Presentation Kit

Total Page:16

File Type:pdf, Size:1020Kb

Presentation Kit PRESENTATION KIT Angers Workshops | 9th édition | 24-31 August 2013 1 PARTNERS Angers Workshops receive support from With the support of Angers Workshops would like to thank Université Angevine du Temps Libre Abbaye de Fontevraud Andégave communication Bouvet Ladubay Bureau d’Accueil des Tournages (Agence régionale) Centre Angevin des Ressources Associatives de la Ville d’Angers Cinéma Parlant Evolis Card Printer Hexa Repro Hôtel Mercure Angers Centre Mission AnCRE (ville d’Angers) Morgan View Le Quai - forum des arts vivants Université Catholique de l'Ouest (ISCEA) Angers Workshops | 9th édition | 24-31 August 2013 2 PRESENTATION 2012 residents, with Raphaël Nadjari, Olivier Ducastel, 2011 residents 2011, with Jeanne Moreau, Claude-Éric Poiroux Claude-Éric Poiroux and Yves-Gérard Branger and Delphine Gleize THE 9TH EDITION OF THE ATELIERS D'ANGERS will welcoming 7 young European directors. Jeanne Moreau, the founder of the Ateliers with Claude-Éric Poiroux, is in charge of the artistic direction. The director Olivier Ducastel (Jeanne et le Garçon formidable…) will run the workshops, accompanied by professionals from the world of film, including Lionel Baier (Un autre homme, Jury member at the Premiers Plans Festival 2013), François Pirot (a resident at the Angers Workshops 2008 with his screenplay Mobile Home), Fabio Grassadonia & Antonio Piazza (residents at the Angers Workshops 2010 and winners of Cannes Critics' Week for Salvo), screenwriter Razvan Radulescu (The Death of Mr. Lazarescu), Justine Triet (La Bataille de Solférino), Emmanuel Chaumet, producer. The 7 residents are Antti-Heikki Pesonen (Finland), Clément Cogitore, Elsa Diringer, Laurent Larivière (France), Laura Bispuri (Italy), Jonas Matzow Gulbrandsen (Norway), Anca-Miruna Lazarescu (Romania-Germany). In parallel, Premiers Plans will also have an initiation and training program for professionals or future professionals, teachers, film students or film lovers. CREATED IN 2005, THE ANGERS WORKSHOPS are directed toward young European filmmakers with one or two short films to their credit and a first feature film in the works. During 5 days, they will be taught by recognized professionals from the world of cinema. This year, the focus will be on staging, working with actors, frame, screenplay and production. The Workshops will offer them: . SCREENINGS and analyses of film from the past and present. TRAINING with established filmmakers and technicians who will bring to the classroom their professional experience and methods. DEVELOPMENT OF THEIR PERSONAL PROJECTS under the guidance of the attending instructors, with emphasis on specific questions concerning directing, working with actors, production... Angers Workshops | 9th édition | 24-31 August 2013 3 2013 RESIDENTS FINLAND ANTTI HEIKKI PESONEN PROJECT : HIT THE WALL Antti Heikki Pesonen originates from Korso, a small suburb near Helsinki. He studied directing at the ELO Helsinki Film School. He sometimes finds humor in the dark stuff of life and considers writing a biography about himself in the third person to be sort of funny - in a good way. His thesis film from ELO Helsinki film school, So it Goes, received the audience- and students of Angers awards this year in the Angers First Film Festival. SYNOPSIS A dark comedy about a woman who tries to save her teenage daughter with the help of her alcoholic dad, immature ex-boyfriend and spooky rabbits that may or may not be vengeful. FRANCE CLÉMENT COGITORE PROJECT : LE FRONT DE WAKHAN Cogitore Clement was born in 1983 in Colmar. After studying at the École Supérieure des Arts Décoratifs of Strasbourg and at Le Fresnoy, Clément Cogitore developed an artistic practice halfway between cinema and contemporary art. Combining film, video, installations and photographs, his work questions the modalities of cohabitation of men with their