Jaco Van Dormael
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Flemish Cinema and Film Culture Through South African Eyes
Flemish Cinema and Film Culture through South African Eyes By Martin P. Botha Fall 2007 Issue of KINEMA THE HERITAGE OF FILM: PERSPECTIVE ON FLEMISH CINEMA AND FILM CUL- TURE THROUGH SOUTH AFRICAN EYES I assisted the Locarno Film festival in 2005 with a retrospective of short films by young South African directors. There I met a very talented, young Flemish director, whose film was by far the best in the one section.(1) It moved me immensely with its honest portrait of alienation and racial discrimination. We had a long discussion on film history, aesthetics and film cultures. We also talked about the historyof film in Belgium and it was noted that while the French speaking side of Belgian cinema had recently received international acclaim (for example, the work by the Dardenne Brothers), Flemish cinema was struggling. In fact, the young filmmaker made the statement that there was little to be excited about in the historyof Flemish cinema. He felt especially that the films about rural communities and most of the historical dramas were not saying much about contemporary Flanders, in particular, the youth. I have heard this argument before, but in a totally different cultural context. Many young, aspiring South African filmmakers have told me there is very little in South African film history which makes themproud of their film culture. For decades South African film culture has been in isolation. The years 1959to1980 were characterised by an artistic revival in filmmaking throughout the world, ranging from exciting political films in Africa and Latin America to examples of great art cinema in Europe and Asia. -
Palm Springs International Animation Festival SCHEDULE
Palm Springs International Special Events Animation Festival Special Feature Presentations SCHEDULE WEDNESDAY Wednesday, August 22, 2018 11:15am – 12:39pm 10 am – 10:58 am 2017 Animated Short Film Award Winners Marnie’s World Theatre 1 Feature Film 2017 Animated Short Film Award Winners ( PCAW001 ) A collection of the Theatre 1 winning animated shorts of the 2017 inaugural season featuring Oscar US Premiere! winning talent and stories from all over the world. Weeds - 3:45 - USA - Director : Kevin Hudson 4pm Red Carpet Tokri (The Basket) 14:46 - India - Director : Suresh Eriyat 5pm – 6:40pm Adija - 4:08 - USA - Director : Apollonia Thomaier Sgt. Stubby: An Yellow Rose - 3:58 - Australia - Director : Xin Li American Hero Virtual Actors in Chinese Opera - 3:15 - Hong Kong - Director : Tobias Feature Film Gremmler Theatre 1 The Potato Eaters - 3:54 - Czech Republic - Director : Martin Kukal – Opening Night Event! Tanguito Argentino - 8:00 - Argentina - Director : Joaquin Braga Cuerdas - 10:52 - Spain - Director : Pedro Solis Escape - 4:45 - USA - Director : Brandon Oldenburg FRIDAY 3:45pm -4:45pm 10:15am – 10:52am Classic Auction: Animated Cells Theatre 2 Theatre 3 The collections of shorts in this segment will take you back in time to the beginning of this amazing unique visual art form. SATURDAY 11:00am-12:30pm A Thousand Kisses - 16:38 - USA - Director : Richard Goldgewicht Mission Kathmandu: Skyscrapers - 12:15 - Switzerland - Director : Fabienne Giezendanner The Adventures of Nelly Nowhere - 4:09 - USA - Director : HYEON JEONG CHO & Simon The Balloonatic - 3:00 - UK - - Director : Eoin Mcloughlin Theatre 1 3:00pm-4:45pm Isle of Dogs Special Presentation – Celebrating Loving All Animals Animal Shelter Theatre 1 11:15am – 12:39pm Marnie’s World Feature Film US Premiere Panels/ Theatre 1 Masterclass WEDNESDAY (2018) - 84 min - Germany Animation | Adventure | Comedy Spoiled orange house cat Marnie lives a comfy life in the Sunshine household. -
La RTBF Fait Son Cinéma... À Cannes
