14Th ESSE Conference Programme

Total Page:16

File Type:pdf, Size:1020Kb

14Th ESSE Conference Programme 14th ESSE Conference Programme (You will receive a printed copy in your conference bag.) 1 Plenary Lectures Anne Fogarty Modernist Aftermaths?: Joyce Effects in Contemporary Irish Fiction Scala, Moravské náměstí 127/3 Wed 14:30–15:30 Marta Mateo The sound of English literature in musical translation Scala, Moravské náměstí 127/3 Thu 13:30–14:30 Alfred Thomas Shakespeare's Bohemia: Religious Toleration in an Age of Confessional Polarization Scala, Moravské náměstí 127/3 Fri 13:30–14:30 Josef Schmied Functional Linguistic Approaches to Non-Native Academic Writing: Global Comparisons of Abstracts, Theses and Articles Scala, Moravské náměstí 127/3 Sat 13:30–14:30 Parallel Lectures Stefania Nuccorini PL01 The Lexicographical Management of English. Usage, Authority and Stance (1961-Present Day) Room N51, Building N, Janáčkovo náměstí 654/2a Fri 9:00–10:00 Elena Seoane PL02 A Register Approach to Morphosyntactic Variation in World Englishes Room N41, Building N, Janáčkovo náměstí 654/2a Thu 9:00–10:00 Jan Chovanec PL03 The Multimodal Poetics of Football, Language and the Media Room 200, Komenského náměstí 220/2 Sun 9:00–10:00 Izabela Szymańska PL04 Norms and Strategies in Translating Children’s Literature. Alice’s Adventures in Wonderland in Polish Room N41, Building N, Janáčkovo náměstí 654/2a Fri 9:00–10:00 Anthony Johnson PL05 Texts in Time and Time in Texts: Embodied Cultural Moments in Literature and Language Room N21, Building N, Janáčkovo náměstí 654/2a Sat 9:00–10:00 Jean-Rémi Lapaire PL06 Choreographers of Speech: Social Space as Performance Space Room N51, Building N, Janáčkovo náměstí 654/2a Thu 9:00–10:00 Maurizio Calbi PL07 Shakespeare and Contemporary Media Culture Scala, Moravské náměstí 127/3 Sat 9:00–10:00 Martin Procházka PL08 A Dialogue Between the East and the West? Uses and Abuses of Sharawadgi Room N21, Building N, Janáčkovo náměstí 654/2a Fri 9:00–10:00 María José Coperías-Aguilar PL09 In Their Own Voice: Women’s Periodicals in Late Nineteenth-Century Britain Room 200, Komenského náměstí 220/2 Sat 9:00–10:00 Laura Mª Lojo-Rodríguez PL10 Women’s Words: Victoria Ocampo and the Reception of Virginia Woolf in Hispanic Countries Room N21, Building N, Janáčkovo náměstí 654/2a Thu 9:00–10:00 Lilla Maria Crisafulli PL11 Frankenstein 1818/2018: Science and Gender in Mary Shelley’s Novel Room N51, Building N, Janáčkovo náměstí 654/2a Sun 9:00–10:00 2 Tamás Bényei PL12 The Monument and the Voice: Commemoration and Spectrality in British Literature of the Great War Room N41, Building N, Janáčkovo náměstí 654/2a Sun 9:00–10:00 Daniel Smith PL13 Out of Hand: John Donne and Manuscript Circulation Room N41, Building N, Janáčkovo náměstí 654/2a Sat 9:00–10:00 Gert Buelens PL14 Speculative Selves: Money and Subjectivity in Transatlantic Fiction since 1870 Scala, Moravské náměstí 127/3 Fri 9:00–10:00 Ludmilla Kostova PL15 Risks of Mediation: On Guides and Interpreters in Eighteenth- and Nineteenth-century British and Anglo- Irish Travel Writing on the Ottoman Empire Scala, Moravské náměstí 127/3 Thu 9:00–10:00 Virginia Richter PL16 Sandcastles and Beach Chairs: Banal Geopolitics in Modernist Literature Room 200, Komenského náměstí 220/2 Thu 9:00–10:00 Anne Fogarty PL17 Art is every Inexplicable Thing: Affect, Materiality and Pain in Eimear McBride’s A Girl is A Half-Formed Thing (2013), Mike McCormack’s Solar Bones (2016), and Sara Baume’s A Line Made by Walking (2017) Room 200, Komenského náměstí 220/2 Fri 9:00–10:00 Dieter Fuchs PL18 Why Read Joyce in the 21st Century? Room N51, Building N, Janáčkovo náměstí 654/2a Sat 9:00–10:00 Catherine Bernard PL19 Re-affecting Vision: the Body Politic of Contemporary English Art Room N21, Building N, Janáčkovo náměstí 654/2a Sun 9:00–10:00 Round Tables RT1 Literary Journalism and R/Evolution Room 213, Komenského náměstí 220/2 