images. There is often question of ritual, collective memory, figuration of the sacred as well as a particular idea of the permeability of worlds. He was in Angers in 2007 with his film Chroniques in the Free Form selection. He came back in 2012 to present Parmi nous in Competition of the French First Short Films. SYNOPSIS Afghanistan 2013. While troops are on the verge of withdrawal, Captain Antarès Bonassieu and his section are assigned a control and surveillance mission in a remote valley of the Wakhan on the Pakistan border. Despite their determination, Antarès and his men gradually lose control of what is supposedly a calm sector. Until one September night, soldiers in the valley begin to mysteriously disappear. FRANCE ELSA DIRINGER PROJECT : TERRAIN VAGUE Born in Strasbourg in 1982, she grew up in Montpellier. After a master degree of Direction at Paris 8 University, which enables her to direct her first film (a documentary on footbal women player in Evry), she turns to fiction. She directed Ada (2008), C’est à Dieu qu’il faut le dire (2010) and L’Instant présent (2012). In parallel, she animates workshops with pupils in 19th district of Paris, in the frame of a Webserie, called Demain j’lui dis. Since the beginning, this work with young people and « non professionals » enriches her films’ writting. SYNOPSIS Victim of an assault, Nassim, 16-year old tries to start over in another place. There, he falls in love with Luna, without knowing that she is involved in the story. ITALY LAURA BISPURI PROJECT : VIERGE SOUS SERMENT Gratuated in cinema from La Sapienza university, Laura Bispuri was selected by producer Domenico Procacci to follow the Fandango Lab Workshop, where she followed classes of famous italian directors, such as Matteo Garrone, Paolo Sorrentino, etc. With her short Passing Time, she won the David Donatello award of Best short film in 2010. Passing Time was also selected in the programme Nuits en or du court métrage of Césars Academy. Biondina was produced by the Italian bank group Banca Intesa, and directed with the support of Gabriele Salvatores. In 2011, Italian critics gave to Laura a Silver Nastro « Emerging Talent of the year ». SYNOPSIS A man with an androgynous look arrives in Milan, from albanian mountains, where he spent a long time as a sworn virgin, according to an old local tradition. Angers Workshops | 9th édition | 24-31 August 2013 4 FRANCE LAURENT LARIVIÈRE PROJECT : JE SUIS UN SOLDAT Laurent Larrivière wrote and directed five short fiction films L’un dans l’autre, J’ai pris la foudre, Au bout des branches (written with Vincent Rafis and Denis Lachaud), Les Larmes (written with Olivia Rosenthal) and Les Élus de la terre. Selected and awarded in festivals (Belfort, Pantin, Villeurbanne, FID Marseille, Hors Pistes Beaubourg, Rotterdam…), his films were broadcasted on France 2, France 3 and TV5Monde channels. With Olivia Rosenthal and Louise Bourgoin, he wrote and performed films for cinema : Les Larmes (Actoral, Théâtre national de la Colline, Trident in Cherbourg), La Peur (Montévidéo in Marseille, Spirale à Poitiers, Espace 1789 in St-Ouen, Centre G. Pompidou in Paris). He worked for theatre too (Eldorado dit le policier by Denis Lachaud, Vincent Rafis and Laurent Larivière to the CDN in Orléans and at la Grande Halle de la Villette in Paris) and he directed dance images (Camilla Saraceni, Kettly Noël, Montalvo-Hervieu). He is laureate of Villa Médicis Hors-les-Murs. With the writing support of CNC, he is developping his first feature film, Je suis un soldat, written by François Decodts. www.laurentlariviere.fr SYNOPSIS Sandrine, 30 year-old has to go back living to her mother’s place in Roubaix. Unemployed, she accepts to work for her uncle in a doghouse, which proves to be the center of a dog traffic, coming from Eastern countries. NORWAY JONAS MATZOW GULBRANDSEN PROJECT : THE FILTHY FEW He holds a bachelor’s degree in TV Journalism