La RTBF fait son cinéma... à Cannes Cette année, trois films belges à Cannes : « Le tout nouveau testament » de Jaco Van Dormael et « Les cowboys » de Thomas Bidegain (2 copros RTBF) à la Quinzaine des Réalisateurs et « Ni le ciel ni la terre » de Clément Cogitore à la Semaine de la Critique. En mai, durant tout le Festival, la RTBF déroule le tapis rouge à sa programmation ! En télé, Hugues Dayez suivra la compétition pour les JT de La Une et Cathy Immelen sera également sur la Croisette pour présenter l’actu ciné de Tellement Ciné sur La Deux. Quant à La Trois, elle vous propose 5 soirées spéciales avec une série de films prestigieux primés à Cannes, ainsi que des après-midi d’archives. Toutes les chaînes radio et le web sont également mobilisés pour célébrer le 7e art ! EN TELE Dans les JT Hugues Dayez, envoyé spécial sur la Croisette, réalisera un « Journal du Festival » (le suivi de la compétition, la présence belge dans les sections parallèles, les événements hors compétition) à travers deux séquences différentes chaque jour dans le JT de 13H et dans le JT de 19H30. Faites le compte : à raison de plus de cinq minutes de reportage quotidien du mercredi 13 au dimanche 24 mai, c’est en quelque sorte une émission d’information sur Cannes de plus d’une heure, découpée en chapitres, qui sera proposée en « prime time » aux spectateurs de la RTBF. En outre, le « Monsieur Cinéma » de la RTBF sera en direct de Cannes en duplex pour l’Ouverture, et en plateau dans le JT de 19H30 le soir de la clôture pour commenter à chaud le palmarès. -
Bilan 2003 Du Centre Du Cinéma Et De L
2003 - Bilan en bref Bilan de la production, de la promotion et de la diffusion cinématographiques et audiovisuelles Centre du Cinéma et de l’Audiovisuel Service général de l’Audiovisuel et des Multimédias Ministère de la Communauté française de Belgique TABLE DES MATIÈRES Introduction Le Centre du Cinéma et de l’Audiovisuel : enveloppe budgétaire pour la production audiovisuelle ......................................... 4 1. Bilan de la Commission de Sélection des Films (courts et longs métrages, téléfilms et collections, programmes télévisuels) .................................. 6 1.1 Examen des projets ........................................................................................ 6 1.2 Promesses d’aide sélective attribuées en 2003 ............................................. 7 1.3 Liste des films soutenus ................................................................................. 8 2. Subventions à la diffusion et primes à la qualité ................................................... 16 3. Coproductions entre les producteurs indépendants et les télévisions (RTBF / RTL-TVi / Canal + / AB3) ............................................... 17 4. Ateliers d’accueil, de production et ateliers d’école.............................................. 18 5. Promotion et diffusion ............................................................................................ 18 5.1 Aides à la promotion ..................................................................................... 18 5.2 Aides à la diffusion ....................................................................................... -
A Dangerous Method
A David Cronenberg Film A DANGEROUS METHOD Starring Keira Knightley Viggo Mortensen Michael Fassbender Sarah Gadon and Vincent Cassel Directed by David Cronenberg Screenplay by Christopher Hampton Based on the stage play “The Talking Cure” by Christopher Hampton Based on the book “A Most Dangerous Method” by John Kerr Official Selection 2011 Venice Film Festival 2011 Toronto International Film Festival, Gala Presentation 2011 New York Film Festival, Gala Presentation www.adangerousmethodfilm.com 99min | Rated R | Release Date (NY & LA): 11/23/11 East Coast Publicity West Coast Publicity Distributor Donna Daniels PR Block Korenbrot Sony Pictures Classics Donna Daniels Ziggy Kozlowski Carmelo Pirrone 77 Park Ave, #12A Jennifer Malone Lindsay Macik New York, NY 10016 Rebecca Fisher 550 Madison Ave 347-254-7054, ext 101 110 S. Fairfax Ave, #310 New York, NY 10022 Los Angeles, CA 90036 212-833-8833 tel 323-634-7001 tel 212-833-8844 fax 323-634-7030 fax A DANGEROUS METHOD Directed by David Cronenberg Produced by Jeremy Thomas Co-Produced by Marco Mehlitz Martin Katz Screenplay by Christopher Hampton Based on the stage play “The Talking Cure” by Christopher Hampton Based on the book “A Most Dangerous Method” by John Kerr Executive Producers Thomas Sterchi Matthias Zimmermann Karl Spoerri Stephan Mallmann Peter Watson Associate Producer Richard Mansell Tiana Alexandra-Silliphant Director of Photography Peter Suschitzky, ASC Edited by Ronald Sanders, CCE, ACE Production Designer James McAteer Costume Designer Denise Cronenberg Music Composed and Adapted by Howard Shore Supervising Sound Editors Wayne Griffin Michael O’Farrell Casting by Deirdre Bowen 2 CAST Sabina Spielrein Keira Knightley Sigmund Freud Viggo Mortensen Carl Jung Michael Fassbender Otto Gross Vincent Cassel Emma Jung Sarah Gadon Professor Eugen Bleuler André M. -
“A Single-Shot Masterpiece.”
