gate, which stands atop three steps: white marble for confession, cracked black stone for contrition, and red porphyry for Christ's blood sacrifice. With his sword, the angel marks each penitent's forehead with seven p's (from Latin peccatum, "sin") for the Seven Deadly Sins. When these wounds are washed away by penance, the soul may enter earthly paradise at the mountain's summit. Starry Heights In Paradiso, the third section of the Comedy, Dante visits the planets and constellations where blessed souls dwell. The celestial spheres look vague in this painting, but Dante had great interest in astronomy. One of his astronomical references still puzzles scholars. He notes "four stars, the same / The first men saw, and since, no living eye" (Purgatorio, I.23-24), apparently in reference to the Southern Cross. But that constellation was last visible at Dante's latitude (thanks to the earth's wobbly axis) in 3000 B.C., and no one else wrote about it in Europe until after Amerigo Vespucci's voyage in 1501. -
Political Antisemitism in Romania? Hard Data and Its Soft Underbelly Shafir, Michael
www.ssoar.info Political antisemitism in Romania? Hard data and its soft underbelly Shafir, Michael Veröffentlichungsversion / Published Version Zeitschriftenartikel / journal article Empfohlene Zitierung / Suggested Citation: Shafir, M. (2012). Political antisemitism in Romania? Hard data and its soft underbelly. Studia Politica: Romanian Political Science Review, 12(4), 557-603. https://nbn-resolving.org/urn:nbn:de:0168-ssoar-445667 Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer CC BY-NC-ND Lizenz This document is made available under a CC BY-NC-ND Licence (Namensnennung-Nicht-kommerziell-Keine Bearbeitung) zur (Attribution-Non Comercial-NoDerivatives). For more Information Verfügung gestellt. Nähere Auskünfte zu den CC-Lizenzen finden see: Sie hier: https://creativecommons.org/licenses/by-nc-nd/4.0 https://creativecommons.org/licenses/by-nc-nd/4.0/deed.de Political Antisemitism in Romania? 557 Political Antisemitism in Romania? Hard Data and its Soft Underbelly MICHAEL SHAFIR As in many other former communist countries of East Central Europe1, antisemitism in Romania resurged almost concomitantly with the demise of the former regime2. Empirical research on antisemitism, however, emerged only considerably later and did not take off as a main focus until the establishment of the National Institute for the Study of the Holocaust in Romania ”Elie Wiesel” (INSHREW) in 2005. This does not imply that the subject of Jews, attitudes to Jews measured by instruments such as stereotypic perceptions and/or ”social distance”, or attitudes toward controversial Romanian historical figures linked to the country’s antisemitic past was not tangentially or even directly tackled on occasion. What lacked until 2005, however, was an effort to systematically (among other instruments, employing a standard questionnaire capable of rendering comparative results) place under focus the phenomenon in its synchronic and diachronic unfolding. -
Diary of a Short-Sighted Adolescent Free
FREE DIARY OF A SHORT-SIGHTED ADOLESCENT PDF Mircea Eliade | 176 pages | 01 Jul 2016 | Istros Books | 9781908236210 | English | Bristol, United Kingdom Review: Diary of a Short-sighted Adolescent by Mircea Eliade | Eliade records his thoughts in his diaries with the hopes that he will eventually turn his writings into a novel. He is trying to figure out what the plot of his novel will be and decides he wants to have a hero as the center character of his novel. He introduces us to his friends, especially Robert and Dinu, whom he contemplates basing the novel of his hero on. Eliade also wants to include some sort of a romantic relationship in his novel but his lack of experience with girls frustrates him. He asks Diary of a Short-Sighted Adolescent female cousin for advise and uses his imagination to dream about possibilities of a romantic plot line in his book. Eliade believes that he is ugly and awkward and he often dwells on his lack of self-esteem throughout his diary. He would rather be doing a million other things than attending classes and he is easily distracted by his friends and his favorite books. Despite failing grades and disappointed teachers, Eliade is never motivated to be more studious with his school work. He decides that he will cram for his math exams and makes a strict schedule to reread his math book in the few days leading up to his exam. He always finds something to distract him from his studies; he reads a book, talks a walk, has a nap and basically does anything but study for his exam. -