and is currently studying directing at the Polish National Film School in Łodz. He both writes and directs his films, which are simple stories about people that he hopes will resonate universally. Jonas’ second year film at the National Film School in Poland, Darek, was already selected in the Premiers Plans Film Festival in 2010. He came back in Angers in 2013 with his first short film Everything Will Be Ok, where he received the Grand Jury Prize. SYNOPSIS Armed with so little, many young people must grow up much quicker than they deserve, learning life the hard way and having to think wiser and outsmart adults at whim. Alex, a young boy, is always on the run. He escapes a child institution and hides out in his old hometown. He spends his time with his friends, who are toy soldiers serving the local Motorcycle Club. Alex gets taken under the wings by the club leader Karlsen, but quickly realises that loyalty doesn’t exist. They say all for one but in reality it´s every man for himself. This is life at its most dogeat-dog world. ROUMANIA / GERMANY ANCA MIRUNA LAZARESCU PROJECT : THAT TRIP WE TOOK WITH DAD Born in Romania, Anca M. Lăzărescu emigrated with her family to Germany in 1990. In 2000 she began her studies at the “German Academy for Film and Television” in Munich. She directed several documentary and short films which attracted international interest. Her Thesis Film, Apele Tac, received the Audience Award in Angers in 2012. SYNOPSIS Romania 1968: MIHAI (27) a talented doctor oblivious to political ideologies, starts to question the system after a small incident jeopardizes his family’s long-planned first trip to East Germany. Mihai must betray a friend to be allowed to travel. He sets off together with his idealistic younger brother Doru and his father Tudor, who, discriminated by the communist regime, gave up fighting long ago. Their trip ends as the Soviets invade Prague. The trio can’t return home to Romania, the way through Czechoslovakia is blocked. The Iron Curtain lifts and they’re offered a two-day transit visa through the West ― 48 hours, which could change their lives forever.
Recommended publications
  • Ateliers D'angers
    ANGERS WORKSHOPS 4-11 July 2010 6th edition 2009 participants with Jeanne Moreau, Sandrine Veysset and Claude-Eric Poiroux Artistic director : Jeanne Moreau www.premiersplans.org PRESS KIT Contact: Liza Narboni – 01 42 71 11 62 / [email protected] PARTNERS Angers Workshops receive support from: With the support of: Angers Workshops would like to thank: Université Angevine du Temps Libre // ADAMI // Bouvet Ladubay // Bureau d’accueil des tournages de la SEM Pays de la Loire // Centre Angevin des Ressources Associatives de la Ville d’Angers // Le Chabada // Ecole Supérieure des Beaux-Arts d’Angers // Elacom // Hôtel Mercure Angers Centre // Evolis Card Printer // Ford Rent // Hexa Repro // Nouveau Théâtre d’Angers // La Semaine du son // OPCAL // SACD // Sceren // Association Valentin Huäy // Yamakado. CONTACTS Premiers Plans Association President : Gérard Pilet Artistic director : Jeanne Moreau General Delegate : Claude-Eric Poiroux Coordination / Arnaud Gourmelen +33 1 42 71 83 29 - Liza Narboni +33 1 42 71 11 62 [email protected] www.premiersplans.org PREMIERS PLANS 2 PRESENTATION The 6th edition of the Angers Workshops will welcome from the 4th to the 11th of July, 9 young filmmakers from 5 European countries: France, Italy, Scotland, and Slovenia. Jeanne Moreau, who founded the Ateliers with Claude-Eric Poiroux, will be running them, as she has done every year, along with cinema professionals, including directors Olivier Ducastel (Jeanne et le garçon formidable, L’Arbre et la forêt…), Raphaël Nadjari (The Shade, Avanim…), Olivier Assayas (Clean, L’Heure d’été…)… Created in 2005, the Angers Workshops are directed toward young European filmmakers with one or two short films to their credit and a first feature film in the works.