JANUARI 2020 ZED SPRAK MET Fabrice du Welz ZED SPRAK MET Willem Wallyn “We zijn allemaal wel wat prutsers.” EINDEJAARSLIJSTJES De beste films van 2019 Onze vrouw op IDFA Blue Monday movies 1917 Filmanjaro “A single-shot masterpiece.” Muidhond, THE GUARDIAN de nieuwe film van Patrice Toye Cinema ZED-STUK Cinema ZED-Vesalius Naamsestraat 96 A. Vesaliusstraat 9c 3000 Leuven 3000 Leuven SCHEMAP. 301 Word lid van Club ZED Hou je van film? Hou je van een regelmatig avondje uit naar de bioscoop? Wil je graag alles weten over de komende releases, evenementen en belangrijke filmmakers? Dan is Club ZED iets voor jou. DE VOORDELEN Maandelijks het ZED magazine in je brievenbus Maandelijks 2 tickets voor een film naar keuze uit deze maandprogrammatie Een Club ZED kortingskaart die je recht geeft op het kortingstarief voor alle bijkomende tickets PRIJS € 18 per maand € 100 per 6 maand HOE GAAT HET IN ZIJN WERK? MELD JE AAN OP CINEMAZED.BE/CLUBZED. Leden ontvangen naast het ZED Magazine maandelijks 2 unieke ticket-codes. Deze codes kunnen online of aan de balie omgewisseld worden voor filmtickets naar keuze. Deze codes zijn enkel geldig voor voorstellingen van de lopende maand- programmatie. De minimale duur van een abonnement is 3 maanden en kan te allen tijde opgezegd worden. 2 Met in- of uitleiding Met live begeleiding Onuitgegeven ontdekking Alle films zijn Nederlands ondertiteld, tenzij anders aangegeven. INHOUD Recente releases Play it Again Sam Blue Monday 4 1917 14 Little Joe 20 The Irishman 27 Singin’ in the Rain 5 Ghost Tropic Muidhond -
Film Film Film Film
Annette Michelson’s contribution to art and film criticism over the last three decades has been un- paralleled. This volume honors Michelson’s unique C AMERA OBSCURA, CAMERA LUCIDA ALLEN AND TURVEY [EDS.] LUCIDA CAMERA OBSCURA, AMERA legacy with original essays by some of the many film FILM FILM scholars influenced by her work. Some continue her efforts to develop historical and theoretical frame- CULTURE CULTURE works for understanding modernist art, while others IN TRANSITION IN TRANSITION practice her form of interdisciplinary scholarship in relation to avant-garde and modernist film. The intro- duction investigates and evaluates Michelson’s work itself. All in some way pay homage to her extraordi- nary contribution and demonstrate its continued cen- trality to the field of art and film criticism. Richard Allen is Associ- ate Professor of Cinema Studies at New York Uni- versity. Malcolm Turvey teaches Film History at Sarah Lawrence College. They recently collaborated in editing Wittgenstein, Theory and the Arts (Lon- don: Routledge, 2001). CAMERA OBSCURA CAMERA LUCIDA ISBN 90-5356-494-2 Essays in Honor of Annette Michelson EDITED BY RICHARD ALLEN 9 789053 564943 MALCOLM TURVEY Amsterdam University Press Amsterdam University Press WWW.AUP.NL Camera Obscura, Camera Lucida Camera Obscura, Camera Lucida: Essays in Honor of Annette Michelson Edited by Richard Allen and Malcolm Turvey Amsterdam University Press Front cover illustration: 2001: A Space Odyssey. Courtesy of Photofest Cover design: Kok Korpershoek, Amsterdam Lay-out: japes, Amsterdam isbn 90 5356 494 2 (paperback) nur 652 © Amsterdam University Press, Amsterdam, 2003 All rights reserved. Without limiting the rights under copyright reserved above, no part of this book may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, me- chanical, photocopying, recording or otherwise) without the written permis- sion of both the copyright owner and the author of the book. -
SAVAGE FILM & KINEPOLIS FILM DISTRIBUTION Stellen Voor Scenariojeroen PERCEVAL En Robin PRONT Regie Robin PRONT
