Greg Colson Born 1956, Seattle, Washington Lives
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The Los Angeles
Otis College of Art and Design Ben Maltz Gallery 9045 Lincoln Boulevard, Los Angeles, CA 90045 www.otis.edu/benmaltzgallery; [email protected]; (310) 665-6905 ©2014, Binding Desire: Unfolding Artists Books Otis College of Art and Design, Ben Maltz Gallery ISBN: 0-930209-34-6 This book is published in conjunction with the exhibition Binding Desire: Unfolding Artists Books, January 25-March 30, 2014, organized by the Ben Maltz Gallery at Otis College of Art and Design. The project is funded in part by The Gladys Krieble Delmas Foundation. All rights reserved. No part of this book may be reproduced in any form by any electronic or me- chanical means (including photography, recording, or information stor- age and retrieval) without permission in writing from publisher. Publisher: Otis College of Art and Design, Ben Maltz Gallery Editors: Cathy Chambers, Meg Linton, Sue Maberry Designer: Sheldon Forbes Publication Format: iBook Images: Unless noted otherwise, photography and videography by Kathleen Forrest, Derek McMullen, Sarah Morton, and Chris Warner i Contents • Introduction – Meg Linton • L.A. Bound – Kathleen Walkup • Plates of Works in the Exhibition • Curricular Connections • Public Programming • Biographies • Acknowledgements ii Introduction by Meg Linton Binding Desire: Unfolding Artists Books presents a sampling of works from the Otis Millard Sheets Library’s Spe- cial Collection of artists’ books dating from the 1960s to the present. This teaching collection is one of the larg- est in Southern California with over 2,100 objects and it includes work by such luminaries as Vito Acconci, Joseph Beuys, and Ed Ruscha as well as significant work from major pro- duction centers like Beau Geste Press, Paradise Press, Printed Matter, Red Fox Press, and Women’s Studio Workshop. -
Mapping Robert Storr
Mapping Robert Storr Author Storr, Robert Date 1994 Publisher The Museum of Modern Art: Distributed by H.N. Abrams ISBN 0870701215, 0810961407 Exhibition URL www.moma.org/calendar/exhibitions/436 The Museum of Modern Art's exhibition history— from our founding in 1929 to the present—is available online. It includes exhibition catalogues, primary documents, installation views, and an index of participating artists. MoMA © 2017 The Museum of Modern Art bk 99 £ 05?'^ £ t***>rij tuin .' tTTTTl.l-H7—1 gm*: \KN^ ( Ciji rsjn rr &n^ u *Trr» 4 ^ 4 figS w A £ MoMA Mapping Robert Storr THE MUSEUM OF MODERN ART, NEW YORK DISTRIBUTED BY HARRY N. ABRAMS, INC., NEW YORK (4 refuse Published in conjunction with the exhibition Mappingat The Museum of Modern Art, New York, October 6— tfoti h December 20, 1994, organized by Robert Storr, Curator, Department of Painting and Sculpture The exhibition is supported by AT&TNEW ART/NEW VISIONS. Additional funding is provided by the Contemporary Exhibition Fund of The Museum of Modern Art, established with gifts from Lily Auchincloss, Agnes Gund and Daniel Shapiro, and Mr. and Mrs. Ronald S. Lauder. This publication is supported in part by a grant from The Junior Associates of The Museum of Modern Art. Produced by the Department of Publications The Museum of Modern Art, New York Osa Brown, Director of Publications Edited by Alexandra Bonfante-Warren Designed by Jean Garrett Production by Marc Sapir Printed by Hull Printing Bound by Mueller Trade Bindery Copyright © 1994 by The Museum of Modern Art, New York Certain illustrations are covered by claims to copyright cited in the Photograph Credits. -