Thu 10:30–12:30 Participants: John S. Bak David Abrahamson Julie Wheelwright Talal Victor Hawshar RT2 Unpacking Anti-Gender Campaigns in the Context of Rising Populism in Europe Room 213, Komenského náměstí 220/2 Fri 10:30–12:30 Participants: Erzsébet Barát Pilar Cuder-Domínguez Zuzanna Sanches Katharina Wiedlack RT3 Cross-Border Dynamics: Mediation and Hybridity across the British Isles, Italy and France Room 213, Komenského náměstí 220/2 Thu 17:30–19:30 Roundtable jointly chaired by: Antonella Braida Céline Sabiron Participants: 3 Alberto Gabriele – Cross-Border Dynamics: Mediation and Hybridity in the Nineteenth Century Culture Industry Paola Gaudio – The Translator’s Poetics in the Italian Translations of Jane Eyre Matthew Reynolds – Prismatic Jane Eyre: Close-Reading a Global Novel across Languages RT4 Meeting of the Gender Studies Network Room 213, Komenského náměstí 220/2 Thu 15:00–17:00 Participants: Işil Baş Florence Binard Renate Haas María Socorro Suárez Lafuente Seminars S01 – Environmental issues and the Anthropocene: Problems and Opportunities Room 107, Komenského náměstí 220/2 Convenors: Douglas Mark Ponton Małgorzata Sokół (1) Sat 15:00–17:00 Cinzia Bevitori, Jane Helen Johnson – Climate change and migration: Exploring the nexus from a corpus-assisted discourse analysis perspective Anna Franca Plastina – Changing discourses of climate change: Comparing mediated meanings of social-ecological resilience Hermine Penz – Communicating climate change: How to touch a cord with people and promote action Angela Zottola, Claudio de Majo – The Anthropocene: Genesis and popularization in the press (2) Sat 17:30–19:30 Małgorzata Sokół – Interdiscursive (co-)construction of lay people’s ecological voices on YouTube Daniela Francesca Virdis – Environmental issues in the Victorian Era: An ecolinguistic examination of metaphor use in J. Ruskin’s The Storm-Cloud of the Nineteenth Century (1884) Katarzyna Molek-Kozakowska – Multimodality and rhetoric in environmental charity appeals Lucia Abbamonte, Flavia Cavaliere – The ‘sustainable’ languages of Greenpeace – a multimodal investigation 3) Sun 10:30–12:30 Douglas Mark Ponton – Closeness and ecology in post-industrial narratives Reinhard Heuberger – Human-centered language patterns and possible alternatives Cecile Bianchi – Storytelling in environmental discourse: Identifying patterns leading towards the specialisation of language S02 – Seminar cancelled S03 – Specialised Discourse: Wherefrom and Whereto? Room N51, Building N, Janáčkovo náměstí 654/2a Convenors: Olga Dontcheva-Navrátilová, Maria Freddi (1) Fri 10:30–12:30 Matthias Hofmann – Protest American English Influence or protest against it? Changing Prepositions in Nigerian Twitter English Magdalena Szczyrbak – Verbal patterns in trial discourse: The case of I think Radek Vogel – Credibility-boosting devices in corporate annual reports Renata Povolná – Cross-cultural variation in the expression of directives as important persuasive strategies in the genre of technical manuals Martin Adam – Pathos in Sermons: Employing Affect to Enhance Persuasion (2) Fri 17:30–19:30 Maria Freddi – The changing rhetoric of science: knowledge dissemination through science blogs Jane Helen Johnson – “And this is a really fundamental point”. Marking importance in office hours interactions in an EMI environment: a corpus-assisted study Krystyna Warchał – Tracing rhetorical change: Polish journal article introductions revisited Tereza Guziurová – Discourse reflexivity in written academic ELF 4 Olga Dontcheva-Navrátilová – Academic persuasion: Intercultural variation in stance and engagement in linguistics research articles S04 – The Language of Cyberbullying: Verbal aggression in Online Communication Room 409, Komenského náměstí 220/2 Convenors: Isabel Ermida Minna Palander-Collin (1) Fri 17:30–19:30 Elsa Freitas – (De)constructing the Kardashians: an analysis of aggressive forms of humour