SAVAGE FILM & KINEPOLIS FILM DISTRIBUTION stellen voor scenario Jeroen PERCEVAL en Robin PRONT regie Robin PRONT releasedatum : 14 oktober 2015 inhoudstafel intro ............................................................................................................................................................................. 3 synopsis ..................................................................................................................................................................... 4 intentieverklaring auteur .................................................................................................................................... 5 intentieverklaring regisseur .............................................................................................................................. 6 personages | cast - jeroen perceval ....................................................................................................................................... 7 - kevin janssens .......................................................................................................................................... 8 - veerle baetens ......................................................................................................................................... 9 - jan bijvoet ................................................................................................................................................ 10 regisseur robin pront ...................................................................................................................................... -
Cinéma & Culture Au Cœur De Liège
l 251 du 16 novembre au 20 décembre 2016 cinéma & culture au cœur de Liège Vendredi 2 décembre à 20 h P.24 AVANT-PREMIÈRE + réalisateur Lundi 21 novembre à 20 h P.6 AVANT-PREMIÈRE + réalisatrice Journal des Grignoux 251 2 cinéma & culture au cœur de LIÈGE du 16 novembre au 20 décembre 2016 Les fêtes de fin d’année approchent à nation aigre que dans la recherche désespérée d’un repentir, grands pas, nous ne voulons pas casser d’une ligne de fuite vers des horizons plus lumineux. MERCREDI 23 NOVEMBRE à 18 h 30 Édito l’ambiance. Marc Fitoussi nous a habitués à fondre certaines de ses À la librairie LIVRE AUX TRÉSORS Mais nous n’avons jamais été enfermés dans notre comédies dans le terrain d’une réalité sociale finement des- (place Xavier-Neujean, 27A – 4000 Liège) bulle cinéma. Les grondements du monde nous inter- sinée (Copacabana, La ritournelle). Avec Maman a tort, son pellent. Impossible de rester indifférents aux milliers rire acerbe ne fait pas de cadeau au monde aseptisé d’une de licenciements à Caterpillar et ING. Sous le coup de société d’assurances. Rencontre autour de l’émotion, les médias ont eu leurs convulsions éphé- Les classiques ne seront pas en reste vis-à-vis de la comé- l’ouvrage Cinéma et Fiction mères et le monde politique a poussé quasi à l’unisson die. En plus de la version restaurée de La grande vadrouille son cri d’orfraie. projetée de manière exceptionnelle dans le cadre du Festival de Michel Condé Certains n’ont d’ailleurs pas hésité à proposer que de la comédie, nous sortons le chef-d’œuvre de Billy Wilder, et essai aborde la question de la récep- mique qui sont le monde de l’entreprise soit dirigé avec un comité Certains l’aiment chaud. -
As Promised, Faculty, Admin, and Tech Have All Been Coming up with Works to Watch While Shuttered Inside (In the Physical, and Not Psychological, Sense)
As promised, Faculty, Admin, and Tech have all been coming up with works to watch while shuttered inside (in the physical, and not psychological, sense). We will have more forthcoming from other members of the department, I’d hope next week, to get you through the exam period and beyond. The range below is eclectic, at times challenging, and most of all fun of all sorts. A lot of the material is easily streamable and/or downloadable; I’m sure there are other ways you can find material too. We hope you find stuff here to get you through the days and nights and days and nights and days and nights. We are all in this together, so feel free to come up with lists (on your own, or even better, get together digitally and socialize) of works you think faculty, admin, and techs ought to be watching. Teach us something and make it a two- way street! UPDATE, April 14: See below for new recommendations from Adonay, Tama, and Karine! Films for Students: From Karine Here is my Top Ten list of Road Movies (from around the world) to watch while in Quarantine (Traveling without risk): 1. Traveling to France: Agnes Varda's Faces Places (2017). 