Revistă Lunară De Literatură Şi Artă Apare Sub Egida Uniunii Scriitorilor Din România Editori S.C
4 RevistĂ lunarĂ de literaturĂ Şi artĂ Apare sub egida Uniunii Scriitorilor din România Editori S.C. Pleiade S.R.L. și Societatea Literară Acolada nr. 4 (149) aprilie 2020 (anul XIV) 20 pagini Director general: Radu Ulmeanu Director: Gheorghe Grigurcu Gheorghe Grigurcu: Ultimul mohican Isabela Vasiliu-Scraba: Misterul creaturii în hieroglifă vulcănesciană Alex. Ștefănescu: De ce scriu C.D. Zeletin: Poetul N. Crevedia în aducerea aminte Tudorel Urian: Cine a fost Patriarhul Justinian Adrian Dinu Rachieru: Există o literatură moldovenească? Constantin Trandafir: Țiganiada și metaliteratura Adrian Țion: Vasile Gogea și metafora melcului Dumitru Augustin Doman: Pasărea albastră de aer Lucia Negoiță: Interviul Acolada: Miron Scorobete Magda Ursache: O teologie a iubirii Ștefan Ion Ghilimescu: Vlahuță, romanul vieții și posteritatea Diana Trandafir: Poezii Mircea Popa: Acterienii Dan Culcer: Din jurnalul unui Mirela Trăistaru: Nud vulcanolog Pavel Șușară: Între exuberanță și expresivitate Acolada nr. 4 aprilie 2020 2 Arme şi arme Trăim o pandemie ce amintește tot mai mult de găselniță, în speranța amânării alegerilor până în anul următor, e un proiect de lege gripa spaniolă care-a urmat Primului Război Mondial. care ar da Parlamentului atribuția de a fixa calendarul electoral. Asta pentru că orice Asta chiar dacă, cel puțin deocamdată, mortalitatea întârziere favorizează pierderea încrederii de către partidul care guvernează, mai Coronavirusului e departe de-a egala numărul uriaș ales în aceste condiții, când e în joc sănătatea și, mai mult, viața și moartea celor cu al morților din vremurile ce-au pus capac acelui prim drept de vot, dar nu numai. Deci cu cât va fi mai mare numărul morților, cu atât va război, arătând că lumea începutului de secol XIX nu crește în noi sentimentul de vinovăție a guvernanților, care vor merita din ce în ce pare a fi tocmai o creație reușită a lui Dumnezeu. -
Epic and Autobiography in Dante's Inferno
Sacred Heart University Review Volume 24 Issue 1 Sacred Heart University Review, Volume XXIV, Article 5 Numbers 1 & 2, Fall 2006/ Spring 2007 March 2010 The oP et in the Mirror: Epic and Autobiography in Dante’s Inferno Simone Marchesi Follow this and additional works at: http://digitalcommons.sacredheart.edu/shureview Recommended Citation Marchesi, Simone (2010) "The oeP t in the Mirror: Epic and Autobiography in Dante’s Inferno," Sacred Heart University Review: Vol. 24 : Iss. 1 , Article 5. Available at: http://digitalcommons.sacredheart.edu/shureview/vol24/iss1/5 This Article is brought to you for free and open access by the SHU Press Publications at DigitalCommons@SHU. It has been accepted for inclusion in Sacred Heart University Review by an authorized editor of DigitalCommons@SHU. For more information, please contact [email protected]. The oP et in the Mirror: Epic and Autobiography in Dante’s Inferno Cover Page Footnote Simone Marchesi is Assistant Professor of French and Italian at Princeton University. This talk was delivered at Sacred Heart University on April 7, 2006, as part of the College of Arts & Sciences Lecture Series on “The Real and Fabled Worlds of Dante Alighieri.” All English translations in the text from Dante’s Divine Comedy are by Robert Hollander and Jean Hollander, in their edition published by Doubleday/Anchor in 2000. This article is available in Sacred Heart University Review: http://digitalcommons.sacredheart.edu/shureview/vol24/iss1/5 Marchesi: The Poet in the Mirror: Epic and Autobiography in Dante’s Inferno S IMONE M ARCHESI ____________________ The Poet in the Mirror: Epic and Autobiography in Dante’s Inferno Perché cotanto in noi ti specchi? [Why do you reflect yourself so long in us?] Inferno 32.54 Let me begin with an easy question: What is the Divine Comedy? Dante’s poem has been and is many things. -
Christian Church8