found in online comments on celebrity-related news Liisi Laineste – Humour and aggression in social media Ivan Stamenković – The Functions of Expletives in Facebook CMC Simona Ignat – Definition and taxonomy of flaming on Social Media platforms (2) Sat 17:30–19:30 Renata Bočková – The Use of Punctuation, Emoji and Emoticons in YouTube Abusive Comments on LGBT Videos Fabio Carrella – Like, Share, Hate: Interpreting Users’ Reactions to Populist Aggressive Discourse Rita Faria – “People like yourself are frightening” – online address in English and in Portuguese S05 – Language and Crime Room 410, Komenského náměstí 220/2 Convenors: John Douthwaite Ulrike Tabbert Sat 10:30–12:30 Ulrike Tabbert – Using Stylistics in forensic authorship identification/attribution Jiřina Popelíková, Veronika Volná – Legal Doublets in the Old Bailey Corpus Azianura Hani Shaari – Online Romance Scam in Malaysia: A Content Analysis of Actual Online Conversations between Scammers and Victims Jitka Vlčková – Concept of Crime and Politeness in Cross-cultural Communication in Australian Courtrooms John Douthwaite – A Cae in Point: Ideology in Midsommer Murders S06 – Exploring Rhetorical Aspects and Strategies in Specialised Discourse Room S117, Komenského náměstí 220/2 Convenors: Catherine Resche Caroline Peynaud Alessandra Molino (1) Thu 15:00–17:00 Jana Kozubíková Šandová – Rhetorical Strategies in English and Czech Academic Texts. A Contrastive Study. Olga I. Oparina – “Chatty Style”. Communication Strategy in Written Academic Discourse Geneviève Bordet – Authorial credibility and encapsulating “this”: forging an academic voice. (2) Thu 17:30–19:30 Mathilde Gaillard – “Tools for action”: American think tanks’ policy briefs Caroline Peynaud – Persuading to act against climate change: the metaphors of climate as rhetorical
Recommended publications
  • Jazz Concert
    Artist Series Fan Li and Friends Voice Recital Wednesday, April 3, 2019 at 8pm Lagerquist Concert Hall, Mary Baker Russell Music Center Pacific Lutheran University School of Arts and Communication / Department of Music presents Artist Series Fan Li and Friends Voice Recital Wednesday, April 3, 2019 at 8pm Lagerquist Concert Hall, Mary Baker Russell Music Center Welcome to Lagerquist Concert Hall. Please disable the audible signal on all watches and cellular phones for the duration of the concert. Use of cameras, recording equipment and all digital devices is not permitted in the concert hall. PROGRAM “Allegro and Andante” ...................................................................................................................... Gareth Farr (b. 1968) from Taheke for flute and harp Jennifer Rhyne, flute ● Catherine Case, harp Madrigals, Book III for soprano, harp, and percussion ............................................................. George Crumb (b. 1929) Fan Li, soprano ● Catherine Case, harp ● Miho Takekawa, percussion Blues for Gilbert ........................................................................................................................ Mark Glentworth (b. 1960) Miho Takekawa, vibraphone ● Matthew Kusche, percussion The Lament of Cai Yan ................................................................................................................. Gregory Youtz (b. 1956) I. In Xiong Nu Country Dreaming of China II. In China Dreaming of Xiong Nu Country Fan Li, soprano ● Meagan Gaskill, flute ● Catherine Case, harp ● Svend Rønning, violin Margaret Thorndill, cello ● Miho Takekawa, percussion ● Matthew Kusche, percussion Gregory Youtz, conductor Texts Madrigals Book III Ⅰ. La noche canta desnuda sobre los puentes de marzo Night sings naked above the bridges of March Ⅱ. Quiero dormir el sueño de las manzanas para aprender un llanto que me limpie de tierra I want to sleep the sleep of apples, to learn a lament that will cleanse me of earth Ⅲ. Nana, niño, nana del caballo grande que no quiso el agua.
