The Future of Digital Radio
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History of the DVB Project
History of the DVB Project (This article was written by David Wood around 2013.) Introduction The DVB Project is an Alliance of about 200 companies, originally of European origin but now worldwide. Its objective is to agree specifications for digital media delivery systems, including broadcasting. It is an open, private sector initiative with an annual membership fee, governed by a Memorandum of Understanding (MoU). Until late 1990, digital television broadcasting to the home was thought to be impractical and costly to implement. During 1991, broadcasters and consumer equipment manufacturers discussed how to form a concerted pan-European platform to develop digital terrestrial TV. Towards the end of that year, broadcasters, consumer electronics manufacturers and regulatory bodies came together to discuss the formation of a group that would oversee the development of digital television in Europe. This so-called European Launching Group (ELG) expanded to include the major European media interest groups, both public and private, the consumer electronics manufacturers, common carriers and regulators. It drafted the MoU establishing the rules by which this new and challenging game of collective action would be played. The concept of the MoU was a departure into unexplored territory and meant that commercial competitors needed to appreciate their common requirements and agendas. Trust and mutual respect had to be established. The MoU was signed by all ELG participants in September 1993, and the Launching Group renamed itself as the Digital Video Broadcasting Project (DVB). Development work in digital television, already underway in Europe, moved into top gear. Around this time a separate group, the Working Group on Digital Television, prepared a study of the prospects and possibilities for digital terrestrial television in Europe. -
Replacing Digital Terrestrial Television with Internet Protocol?
This is a repository copy of The short future of public broadcasting: Replacing digital terrestrial television with internet protocol?. White Rose Research Online URL for this paper: http://eprints.whiterose.ac.uk/94851/ Version: Accepted Version Article: Ala-Fossi, M and Lax, S orcid.org/0000-0003-3469-1594 (2016) The short future of public broadcasting: Replacing digital terrestrial television with internet protocol? International Communication Gazette, 78 (4). pp. 365-382. ISSN 1748-0485 https://doi.org/10.1177/1748048516632171 Reuse Unless indicated otherwise, fulltext items are protected by copyright with all rights reserved. The copyright exception in section 29 of the Copyright, Designs and Patents Act 1988 allows the making of a single copy solely for the purpose of non-commercial research or private study within the limits of fair dealing. The publisher or other rights-holder may allow further reproduction and re-use of this version - refer to the White Rose Research Online record for this item. Where records identify the publisher as the copyright holder, users can verify any specific terms of use on the publisher’s website. Takedown If you consider content in White Rose Research Online to be in breach of UK law, please notify us by emailing [email protected] including the URL of the record and the reason for the withdrawal request. [email protected] https://eprints.whiterose.ac.uk/ The Short Future of Public Broadcasting: Replacing DTT with IP? Marko Ala-Fossi & Stephen Lax School of Communication, School of Media and Communication Media and Theatre (CMT) University of Leeds 33014 University of Tampere Leeds LS2 9JT Finland UK [email protected] [email protected] Keywords: Public broadcasting, terrestrial television, switch-off, internet protocol, convergence, universal service, data traffic, spectrum scarcity, capacity crunch. -
AM / FM / DAB / XM Tuner
ENGLISH FRANÇAIS Owner’s Manual Owner’s ESPAÑOL ® ITALIANO AM / FM / DAB / XM Tuner /XM /DAB /FM AM M4 DEUTSCH NEDERLANDS SVENSKA РУССКИЙ IMPORTANT SAFETY INSTRUCTIONS ENGLISH 1. Read instructions - All the safety and operating instructions should be NOTE TO CATV SYSTEM INSTALLER read before the product is operated. This reminder is provided to call the CATV system installer’s attention to Section 820-40 of 2. Retain instructions - The safety and operating instructions should be the NEC which provides guidelines for proper grounding and, in particular, specifies that retained for future reference. the cable ground shall be connected to the grounding system of the building, as close 3. Heed Warnings - All warnings on the product and in the operating to the point of cable entry as practical. instructions should be adhered to. 4. Follow Instructions - All operating and use instructions should be FRANÇAIS followed. 5. Cleaning - Unplug this product from the wall outlet before cleaning. Do not use liquid cleaners or aerosol cleaners. Use a damp cloth for cleaning. 6. Attachments - Do not use attachments not recommended by the product manufacturer as they may cause hazards. 7. Water and Moisture - Do not use this product near water-for example, near a bath tub, wash bowl, kitchen sink, or laundry tub; in a wet basement; or near a swimming pool; and the like. ESPAÑOL 8. Accessories - Do not place this product on an unstable cart, stand, tripod, bracket, or table. The product may fall, causing serious injury to a child or adult and serious damage to the product. Use only with a cart, stand, tripod, bracket, or table recommended by the manufacturer, or sold with the product. -
