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DOCTOR WHO LOGOPOLIS Christopher H. Bidmead Based On
DOCTOR WHO LOGOPOLIS Christopher H. Bidmead Based on the BBC television serial by Christopher H. Bidmead by arrangement with the British Broadcasting Corporation 1. Events cast shadows before them, but the huger shadows creep over us unseen. When some great circumstance, hovering somewhere in the future, is a catastrophe of incalculable consequence, you may not see the signs in the small happenings that go before. The Doctor did, however - vaguely. While the Doctor paced back and forth in the TARDIS cloister room trying to make some sense of the tangle of troublesome thoughts that had followed him from Traken, in a completely different sector of the Universe, in a place called Earth, one such small foreshadowing was already beginning to unfold. It was a simple thing. A policeman leaned his bicycle against a police box, took a key from the breast pocket of his uniform jacket and unlocked the little telephone door to make a phone call. Police Constable Donald Seagrave was in a jovial mood. The sun was shining, the bicycle was performing perfectly since its overhaul last Saturday afternoon, and now that the water-main flooding in Burney Street was repaired he was on his way home for tea, if that was all right with the Super. It seemed to be a bad line. Seagrave could hear his Superintendent at the far end saying, 'Speak up . Who's that . .?', but there was this whirring noise, and then a sort of chuffing and groaning . The baffled constable looked into the telephone, and then banged it on his helmet to try to improve the connection. -
Doctor Who: Castrovalva
Still weak and confused after his fourth regeneration, the Doctor retreats to Castrovalva to recuperate. But Castrovalva is not the haven of peace and tranquility the Doctor and his companions are seeking. Far from being able to rest quietly, the unsuspecting time-travellers are caught up once again in the evil machinations of the Master. Only an act of supreme self-sacrifice will enable them to escape the maniacal lunacy of the renegade Time Lord. Among the many Doctor Who books available are the following recently published titles: Doctor Who and the Leisure Hive Doctor Who and the Visitation Doctor Who – Full Circle Doctor Who – Logopolis Doctor Who and the Sunmakers Doctor Who Crossword Book UK: £1 · 35 *Australia: $3 · 95 Malta: £M1 · 35c *Recommended Price TV tie-in ISBN 0 426 19326 1 This book is dedicated to M. C. Escher, whose drawings inspired it and provided its title. Thanks are also due to the Barbican Centre, London, England, where a working model of the disorienteering experiments provided valuable practical experience. DOCTOR WHO CASTROVALVA Based on the BBC television serial by Christopher H. Bidmead by arrangement with the British Broadcasting Corporation CHRISTOPHER H. BIDMEAD published by The Paperback Division of W. H. Allen & Co. Ltd A Target Book Published in 1983 by the Paperback Division of W.H. Allen & Co. Ltd A Howard & Wyndham Company 44 Hill Street, London W1X 8LB Novelisation copyright © Christopher H. Bidmead 1983 Original script copyright © Christopher H. Bidmead 1982 ‘Doctor Who’ series copyright © British Broadcasting Corporation 1982, 1983 Printed and bound in Great Britain by Hunt Barnard Printing Ltd, Aylesbury, Bucks ISBN 0 426 19326 1 This book is sold subject to the condition that it shall not, by way of trade or otherwise, be lent, re-sold, hired out or otherwise circulated without the publisher’s prior consent in any form of binding or cover other than that in which it is published and without a similar condition including this condition being imposed on the subsequent purchaser. -
The Lie of the Land' by Toby Whithouse - TONE DRAFT - 22/11/16 1 PUBLIC INFORMATION FILM