GUILLERMO KUITCA Biography
SPERONE WESTWATER 257 Bowery New York 10002 T + 1 212 999 7337 F + 1 212 999 7338 www.speronewestwater.com GUILLERMO KUITCA Biography 1961 Born Buenos Aires, Argentina. Lives and works in Buenos Aires. Awards 2018 Chevalier de l’Ordre des Arts et des Lettres, France Selected Solo Exhibitions 1974 Galeria Lirolay, Buenos Aires 1978 Galeria Christel K., Buenos Aires 1980 Fundacion San Telmo, Buenos Aires 1984 Galeria Del Retiro, Buenos Aires 1985 Elizabeth Franck Gallery, Knokke-Le-Zoute, Belgium (catalogue) 1986 “Guillermo Kuitca: Siete Ultimas Canciones,” Galeria del Retiro, Buenos Aires Thomas Cohn Arte Contemporanea, Rio de Janeiro 1987 Galeria del Retiro, ARCO, Feria Internacional de Arte Contemporanea, Madrid (catalogue) Galeria Paulo Figueiredo, Sao Paulo 1989 Thomas Cohn Arte Contemporanea, Rio de Janeiro Galeria Atma, San Jose, Costa Rica Argentina Pavilion, “XVIII Bienal,” Sao Paulo (catalogue) 1990 Annina Nosei Gallery, New York Galerie Barbara Farber, Amsterdam (catalogue) “Guillermo Kuitca,” Kunsthalle Basel, Basel Thomas Solomon’s Garage, Los Angeles “Guillermo Kuitca,” Witte de With Center for Contemporary Art, Rotterdam (catalogue) “Guillermo Kuitca,” Stadtisches Museum, Mulheim 1990-91 Galleria Gian Enzo Sperone, Rome, 14 December 1990 – 15 January 1991 (catalogue) 1991 Annina Nosei Gallery, New York (catalogue) Galerie Barbara Farber, Amsterdam 1991-92 “Projects 30: Guillermo Kuitca,” The Museum of Modern Art, New York, 13 September – 29 October 1991; Newport Harbor Art Museum, Newport Beach, 7 February – 29 March 1992; -
Colson Biography
2525 Michigan Ave., Unit B2, Santa Monica, CA USA 90404 T/ 310 264 5988 F/ 310 828 2532 www.patrickpainter.com GREG COLSON BIOGRAPHY Born Seattle, WA. BA, California State University, Bakersfield, CA. MFA, Claremont Graduate School, CA. Lives and works in Venice, CA. SELECTED SOLO EXHIBITIONS 2013 Patrick Painter Inc, Santa Monica, CA. 2012 Patrick Painter Inc, Santa Monica, CA. Baldwin Gallery, Aspen, CO. 2010 William Griffin Gallery, Santa Monica, CA. 2008 William Griffin Gallery, Santa Monica, CA. 2007 William Griffin Gallery, Santa Monica, CA. 2006 Baldwin Gallery, Aspen, CO. 2005 Griffin Contemporary, Santa Monica, CA. 2004 Griffin Contemporary, Santa Monica, CA. 2002 Sprovieri, London, England Art Affairs, Amsterdam, The Netherlands Baldwin Gallery, Aspen, CO. 2001 Sperone Westwater, New York, N.Y. Galleria Cardi, Milan, Italy Griffin Contemporary, Venice, CA. 1999 John Berggruen Gallery, San Francisco, CA. Gian Enzo Sperone, Rome, Italy Griffin Contemporary, Venice, CA. 1998 Milleventi, Milan, Italy Griffin Contemporary, Venice, CA. 1997 Angles Gallery, Santa Monica, CA. 1996 Krannert Art Museum, University of Illinois, Urbana-Champaign 1995 Angles Gallery, Santa Monica, CA. 1994 Kunsthalle Lophem, Bruges, Belgium Sperone Westwater, New York, N.Y. 1993 Angles Gallery, Santa Monica, CA. 2525 Michigan Ave., Unit B2, Santa Monica, CA USA 90404 T/ 310 264 5988 F/ 310 828 2532 www.patrickpainter.com 1992 Gian Enzo Sperone, Rome, Italy 1991 Konrad Fischer, Dusseldorf, Germany Sperone Westwater, New York, N.Y. 1990 Angles Gallery, Santa Monica, CA. Sperone Westwater, New York, N.Y. 1988 Angles Gallery, Santa Monica, CA. Lannan Museum, Lake Worth, FL. 1987 Angles Gallery, Santa Monica, CA. -
Annual Report