    [Show full text]
  • Guide to the Papers of the Capri Community Film Society
    Capri Community Film Society Papers Guide to the Papers of the Capri Community Film Society Auburn University at Montgomery Archives and Special Collections © AUM Library Written By: Rickey Best & Jason Kneip Last Updated: 2/19/2008 TABLE OF CONTENTS Content Page # Collection Summary 2 Administrative Information 2 Restrictions 2-3 Index Terms 3 Agency History 3-4 1 of 64 Capri Community Film Society Papers Scope and Content 5 Arrangement 5-10 Inventory 10- Collection Summary Creator: Capri Community Film Society Title: Capri Community Film Society Papers Dates: 1983-present Quantity: 6 boxes; 6.0 cu. Ft. Identification: 92/2 Contact Information: AUM Library Archives & Special Collections P.O. Box 244023 Montgomery, AL 36124-4023 Ph: (334) 244-3213 Email: [email protected] Administrative Information Preferred Citation: Capri Community Film Society Papers, Auburn University Montgomery Library, Archives & Special Collections. Acquisition Information: The collection began with an initial transfer on September 19, 1991. A second donation occurred in February, 1995. Since then, regular donations of papers occur on a yearly basis. Processed By: Jermaine Carstarphen, Student Assistant & Rickey Best, Archivist/Special Collections Librarian (1993); Jason Kneip, Archives/Special Collections Librarian. Samantha McNeilly, Archives/Special Collections Assistant. 2 of 64 Capri Community Film Society Papers Restrictions Restrictions on access: Access to membership files is closed for 25 years from date of donation. Restrictions on usage: Researchers are responsible for addressing copyright issues on materials not in the public domain. Index Terms The material is indexed under the following headings in the Auburn University at Montgomery’s Library catalogs – online and offline.
    [Show full text]
  • Human Origins
    HUMAN ORIGINS Methodology and History in Anthropology Series Editors: David Parkin, Fellow of All Souls College, University of Oxford David Gellner, Fellow of All Souls College, University of Oxford Volume 1 Volume 17 Marcel Mauss: A Centenary Tribute Learning Religion: Anthropological Approaches Edited by Wendy James and N.J. Allen Edited by David Berliner and Ramon Sarró Volume 2 Volume 18 Franz Baerman Steiner: Selected Writings Ways of Knowing: New Approaches in the Anthropology of Volume I: Taboo, Truth and Religion. Knowledge and Learning Franz B. Steiner Edited by Mark Harris Edited by Jeremy Adler and Richard Fardon Volume 19 Volume 3 Difficult Folk? A Political History of Social Anthropology Franz Baerman Steiner. Selected Writings By David Mills Volume II: Orientpolitik, Value, and Civilisation. Volume 20 Franz B. Steiner Human Nature as Capacity: Transcending Discourse and Edited by Jeremy Adler and Richard Fardon Classification Volume 4 Edited by Nigel Rapport The Problem of Context Volume 21 Edited by Roy Dilley The Life of Property: House, Family and Inheritance in Volume 5 Béarn, South-West France Religion in English Everyday Life By Timothy Jenkins By Timothy Jenkins Volume 22 Volume 6 Out of the Study and Into the Field: Ethnographic Theory Hunting the Gatherers: Ethnographic Collectors, Agents and Practice in French Anthropology and Agency in Melanesia, 1870s–1930s Edited by Robert Parkin and Anna de Sales Edited by Michael O’Hanlon and Robert L. Welsh Volume 23 Volume 7 The Scope of Anthropology: Maurice Godelier’s Work in Anthropologists in a Wider World: Essays on Field Context Research Edited by Laurent Dousset and Serge Tcherkézoff Edited by Paul Dresch, Wendy James, and David Parkin Volume 24 Volume 8 Anyone: The Cosmopolitan Subject of Anthropology Categories and Classifications: Maussian Reflections on By Nigel Rapport the Social Volume 25 By N.J.