DOCTOR WHO SERIES 10 EPISODE 8 "X" by Toby Whithouse TONE DRAFT (DRAFT TWO) 22/11/16 (SHOOTING BLOCK 6) DW10: EP 8 'The Lie of the Land' by Toby Whithouse - TONE DRAFT - 22/11/16 1 PUBLIC INFORMATION FILM. 1 Space. The sun rising over the peaceful blue Earth. VOICE OVER The Monks have been with us from the beginning. Primordial soup: a fish heaves itself from the swamp, its little fins work like pistons to drag itself up the bank, across the sandy earth. The most important and monumental struggle in the planet’s history. It bumps into the foot of a Monk, waiting for it. VOICE OVER (CONT’D) They shepherded humanity through its formative years, gently guiding and encouraging. Cave paintings: primitive man. Before them, what can only be a Monk. It holds a spear, presenting it to the tribe of men. VOICE OVER (CONT’D) Like a parent clapping their hands at a baby's first steps. Another cave painting: a herd of buffalo, pursued by the men, spears and arrows protruding from their hides. Above and to the right, watching, two Monks. Benign sentinels. VOICE OVER (CONT’D) They have been instrumental in all the advances of technology and culture. Photograph: Edison, holding a lightbulb. The arm and shoulder of a Monk next to him, creeping into the frame. VOICE OVER (CONT’D) They watched proudly as man invented the lightbulb, the telephone, the internet... Photograph: the iconic shot of Einstein halfway through writing the equation for the theory of relativity on a blackboard. -
Doctor Who 4 Ep.18.GOLD.SCW
DOCTOR WHO 4.18 by Russell T Davies Shooting Script GOLDENROD ??th April 2009 Prep: 23rd February Shoot: 30th March Tale Writer's The Doctor Who 4 Episode 18 SHOOTING SCRIPT 20/03/09 page 1. 1 OMITTED 1 2 FX SHOT. GALLIFREY - DAY 2 FX: LONG FX SHOT, craning up to reveal the mountains of Gallifrey, as Ep.3.12 sc.40. But now transformed; the mountains are burning, a landscape of flame. The valley's a pit of fire, cradling the hulks of broken spaceships. Keep craning up to see, beyond; the Citadel of the Time Lords. The glass dome now cracked and open. CUT TO: 3 INT. CITADEL - DAY 3 FX: DMP WIDE SHOT, an ancient hallway, once beautiful, high vaults of stone & metal. But the roof is now broken, open to the dark orange sky, the edges burning. Bottom of frame, a walkway, along which walk THE NARRATOR, with staff, and 2 TIME LORDS, the latter pair in ceremonial collars. FX: NEW ANGLE, LONG SHOT, the WALKWAY curves round, Narrator & Time Lords now following the curve, heading towards TWO HUGE, CARVED DOORS, already open. A Black Void beyond. Tale CUT TO: 4 INT. BLACK VOID 4 FX: OTHER SIDE OF THE HUGE DOORS, NARRATOR & 2 TIME LORDS striding through. The Time Lords stay by the doors, on guard; lose them, and the doors, as the Narrator walks on. FX: WIDE SHOT of the Black Void - like Superman's Krypton, the courtroom/Phantom Zone scenes - deep black, starkly lit from above. Centre of the Void: a long table, with 5 TIME LORDS in robes Writer's(no collars) seated. -
Doctor Who 4 Ep 17.GREENS
Doctor Who 4 Episode 17 By Russell T Davies Shooting Script GREENS 18th April 2009 Prep starts: 23rd Feb Shooting starts: 30th March Tale Writer's The Doctor Who 4 Episode 17 SHOOTING SCRIPT 20/03/09 page 1 1 FX SHOT - PLANET EARTH 1 FX: THE EARTH, suspended in space, in all its beauty. Over this, the NARRATOR. An old, wise man. NARRATOR It is said that in the final days of Planet Earth, everyone had bad dreams. MIX TO: 2 EXT. SHOPPING STREET - NIGHT 1 2 CAMERA craning down a huge, outdoor CHRISTMAS TREE... NARRATOR To the west of the north of that world, the Human Race did gather, in celebration of a pagan rite, to banish the cold and the dark. ...craning down to find a SALVATION ARMY BRASS BAND. God Rest Ye Merry Gentlemen; the most mournful of carols. Moving round to find a few ONLOOKERS Tale(SHOPPERS in b/g). People, just dotted about, pausing. A woman & gran. Three teenagers. A family, mum, dad and little daughter... NARRATOR (CONT'D) Each and every one of those people had dreamt of the terrible things to come. But they forgot, because they must; they forgot their nightmares, of fire and war and insanity. Writer's They forgot... ...then finding WILFRED MOTT. NARRATOR (CONT'D) TheExcept for one. Wilf's troubled, uneasy, and on his CLOSE UP - INTERCUT, fast, violent - CU of a FACE, bleached, against black - manic laughter - a familiar face, it's - Wilf blinks. Shakes it off. Turns away... CUT TO WIDER. Wilf wandering along. Lost in thought. -