09 annual report | 2009 annual report 2009 annual report 4 Board of Trustees 4 Committees of the Board of Trustees 7 President and Chairman’s Report 8 Director’s Report 11 Curatorial Report 15 Exhibitions 15 Traveling Exhibitions 16 Publications 17 Loans 19 Acquisitions 47 Attendance 48 Education and Public Programs 49 Year in Review 54 Development 57 Donors 67 Support Groups 71 Support Group Officers 74 Staff 76 Financial Report/Statements cover Beth Lipman, Laid Table (Still Life with Metal Pitcher), 2007. Purchase, Jill and Jack Pelisek Endowment, Jack Pelisek Funds, and various donors by exchange. Full credit listing on p. 29. left Evan Baden, Lila with Nintendo DS, 2007. Purchase, with funds from the Photography Council. Full credit listing on p. 28. Unless otherwise noted, all photographs of works in the Collection are by John R. Glembin. board of trustees Through August 31, 2009 BOARD OF TRUSTEES auxiliary Christine Symchych Photography A. Raymond Kehm W. Kent Velde spokespersons Frederick Vogel III Committee Gail A. Lione Chairman Catharine D. Malloy Robert A. Wagner Kevin Miyazaki Joan Lubar Raymond R. Krueger President, Collectors’ Hope Melamed Winter Chair Marianne Lubar Linda Marcus President Corner Carol Lewensohn Jill G. Pelisek Carol Bessler acquisitions and Vice Chair Betty Ewens Quadracci collections Dorothy M. Stadler President, Garden Club Secretary committee Barbara Ciurej Mary Strohmaier Danny L. Cunningham subcommittees George A. Evans, Jr. F. William Haberman Treasurer COMMITTEES OF THE Annual Campaign BOARD OF TRUSTEES Decorative Arts Lindsay Lochman Committee Frederic G. Friedman Committee Madeleine Lubar Jill G. Pelisek Assistant Secretary and executive committee Constance Godfrey Marianne Lubar Chair Legal Counsel Raymond R. -
Curriculum Vitae
CURRICULUM VITAE David Pagel Professor of Art Theory and History April 26, 2019 Art Department Claremont Graduate University 251 East Tenth Street Claremont, CA 91711 phone: 909-607-2479 fax: 909-607-1276 [email protected] Education M.A., Harvard University, Art History, 1987 B.A., Stanford University, Modern Thought and Literature, with Honors and Distinction in the Humanities, 1985 Current Positions Professor of Art Theory and History, Claremont Graduate University, since 2013 Art Critic, Los Angeles Times, regular contributor since 1991 Adjunct Curator, The Parrish Art Museum, Water Mill, New York, since 2008 Board Member, The Foundation for Advanced Critical Studies, since 1992 Previous Positions Associate Professor of Art Theory and History, Claremont Graduate University, 2003-2013 Adjunct Curator, Blaffer Gallery, The Art Museum of the University of Houston, 2005-08 Adjunct Professor and Visiting Scholar, Claremont Graduate University, 1994-2003 Reviews Editor, Art issues. 1998-2001 Contributing Editor, Bomb Magazine,1993-2007 Adjunct Curator, Institute of Visual Arts, University of Wisconsin, Milwaukee, 1997-1998 Graduate Faculty, Art Department, Otis College of Art and Design, 2003-2004 Graduate Faculty, Department of Art, University of Nevada, Las Vegas, 1996, 2000 Graduate Faculty, University of California, Los Angeles, 1993-1995 Graduate Faculty, California Institute of the Arts, 1990-1991 Undergraduate Faculty and Mentor, Santa Monica College, 2002-2003 1 Undergraduate Faculty, Art Center College of Design, 1991, 1993-1994, 2000, 2002 Undergraduate Faculty, University of California, Los Angeles, 1993-1994, 2002 Undergraduate Faculty, Department of Art, University of Nevada, Las Vegas, 1996, 2000 Undergraduate Faculty, Otis College of Art and Design, 1991-1996 Visiting Critic, University of Texas, Austin, 2002 Visiting Lecturer, Ohio State University, 1994 Fellowships Macgeorge Fellow, Department of Art, University of Melbourne, Australia, 2002 Andrew W. -