Digital Audio Broadcasting : Principles and Applications of Digital Radio
Digital Audio Broadcasting Principles and Applications of Digital Radio Second Edition Edited by WOLFGANG HOEG Berlin, Germany and THOMAS LAUTERBACH University of Applied Sciences, Nuernberg, Germany Digital Audio Broadcasting Digital Audio Broadcasting Principles and Applications of Digital Radio Second Edition Edited by WOLFGANG HOEG Berlin, Germany and THOMAS LAUTERBACH University of Applied Sciences, Nuernberg, Germany Copyright ß 2003 John Wiley & Sons Ltd, The Atrium, Southern Gate, Chichester, West Sussex PO19 8SQ, England Telephone (þ44) 1243 779777 Email (for orders and customer service enquiries): [email protected] Visit our Home Page on www.wileyeurope.com or www.wiley.com All Rights Reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, scanning or otherwise, except under the terms of the Copyright, Designs and Patents Act 1988 or under the terms of a licence issued by the Copyright Licensing Agency Ltd, 90 Tottenham Court Road, London W1T 4LP, UK, without the permission in writing of the Publisher. Requests to the Publisher should be addressed to the Permissions Department, John Wiley & Sons Ltd, The Atrium, Southern Gate, Chichester, West Sussex PO19 8SQ, England, or emailed to [email protected], or faxed to (þ44) 1243 770571. This publication is designed to provide accurate and authoritative information in regard to the subject matter covered. It is sold on the understanding that the Publisher is not engaged in rendering professional services. If professional advice or other expert assistance is required, the services of a competent professional should be sought. -
Development of a Digital Terrestrial Front End
DEVELOPMENT OF A DIGITAL TERRESTRIAL FRONT END J D Mitchell (BBC) and P Sadot (LSI Logic, France) ABSTRACT BBC Research and Development and LSI Logic are jointly developing a front end for digital terrestrial television transmitted according to the DVB-T specification. The front end consists of two separate components. First, an analogue down-converter that converts the input signal from UHF to a low IF. Second, an integrated circuit that accepts the analogue signal from the down-converter and performs the required DSP operations, which include synchronisation and demodulation, to form a stream of soft decisions suitable for presentation to an FEC decoder. The development process began by agreeing a set of requirements to which the two components must conform. This paper begins by outlining these requirements. During the development of the components, many issues have been considered and resolved. A selection of the key issues and the decisions that were reached is given and, finally, a discussion of the architecture that results from these decisions is presented. INTRODUCTION BBC Research and Development and LSI Logic are working together on the development of a digital terrestrial front end which is capable of decoding transmissions compliant with the European DVB-T specification (1). This development unites the BBC's system expertise in COFDM, see Nokes et al. (2), Stott (3) and (4), and LSI Logic's long-established chip design capability. As part of the front end development, LSI Logic and the BBC are working together on two distinct, but related, development projects: a single CMOS chip implementing a complete OFDM demodulator, and a new terrestrial down-converter designed for use with the digital chip. -
Es 201 980 V3.2.1 (2012-06)
ETSI ES 201 980 V3.2.1 (2012-06) ETSI Standard Digital Radio Mondiale (DRM); System Specification 2 ETSI ES 201 980 V3.2.1 (2012-06) Reference RES/JTC-DRM-26 Keywords broadcasting, digital, DRM, radio ETSI 650 Route des Lucioles F-06921 Sophia Antipolis Cedex - FRANCE Tel.: +33 4 92 94 42 00 Fax: +33 4 93 65 47 16 Siret N° 348 623 562 00017 - NAF 742 C Association à but non lucratif enregistrée à la Sous-Préfecture de Grasse (06) N° 7803/88 Important notice Individual copies of the present document can be downloaded from: http://www.etsi.org The present document may be made available in more than one electronic version or in print. In any case of existing or perceived difference in contents between such versions, the reference version is the Portable Document Format (PDF). In case of dispute, the reference shall be the printing on ETSI printers of the PDF version kept on a specific network drive within ETSI Secretariat. Users of the present document should be aware that the document may be subject to revision or change of status. Information on the current status of this and other ETSI documents is available at http://portal.etsi.org/tb/status/status.asp If you find errors in the present document, please send your comment to one of the following services: http://portal.etsi.org/chaircor/ETSI_support.asp Copyright Notification No part may be reproduced except as authorized by written permission. The copyright and the foregoing restriction extend to reproduction in all media. © European Telecommunications Standards Institute 2012. -
DRM 2020 Review