GOOD SUNDAYS CAN CHANGE YOUR ETERNITY This Week I Was
GOOD SUNDAYS CAN CHANGE YOUR ETERNITY This week I was at a conference and heard a Pastor named Mark Hughes from Church on the Rock in Winnipeg tell this story. He and his wife love Kayaking. This past summer they decided to go to Lake of the Woods and Kayak around the Sable Islands in the south of the lake. For Kayakers, that is paradise. The problem is that there are no roads that get you close to them. He saw a road on Google Earth that he figured would be the best route. They set off, kayaks on the roof of their car dressed in beach clothes. After driving down endless gravel roads he came to a gate. There were a number of men standing around drinking coffee and smoking. He waved to them and no one said anything so he kept going. The road was in bad shape so they had to drive slow. After a long time the road ended at the bottom of a gravel pit. He managed to turn the car around and go back the way they came. Eventually they arrived back at the gate. He rolled down the window and asked one of the workmen how to get to the Sable Islands. The workman said “you have to go back to the main road and then head 4 kms west and then take that road to the end. This road only goes to the gravel pit.” What a great description of so many in this world today. They are looking for paradise but wind up in the pit. -
Mcsporran, Cathy (2007) Letting the Winter In: Myth Revision and the Winter Solstice in Fantasy Fiction
McSporran, Cathy (2007) Letting the winter in: myth revision and the winter solstice in fantasy fiction. PhD thesis http://theses.gla.ac.uk/5812/ Copyright and moral rights for this thesis are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the Author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the Author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Glasgow Theses Service http://theses.gla.ac.uk/ [email protected] Letting the Winter In: Myth Revision and the Winter Solstice in Fantasy Fiction Cathy McSporran Thesis submitted for the degree of Doctor of Philosophy Department of English Literature, University of Glasgow Submitted October 2007 @ Cathy McSporran 2007 Abstract Letting the Winter In: Myth-Revision and the Winter Solstice in Fantasy Fiction This is a Creative Writing thesis, which incorporates both critical writing and my own novel, Cold City. The thesis explores 'myth-revision' in selected works of Fantasy fiction. Myth- revision is defined as the retelling of traditional legends, folk-tales and other familiar stories in such as way as to change the story's implied ideology. (For example, Angela Carter's 'The Company of Wolves' revises 'Red Riding Hood' into a feminist tale of female sexuality and empowerment.) Myth-revision, the thesis argues, has become a significant trend in Fantasy fiction in the last three decades, and is notable in the works of Terry Pratchett, Neil Gaiman and Philip Pullman. -
Happy New Year January 2013/Volume 20 Issue 1 Contributors EDITORS Message from Your Editors
CAT - TALES SM HAPPY NEW YEAR January 2013/Volume 20 Issue 1 CONTRIBUTORS EDITORS Message from your editors: Barbara Voss It’s a new year and another 12 issues of Cat- Jim Alleborn Tales to look forward to. Bill and I weren’t St. Bill Voss James residents when Cat-Tales was started Jim Carey [email protected] so many years ago, but we’ve heard it was a Vicki Caruso page or two on mimeographed paper. Thank PUBLISHED BY you to those folks who started something we Gordon Corlew can all be proud of. This is OUR magazine Melody Bellamy and we should all be proud of it. The articles Mary Ann Derks Coastal Printing & Graphics about neighbors giving their time and money Kathy