    [Show full text]
  • Vue Panoramique
    Document généré le 28 sept. 2021 13:48 24 images Vue panoramique Le cinéma québécois aux rayons X Numéro 105, hiver 2001 URI : https://id.erudit.org/iderudit/24056ac Aller au sommaire du numéro Éditeur(s) 24/30 I/S ISSN 0707-9389 (imprimé) 1923-5097 (numérique) Découvrir la revue Citer cet article (2001). Vue panoramique. 24 images, (105), 57–63. Tous droits réservés © 24 images, 2000 Ce document est protégé par la loi sur le droit d’auteur. L’utilisation des services d’Érudit (y compris la reproduction) est assujettie à sa politique d’utilisation que vous pouvez consulter en ligne. https://apropos.erudit.org/fr/usagers/politique-dutilisation/ Cet article est diffusé et préservé par Érudit. Érudit est un consortium interuniversitaire sans but lucratif composé de l’Université de Montréal, l’Université Laval et l’Université du Québec à Montréal. Il a pour mission la promotion et la valorisation de la recherche. https://www.erudit.org/fr/ Vu,e panoramique Une sélection des films sortis en salle à Montréal Ont collaboré: Pierre Barrette — P.B. Marco de Blois — M.D. Gérard Grugeau — G.G. Marcel Jean — M.J. Gilles Marsolais — G.M. André Roy — A.R. BAISE-MOI Devant Baise-moi et tout le ramdam que le film a plement rester vivantes, coûte provoqué, il faut être clair sur deux points. Le premier, c'est que coûte») qui n'arrivent que l'interdiction qui a frappé le film en France est inad­ jamais à offrir une idée étoffée missible et qu'il est de notre devoir de la dénoncer.
    [Show full text]
  • Berlinale 11–21 Feb 2016 the Awards Die Preise
    Berlinale 11–21 Feb 2016 The Awards Die Preise 20141117_LogobalkenA4HF_210x24_RZ.indd 1 17.11.14 14:00 20.02.2016 THE AWARDS OF THE 66th BERLIN INTERNATIONAL FILM FESTIVAL Prizes of Official Juries Prizes of the International Jury ......................................................................................................................................................................................... 2 Best First Feature Award ........................................................................................................................................................................................................ 3 Prizes of the International Short Film Jury .............................................................................................................................................................. 3 Prizes of the Juries Generation ........................................................................................................................................................................................ 4 Prizes of independent Juries Prizes of the Ecumenical Jury ............................................................................................................................................................................................. 7 Prizes of the FIPRESCI Jury .................................................................................................................................................................................................... 7 Prize of the
    [Show full text]
  • The Anti-Orpheus: Queering Myth in Ducastel Et Martineau's Théo Et
    Studies in 20th & 21st Century Literature Volume 42 Issue 2 Article 4 February 2018 The Anti-Orpheus: Queering Myth in Ducastel et Martineau’s Théo et Hugo dans le même bateau (Paris 05:59) Todd W. Reeser University of Pittsburgh, [email protected] Follow this and additional works at: https://newprairiepress.org/sttcl Part of the Film and Media Studies Commons, and the Lesbian, Gay, Bisexual, and Transgender Studies Commons This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation Reeser, Todd W. (2018) "The Anti-Orpheus: Queering Myth in Ducastel et Martineau’s Théo et Hugo dans le même bateau (Paris 05:59)," Studies in 20th & 21st Century Literature: Vol. 42: Iss. 2, Article 4. https://doi.org/10.4148/2334-4415.1989 This Article is brought to you for free and open access by New Prairie Press. It has been accepted for inclusion in Studies in 20th & 21st Century Literature by an authorized administrator of New Prairie Press. For more information, please contact [email protected]. The Anti-Orpheus: Queering Myth in Ducastel et Martineau’s Théo et Hugo dans le même bateau (Paris 05:59) Abstract Olivier Ducastel and Jacques Martineau’s 2016 film Théo et Hugo dans le même bateau (Paris 05:59: Théo & Hugo) concludes on an Orphic note, inviting a consideration of the entire film as based on the myth of Orpheus and Eurydice. The film appropriates but also radically transforms elements of the foundational myth—including especially Orpheus’s turn to pederasty in Ovid’s Latin version—crafting a queer love story based on potentiality out of the tragedy of the heterosexual love story.