DRM 2020 Review DIGITAL radio for all www.drm.org Contents Foreword ................................................................................................................................ 3 Section 2 DRM Technically Better Than Ever ................................................. 12 Section 1 – Global DRM Reaches Beyond India • DRM Simplified ETSI Reccommendations India Update.......................................................................................................................... 5 • DRM for FM – An Even More Efficient Solution Now Available • Latest Digital Radio Mondiale (DRM) Developments in India • Digital Radio Digital Radio European Electronic Communications Code • DRM Consortium Announces Creation of DRM Automotive Workgroup Sends Powerful Message to Countries Adopting DRM Globally for India • DRM – Key Member of the Digital Radio Standards Family • DRM Gospell Receivers Available to Buy in India Through Antriksh • DRM Handbook Updated Digital Solutions • Over to Your: Your Questions on DRM Answered Pakistan .................................................................................................................................. 9 Section 3 – DRM Showcases Reach Further in 2020..................................... 14 • Pakistan Digitisation and Automotive Policy Plans • DRM Holds Virtual General Assembly • IBC – Best DRM IBC event in its History Indonesia................................................................................................................................ 9 • DRM -
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internet resources John H. Barnett Global voices, global visions International radio and television broadcasts via the Web he world is calling—are you listening? used international broadcasting as a method of THere’s how . Internet radio and tele communicating news and competing ideologies vision—tuning into information, feature, during the Cold War. and cultural programs broadcast via the In more recent times, a number of reli Web—piqued the interest of some educators, gious broadcasters have appeared on short librarians, and instructional technologists in wave radio to communicate and evangelize the 1990s. A decade ago we were still in the to an international audience. Many of these early days of multimedia content on the Web. media outlets now share their programming Then, concerns expressed in the professional and their messages free through the Internet, literature centered on issues of licensing, as well as through shortwave radio, cable copyright, and workable business models.1 television, and podcasts. In my experiences as a reference librar This article will help you find your way ian and modern languages selector trying to to some of the key sources for freely avail make Internet radio available to faculty and able international Internet radio and TV students, there were also information tech programming, focusing primarily on major nology concerns over bandwidth usage and broadcasters from outside the United States, audio quality during that era. which provide regular transmissions in What a difference a decade makes. Now English. Nonetheless, one of the benefi ts of with the rise of podcasting, interest in Web tuning into Internet radio and TV is to gain radio and TV programming has recently seen access to news and knowledge of perspec resurgence. -
Digitalization of Radio Through DRM Standard on Mediumwave And
ISSN: 2277-3754 ISO 9001:2008 Certified International Journal of Engineering and Innovative Technology (IJEIT) Volume 3, Issue 9, March 2014 Digitalization of Radio through DRM Standard on Mediumwave and Shortwave Branimir Jaksic, Mile Petrovic, Petar Spalevic, Ratko Ivkovic, Sinisa Minic University of Prishtina, Faculty of Technical Sciences, Kosovska Mitrovica, Serbia University of Prishtina, Teachers College, Leposavic, Serbia areas where analog technology AM (amplitude modulation) Abstract— this paper work offers an overview of DRM was used. It is planned that AM should be replaced with standards used in digitization of radio on medium and short waves digital technology which is similar to technologies DAB and in the world. Firstly, it provides the raw characteristics of DRM DVB-T (all of these listed technologies use OFDM technology and its working principle, with a special focus on audio coding. After that, the state of DRM transmissions in modulation) [3]. The primary purpose of DRM technology is February 2014 is given. Also it gives an summary of radio stations for transfer of the audio content. With this basic purpose, which broadcast the program using DRM technology (country DRM also supports the transfer of some multimedia content and language transmission). Broadcasting areas of radio stations with lower transmission capacity: are also provided, as well as the number of active DRM - DRM text messages; frequencies by regions of the world, for each radio station - EPG (Electronic Program Guide); separately. Then, a map of DRM transmitters in the world is - Information text services (Journaline text based shown, with their main characteristics. information service); - Transmission frames (Slideshow); Index Terms—DRM, frequencie, radio channel, transmitters. -
Digital Multi–Programme TV/HDTV by Satellite