Fitzgerald to benefit others, sharing life and travel ASSOCIATE EDITORS experiences, and giving us tips for our safety Don Hill and well-being (wine is very important for Bill Allen that!) are things we enjoy each month. Tricia Hill Susan Edwards We wish you health and happiness for the new Carol Kidd Betty Lewis year and are hoping to hear from you with any ideas you may have to make this publication Mike Kirsche Paul Maguire even better. Sue Maguire Barbara Lemos Wendy Taylor Nate Lipsen IMPORTANT TELEPHONE NUMBERS Phillip Midgett POA Fire, Rescue or Medical Emergency 911 COMMUNICATIONS (Direct Number for 911 Dispatch) 910-253-7490 John Muuss CHAIR St. James Security-Main Gate 910-253-7177 St. James Security-Main Gate 910-253-7178 Kevin O’Connor Lisa Williamson St. James Town Office 910-253-4730 St. -
A IDEOLOGICAL CRITICISM of DOCTOR WHO Noah Zepponi University of the Pacific, [email protected]
University of the Pacific Scholarly Commons University of the Pacific Theses and Dissertations Graduate School 2018 THE DOCTOR OF CHANGE: A IDEOLOGICAL CRITICISM OF DOCTOR WHO Noah Zepponi University of the Pacific, [email protected] Follow this and additional works at: https://scholarlycommons.pacific.edu/uop_etds Part of the Communication Commons Recommended Citation Zepponi, Noah. (2018). THE DOCTOR OF CHANGE: A IDEOLOGICAL CRITICISM OF DOCTOR WHO. University of the Pacific, Thesis. https://scholarlycommons.pacific.edu/uop_etds/2988 This Thesis is brought to you for free and open access by the Graduate School at Scholarly Commons. It has been accepted for inclusion in University of the Pacific Theses and Dissertations by an authorized administrator of Scholarly Commons. For more information, please contact [email protected]. 2 THE DOCTOR OF CHANGE: A IDEOLOGICAL CRITICISM OF DOCTOR WHO by Noah B. Zepponi A Thesis Submitted to the Graduate School In Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS College of the Pacific Communication University of the Pacific Stockton, California 2018 3 THE DOCTOR OF CHANGE: A IDEOLOGICAL CRITICISM OF DOCTOR WHO by Noah B. Zepponi APPROVED BY: Thesis Advisor: Marlin Bates, Ph.D. Committee Member: Teresa Bergman, Ph.D. Committee Member: Paul Turpin, Ph.D. Department Chair: Paul Turpin, Ph.D. Dean of Graduate School: Thomas Naehr, Ph.D. 4 DEDICATION This thesis is dedicated to my father, Michael Zepponi. 5 ACKNOWLEDGEMENTS It is here that I would like to give thanks to the people which helped me along the way to completing my thesis. First and foremost, Dr. -
Autonomy, Community, and Divinity
The Mythic Reality of the Autonomous Individual with John A. Teske, “Editorial Overview”; Edwin C. Laurenson, “Agency, Freedom, and the Blessings of Opacity”; Phillip Cary, “Philosophical and Religious Origins of the Private Inner Self”; Anindita N. Balslev, “The Enigma of I-Consciousness”; Lene Arnett Jensen, “The Cultural Development of Three Fundamental Moral Ethics”; Amy Banks, “Developing the Capacity to Connect”; John A. Teske, “Externalism, Relational Selves, and Redemptive Relationships”; Kenneth J. Gergen, “From Moral Autonomy to Relational Responsibility”; Steven L. Winter, “Reimagining Democratic Theory for Social Individuals” THE CULTURAL DEVELOPMENT OF THREE FUNDAMENTAL MORAL ETHICS: AUTONOMY, COMMUNITY, AND DIVINITY by Lene Arnett Jensen Abstract. In this essay, I describe my Cultural-Developmental Template Approach to moral psychology. This theory draws on my research with the Three Ethics of Autonomy, Community, and Divinity, and the work of many other scholars. The cultural- developmental synthesis suggests that the Ethic of Autonomy emerges early in people’s psychological lives, and continues to hold some importance across the lifespan. But Autonomy is not alone. The Ethic of Community too emerges early and appears to increase in importance across the life course. Then, it also seems that in most places and at most times, the Ethic of Divinity has found a voice— and in some traditions this ethic may become audible in adolescence. Ethics of Autonomy, Community, and Divinity, then, may have universal roots in the human condition. However, they are also clearly culturally and historically situated. Cultural communities—whether defined by religious, national, or other boundaries—vary in how they prioritize the three ethics and the extent to which they reinforce their development. -