    [Show full text]
  • WV Graded Music List 2011
    2011 WV Graded Music List, p. 1 2011 West Virginia Graded Music List Grade 1 Grade 2 Grade 3 Grade 4 Grade 5 Grade 6 Grade Artist Arranger Title Publisher 1 - Higgins, John Suo Gan HL 1 - McGinty Japanese Folk Trilogy QU 1 - McGinty, Anne Elizabethan Songbook, An KJ 1 - Navarre, Randy Ngiele, Ngiele NMP 1 - Ployhar Along the Western Trail BE 1 - Ployhar Minka BE 1 - Ployhar Volga Boat Song BE 1 - Smith, R.W. Appalachian Overture BE Variant on an Old English 1 - Smith, R.W. BE Carol 1 - Story A Jubilant Carol BE 1 - Story Classic Bits and Pieces BE 1 - Story Patriotic Bits and Pieces BE 1 - Swearingen Three Chorales for Band BE 1 - Sweeney Shenandoah HL 1 Adams Valse Petite SP 1 Akers Berkshire Hills BO 1 Akers Little Classic Suite CF 1 Aleicheim Schaffer Israeli Folk Songs PO 1 Anderson Ford Forgotten Dreams BE 1 Anderson Ford Sandpaper Ballet BE 1 Arcadelt Whiting Ave Maria EM 1 Arensky Powell The Cuckoo PO 1 Bach Gardner Little Bach Suite ST Grand Finale from Cantata 1 Bach Gordon BO #207 1 Bach Walters Celebrated Air RU 1 Bain, James L. M Wagner Brother James' Air BE 1 Balent Bold Adventure WB Drummin' With Reuben And 1 Balent BE Rachel 1 Balent Lonesome Tune WB 1 Balmages Gettysburg FJ 2011 WV Graded Music List, p. 2 1 Balmages Majestica FJ 1 Barnes Ivory Towers of Xanadu SP 1 Bartok Castle Hungarian Folk Suite AL 1 Beethoven Clark Theme From Fifth Symphony HL 1 Beethoven Foulkes Creation's Hymn PO 1 Beethoven Henderson Hymn to Joy PO 1 Beethoven Mitchell Ode To Joy CF 1 Beethoven Sebesky Three Beethoven Miniatures Al 1 Beethoven Tolmage
    [Show full text]
  • Variety International Film Guide 1999
    Variety International Film Guide 1999 By Peter Cowie (ed.) London: Faber and Faber, 1998, ISBN 0-571-19411-7. 416 pp + illustration. £14.99 A review by Robert McMinn, University of Nottingham, UK This is Variety's annual snapshot of the state of the world-wide film industry, coupled with lists of useful addresses and references for national film archives, festivals, and the like. Its survey does its best to be as international as possible, with sections dedicated to 71 national industries, from Algeria to Zimbabwe. Each section is written by someone with local knowledge and local concerns, though inevitably a recurring theme is how the national industry suffers in comparison to the runaway success of the multiplex American film. So, in the United Kingdom the complaint (by Philip Kemp) is that successful films like The Full Monty and Bean are made with American money, while in Australia, we learn, local product doesn't get distribution outside large urban centres. One only needs to turn to the "World Box-Office Survey" section to see the evidence. If you could go back a couple of years and grab a small percentage point of just one film, it would be Men in Black, which features in the top ten films of almost every country listed, a phenomenal international success. The most successful British product, on this evidence, is not The Full Monty but Bean, showing that the almost-silent slapstick face-pulling comedy of Rowan Atkinson goes down well in Finland, Croatia, and Serbia alike. It's astonishing to see that, with over 1 million admissions, Bean was by far the most popular film in the Netherlands in 1997, with the all-conquering Men in Black beaten into fourth place.