    [Show full text]
  • Remora Films Presents
    REMORA FILMS PRESENTS Don’T LOOK DOWN The new film from OLIVIER DUCASTEL and JACQUES MARTINEAU Starring MANIKA AUXIRE, GEOFFREY COUËT, SIMON FRENAY, FRANÇOIS NAMBOT, LAWRENCE VALIN 2019 – France – 90 MIN – PICTURE – DIGITAL – COLORS – 2.35 – SOUND 5.1 FESTIVALS & BOOKING Pascale Ramonda 91 rue de Ménilmontant 75020 Paris France +33 6 62 01 32 41 [email protected] SYNOPSIS A woman and four men who barely know each other find themselves in an apartment in the sky above Paris. They have all been the victims of the same perverse dominator who is locked in a room. That night, they decided to end it all. In turn, they tell each other memories that bind them to this man and enter the room to confront him. But what happens there between the monster and them remains their secret. CONVERSATION WITH OLIVIER DUCASTEL AND JACQUES MARTINEAU That was the screenplay part. For the theme, I had the idea of trying to use some of the recent personal experiences I've had with manipulative How did the desire for this unique film comes about? and narcissistic boys – let’s not call them perverse narcissists: and I was thinking about how to tell the story of someone who, as soon as he could J.M: One day Olivier says to me : « I have an idea, we must shoot it this summer, escape from one pervert, met another one. In fact, it was probably too we’ll do it to my place, I’ll tell you about. ». I started to think about a script and, 10 autobiographical and I had the idea to reverse the situation, to make sure days after, he proposes the project to me as it is.
    [Show full text]
  • Th from Pa He Place O Fa Aternal H of Absent Thesis S Doctor Schoo
    From Paternal Hegemony to the Ethics of Fraternity:: the Place of Absent Fathers in Le Jeune Cinéma Français ByB Eun-Jee Park Thesis submitted for the degree of Doctor of Philosophy (Integrated) School of Modern Languages Faculty of Humanities and Social Sciences Newcastle University NE1 7RU United Kingdom February 2011 1 Abstract In the 1990s a new generation of socially engaged filmmakers came to be known as le jeune cinéma français. Many of these filmmakers examined a whole range of social issues, with a particular aim of focusing on the representation of the French family. In these family portraits, the father, both as the traditional head of the family institution and as a stand-in for the State, is notably missing. This thesis inquires into the paternal absence in le jeune cinéma, and traces how the paternal crisis is related to the filmmakers’ practice of auteur cinema. The jeunes auteurs, rather than participating directly in political debate, make a case for cinema as a tool for an ethical engagement with the reality of those left behind by socio-economic change. Drawing on philosophical thinking developed by Emmanuel Levinas and Jacques Derrida, this thesis discusses the ways le jeune cinéma seeks to move away from the oedipal association of the father with the law, and thereby to articulate the recognition of an ethical fraternity as opening up to the care and hospitality towards the Other. This thesis outlines specific ideals of new paternal models that le jeune cinéma proposes. Starting with an Introduction which develops the points made above and sets out the theoretical framework, this study then moves on to consider six emblematic films which alter the way the father is conceived through diverse paternal reconfigurations.
    [Show full text]
  • Jeanne Et Le Garçon Formidable D'olivier Ducastel
    Document generated on 09/27/2021 6:18 p.m. Ciné-Bulles Le cinéma d’auteur avant tout Jeanne et le garçon formidable d’Olivier Ducastel Jean Beaulieu Volume 17, Number 4, Winter–Spring 1999 URI: https://id.erudit.org/iderudit/59550ac See table of contents Publisher(s) Association des cinémas parallèles du Québec ISSN 0820-8921 (print) 1923-3221 (digital) Explore this journal Cite this review Beaulieu, J. (1999). Review of [Jeanne et le garçon formidable d’Olivier Ducastel]. Ciné-Bulles, 17(4), 58–59. Tous droits réservés © Association des cinémas parallèles du Québec, 1999 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ ^ cwsispj- o apparence), a une vision très traditionnelle, voire macho, du couple et traduit ses émotions en gestes plus ou moins violents. N'empêche que Jeanne Dominique reste forte malgré les affronts que lui fait subir Quentin et les trahisons perpétrées et le garçon par les gens de son entourage. Elle se prendra un autre amant. formidable Ainsi, dans la dernière année, le cinéma d'Olivier Ducastel français nous aura tracé quelques portraits de femmes dans la quarantaine, plus resplen­ dissantes que jamais, qui tentent de satisfaire par Jean Beaulieu leur libido (et y parviennent, mais de façon éphémère seulement) avec des hommes plus jeunes (Brigitte Rouan dans son propre film, Post-coïtum, animal triste, et Miou-Miou dans Nettoyage à sec d'Anne Fontaine) ou plus Tou t comme Roberto Benigni, qui a osé fougueux (Nathalie Baye dans Si je t'aime, fairJLe oun e comédie sur la Shoah, Olivier prends garde à toi de Jeanne Labrune).