Doctor Who: Frontios
The TARDIS has drifted far into the future and comes to rest hovering over Frontios, refuge of one group of survivors from Earth who have escaped the disintegration of their home planet. The Doctor is reluctant to land on Frontios, as he does not wish to intervene in a moment of historical crisis – the colonists are still struggling to establish themselves and their continued existence hangs in the balance. But the TARDIS is forced down by what appears to be a meteorite storm, and crash-lands, leaving the Doctor and his companions marooned on the hope-forsaken planet . DISTRIBUTED BY: USA: CANADA: AUSTRALIA: NEW ZEALAND: LYLE STUART INC. CANCOAST GORDON AND GORDON AND 120 Enterprise Ave. BOOKS LTD, c/o GOTCH LTD GOTCH (NZ) LTD Secaucus, Kentrade Products Ltd. New Jersey 07094 132 Cartwright Ave, Toronto, Ontario I S B N 0 - 4 2 6 - 1 9 7 8 0 - 1 UK: £1.50 USA: $2.95 *Australia: $4.50 NZ: $5.50 ,-7IA4C6-bjhiaf— Canada: $3.95 *Recommended Price Science Fiction/TV tie-in DOCTOR WHO FRONTIOS Based on the BBC television serial by Christopher H. Bidmead by arrangement with the British Broadcasting Corporation CHRISTOPHER H. BIDMEAD Number 91 in the Doctor Who Library A TARGET BOOK published by The Paperback Division of W. H. Allen & Co. PLC A Target Book Published in 1984 by the Paperback Division of W.H. Allen & Co. PLC 44 Hill Street, London W1X 8LB Novelisation copyright © Christopher H. Bidmead 1984 Original script copyright © Christopher H. Bidmead 1984 ‘Doctor Who’ series copyright © British Broadcasting Corporation 1984 The BBC producer of Frontios John Nathan-Turner, the director was Ron Jones Printed and bound in Great Britain by Anchor Brendon Ltd, Tiptree, Essex ISBN 0 426 19780 1 This book is sold subject to the condition that it shall not, by way of trade or otherwise, be lent, re-sold, hired out or otherwise circulated without the publisher’s prior consent in any form of binding or cover other than that in which it is published and without a similar condition including this condition being imposed on the subsequent purchaser. -
Dr Who Pdf.Pdf
DOCTOR WHO - it's a question and a statement... Compiled by James Deacon [2013] http://aetw.org/omega.html DOCTOR WHO - it's a Question, and a Statement ... Every now and then, I read comments from Whovians about how the programme is called: "Doctor Who" - and how you shouldn't write the title as: "Dr. Who". Also, how the central character is called: "The Doctor", and should not be referred to as: "Doctor Who" (or "Dr. Who" for that matter) But of course, the Truth never quite that simple As the Evidence below will show... * * * * * * * http://aetw.org/omega.html THE PROGRAMME Yes, the programme is titled: "Doctor Who", but from the very beginning – in fact from before the beginning, the title has also been written as: “DR WHO”. From the BBC Archive Original 'treatment' (Proposal notes) for the 1963 series: Source: http://www.bbc.co.uk/archive/doctorwho/6403.shtml?page=1 http://aetw.org/omega.html And as to the central character ... Just as with the programme itself - from before the beginning, the central character has also been referred to as: "DR. WHO". [From the same original proposal document:] http://aetw.org/omega.html In the BBC's own 'Radio Times' TV guide (issue dated 14 November 1963), both the programme and the central character are called: "Dr. Who" On page 7 of the BBC 'Radio Times' TV guide (issue dated 21 November 1963) there is a short feature on the new programme: Again, the programme is titled: "DR. WHO" "In this series of adventures in space and time the title-role [i.e.