    [Show full text]
  • The Mind-Game Film Thomas Elsaesser
    9781405168625_4_001.qxd 8/10/08 11:58 AM Page 13 1 The Mind-Game Film Thomas Elsaesser Playing Games In December 2006, Lars von Trier’s The Boss of It All was released. The film is a comedy about the head of an IT company hiring a failed actor to play the “boss of it all,” in order to cover up a sell-out. Von Trier announced that there were a number of (“five to seven”) out-of-place objects scattered throughout, called Lookeys: “For the casual observer, [they are] just a glitch or a mistake. For the initiated, [they are] a riddle to be solved. All Lookeys can be decoded by a system that is unique. [. .] It’s a basic mind game, played with movies” (in Brown 2006). Von Trier went on to offer a prize to the first spectator to spot all the Lookeys and uncover the rules by which they were generated. “Mind-game, played with movies” fits quite well a group of films I found myself increasingly intrigued by, not only because of their often weird details and the fact that they are brain-teasers as well as fun to watch, but also because they seemed to cross the usual boundaries of mainstream Hollywood, independent, auteur film and international art cinema. I also realized I was not alone: while the films I have in mind generally attract minority audiences, their appeal manifests itself as a “cult” following. Spectators can get passionately involved in the worlds that the films cre- ate – they study the characters’ inner lives and back-stories and become experts in the minutiae of a scene, or adept at explaining the improbabil- ity of an event.
    [Show full text]
  • Retrospektive Roman Polanski the PIANIST Roman Polanski
    Retrospektive Roman Polanski THE PIANIST Roman Polanski 31 Roman Polanski bei den Dreharbeiten zu Kino der Heimsuchung kennen. Und doch wird der Zuschauer augenblicklich Als die Cinémathèque française im Oktober letzten in den Bann des Films gezogen, in dessen Verlauf die Jahres eine große Ausstellung über die Geschichte der mulmige Enge nachbarschaftlichen Zusammenwoh- Filmtechnik eröffnete, fungierte er als Pate. Eine klü- nens nach und nach in einen Albtraum umschlägt. gere Wahl hätte die Pariser Kinemathek nicht treffen können, denn Roman Polanski hat immer wieder be- Ein Treibhauseffekt tont, wie unverzichtbar für ihn das Handwerk ist, das er Als LE LOCATAIRE 1976 herauskam, fügte er sich in an der Filmhochschule erlernt hat. Darin unterscheide einen Zyklus der klaustrophobisch-pathologischen Er- er sich, bemerkte der Regisseur mit maliziösem Stolz, zählungen, den der Regisseur ein Jahrzehnt zuvor mit doch ganz erheblich von seinen Freunden von der Nou- REPULSION (EKEL) und ROSEMARY'S BABY begonnen velle Vague, die als Filmkritiker angefangen hatten. hatte. Ihr erzählerischer Radius beschränkt sich weitge- Zur Eröffnung der Ausstellung präsentierte er LE hend auf einen Schauplatz. Der filmische Raum ist für LOCATAIRE (DER MIETER), der seinen virtuosen Um- diesen Regisseur eine Sphäre der Heimsuchung, an- gang mit der Technik spektakulär unter Beweis stellt. fangs auch der Halluzinationen und surrealen Verwand- 1976 war er der erste Filmemacher, der den Kamera- lungen. Sich auf einen Handlungsort zu konzentrieren, kran Louma einsetzte. Die Exposition des Films ist eine ist für ihn keine Begrenzung, sondern eine Herausfor- überaus akrobatische Kameraoperation, eine Kombi- derung an seine visuelle und dramaturgische Vorstel- nation aus Fahrten und Schwenks, der die Fassaden lungskraft.