2. Traveling to Germany: Wim Wenders' Kings of the Road (1976). 3. Traveling to New Zealand: Taika Waititi's Hunt for the Wilderpeople (2016). 4. Traveling to Mexico: Alfonso Curaon's Y Tu Mama Tambien (2001) 5. Traveling to Argentina: Lucrecia Martel's La Mujer Sin Cabeza (2008) 6. Traveling to Australia: Ivan Sen's Beneath Clouds (2002) 7. -
Opportunities in Scots Independence Movement • Breton Cultural Forces Tarred • Cilmeri Rally Reclaimed • Call for Nati
No. 125 Spring 2004 €3.00 Stg£2.50 • Opportunities in Scots Independence Movement • Breton Cultural Forces Tarred • Cilmeri Rally Reclaimed • Call for National Plan for Irish • Environmental Rights Campaign in Cornwall • Manx in Court • Un Tele Breizhat evit an Holl ALBA: C O M A N N CEILTEACH • BREIZH: KEVRE KELTIEK • CYMRU: UNDEB CELTAIDD • EIRE: CONRADH CEILTEACH • KERNOW: KESUNYANS KELTEK • MANN1N: COMMEEYS CELTIAGH 62 r Fuadach nan Gaidheal Gura mise titrsach. A ' caoidh cor na ditthcha, A lbo <3 Bha cliuiteach is treun; Rinn uachdrain am fuadach IL _l Gu fada null thar chuuntan. Am fearann chaidh thoirt uapa 'S thoirt suas do na feidli. AR BÀRDACHD "...agus eaoraich cuideachd!" arsa sinne. amt an ceithir duanairean Tha na tri leabhraichean seo ri lhaotainn bho GÀIR NAN CLÀRSACH...tliagh Culm Ó An targainteachd dhùainn - - Birlinn Ltd. West Newington House. 10 Baoill sco agus dh'eadar-theangaich Meg Bras meanmnach Fir Alba Newington Road. Dim Eideann EH9 IQS. no Bateman e. Tlia dà fhichead is tri dàin Le' n armaibh air thùs an leabhar-reiceadair agaibh. Gàidhlig ami eadar na bliadlinachan I 600 gu Nuair a dh'eires gach treunlaoch 1648. Cha d'rinn neach an aon rud riamh. Le-n èideadh glan ùr. AN TU IL... dheasaich Raghnall Mac ille Dliuibh an leahhar seo agus dh’ fhoillsich Sco agaiblt linn gaisgeil nuair a bha an ceann ... Gur rrtairg nàmhaid a tharladh Polygon. 22 George Square. Diin Eideann e. einnidh ann an talla aige: far an robh na ledis Ri ànriainn ino rùin; Seo agaibh Duanaire Gtiidhlig an 20mh no torches a" nochdadh an Inchdleannihainn Ceud. -
François Cluzet in 11.6
Pan-Européenne Presents In Association with Wild Bunch François Cluzet in 11.6 A film by Philippe Godeau Starring Bouli Lanners and Corinne Masiero Written by Agnès de Sacy and Philippe Godeau Loosely based on Alice Géraud "Toni 11.6 Histoire du convoyeur" 1h42 - Dolby SRD - Scope - Visa n°133.508 High definition pictures and press kit can be downloaded from www.wildbunch.biz SYNOPSIS Toni Musulin. Security guard. Porsche owner. Loner. Enigma. An ordinary man seeking revenge for humiliation at the hands of his bosses. A man with a slow-burning hatred of the system. And the man behind "the heist of the century". Q&A with Philippe Godeau After ONE FOR THE ROAD, how did you decide to make a film about this one-of-a-kind €11.6 million heist? From the very beginning, what mattered to me wasn't so much the heist as the story of that man who'd been an armoured car guard for ten years with no police record, and who one day decided to take action. How come this punctual, hard- working, seemingly perfect, lonely employee, who kept his distance from unions, ended up pulling off the heist of the century and went to the other side? With the screenwriter Agnès de Sacy, this was our driving force. What was it that drove him to take action? We did a lot of research, we visited the premises, and we met some of his co-workers, some of his acquaintances, his lawyers… What about the real Toni Musulin? Did you actually meet him? I didn't.