Digital multi–programme TV/HDTV by satellite M. Cominetti (RAI) A. Morello (RAI) M. Visintin (RAI) The progress of digital technology 1. Introduction since the WARC’77 is considered and the perspectives of future The significant progress of digital techniques in applications via satellite channels production, transmission and emission of radio are identified. Among these, digital and television programmes is rapidly changing the established concepts of broadcasting. multi–programme television systems, with different quality levels (EDTV, SDTV) and possible The latest developments in VLSI (very–large scale evolution to HDTV, are evaluated in integration) technology have significantly contrib- uted to the rapid emergence of digital image/video terms of picture quality and service compression techniques in broadcast and informa- availability on the satellite channels tion–oriented applications; optical fibre technolo- of the BSS bands (12 GHz and gy allows broadband end–to–end connectivity at 22 GHz) and of the FSS band (11 very high bit–rates including digital video capabil- GHz) in Europe. A usable channel ities; even the narrow–band terrestrial broadcast capacity of 45 Mbit/s is assumed, as channels in the VHF/UHF bands (6–7 MHz and 8 well as the adoption of advanced MHz) are under investigation, in the USA [1] and channel coding techniques with in Europe [2], for the future introduction of digital QPSK and 8PSK modulations. For television services. high and medium–power satellites, in operation or planned, the The interest for digital television in broadcasting receiving antenna diameters and multimedia communications is a clear exam- required for correct reception are ple of the current evolution from the analogue to reported. -
DRM Implementation Guide
digital radio for all DIGITAL radio mondiale DRM Introduction and Implementation Guide Revision 3 www.drm.org February 2018 D E T A D P U digital radio for all DIGITAL radio mondiale IMPRESSUM The DRM Digital Broadcasting System Introduction and Implementation Guide Copyright: DRM Consortium, Postal Box 360, CH – 1218 Grand-Saconnex, Geneva, Switzerland All rights reserved. No part of this publication may be reproduced or transmitted, in any form or by any means, without permission. Published and produced by the DRM Consortium Editors: Nigel Laflin, Lindsay Cornell Date of Publication: Revision 3, February 2018 Designed by: Matthew Ward For inquiries and orders contact: [email protected] www.drm.org Registered address: DRM Consortium, PO BOX 360, CH – 1218, Grand-Saconnex, Geneva, Switzerland @drmdigitalradio www.facebook.com/digitalradiomondiale.drm 2 The DRM Digital Broadcasting System Introduction and Implementation Guide PREFACE This guide is aimed at the management of broadcasting organisations in areas of policy making as well as in programme making and technical planning. It explains in some detail the advantages gained by radio broadcasters introducing the DRM ® Digital Radio Mondiale™ technology and some of the technical and commercial considerations they need to take into account in formulating a strategy for its introduction. The guide is a development of the previous ‘Broadcast User Guide’ and includes information on latest system and regulatory aspects for the introduction of the various DRM system variants. It also includes links to reports and articles on an extensive range of highly successful real-life trials. Digital Radio Mondiale (DRM) is the universal, openly standardised digital broadcasting system for all broadcasting frequencies up to 300 MHz, including the AM bands (LF, MF, HF) and VHF bands I, II (FM band) and III. -
Internet Radio: an Analysis of Pandora and Spotify
Internet Radio: An Analysis of Pandora and Spotify BY Corinne Loiacono ADVISOR • Jim Bishop EDITORIAL REVIEWER • Phyllis Schumacher _________________________________________________________________________________________ Submitted in partial fulfillment of the requirements for graduation with honors in the Bryant University Honors Program APRIL 2014 Internet Radio Customizations: An Analysis of Pandora and Spotify Senior Capstone Project for Corinne Loiacono Table of Contents Acknowledgements: ..................................................................................................................................... 3 Abstract: ........................................................................................................................................................ 4 Introduction: ................................................................................................................................................. 5 Review of Literature: .................................................................................................................................... 7 An Overview of Pandora: ................................................................................................................ 7 An Overview of Spotify: ............................................................................................................... 10 Other Mediums: ............................................................................................................................. 12 A Comparison: ..............................................................................................................................