    [Show full text]
  • Movies and Mental Illness Using Films to Understand Psychopathology 3Rd Revised and Expanded Edition 2010, Xii + 340 Pages ISBN: 978-0-88937-371-6, US $49.00
    New Resources for Clinicians Visit www.hogrefe.com for • Free sample chapters • Full tables of contents • Secure online ordering • Examination copies for teachers • Many other titles available Danny Wedding, Mary Ann Boyd, Ryan M. Niemiec NEW EDITION! Movies and Mental Illness Using Films to Understand Psychopathology 3rd revised and expanded edition 2010, xii + 340 pages ISBN: 978-0-88937-371-6, US $49.00 The popular and critically acclaimed teaching tool - movies as an aid to learning about mental illness - has just got even better! Now with even more practical features and expanded contents: full film index, “Authors’ Picks”, sample syllabus, more international films. Films are a powerful medium for teaching students of psychology, social work, medicine, nursing, counseling, and even literature or media studies about mental illness and psychopathology. Movies and Mental Illness, now available in an updated edition, has established a great reputation as an enjoyable and highly memorable supplementary teaching tool for abnormal psychology classes. Written by experienced clinicians and teachers, who are themselves movie aficionados, this book is superb not just for psychology or media studies classes, but also for anyone interested in the portrayal of mental health issues in movies. The core clinical chapters each use a fabricated case history and Mini-Mental State Examination along with synopses and scenes from one or two specific, often well-known “A classic resource and an authoritative guide… Like the very movies it films to explain, teach, and encourage discussion recommends, [this book] is a powerful medium for teaching students, about the most important disorders encountered in engaging patients, and educating the public.
    [Show full text]
  • Ultima Thule 300: 25 June, 1998
    Ultima Thule 300: 25 June, 1998 No Track Title Composer Artist Album Label Catalogue Dur 1 Sauvage et Beau Vangelis Vangelis Sauvage et Beau Polydor 576 183-2 3.22 2 Sex Power - Part 2 as above as above Rareties - Part 1 Flaming Chariot Music FCM001 3.17 3 Sex Power - Part 4 as above as above as above as above as above 3.13 4 Sex Power - Part 5 as above as above as above as above as above 3.18 5 Fais que ton reve soit plus long que la nuit - Part 2 as above as above as above as above as above 15.18 6 Sex Power - Part 6 as above as above as above as above as above 3.26 7 Stuffed Aubergine as above as above The Dragon Oxford OX/3196 11.35 8 Stuffed Tomato (excerpt) as above as above as above as above as above 3.16 9 He-o as above as above Earth OSA/ACD HF9515 4.08 10 Francesco - Part 1 as above as above Rareties - Part 2 Flaming Chariot Music FCM002 2.06 11 Francesco - Part 2 as above as above as above as above as above 3.39 12 Francesco - Part 3 as above as above as above as above as above 4.20 13 Musiques au Coeur - Part 1 as above as above as above as above as above 2.55 14 Musiques au Coeur - Part 2 as above as above as above as above as above 3.15 15 Musiques au Coeur - Part 3 as above as above as above as above as above 4.27 16 Movement 5 as above as above A Tribute to El Greco Warner Music SAM 1702 8.16 17 Movement 6 as above as above as above as above as above 11.44 18 Los Angeles, Noiembre, 2019 as above as above Blade Runner Gongo Music GM-003 1.46 19 Visul lui Deckard as above as above as above as above as above 1.12 20 Antarctica - Part 5 as above as above Rareties - Part 2 Flaming Chariot Music FCM002 5.54 21 Antarctica - Part 4 as above as above as above as above as above 1.20 22 Antarctica - Part 3 as above as above as above as above as above 2.56 23 Landscape as above as above Rareties - Part 3 Flaming Chariot Music FCM003 1.38 24 Suite from "Bitter Moon" as above as above as above as above as above 6.08 25 Jacques Cousteau as above as above Rareties - Part 2 Flaming Chariot Music FCM002 2.10 Programme produced and presented by George Cruickshank.