www.ssoar.info From periphery to centre: the image of Europe at the Eastern Border of Europe Şipoş, Sorin (Ed.); Moisa, Gabriel (Ed.); Cepraga, Dan Octavian (Ed.); Brie, Mircea (Ed.); Mateoc, Teodor (Ed.) Veröffentlichungsversion / Published Version Konferenzband / collection Empfohlene Zitierung / Suggested Citation: Şipoş, S., Moisa, G., Cepraga, D. O., Brie, M., & Mateoc, T. (Eds.). (2014). From periphery to centre: the image of Europe at the Eastern Border of Europe. Cluj-Napoca: Ed. Acad. Română. https://nbn-resolving.org/urn:nbn:de:0168- ssoar-400284 Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer CC BY Lizenz (Namensnennung) zur This document is made available under a CC BY Licence Verfügung gestellt. Nähere Auskünfte zu den CC-Lizenzen finden (Attribution). For more Information see: Sie hier: https://creativecommons.org/licenses/by/4.0 https://creativecommons.org/licenses/by/4.0/deed.de Edited by: Sorin §ipo§, Gabriel Moisa, Dan Octavian Cepraga, Mircea Brie, Teodor Mateoc From Periphery to Centre. The Image of Europe at the Eastern Border of Europe Editorial committee: Delia-Maria Radu Roxana Iva^ca Alexandra Bere IonuJ Ciorba Romanian Academy Center for Transylvanian Studies Cluj-Napoca 2014 Descrierea CIP a Bibliotecii Nationale a României From periphery to centre : the image of Europe at the Eastern border of Europe/ Sorin Çipoç, Gabriel Moisa, Dan Octavian Cepraga, Mircea Brie (ed.). - Cluj-Napoca : Editura Academia Românâ. Centrul de Studii Transilvane, 2014 ISBN 978-973-7784-97-1 I. Çipoç, Sorin (ed.) II. Moisa, Gabriel (ed.) III. Cepraga, Dan Octavian (ed.) IV. Brie, Mircea (ed.) 930 Volume published with the support of Bihor County Council The volume gathers the papers presented at the international symposium From Periphery to Centre. -
Ion Luca Caragiale
ION LUCA CARAGIALE ▪ 1852-1912 ▪ Romanian playwright, short story writer, poet, theater manager, political commentator and journalist ▪ leaving behind an important cultural legacy, he is considered one of the greatest playwrights in Romanian language and literature, as well as one of its most important writers and a leading representative of local humor ▪ works: • Conul Leonida (1879; “Mr. Leonida”) • O noapte furtunoasă (1880; “A Stormy Night”) • O scrisoare pierdută (1884; “A Lost Letter”) • Năpasta (1890; “The False Accusation”) • O făclie de Paște (1889; “An Easter Torch”) • Păcat (1892; “The Sin”) • Kir Ianulea (1909) • Momente and Schițe MIRCEA ELIADE ▪ 1907-1986 ▪ Romanian historian of religion, fiction writer, philosopher, and professor at the University of Chicago ▪ leading interpreter of religious experience, who established paradigms in religious studies that persist to this day ▪ his theory that hierophanies form the basis of religion, splitting the human experience of reality into sacred and profane space and time, has proved influential ▪ works: • Maitreyi ("La Nuit Bengali" or "Bengal Nights"), • Noaptea de Sânziene ("The Forbidden Forest"), • Isabel și apele diavolului ("Isabel and the Devil's Waters") • Romanul Adolescentului Miop ("Novel of the Nearsighted Adolescent"), • Domnișoara Christina ("Miss Christina") • Tinerețe fără tinerețe ("Youth Without Youth) • Secretul doctorului Honigberger ("The Secret of Dr. Honigberger") • La Țigănci ("With the Gypsy Girls"). MIRCEA ELIADE ▪ 1850-1889 ▪ Romantic poet, novelist, and -
Malcolm X and Christianity
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by ScholarBank@NUS MALCOLM X AND CHRISTIANITY FATHIE BIN ALI ABDAT (B. Arts, Hons) A THESIS SUBMITTED FOR THE DEGREE OF MASTER OF ARTS DEPARTMENT OF HISTORY NATIONAL UNIVERSITY OF SINGAPORE 2008 Acknowledgements I extend my sincerest gratitude first to the National University of Singapore (NUS) for granting me the Masters Research Scholarship that enabled me to carry out this undertaking. Also, my thanks go out to the librarians at various universities for assisting me track down countless number of primary and secondary sources that were literally scattered around the world. Without their tireless dedication and effort, this thesis would not have been feasible. The NUS library forked out a substantial sum of money purchasing dozens of books and journals for which I am grateful for. In New York, the friendly staff at Columbia University’s Butler Library, Union Theological Seminary’s Burke Library and Schomburg Centre for Research in Black Culture provided me access to newspaper articles, FBI files, rare books and archival materials that provided much content for my work. In Malaysia, the staff at the University of Malaya enabled me to browse through Za’aba’s extensive private collection that included the journal, Moslem World & the U.S.A. In the process of writing this thesis, I am indebted to various faculty members at the Department of History such as Assoc. Prof. Ian Gordon, Assoc. Prof. Michael Feener and Assoc. Prof. Thomas Dubois, who in one way or another, helped shape my ideas on Malcolm X’s intellectual beliefs and developed my skills as an apprentice historian.