WILLIAM WEGMAN Biography
SPERONE WESTWATER 257 Bowery New York 10002 T + 1 212 999 7337 F + 1 212 999 7338 www.speronewestwater.com WILLIAM WEGMAN Biography Born 1943 in Holyoke, Massachusetts Education BFA in Painting; Massachusetts College of Art, Boston MFA in Painting; University of Illinois, Urbana Awards and Grants 1975 Guggenheim Fellowship 1979 Creative Artists Public Service (video) 1982 National Endowment for the Arts (photography) 1986 Guggenheim Fellowship 2011 Pratt Institute Legends Award 2017 American Federation of Arts Cultural Leadership Award One Person Exhibitions 1971 Galerie Sonnabend, Paris Pomona College of Art Gallery, Pomona, CA (catalogue) 1972 Sonnabend Gallery, New York Galerie Ernst, Hannover, Germany Situation, London Konrad Fischer Gallery, Dusseldorf Courtney Sale Gallery, Dallas 1973 Galerie Sonnabend, Paris Texas Gallery, Houston L.A. County Museum of Art, Los Angeles Francoise Lambert & Claire Copley Gallery, Los Angeles 1974 Modern Art Agency, Naples Gallery D, Brussels, Belgium Galleria Toselli, Milan 112 Greene Street, New York Texas Gallery, Houston 1975 Mayor Gallery, London Galleria Alessandra Castelli, Milan Konrad Fischer Gallery, Dusseldorf Galerie Sonnabend, Paris “William Wegman: MATRIX 9,” Wadsworth Atheneum Museum of Art, Hartford, CT, July – August (pamphlet) 1976 The Kitchen, New York 1977 Sonnabend Gallery, New York Bruna Soletti Gallery, Milan 1978 Rosamund Felsen Gallery, Los Angeles 1979 Holly Solomon Gallery, New York Arnofini Gallery, Bristol, England Konrad Fischer Gallery, Dusseldorf Otis Art Institute -
Jean-Noel Archive.Qxp.Qxp
THE JEAN-NOËL HERLIN ARCHIVE PROJECT Jean-Noël Herlin New York City 2005 Table of Contents Introduction i Individual artists and performers, collaborators, and groups 1 Individual artists and performers, collaborators, and groups. Selections A-D 77 Group events and clippings by title 109 Group events without title / Organizations 129 Periodicals 149 Introduction In the context of my activity as an antiquarian bookseller I began in 1973 to acquire exhibition invitations/announcements and poster/mailers on painting, sculpture, drawing and prints, performance, and video. I was motivated by the quasi-neglect in which these ephemeral primary sources in art history were held by American commercial channels, and the project to create a database towards the bibliographic recording of largely ignored material. Documentary value and thinness were my only criteria of inclusion. Sources of material were random. Material was acquired as funds could be diverted from my bookshop. With the rapid increase in number and diversity of sources, my initial concept evolved from a documentary to a study archive project on international visual and performing arts, reflecting the appearance of new media and art making/producing practices, globalization, the blurring of lines between high and low, and the challenges to originality and quality as authoritative criteria of classification and appreciation. In addition to painting, sculpture, drawing and prints, performance and video, the Jean-Noël Herlin Archive Project includes material on architecture, design, caricature, comics, animation, mail art, music, dance, theater, photography, film, textiles and the arts of fire. It also contains material on galleries, collectors, museums, foundations, alternative spaces, and clubs. -