    [Show full text]
  • An Evaluation of Compositions for Wind Band According to Specific Criteria of Serious Artistic Merit: a Second Update
    University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Student Research, Creative Activity, and Performance - School of Music Music, School of 8-2011 An Evaluation of Compositions for Wind Band According to Specific Criteria of Serious Artistic Merit: A Second Update Clifford Towner University of Nebraska-Lincoln, [email protected] Follow this and additional works at: https://digitalcommons.unl.edu/musicstudent Part of the Music Practice Commons, and the Other Music Commons Towner, Clifford, "An Evaluation of Compositions for Wind Band According to Specific Criteria of Serious Artistic Merit: A Second Update" (2011). Student Research, Creative Activity, and Performance - School of Music. 44. https://digitalcommons.unl.edu/musicstudent/44 This Article is brought to you for free and open access by the Music, School of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Student Research, Creative Activity, and Performance - School of Music by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. AN EVALUATION OF COMPOSITIONS FOR WIND BAND ACCORDING TO SPECIFIC CRITERIA OF SERIOUS ARTISTIC MERIT: A SECOND UPDATE by Clifford N. Towner A DOCTORAL DOCUMENT Presented to the Faculty of The Graduate College at the University of Nebraska In Partial Fulfillment of Requirements For the Degree of Doctor of Musical Arts Major: Music Under the Supervision of Professor Carolyn Barber Lincoln, Nebraska August, 2011 AN EVALUATION OF COMPOSITIONS FOR WIND BAND ACCORDING TO SPECIFIC CRITERIA OF SERIOUS ARTISTIC MERIT: A SECOND UPDATE Clifford Neil Towner, D.M.A. University of Nebraska, 201l Adviser: Carolyn Barber This study is an update to the 1978 thesis of Acton Eric Ostling, Jr.
    [Show full text]
  • Jazz Concert
    Artist Series Fan Li Voice Recital Wednesday, May 22, 2019 at 7:30pm Lagerquist Concert Hall, Mary Baker Russell Music Center Pacific Lutheran University School of Arts and Communication / Department of Music presents Artist Series Fan Li Voice Recital Wednesday, May 22, 2019 at 7:30pm Lagerquist Concert Hall, Mary Baker Russell Music Center Welcome to Lagerquist Concert Hall. Please disable the audible signal on all watches and cellular phones for the duration of the concert. Use of cameras, recording equipment and all digital devices is not permitted in the concert hall. PROGRAM Nature, the gentlest mother ............................................................................................... Aaron Copland (1900-1990) I felt a funeral in my brain Going to Heaven! The Crucifixion ...................................................................................................................Samuel Barber (1910-1981) The Secrets of the Old Sure on this shining night Two Love Songs ............................................................................................................ Leonard Bernstein (1918-1990) I. Extinguish my eyes II. When my soul touches yours from I Hate Music!: A Cycle of Five Kid Songs III. I Hate Music! IV. A Big Indian and a Little Indian V. I’m a Person Too Spleen ................................................................................................................................. Claude Debussy (1862-1918) Kornblumen ......................................................................................................................
    [Show full text]
  • Information to Users
    INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Photographs included in the original manuscript have been reproduced xerographkally in this copy. Higher quality 6* x 9* black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. ProQuest Information and Learning 300 IW h Zeeb Road. Ann Arbor, Ml 48106-1346 USA 800-521-0600 UMI' THE QUALITY AND TECHNICAL DIFFICULTY OF REPERTOIRE PERFORMED BY NON-AUDITlONED, SMALL COLLEGE BANDS AND THE CRITERIA CONSIDERED IN THE SELECTION OF THIS LITERATURE DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in the Graduate School of The Ohio State University By Ronda E.
    [Show full text]