    [Show full text]
  • Bfi Southbank Events Listings for September - October 2016
    BFI SOUTHBANK EVENTS LISTINGS FOR SEPTEMBER - OCTOBER 2016 PREVIEWS Catch the latest film and TV alongside Q&As and special events Sonic Cinema Preview: One More Time With Feeling UK 2016. Dir Andrew Dominik. RT and cert tbc. Digital. Courtesy of Picturehouse Entertainment Join us for the first opportunity to hear ‘Skeleton Tree,’ the new album from Nick Cave & The Bad Seeds. Originally a performance-based film, One More Time with Feeling evolved into something much more significant as Dominik (The Assassination of Jesse James by the Coward Robert Ford) delved into the tragic backdrop of the writing and recording of the album, offering a raw and honest portrayal of an artist trying to find his way through the darkness. THU 8 SEP 21:00 NFT1 Preview: The First Monday in May USA 2016. Dir Andrew Rossi. 91min. Digital. Cert tbc. Courtesy of Dogwoof This is the first public screening of the new documentary from Andrew Rossi (Page One: Inside the New York Times), which offers unprecedented behind-the-scenes access to the Metropolitan Museum of Art’s most popular exhibition to date, ‘China: Through the Looking Glass.’ Featuring appearances from Anna Wintour, John Galliano, and Jean Paul Gaultier, this engaging, fast-paced film peels back the curtain to reveal the hard work and politics behind the glamour of the fashion and art worlds. FRI 23 SEP 18:15 NFT1 TV Preview: Inside No. 9 (series 3) + Q&A with actors Steve Pemberton and Reece Shearsmith and producer Adam Tandy BBC 2016. Dirs Guillem Morales, Graeme Harper. With Steve Pemberton, Reece Shearsmith, Keeley Hawes, Jessica Raine.
    [Show full text]
  • Teaching Documentary Symposium – Cardif, November 5-7, 2014
    Teaching Documentary Symposium – Cardif, November 5-7, 2014 TEACHING DOCUMENTARY Symposium Cardif, November 5-7, 2014 1 Teaching Documentary Symposium – Cardif, November 5-7, 2014 Symposium Programme Wednesday November 5th 2014 Thursday November 6th 2014 Friday November 7th 2014 07.30-09.00 Breakfast Breakfast 09.00-09.15 Registraton / cofee Charlie Philips (Guardian) - Crowdfunding & 09.15-10.00 Welcome & Introductons crowdsourcing Mandy Rose (DCRC): Where are we now: the new 10.00-10.45 Arne Bro (Danish Film School): Fault & Structure role of the documentarian 10.45-11.00 Cofee Break Cofee Break Niels Pagh Andersen (Norwegian Film School): My 11.00-11.45 Paul Pauwels (EDN): Documentary in crisis? Way - Film School or No Film School? 