Peter Shelton
PETER SHELTON Biography 1951 Born in Troy, OH Lives and works in Los Angeles, CA Education 1979 Master of Fine Arts, University of California, Los Angeles, CA 1974 Trade certification, Hobart School of Welding Technology, Troy, OH 1973 Bachelor of Arts, Pomona College, Claremont, CA Solo Exhibitions 2014 Peter Shelton: littleBIG, Jose è Druids Biada Art Gallery, Mount St. Mary’ College, Los Angeles, CA, 14 September – 25 October 2014 2012 Peter Shelton: powerhousefrenchtablenecklaces, Sperone Westwater, NY 5 April – 28 April 2012 2011 eyehand: Sculpture, 1975 – 2011, L.A. Louver, Venice, CA 19 November 2011 – 14 January 2012 Peter Shelton: redpocket, blackslot, uheader and drawings, Portland Art Museum, Portland, OR 2010 littlethinman, L.A. Louver Gallery, Venice CA 9 February – 10 April 2010 2008 dogstar, L.A. Louver Gallery, Venice, CA 8 March – 17 May 2008 godspipes and other Major Projects, Herron Galleries, Herron School of Art and Design, Indianapolis, IN 2006 godspipes, L.A. Louver Gallery, Venice, CA 6 January – 11 February 2006 2005 gogglelipsandgeogobals for Celebes, L.A. Louver Gallery, Venice, CA 21 January – 19 February 2005 2003 ovalglobal, L.A. Louver Gallery, Venice, CA 17 October – 15 November 2003 Peter Shelton: Recent Sculpture, John Berggruen Gallery, San Francisco, CA 5 June – 12 July 2003 2002 Peter Shelton, Peter Blake Gallery, Laguna Beach, CA 2001 New Work by Peter Shelton, Saint-Gaudens National Historic Site, Cornish, NH (catalogue) 1999 dmeananlean, L.A. Louver, Venice, CA 21 October – 27 November 1999 1998-99 sixtyslippers, University of California Berkeley, Berkeley, CA 11 November 1998 – 28 February 1999; travelled to Madison Arts Center, Madison, WI; Contemporary Arts Museum, Houston, TX (catalogue) blackelephanthouse, Peter Shelton, Dean Clough, Henry Moore Sculpture Trust, Halifax, UK 23 May – 16 August 1998 (catalogue) godspipes, Peter Shelton, Irish Museum of Modern Art, Dublin, Ireland 13 March – 14 June 1998 1997 sixtyslippers, L.A. -
LOS ANGELES 1955-1985 the Birth of an Art Capital
Centre Pompidou Student guide LOS ANGELES 1955-1985 The birth of an art capital March 8 - July 17 2006 Gallery 1A, 6 th floor INTRODUCTION CHRONOLOGY CRUISING LOS ANGELES FREEDOM IN ART Rummaging the dumps Taking on surfing Working in factories ARTISTS IN RAGE On war against the war (Vietnam) Minority groups' struggle Feminist art Social commentary ART AS PERSONAL EXPERIENCE Challenging the senses Beyond limits Praising the ordinary BIBLIOGRAPHY AROUND THE EXHIBITION INTRODUCTION In the exhibition Los Angeles 1955-1985 the visitors will discover a surprisingly diverse art scene, although still not well-known, which evolved continually during the thirty years of this survey. The provincial art scene of the 1950's and 1960's gave birth to an international art capital, recognized since the eighties as an alternative to the New York art scene. The transformation of art forms and concepts and the emergence of innovative art movements were concurrent with the establishment of new art venues, museums and galleries, and the growing reputation of Southern California art schools. 1 The most significant expressions of this progression are presented in the 17 rooms of the exhibition with a selection of about 350 paintings, sculptures, installations, photos, films and videos. Following a chronological layout, the works are grouped by trends and movements. The exhibition starts with works from the 50's, when the art of assemblage reacted against the period's conformism in America. After that, several rooms are devoted to L.A. Pop from the 1960's, which examined the ordinary urban landscape. Then, the exhibition includes works representative of the Finish Fetish (California Minimalism) and Light and Space movements, which both included innovative materials and techniques in the late 1960's. -