11.45-12.00 Pause Pause f i Mark Atkin (Crossover LaBs):Media training in the 12.00-12.45 d Breakout session #3 with keynote speakers r digital era a C n 13.00-14.30 m Lunch Lunch o o r t f a 14.30-15.30 l Breakout session #1 with keynote speakers Breakout session #4 with keynote speakers t e S t 14.00-17.00 o n 15.30-15.45 i Tea/cofee Tea/cofee h a r Kim Longinoto Masterclass (for students, o T t 15.45-16.45 l Breakout session #2 with keynote speakers ‘Best kept secrets’ #2 - Classic Doc exercises e but open to delegates) a l r t 16.45-17.00 t Tea/cofee Tea/cofee n u e h s C - Open Forum: Teaching Documentary - It's all down 17.00-18.00 l ‘Best kept secrets’ #1 - Classic Doc exercises a v to Story & Ideas i r r 18.00-19.00 A Return to Hotel 19.00-19.15 Coach to Millennium Centre, Cardif Bay 19.30-22.30 Parc Hotel - Drinks & Welcome Dinner Recepton & Dinner Closing Dinner 2 Teaching Documentary Symposium – Cardif, November 5-7, 2014 VENUES Parc Thistle Hotel 1 Park Place Cardif CF10 3UD +44 29 2027 1520 The ATRiuM Adam Street Cardif CF24 2FN Giovanni’s Italian 8 Park Place Cardif, CF10 3DP +44 29 2022 6299 fresh Bar & Restaurant (Wales Millennium Centre) Bute Pl Cardif CF10 5AL +44 29 2063 6465 3 Teaching Documentary Symposium – Cardif, November 5-7, 2014 Accommodation Check-in is available from 14.00 and check-out by 10.00.
    [Show full text]
  • Théo Et Hugo Dans Le Même Bateau Paris 05:59
    PANORAMA THÉO ET HUGO DANS LE MÊME BATEAU PARIS 05:59 Olivier Ducastel In einem Sex-Club treffen die Körper von Théo und Hugo aufeinan- Frankreich 2016 Jacques Martineau der. Sie tauschen sich aus, verschwimmen in der Unschärfe eines hem- 97 Min. · DCP · Farbe mungslosen Verlangens, nehmen im Wechsel ihrer Blicke Gestalt an, um sich erneut zu erkunden und zu verlieren. Wenige Momente spä- Regie, Buch Olivier Ducastel, Jacques Martineau ter zieht es die beiden jungen Männer nach draußen. Gemeinsam las- Kamera Manuel Marmier sen sie sich durch die leergefegten Straßen im nächtlichen Paris trei- Schnitt Pierre Deschamps ben. Unvermittelt werden sie hier mit einer Realität konfrontiert, die Ton Tristan Pontécaille, Clément Badin, ihre Freiheit und Ziellosigkeit aushebelt und jedem weiteren Schritt ei- Victor Praud ne Ratlosigkeit von existenziellem Ausmaß verleiht: Möchten sie mehr Production Design Barnabé D'Hauteville voneinander erfahren? Wird Vertrauen belohnt werden? Was erwartet Casting Simon Frenay Olivier Ducastel Geboren 1962 in Lyon, sie? Mit meisterhaftem Feingefühl lassen Olivier Ducastel und Jacques Regieassistenz Maxence Germain Frankreich. Er studierte Film und Theater an der Production Manager Diane Weber Universität Paris III in Paris. Seit 2013 leitet er Martineau uns daran teilhaben, wie zwei Männer in einer tiefen gegen- Produzent Emmanuel Chaumet die Abteilung Regie an der Fémis. seitigen Verunsicherung stranden und dennoch nach Nähe suchen. Co-Produzenten Daniel Chabannes de Sars, Jacques Martineau Geboren 1963 in Ihre beiden Hauptdarsteller verzaubern mit großem Einfühlungsver- Montpellier, Frankreich. Studium der Literatur, mögen und umwerfendem Charme. Corentin Dong-Jin Sénéchal 1994 Promotion über Honoré de Balzac. Seit Co-Produktion Epicentre Films, Paris 1995 Zusammenarbeit mit Olivier Ducastel.
    [Show full text]
  • A Film by Olivier Ducastel and Jacques Martineau
    FamilyFamily TreeTree AA filmfilm byby OlivierOlivier DucastelDucastel andand JacquesJacques MartineauMartineau a Maïa Cinéma / Les Films du lendemain coproduction present Jean Vigo Award 2009 Berlin Film Festival - Panorama Selection Family Tree L’Arbre et la Forêt A film by Olivier Ducastel and Jacques Martineau with Guy Marchand • Françoise Fabian Sabrina Seyvecou, Yannick Renier, François Negret Catherine Mouchet, Sandrine Dumas and Pierre-Loup Rajot Length : 97’ 2010 • France • IMage FOrMat: 2:35:1 • cIneMascOpe • DOLBY stereO INTERNATIONAL SALES: FILMs DIstrIButIOn 34, rue du Louvre For further information please contact: 75001 paris tel: +33 1 53 10 33 99 phILIp rOse JennY scheuBeck Fax: +33 1 53 10 33 98 cell: +44 79 73 96 69 84 cell: +33 6 16 23 09 60 In BerLIn: + 49 (0)1 76 10 11 03 29 In BerLIn: + 49 (0)1 76 10 11 03 30 Synopsis Frédérick is a tree grower who for almost sixty years, has also been cultivating a secret. His wife and eldest son are the only ones around him who know the truth. pushed by the death of this son, with whom he had a difficult relationship, he finally reveals to his close relatives what he had never been able to say. The film asks a question about the transmission of a very old and traumatic Interview with Olivier Ducastel & Jacques Martineau event that took place in a family. Jacques Martineau: the film explores a reoccurring theme found in movies, that of family secrets; but revelation doesn’t necessarily mean resolution. the revelation occurs only hal- Why did you choose the title, Family Tree? fway through.
    [Show full text]
  • Catalogue 2021
    PYRAMIDE INTERNATIONAL CATALOGUE 2021 CONTENTS INDEX BY FILMS 2 HIGHLIGHTS 17 DIRECTORS’ COLLECTIONS 35 FILMS 59 INDEX BY FILMS AVAILABLE IN HD 424 INDEX BY DIRECTORS 434 INDEX BY ACTORS 450 INDEX BY FILMS 57 000 KM BETWEEN US 60 ANGELE AND TONY 72 57 000 KM ENTRE NOUS ANGÈLE ET TONY Delphine Kreuter Alix Delaporte ANNA 73 A Nikita Mikhalkov ANTONIO’S GIRLFRIEND 74 ABUSE OF WEAKNESS 61 LA PETITE AMIE D’ANTONIO ABUS DE FAIBLESSE Manuel Poirier Catherine Breillat APACHES 75 ACTORS ANONYMOUS 62 LES APACHES LES ACTEURS ANONYMES Thierry De Peretti Benoît Cohen APPRENTICE 76 AFTER THE WAR 63 LES APPRENTIS DOPO LA GUERRA Pierre Salvadori Annarita Zambrano AS HE COMES 77 ALEXANDRIA... NEW YORK 64 COMME IL VIENT Youssef Chahine Christophe Chiesa ALL IS FORGIVEN 65 TOUT EST PARDONNÉ Mia Hansen-Løve B ALL THE FINE PROMISES 66 BAB EL WEB 78 TOUTES CES BELLES PROMESSES Merzak Allouache Jean-Paul Civeyrac BABY BALLOON 79 AMAZING CATFISH, THE 67 Stefan Liberski LOS INSOLITOS PECES GATO Claudia Sainte-Luce BACK HOME 80 REVENIR AMBITIOUS 68 Jessica Palud LES AMBITIEUX Catherine Corsini BARBER OF SIBERIA, THE 81 SIBIRSKIY TSIRYULNIK AMIN 69 Nikita Mikhalkov Philippe Faucon BARNABO OF THE MOUNTAINS 82 AMONG ADULTS 70 BARNABO DELLE MONTAGNE ENTRE ADULTES Mario Brenta Stéphane Brizé BED, THE 83 ANATOMY OF HELL 71 LE LIT ANATOMIE DE L’ENFER Marion Hänsel Catherine Breillat BEIJING BICYCLE 84 Wang XiaoShuai 2 INDEX BY FILMS BELLE EPINE 85 BREATH OF LIFE 100 Rebecca Zlotowski L’ORDRE DES MÉDECINS David Roux BENARES 86 Barlen Pyamootoo BRIDGET 101 Amos Kollek
    [Show full text]