Joel Shapiro
JOEL SHAPIRO Born 1941 New York, New York Lives and works in New York, New York Education 1964 New York University, New York, B.A. 1969 New York University, New York, M.A. Awards and Honors 2015 Lifetime Achievement in Contemporary Sculpture, International Sculpture Center, New York 2013 Outstanding Contribution to the Arts Award, Americans for the Arts, New York 2012 Member Academician, The National Academy, New York The Gabarron International Award for Visual Arts, New York 2010 Distinguished Alumni, NYU Steinhardt, New York 2005 Chevalier dans l’Ordre des arts et des lettres, French Ministry of Culture, Paris 2008 Art Award, Smithsonisan Archives of American Art, Washington, D.C. 2004 Award for Excellence for Artistic Contributions to the Fight Against AIDS, American Foundation for AIDS Research, Dallas 1999 Resident in the Visual Arts, American Academy in Rome, Rome 1994 Member of Swedish Royal Academy of Art, Stockholm 1990 Merit Medal for Sculpture, American Academy and Institute of Arts and Letters, New York 1986 Skowhegan Medal for Sculpture, Skowhegan School of Painting and Sculpture, Madison 1984 Creative Arts Award, Brandeis University, Waltham 1975 Visual Arts Fellowship, National Endowment for the Arts, Washington, D.C. Selected Solo Exhibitions 2019 Joel Shapiro: Plaster Sculptures 1971–2014, Part II, Craig F. Starr Gallery, New York (forthcoming) Joel Shapiro: Plaster Sculptures 1971–2014, Part I, Craig F. Starr Gallery, New York 2018 Joel Shapiro, Kasmin, New York Joel Shapiro, Paula Cooper Gallery, New York Joel Shapiro: -
William Wegman CV
W I L L I A M W E G M A N Born 1943 in Holyoke, MA; Lives and works in New York and Maine EDUCATION 1965 BFA, Massachusetts College of Art, Boston 1967 MFA, University of Illinois, Champaign Urbana SELECTED SOLO EXHIBTIONS 2021 William Wegman: Being Human, Fotomuseum Den Haag, Netherlands William Wegman: Being Human, Seoul Arts Center, Seoul, South Korea 2020 William Wegman: In the Studio, Sperone Westwater, New York, NY William Wegman: In the Studio, Texas Gallery, Houston, TX William Wegman: Being Human, Museo d’arte della Svizzera Italiana, Lugano, Italy William Wegman: Being Human, Fotomuseum den Haag, The Hague, Netherlands 2019 William Wegman: Being Human, National Gallery Victoria, Melbourne, Australia William Wegman: Being Human, Christchurch Art Gallery, Christchurch, New Zealand William Wegman: Stationary Figures, 23rd and 6th Ave, New York, NY, commissioned by MTA Arts & Design William Wegman: Outside In, Shelburne Museum, Shelburne, VT William Wegman: Il Mondo Animale, Galerie Klüser, Munich, Germany 2018 William Wegman: Vogue, Imago Galleries, Palm Desert, CA Cinderella Polaroids, Galerie Met, Metropolitan Opera, New York, NY Sit!, Moss Art Center, Virginia Tech, Blacksburg, VA Being Human, Recontres d’Arles, Arles, France Before/On/After: William Wegman and California Conceptualism, The Metropolitan Museum of Art, Fifth Avenue, New York, NY Instant Miami, Williams Center Gallery, Lafayette College, Easton, PA 2017 William Wegman: Improved Photographs, Jepson Center, Telfair Museums, Savannah, GA William Wegman: Please Stand